...writer William Carlos Williams widely recognized for a frugal use of lexicon stands apart as one of the most significant forces of twentieth-century poetry. A myriad of ingredients, including people, experiences, and circumstances, combined to influence Williams’ poetry and prose. Williams’ writing, along with that of many of the emerging American Modernist poets, is also considered to be a reaction to the verbose poetry and prose he had been exposed to growing up. “The ‘New Poetry,’ as it was called, was largely a revolt against the Romanticism of the previous decades” (Scott 18). In addition, Williams’ poetry was inspired by societal and cultural changes occurring during the early twentieth century. William Carlos Williams led the way into an Americanized style of poetry, diverging from the grandiloquent manner of European writers, to create a form of modernist poetry that remains as relevant today as it did when it was written. The essence of William Carlos Williams’ innovative style of writing derives from his remarkably plebian upbringing. Born in 1883 to an English father and Puerto Rican mother in Rutherford, New Jersey, Williams was exposed to art, literature, and the Bible by his family. His father and mother instilled in him a sense of idealism and moral perfectionism that terrified Williams. In 1904 Williams wrote “I never did and never will do a premeditated bad deed in my life,” (Williams Carlo Williams, Poetry Foundation). Although early on Williams’ demonstrated...
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...Symbolism: American Poets in Europe The key aspects discussed in this paper are American Imagists in Europe in the beginning and the middle of 20th century. However, everything has its roots and its beginnings. The same way imagism movement initially developed from symbolism, very popular literary movement of the end of 19th century, which influenced most of the imagist poets. Symbolism was an art movement originated in France, Belgium and Russia in the end of the 19th century, which remained prominent almost until the end of the World War II. This movement was a reaction to the predominating at that time standards and rules of realism. It appeared as a new manifestation of the romanticism and was concerned about preserving individualism in the modern world, absorbed by the mass culture.1 Usually being enclosed in free verse, symbolism was about expression of author’s personal emotions. It handled very composite feelings that appeared from the everyday life in the world and was rather about evoking than about describing. It used an object, person, colour or just a word in order to represent or describe something else. It was used when an author wanted to create some specific mood or any given emotion in his piece.2 Being tired of realism, Ezra Pound and T. S. Eliot, introduced symbolism to the America. Nevertheless, Pound was looking for something else, for something new in his poetry and, along with some other British and American poets, created imagism in 1910–1912...
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...As literature evolved over time, different styles of writing emerged in response to societal changes that occurred in each individual writer’s lifetime. One style of writing that emerged in the early 1900’s was described as Imagism. This style of writing is in which a writer writes in a specific way that evokes an image within the audience’s minds. Two writers from this time period that wrote in the imagism style were William Carlos Williams and Ezra Pound. Williams became known for his imagism works such as “The Red Wheelbarrow” and “This is Just to Say,” both of which are forms of imagism but in far different ways. A work that stood out from the imagism works was “In a Station of the Metro,” by Ezra pound which is a simplistic poems with a deep meaning behind it. These three works describe the many differences and similarities that imagism writing style encompass....
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...of |1. Direct treatment of 'thing' whether subjective or objective. | |Genres, Elements of Literature |expression. |2. To use absolutely no word that does not contribute to the | |Authors |—Avant-garde, innovative |presentation. | |Robert Frost, Ezra Pound, and T. S. Eliot |—Frost's "old-fashioned way to be new" |3. As regarding rhythm: to compose in the sequence of the musical | |Wallace Stevens and William Carlos Williams |—Pound's "making it new" |phrase, not in sequence of a metronome. | |Langston Hughes |Disconnected with the past, and disconcerted about...
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...the bourgeois society found their reflection in lit-re. The main representatives of this period is: John Milton: was born in London&educated at Christ’s College. He lived a pure life believing that he had a great purpose to complete. At college he was known as the The Lady of Christ’s. he Got master’s degree at Cambridge. It’s convenient to consider his works in 3 divisions. At first he wrote his short poems at Horton. (The Passion, Song on May Morning, L’Allegro). Then he wrote mainly prose. His 3 greatest poems belong to his last group. At the age of 23 he had still done little in life&he admits this in one of his sonnets. (On his 23d B-day) In his another sonnet he wrote on his own blindness. (On his Blindness) Milton wrote diff. kinds of works. His prose works were mainly concerned with church, affairs, divorce & freedom. The English civil war between Charles I & Parliament followed by the 2nd civil war, 1641-1651. During these years Milton worked hard at his pamphlets, supported Cromwell (also wrote a sonnet “to Cromwell”). He wrote many journalistic works were he stood for the ideas of revolution. His most famous treatis is “the doctrine and discipline of Areopagitica”. He became unpopular when Charles II was made king in 1660, but it...
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...PHILIPPINE LITERATURE Philippine literature is the body of works, both oral and written, that Filipinos, whether native, naturalized, or foreign born, have created about the experience of people living in or relating to Philippine society. It is composed or written in any of the Philippine languages, in Spanish and in English, and in Chinese as well. Philippine literature may be produced in the capital city of Manila and in the different urban centers and rural outposts, even in foreign lands where descendants of Filipino migrants use English or any of the languages of the Philippines to create works that tell about their lives and aspirations. The forms used by Filipino authors may be indigenous or borrowed from other cultures, and these may range from popular pieces addressed to mass audiences to highly sophisticated works intended for the intellectual elite. Having gone through two colonial regimes, the Philippines has manifested the cultural influences of the Spanish and American colonial powers in its literary production. Works may be grouped according to the dominant tradition or traditions operative in them. The first grouping belongs to the ethnic tradition, which comprises oral lore identifiably precolonial in provenance and works that circulate within contemporary communities of tribal Filipinos, or among lowland Filipinos that have maintained their links with the culture of their non-Islamic or non-Christian ancestors. The second grouping consists of works that show...
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...Study Guide to Accompany Meggs’ History of Graphic Design Fourth Edition Prepared by Susan Merritt Professor and Head of Graphic Design School of Art, Design, and Art History San Diego State University (SDSU) With assistance from Chris McCampbell and Jenny Yoshida John Wiley & Sons, Inc. i DISCLAIMER The information in this book has been derived and extracted from a multitude of sources including building codes, fire codes, industry codes and standards, manufacturer’s literature, engineering reference works, and personal professional experience. It is presented in good faith. Although the authors and the publisher have made every reasonable effort to make the information presented accurate and authoritative, they do not warrant, and assume no liability for, its accuracy or completeness or fitness for any specific purpose. The information is intended primarily as a learning and teaching aid, and not as a final source of information for the design of building systems by design professionals. It is the responsibility of users to apply their professional knowledge in the application of the information presented in this book, and to consult original sources for current and detailed information as needed, for actual design situations. This book is printed on acid-free paper. Copyright © 2006 by John Wiley and Sons. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced...
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