...Some bad movies you slag off gleefully. Their awfulness inspires you to reach high for insults as witty as the film is terrible. Others provoke a certain disappointment at their failure, a kind of mourning at the difference between the film’s ambition and its execution. Richard Kelly’s The Box is such a film. Kelly is a trippy, sometimes loopy filmmaker whose Donnie Darko is one of the great cult films of this century. In that film, his far less successful Southland Tales, and now The Box, Kelly creates mind-twisting tales in which everyday conundrums unravel into conspiracies and plots of cosmic proportions. Picture him as Robert Towne with an overlay of Rod Serling. But Kelly spins paranoid fantasies with so many threads that he can’t quite keep track of them all, or make them connect in a meaningful way. That’s the problem with The Box: a great set-up leading to a muted, unsatisfying conclusion that doesn’t really pay off. His film, taken from a short story by Richard Matheson, is set in 1976, to tie it to the Mars landing program that produced the first photos from that planet’s surface. Arthur Lewis (James Marsden) is a NASA scientist who worked on that program and who is awaiting approval to join the astronaut program. His wife Norma (Cameron Diaz) teaches English at a private school near Richmond, Virginia, which their son attends. Portentously, she is teaching Jean-Paul Sartre’s No Exit. One day before Christmas, a box arrives on their doorstep, a polished wooden object...
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...Kierkegaard’s Stages of Subjective Response to Absurdity Søren Kierkegaard (1813-1855) was a great Danish philosopher who attempted to understand what motivates a person to make the decisions they do throughout their life. His work was based on the idea that the human condition is objectively “absurd”, and that “truth is not to be found in objectivity, but in subjectivity, or passionate commitment to an idea” (236). Human nature seeks for meaning of existence, but objectively this is impossible to comprehend become of the complex and immeasurable answer to such a contemplation. Kierkegaard believed that meaning could only be found through one’s personal development and search for a uniquely subjective meaning of existence. He categorized three types of subjective responses to this absurd condition, being aesthetic, ethical, and religious. These three responses represent stages of life that a person must go through to reach a point where they are most connected with their true identity, represented with a connection with a higher power in the religious stage. Before a person can reach this point, they must go through the other stages in succession to build and develop their subjective meaning of life out of the innately absurd condition. The first stage of life that a person goes through is the aesthetic phase, defined by an overwhelming desire to fulfill one’s own self interests. In the aesthetic phase, Kierkegaard describes the decision-making process being based on the...
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...Chronicle #4: Both quotes located on page 49 have a grand scale on meaning as it comes to show and prove to readers the expectations of the Colombian culture in a situation like this. They had, in fact, killed him openly but were innocent because it had been done with good intention and under and good cause. The town expected the Vicario brothers to have killed Santiago Nassar for dishonoring her family and the killing would have restored her family’s status and avenged them from the horrible actions bestowed upon them. The Vicario brothers even confirmed that they “would have done it again a thousand times over for the same reason.” (page 48)They had no desire to truly kill him, as stated in the second quote, as they had told everyone in town of their plan to kill Santiago yet, they had failed to have someone stop them from killing him. It was “an act of great dignity” (page 49)according to the town and Colombian culture. The Vicario twins knew the consequences of the murder yet had to abide by their family and continue with their actions even if they had no true desire of doing so. The town expected these actions and did nothing to stop them. This can be supported by the quote on page 50 “There had never been a death more foretold.” #5: The beginning paragraph of chapter 5 is a very interesting and eye opening one. The first sentence “For years we couldn't talk about anything else.” shows the towns obsession with the murder of Santiago Nassar. Despite the many years that...
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...Stack Ranking: Brilliant Management or Inherent Absurdity Ray Johnson MGMT E-4000 Organizational Behavior 1 August 2012 Abstract Employee stack ranking is a performance measurement system that requires every manager to rank its employees from excellent to poor. Stack ranking was popularized by Jack Welch at General Electric in the 1980’s. Since that time it has become a popular management technique. The use of stack ranking has many demonstrated successes, but many managers and business analysts are beginning to questions its value to an organization. In this paper I will examine from a critical perspective both the good and bad aspects of stack ranking in an attempt to determine its long term viability as an organization behavior. Stack Ranking: Brilliant Management or Inherent Absurdity Introduction Stack ranking, sometimes referred to as forced distribution, is a popular performance measurement (appraisal) tool. The concept behind stack ranking is to rank all employees within a given statistical set, all first line supervisors for example, from best to worst. In its most common iterations managers rank, or stack, workers into one of the three groups. The highest performing 20% (sometimes 10%) are ranked as top performers. This top tier group of employees is considered to be the future leaders of the company. They are rewarded with bonuses, raises, promotions stock options and other perks. The middle 70% of the group are considered to be “solid”...
