...should play out. However, amid such freedom and range evolves readers of criticism and/or bias opinions towards various styles of literature. An author whose work has been of much negative criticism could be due to a reader of some ignorance towards the understanding of the context. Deficient to connect with a piece of literature, judgments of society, lack of critical thinking and understanding makes for a category of controversial authors. Among controversial authors’ such as, J.D. Salinger’s The Cather in the Rye, Dan Brown’s The DaVinci Code, J.K. Rowling’s The Harry Potter Series, Mark Twain’s Adventures of Huckleberry Finn (Hasan, 2008), George Orwell’s Nineteen Eighty-Four, so is Anthony Burgess’s most controversial novel A Clockwork Orange. Over the past fifty years, readers have deemed Burgess’s novel taboo disgusted with the unbolted image of sex, drugs, violence, and politics. In result, his work had been banned from several locations internationally. Meanwhile, open-minded readers will consider Anthony’s work as a piece of art, creative, raw and extraordinary, over more they can come to some understanding of the underlining thoughts Burgess had towards politics, discipline,...
Words: 1248 - Pages: 5
...future society for mankind, then the dystopian ones describe the least ideal society, and it is usually considered that a dystopia is the vision of a society in which condition of life are miserable and characterized by poverty, oppression, war, violence, disease, pollution, nuclear fallout and/or the abridgement of human rights, resulting in widespread unhappiness, suffering, and other kinds of pain.1 As material civilization develops into a certain level and can be considered as more than sufficient, then the world is superior to spiritual civilization; however human spirit is the reflection and is controlled by the substances. So, in a highly-developed society with rich material life and high technology, human spirit indeed has no real freedom. Of course, flooding modernized technologies provide human beings a better living condition, but they are covering up an empty and weak spiritual world. Human beings are made to be squeezed to become the flat and instrumental existence surround by machines which makes them feel it is a perfect world. It is obvious that this point contains a positive function in terms of political reality. Although, the political principles of dystopia are also based on utopian ideals, they result in negative consequences for inhabitants because of at least one fatal flaw. And because of this certain fatal flaw, dystopia is to make people think about the society and to see how the ideas of happiness can be wrong....
Words: 1029 - Pages: 5
...of a nation. Reflecting its government, civilization is now corrupt as well; oppressed and stripped of their identities as individuals within the community. Regulations. This not only strips a population of their identity, but also steals the freedom of individuals to think independently. Society is now completely brainwashed and unable to realize their potential and ability to expand their views upon world around them. Survival. It is what’s left for mankind when all of civilization has come to an end in a downward spiral. The causes and effects of a dystopia are the same causes and effects that can occur to our own society. The possibility of young adolescents slaughtering each other for the entertainment of the wealthy, like in the Hunger Games, or the possibility of a world where criminals are put through brutal behavioral modifications by the system in return for freedom, as seen in the cult classic film A Clockwork Orange, are all probable events destined to happen in the not so distant future. The dystopian genre gives readers and viewers a glimpse of what can occur and harm society if we are not able to prevent a world that ends in chaos. In Ray Bradbury's Fahrenheit 451 and The Road, written by Cormac McCarthy and directed by John Hillcoat, present worlds in which individuals deal with their terrible reality by fighting for a better one. Utilizing stylistic elements to depict a horrific world that can be easily end up as our own, both authors are able to display the possible...
Words: 1229 - Pages: 5
...Compare and contrast the theme of control in The Handmaids Tale and Nineteen Eighty-Four Control is a central theme in both dystopian texts and control is present in both novels. Both societies in the novels are heavily controlled and restricted, but the key difference is in the regime used by the respective governments in each text. In The Handmaids Tale the government’s ideologies are theosophical whereas Nineteen Eighty-Four is based on socialism. These ideologies play a key role in the ways that control is presented in each novel. The governments use different forms of control to maintain their regimes and power and these include: indoctrination through control of hierarchy, language and religion. The governments act as totalitarian regimes which constantly monitor the lives of its citizens to keep them under their control. Orwell took inspiration from the plight of Britain during the time the novel was written; 1948. Britain had just come out of a horrifying war that devastated the world - World War Two - and her economy and overseas relations were in deep water. Britain’s economy was at its lowest in decades and very unstable; her Empire was dissolving in to the common wealth and international relations were quickly turning sour. Similarly to The Handmaids Tale, Nineteen Eighty-Four warns against governments’ overwhelming acquirement of power. Orwell himself was well-versed in the world of politics and strategies deployed by governments to gain control. He was also a traditional...
