...Zdjasjsjsdksk jddj cisjkddkjddjdkddjd kefi ksk ks ksk dk jdjc dd g f fhghds sfgf s dh f s s dg gh hurfg. Good luck with that of one of the tt u I don't think I have a f d g t r. to be the first half of the day. The fact I. The fact. The fact. The y t g re. Ru. U h get f t to t. be t. Zdjasjsjsdksk jddj cisjkddkjddjdkddjd kefi ksk ks ksk dk jdjc dd g f fhghds sfgf s dh f s s dg gh hurfg. Good luck with that of one of the tt u I don't think I have a f d g t r. to be the first half of the day. The fact I. The fact. The fact. The y t g re. Ru. U h get f t to t. be t. Zdjasjsjsdksk jddj cisjkddkjddjdkddjd kefi ksk ks ksk dk jdjc dd g f fhghds sfgf s dh f s s dg gh hurfg. Good luck with that of one of the tt u I don't think I have a f d g t r. to be the first half of the day. The fact I. The fact. The fact. The y t g re. Ru. U h get f t to t. be t. Zdjasjsjsdksk jddj cisjkddkjddjdkddjd kefi ksk ks ksk dk jdjc dd g f fhghds sfgf s dh f s s dg gh hurfg. Good luck with that of one of the tt u I don't think I have a f d g t r. to be the first half of the day. The fact I. The fact. The fact. The y t g re. Ru. U h get f t to t. be t. Zdjasjsjsdksk jddj cisjkddkjddjdkddjd kefi ksk ks ksk dk jdjc dd g f fhghds sfgf s dh f s s dg gh hurfg. Good luck with that of one of the tt u I don't think I have a f d g t r. to be the first half of the day. The fact I. The fact. The fact. The y t g re. Ru. U h get f t to t. be t. Zdjasjsjsdksk jddj cisjkddkjddjdkddjd kefi ksk ks ksk dk jdjc...
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...Boatswain! Boatswain Here, master: what cheer? Master Good, speak to the mariners: fall to't, yarely,or we run ourselves aground: bestir, bestir. Exit Enter Mariners Boatswain Heigh, my hearts! cheerly, cheerly, my hearts!yare, yare! Take in the topsail. Tend to themaster's whistle. Blow, till thou burst thy wind,if room enough! Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO, and others ALONSO Good boatswain, have care. Where's the master?Play the men. Boatswain I pray now, keep below. ANTONIO Where is the master, boatswain? Boatswain Do you not hear him? You mar our labour: keep yourcabins: you do assist the storm. GONZALO Nay, good, be patient. Boatswain When the sea is. Hence! What cares these roarersfor the name of king? To cabin: silence! trouble us not. GONZALO Good, yet remember whom thou hast aboard. Boatswain None that I more love than myself. You are acounsellor; if you can command these elements tosilence, and work the peace of the present, we willnot...
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...The Tragedy of King Lear by William Shakespeare An Electronic Classics Series Publication 2 The Tragedy of King Lear is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. The Tragedy of King Lear by William Shakespeare, The Electronic Classics Series, Jim Manis, Editor, PSUHazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Copyright © 1997 - 2013 The Pennsylvania State University is an equal opportunity University. 3 The Tragedy of KING LEAR by William Shakespeare: His true Chronicle Historie of the life and death of King Lear and his three daughters. With the unfortunate life of Edgar, sonne and heire to...
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...Why manners are important in today's society. I think manners are important in today's society because it's a personality trait that's good to have. It's practically a necessity. Great manners help you through a lot of life's obstacles for different reasons. Consideration is a reason why manners are important which goes along with your maturity level and how polite you can be on a daily basis. It shows you're a decent person, and that you understand and have respect for the people around you. Manners are very important when it comes to a good social life, ever since elementary school we were taught to use our manners and be polite to the people we tal k to everyday. People judge you all the time, it's just a way of life, and having great manners brings off a positive response and attitude toward other people, and people will unconsciously think of you as a polite and caring person. Another reason that manners exist for a good reasons is, coexistence. Without polite people around, and well manners, coexistence between humans would be quite difficult I think. Manners are just the guidelines to peaceful coexistence between people, and without it, I think it would be a different kind of society to be living in, kind of like animals. Without manners it would be kind of difficult to have a social life, get a job, have any sort of relationship with people etc. Most of the time we don't think about using our manners everyday, but because it has such a big impact on our...