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...The 3 elements of a crime would be guilty, is reckless behavior or violations, for instance, that would be on page 71-73 on Crime Justice today. It was about the Criminal Act (Actus Reus) which is the first feature of any crime in some kind of act of violation of the law. Next on 71-73 would on Crime Justice Today, would be a guilty mind (Mens Rea), which is the second component of the crime, This term means “guilty mind,” Which is referring to the defendant's specific mental state at the time the behavior in question occurred. Next, of 71-73 on Crime Justice, today would be the reckless behavior which is when activity increases the risk of harm to other people. Furthermore, the features of a crime is described in page 74-75 on Crime Justice Today would be “Causation which refers to the fact that the concurrence of a guilty mind and a criminal act may cause harm. Whereas some statutes criminalize only conduct, others require that the offender causes a particular result before criminal liability can be incurred. Sometimes, however, a causal link is unclear. For example, let's consider a case of assault with a deadly weapon with intent to kill. A person shoots another, and the victim is seriously injured but is not immediately killed. The victim, who remains in the hospital, survives for more than a year. The victim's death occurs due to a blood clot that forms from lack of activity. In such a case, it is likely that defense attorneys will argue that the defendant did not cause...
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...THE ABSURDITY OF LIFE Steven Luper, Trinity University In "The Absurd"[i] Nagel claims that self-conscious human beings are necessarily absurd, so that to escape absurdity while remaining human we would have to cease being self-conscious. Fifteen years later, in The View From Nowhere,[ii] he defends the same thesis, supplementing some of his old arguments with a battery of new ones. I want to suggest that Nagel has misdiagnosed, and exaggerated the inescapability of, our absurdity. He does so partly because the grounds on which he bases his conclusion are spurious, and partly because he does not acknowledge the extent to which we can eliminate absurdity by suitably redesigning our plans and modes of justification. Nonetheless, I do not mean to imply that we can easily eliminate absurdity from our lives. Life is not necessarily absurd, but unfortunately, in a world like ours, there are limits to what we can and should do to reduce the absurd elements of our affairs. The View of the Nowhere Man "In ordinary life a situation is absurd," Nagel says, "when it includes a conspicuous discrepancy between pretension or aspiration and reality: someone gives a complicated speech in support of a motion that has already been passed. . . ; as you are being knighted, your pants fall down."[iii] In this passage from "The Absurd" Nagel claims that absurdity is a particularly striking sort of incongruity, and the conception of absurdity he discusses in his book is the same. What...
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...“Nothingness haunts being” (Holt 45). No matter how much Squidward desires solitude, what he desires is never true isolation. What he hopes for is a peaceful Sunday in his house, with his neighbors minding their own, quiet business. Squidward panics in face of the nothingness, and begins to run but only ends up where he started. In this void, everything is circular and undefined. Squidward fails the accept the absurdity and the withdrawal from society, proving him a part of everyone else....
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...The Hitchhiker’s Guide to the Galaxy is an absurd book. It has many random and funny things happen in it. Some of these weird things are whales randomly appearing in the sky, and generating small amounts of improbability. This book is illogical in terms of the way we know that things work. The absurdity of the book affects the way it is read The absurdity of this book is what makes it different and affects the way it is read. It is taken lightly at some parts and serious at others. “The principle of generating small amounts of finite improbability by simply hooking the logic circuits of a Bambleweeny 57 SubMeson Brain to an atomic vector plotter suspended in a strong Brownian Motion producer (say a nice hot cup of tea) were of course well...
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...written on the subject and tried to find sufficient reasons behind it to put off facing the consequences of the absurd, Camus was interested in not only accepting, but also embracing absurdity while renouncing suicide. His philosophy is profoundly evident in one of his non-fiction works, The Myth of Sisyphus, which illuminates the ethics of suicide. Through Camus’ thoughts and writings, the concept of absurdity has influenced authors around the world and has left a great impression on their writings, such as Henrik Ibsen’s play, Rosmersholm, and poses the question whether suicide is in fact justifiable. In his philosophy, known as absurdism, Camus emphasizes that "There is but one truly serious philosophical problem, and that is suicide." The goal of this idea is to judge whether or not life is worth living in a meaningless world. Camus defines the notion of the absurd as something that expresses an essential disharmony in our existence. He emphasizes that this is product of a clash and "confrontation between our man and his own obscurity" (Camus, 494) . In other words, Camus explains that we are free agents in this life, and that we live by a sense of meaning and purpose, and under this acceptance, we feel at home. However, everyone, at some point in their life, has experienced the feeling of absurdity, whether its during moments of uncertainty or depression. This is when we are unable to find our values and realize that there is no purpose to do anything we...