Words: 2713 - Pages: 11
...The English novel is an important part of English literature. This article focuses on novels, written in English, by novelists who were born or have spent a significant part of their lives in England, or Scotland, or Wales, or Northern Ireland (or Ireland before 1922)]. However, given the nature of the subject, this guideline has been applied with common sense, and reference is made to novels in other languages or novelists who are not primarily British where appropriate. Portrait of Samuel Richardson by Joseph Highmore.National Portrait Gallery, Westminster, England. Contents [hide] 1 Early novels in English 2 Romantic period 3 Victorian novel 4 20th century 5 Survey 6 Famous novelists (alphabetical order) 7 See also 8 References Early novels in English[edit source | editbeta] See the article First novel in English. The English novel has generally been seen as beginning with Daniel Defoe's Robinson Crusoe (1719) and Moll Flanders (1722),[1] though John Bunyan's The Pilgrim's Progress (1678) and Aphra Behn's Oroonoko (1688) are also contenders, while earlier works such as Sir Thomas Malory's Morte d'Arthur, and even the "Prologue" to Geoffrey Chaucer's Canterbury Tales have been suggested.[2] Another important early novel is Gulliver's Travels (1726, amended 1735), by Irish writer and clergyman Jonathan Swift, which is both a satire of human nature, as well as a parody of travellers' tales like Robinson Crusoe.[3] The rise of the novel as an important...
Words: 4017 - Pages: 17
...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
Words: 123617 - Pages: 495
...62118 0/nm 1/n1 2/nm 3/nm 4/nm 5/nm 6/nm 7/nm 8/nm 9/nm 1990s 0th/pt 1st/p 1th/tc 2nd/p 2th/tc 3rd/p 3th/tc 4th/pt 5th/pt 6th/pt 7th/pt 8th/pt 9th/pt 0s/pt a A AA AAA Aachen/M aardvark/SM Aaren/M Aarhus/M Aarika/M Aaron/M AB aback abacus/SM abaft Abagael/M Abagail/M abalone/SM abandoner/M abandon/LGDRS abandonment/SM abase/LGDSR abasement/S abaser/M abashed/UY abashment/MS abash/SDLG abate/DSRLG abated/U abatement/MS abater/M abattoir/SM Abba/M Abbe/M abbé/S abbess/SM Abbey/M abbey/MS Abbie/M Abbi/M Abbot/M abbot/MS Abbott/M abbr abbrev abbreviated/UA abbreviates/A abbreviate/XDSNG abbreviating/A abbreviation/M Abbye/M Abby/M ABC/M Abdel/M abdicate/NGDSX abdication/M abdomen/SM abdominal/YS abduct/DGS abduction/SM abductor/SM Abdul/M ab/DY abeam Abelard/M Abel/M Abelson/M Abe/M Aberdeen/M Abernathy/M aberrant/YS aberrational aberration/SM abet/S abetted abetting abettor/SM Abeu/M abeyance/MS abeyant Abey/M abhorred abhorrence/MS abhorrent/Y abhorrer/M abhorring abhor/S abidance/MS abide/JGSR abider/M abiding/Y Abidjan/M Abie/M Abigael/M Abigail/M Abigale/M Abilene/M ability/IMES abjection/MS abjectness/SM abject/SGPDY abjuration/SM abjuratory abjurer/M abjure/ZGSRD ablate/VGNSDX ablation/M ablative/SY ablaze abler/E ables/E ablest able/U abloom ablution/MS Ab/M ABM/S abnegate/NGSDX abnegation/M Abner/M abnormality/SM abnormal/SY aboard ...
Words: 113589 - Pages: 455