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...Most of her career was spent in the Bolshevichka garment factory, where she manufactured suits for men during the Soviet era. Since the interview will be conducted in Russian, I will present the translated version. Today is November the 26th, 2016, 2:15 p.m. I am sitting with Mrs. Galina on my right side of the table while drinking a sour Russian tea that she has provided. After a nod from the Mrs. Galina, I began my interview. Mrs. Galina, it seems that you have lived a long life, one where you have had the chance to meet a variety of people, read numerous books, had the chance to experience love, and mature to your capacity. Tell me, how does that make you feel it feel? Her response— “Lucky. I am rather humbled to have the opportunity, by the grace of God, to be bestowed by...
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...Kent. I thought the King had more affected the Duke of Albany than Cornwall. Glou. It did always seem so to us; but now, in the division of the kingdom, it appears not which of the Dukes he values most, for equalities are so weigh'd that curiosity in neither can make choice of either's moiety. Kent. Is not this your son, my lord? Glou. His breeding, sir, hath been at my charge. I have so often blush'd to acknowledge him that now I am braz'd to't. Kent. I cannot conceive you. Glou. Sir, this young fellow's mother could; whereupon she grew round-womb'd, and had indeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault? Kent. I cannot wish the fault undone, the issue of it being so proper. Glou. But I have, sir, a son by order of law, some year elder than this, who yet is no dearer in my account. Though this knave came something saucily into the world before he was sent for, yet was his mother fair, there was good sport at his making, and the whoreson must be acknowledged.- Do you know this noble gentleman, Edmund? Edm. [comes forward] No, my lord. Glou. My Lord of Kent....
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...letter to you] As much as I try to focus on this, I always end up just deleting it all, and starts over again. But I think I got my words right this time. So here we go. Hey! How are you doing? Have you eaten well? Taken good care of yourself? I know you have! I haven't gotten around to actually say this, but I actually like you. A lot actually. I am sure that this comes as a shocker, but I think I love you. Please don't be afraid of me, or think that I am some weird guy, but I truly mean it when I say this, "I love you". As far as I can remember, back in January, you came along and somehow you stayed with me all the way. You have been here ever since I started on this page, and for that, I say thank you. Thank you for sticking with me throughout this whole time. Even though it has only been almost 8 months, I can proudly say that I am proud to have you by my side. I think of you whenever I wake up in the morning, I think of you when I sit in class, heck even when I am just checking the clock on my phone, I still think of you, and hope that there will be a message from you. And of course I get messages from you, actually, you are pretty active when it comes to getting in contact with me. I am happy to see that you actually care for me as well. But I need to apologize. Sorry for leaving you behind. I know that 6 days might not seem a lot to many, but those were the 6 most painful days of my life. To not be able to see you or even get in contact with you for 6...
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...My Last Farewell 1 Farewell, dear Fatherland, clime of the sun caress'd, Pearl of the Orient seas, our Eden lost! Gladly now I go to give thee this faded life's best, And were it brighter, fresher, or more blest, Still would I give it thee, nor count the cost. 2 On the field of battle, 'mid the frenzy of fight, Others have given their lives, without doubt or heed; The place matters not--cypress or laurel or lily white, Scaffold of open plain, combat or martyrdom's plight, 'Tis ever the same, to serve our home and country's need. 3 I die just when I see the dawn break, Through the gloom of night, to herald the day; And if color is lacking my blood thou shalt take, Pour'd out at need for thy dear sake, To dye with its crimson the waking ray. 4 My dreams, when life first opened to me, My dreams, when the hopes of youth beat high, Were to see thy lov'd face, O gem of the Orient sea, From gloom and grief, from care and sorrow free; No blush on thy brow, no tear in thine eye 5 Dream of my life, my living and burning desire, All hail! cries the soul that is now to take flight; All hail! And sweet it is for thee to expire; To die for thy sake, that thou mayst aspire; And sleep in thy bosom eternity's long night. If over my grave some day thou seest grow, In the grassy sod, a humble flower, Draw it to thy lips and kiss my soul so, While I may feel on my brow in the cold tomb below The touch of thy tenderness, thy breath's warm power. Let the moon...