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...philosophical notion of absurdity. In his essays, Camus asserts that individual lives and human existence in general have no rational meaning or order. However, because people have difficulty accepting this notion, they constantly attempt to identify or create rational structure and meaning in their lives. The term “absurdity” describes humanity’s futile attempt to find rational order where none exists. Though Camus does not explicitly refer to the notion of absurdity in The Stranger, the tenets of absurdity operate within the novel. Neither the external world in which Meursault lives nor the internal world of his thoughts and attitudes possesses any rational order. Meursault has no discernable reason for his actions, such as his decision to marry Marie and his decision to kill the Arab. Society nonetheless attempts to fabricate or impose rational explanations for Meursault’s irrational actions. The idea that things sometimes happen for no reason, and that events sometimes have no meaning is disruptive and threatening to society. The trial sequence in Part Two of the novel represents society’s attempt to manufacture rational order. The prosecutor and Meursault’s lawyer both offer explanations for Meursault’s crime that are based on logic, reason, and the concept of cause and effect. Yet these explanations have no basis in fact and serve only as attempts to defuse the frightening idea that the universe is irrational. The entire trial is therefore an example of absurdity—an instance of...
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...Understanding absurdities in life is necessary in order to establish ways that we can find meaning when these absurdities are present. Through the works of Camus it is clear that the conflict of human desire and the silence of the world it is possible to lack meaning in life. However, Flanagan and Taylor establish a clear explanation of how our motivations and desires give us a purpose. It is common for individuals, at times, to question whether or not meaning exists in their life. This question causes one to experience the feelings of absurdity that life presents itself with. In Camus’ “An Absurd Reasoning,” he establishes a bold stance on what an absurd world looks like by explaining the absurd as a feeling received when questioning the meaning...
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...as techniques produce the same results: short term gains followed by long term disillusionment and dissolution. What is going on here? Could conventional management wisdom be wrong? Richard Farson thinks so, and I think he’s right. Farson’s unconventional approach to leadership operates from a different set of assumptions than the traditional rational model. In his view, human behavior and its organizational manifestation are replete with complexities and paradoxes. Because of this, approaches that simplify behavior and offer a series of prescriptive steps to success are doomed to ultimate failure because they do not comprehend the absurdity of the situation. Some Definitions A paradox is a seeming absurdity. The natural human inclination when confronted with a paradox is to seek to resolve it. Farson’s approach is to embrace the absurdity and to seek to understand the truth contained therein. By embracing paradox, one sees the organization and its members for what they are: complex,...
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...Key Components of Existential Philosophy John Contemporary Philosophy (PHI 311) Newberry College November 1, 2013 Abstract This paper will discuss the human condition generated from existential thought. The blanket term “human condition” will include the topics of “existence precedes essence”, and absurdity. The paper will also discuss the existential relationship with others mostly described by Sartre’s literary work No Exit and analysis from Being and Nothingness. Components of Existential Philosophy This paper will firstly discuss the major existential principle of existence preceding essence. This notion is discussed by Sartre’s (1946) lecture “Existentialism is Humanism”. This central theme existence preceding essence is the backbone for most existential thought and that is why it is discussed and understood thoroughly from the beginning of this paper. This leads to the existential thought, absurdity of life. Life being absurd is a component of the existential human condition and this is discussed using The Myth of Sisyphus as a beacon of how absurdity applies to life and happiness. This was written and discussed by Camus in his work The Myth of Sisyphus. Lastly this paper will discuss how others impact the individual or human relationships, discussed by Sartre. His thesis regarding others interactions are that it is Hell. This is the central theme in his play No Exit, and unpacking this existential thought this paper will use his work Being and Nothingness...
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...in the hell they could put anything so absurdly infantile and intellectually and esthetically insulting on television…and she continued to stare and shake her head, more and more of her mind being absorbed by the absurdity she was watching, suddenly leaning back on the couch as a section of the show ended and a commercial came blaringly on and she stared at them too watching what sort of cretins watch the garbage and are influenced by it.” Selby demonstrates how Sara Goldfarb is unconscious of her experience and her overwhelming obsession with television. Her experience is told through complex, run-on sentences that serve to mimic Goldfarb’s thought process. The entire scene is very rushed which is a side effect of her amphetamine use. While high on the stimulant, Goldfarb is so hyper that she feels a need to relay every thought that runs through her head, as evidenced by the syntax. She describes the infomercial to be “absurdly infantile and intellectually and esthetically insulting;” however, Selby emphasizes through repetition how “she stared at it,” then “continued to stare and shake her head” while being “absorbed by the absurdity.” The narrator’s use of personification to describe how “more and more of [Sara’s] mind was absorbed by the absurdity she was watching” offers insight into the severity of Goldfarb’s addiction. Her metaphor comparing television to garbage and her reference to viewers as “cretins,” meaning a stupid person, demonstrates her disgust with...
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...Meursault as a symbol of absurdity, no more worthy, condemnable, or predictable than the universe, Meursault takes a step into life at the moment of his immanent death. Camus, through Meursault, urges the readers to step forward in...
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