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...I looked at him as the coolest out of the myriad of older relatives. He often bought me ice cream sundaes and showered me with aimless jokes and “piggy-back” rides. Most of the time spent visiting my father on weekends, was actually spent wrestling with Uncle Alberto or playing video games until the break of daylight. I looked forward weekends, because that meant “Uncle Dean Time”. I expected to hang out with my Uncle Dean every Friday and Saturday. In fact, I knew for certain he would be waiting at my father’s home with some brand new clothes or any other prize vied for by a 10 year old. Little did I know that over the next couple of years, I would gain knowledge of one of the most important lessons of life: value those dearest to you, for you never know how long they will be in your company. When 12 years old came around, nothing could’ve primed me for the amount of devastation that was to submerge my happy little world. Two months after my birthday, I received word that my renowned and dearly loved, Uncle Dean, had been killed in an unfortunate automobile accident. Crushed, yet filled with a strange numbness, I became withdrawn and dwindled in disbelief. “How could this be?” I would repeat those words of this...
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...Even my so-called "friends". No-one took me seriously. So my filmmaking ambition didn't get off the ground. I thought I should give up my creativity for good. What's the point of telling stories if no-one cares? Then I realized, you don't need fame as filmmaker or author to show people how creative you are. So that's why I turned to posting stories on this site. And I get a lot of views from all over the world and that makes me very happy.Now that I'm an adult, I'm actually glad I never became a big filmmaker or a celebrity. And here's why: No matter where you are, people just won't leave you alone. If you want your privacy, there is no chance. You want to have a nice quiet meal in a restaurant. Just you and your family, but fans keep interrupting you asking for your autographs. It is nice to make a fan happy, but when you have to do it over and over and over and over and over and over and over and over and over, it'll drive you mad. And if you are the child of a famous star, it is like being thrown in with the lions. You will get bullied at school, just because your parent is famous. It's even worse if the child does not choose fame and is born to famous family anyway. Not everyone you will meet in life is nice to you. We all know that. If you are a...
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...skaters”, “The dorks”, etc. This happens most with the teens and young adults. Of course, there wouldn’t be a problem if you are categorized as a mean girl or a jock or a smart ass, those are pretty good titles (when you’re in a school campus). But what about the kids that were categorized as the emo’s or the dorks and the wannabe’s? Two things can happen: First: They will think that they aren’t good enough and are not worthy of any attention at all. They will be insecure and will think lowly of themselves. They will either, stay the way they are and would not do anything to be better. They will be growing up with lots of insecurities and/or kill themselves. Second: They will try to fit in. They will change their way of living and be that someone, supposedly “a mean girl”, and try to live like them, with their ways, their looks, the way they walk, the way they talk and even the way they dress. They would not act as themselves anymore. Just to be part of a better social group. Sucks, yes? I have seen this for so many times, in movies, in life, in the news, everywhere. People tend to change themselves to become the person that they are not. They change themselves to be what their friends, schoolmates, teachers and other people surrounding them want them to be. They do it to fit in. But why would you want to fit in and try to be the person that you are not, just to please some people who could not...
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...translation of this film --美丽有罪 I think it's more than obvious that everyone wants to kill Lester...is he representing the Beauty? I hardly think so. Afterall he lacked attention on his family, he was hostile and mean to his wife, he wanted to fuck his daughter's girlfriend and that became the priority of his entire life and reven made him get physical training. Rather a "superficial" man, but also a man who was eager to live and feel alive...he stopped the moment he heard Jane's girl saying,"this is my first time". He stopped bcz that's cruel to spot this pure body. He stopped and he found everything around was actually so beautiful, his daughter, wife, house, freedom, dream...that's the moment he got killed, too. Well, you can say everyone is wrong in some way....
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...“As You Like It” – Scene Summaries Act 1 ------------------------------------------------- Scene 2 Plot synopsis: Rosalind is sad because of the banishment of her father, who is cheered up by Celia as they both converse about love, nature and fortune. Touchstone finds himself commenting on their conversation, hinting the corruption of the courts. Le Beau brings the news of the wrestling match between Charles and Orlando, alerting them that Charles had just fatally injured others already. Le Beau builds suspense and alarms the women and forces them to go and watch, and maybe try and stop the fight. After the court and the wrestlers gather around, we see Rosalind and Celia try to prevent Orlando not to fight Charles. Orlando isn’t worried by losing because he has nothing to lose, but Rosalind and Celia support him and he, somehow, defeats Charles. Duke Frederick is not happy to find out that Orlando is the son of the man he banished. Rosalind and Celia attend to Orlando, but for some reason, he can’t reply – possibly nervous or fatigued. He then realises that he has fallen in love will Rosalind. Le Beau chimes in to say that he should escape Duke Frederick’s wickedness and leave the courts. Who is on stage: * Rosalind and Celia * Enters: Touchstone, then Le Beau * Enters: Duke Frederick, Lords, Orlando, Charles and Attendants * Exits: Duke Frederick, Lords, Attendants, Touchstone and Le Beau * Exits: Rosalind and Celia, and then Le Beau Key lines: ...
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...As You Like It Summary How It All Goes Down Sir Rowland de Boys has recently died, leaving behind sons Oliver and Orlando. Since Oliver's the eldest son, he's inherited just about everything. This includes the responsibility of making sure his little bro finishes school and continues to live the kind of lifestyle he's become accustomed to as the son of a nobleman. (By the way, this lifestyle looks like a sixteenth-century version of MTV's Teen Cribs.) Oliver, however, treats his little bro like a servant – he refuses to pay for Orlando's education and never gives the kid any spending money. Also, he tells the local court wrestler it would be a good idea to snap Orlando's neck, but Orlando doesn't know about this. Naturally, Orlando is ticked off that Oliver treats him so badly and he's ready to "mutiny" against his older bro. Instead, he channels all of his pent up anger into a wrestling match, where he beats the court wrestler to a bloody pulp. Orlando's wrestling skillz catch the eye of a local girl named Rosalind, who has her own family drama to worry about. (Ros is the daughter of Duke Senior, who used to rule over the French court but was overthrown by his snaky, backstabbing brother, Duke Frederick. Because Rosalind's dad is living in exile in the Forest of Arden, Rosalind has been crashing at the palace with her BFF/cousin, Celia. Did we mention that Celia is the daughter of snaky, backstabbing Duke Frederick? And you thought your family had issues…) Rosalind...
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...As You Like It presents an ideal world, just as The Merchant of Venice did. The Forest of Arden has as much romance, as many delightful lovers, more laughter and Joy. Lamb, Charles and Mary. Like A Midsummer Night's Dream and The Merchant of Venice, it is built by means of two worlds: the world ruled by Duke Frederick and the world of the Forest of Arden. Lamb, Charles and Mary. The effect is not the "separate but equal" envelope structure of A Midsummer Night Dream, nor the interlocking and necessary alternation of The Merchant of Venice; instead, Frederick's world first seems dominant and then dissolves and disappears into the world of Arden. Lamb, Charles and Mary. Its life seems to be in the play not so much for itself as to help us understand and read its successor. There is a set of contrasts between the two worlds of this play, but the contrasts are describable not in terms of opposition of power, as in A Midsummer Night's Dream and The Merchant of Venice, but in terms of attitudes of the dominant characters, as in Much Ado About Nothing, and in terms of differences in the settings and of changes in behavior for those characters who are part of both worlds. Lamb, Charles and Mary. These contrasts are easy to describe because Shakespeare points the way clearly, making each world an extreme. Our approach will be to examine the qualities of Frederick's world, then to examine the qualities of Arden, and finally out of this contrast to see how the characters behave in...
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