...to give two exams of each group. Then I am going to talk about how each one relates to music and culture of the time period I have picked. The time period that I am going to focus of is 1970’s. The first cartorige I am going to talk about is Black pop. Black pop mostly came from 1960’s. That means that Black pop to grow form 1960’s Most of white listeners that listened to Black pop did not know who was singing. There were also white folks involved with Black pop. There are white fans,...
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...Throughout the 1920’s jazz music was a defining aspect of American culture; it also had a huge effect on society.. People of the time saw either playing or listening to jazz as a way to feel free or even escape from their daily lives. With the social changes going on in the 20’s, like the parties and the way people behaved, jazz fit right in with the changing times. Many jazz enthusiasts will argue that you are born with a love of jazz (Jazz History: The Standards). Like Louis Armstrong once said, "if you have to ask what jazz is, you'll never know" (Music with Ease > Jazz Quotes). In conjunction with the roaring twenties, jazz made it to the top and became widely known across the United States, and even some parts of Britain, making it a worldwide movement. It came very popular with people who wanted to get away from their normal lives and escape into the swing of jazz. Novelist F Scott...
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...Slavery, while brutal and inhumane, reshaped African identities and culture. In order to avoid work, slaves would often disfigure themselves. They would cut off their own fingers, hands, toes, or feet. They would also fake illnesses or pregnancies for long term avoidance. Doing this also made them less desirable at slave auctions. When slaves became desperate enough, they would even openly resist their masters. Numerous examples show slaves who were brutally beaten or even killed for resisting their masters. Slave owners consistently tried to erase African culture from slave’s memories. They spread lies by insisting that the blacks had been rescued from the inhumane and barbaric ways of African culture. Some slaves even believed this to be true and praised their owners for saving them. But African culture among most was kept a secret. In the fields they were under white rule and showed no signs of African culture. But in their houses and shacks, culture was everywhere from language and paintings, to games and rituals. Almost all Africans brought to the U.S. were sold at slave auctions to the highest bidder. Slaves were taken based on their appearance usually tall strong men were highly...
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... An African-American cultural movement of the 1920’s centered in Harlem, that celebrated black traditions, the black voice, and black ways of life. Jazz and music Jazz was a new style of music created by African American musicians, featuring syncopated rhythms and improvisational solos It was so interesting because the improv aspect meant that no two performances could ever be the same Duke Ellington turned commercial radio into a place for music by performing jazz music from the Cotton Club, broadcasted to thousands of Americans Bessie Smith and Billie Holiday coined blues and jazz vocal solos Chick Webb (King of Swing) saved money as a paperboy to buy his drum set, and started playing professionally in Harlem at 11 years old, then later became the best-regarded band leader Louis Armstrong played jazz music on Broadway, a Creole Jazz Band, and at the Cotton Club. He played in many films and toured internationally. He was the man that made the most Americans begin to accept jazz into their culture II. Poetry Langston Hughes One of the most well known names of the Harlem Renaissance His writing reflected that black culture should be celebrated because is it just as valuable as white culture "I tried to write poems like the songs they sang on Seventh Street...(these songs) had the pulse beat of the people who keep on going." said Langston One of Langston most famous work was his essay entitled "The Negro Artist and the Racial Mountain" This essay talks about...
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...distinctive and varied "negro/black American" culture and it was centered here in Harlem of New York City. It was a culture movement that began around 1920s. Before it was called the Harlem renaissance it was known as the "New Negro Movement", that was named after the anthology edited by Alain Locke in 1925. The Harlem Renaissance grew out of the changes that had taken place in the black community since the abolition of slavery, and which had been accelerated as a consequence of the First World War. It can also be seen as specifically African-American response to an expression of the great social and cultural change taking place in America in the early 20th century under the influence of industrialization and the emergence of a new mass culture. This movement impacted urban centers throughout the United States. Across the cultural spectrum (literature, drama, music, art, dance) and also in social thought (sociology, philosophy), artists and intellectuals found new ways to explore the historical experiences of black America and the contemporary experiences of black life in the urban North. Challenging white superiority and racism, African-American artists and intellectuals rejected merely imitating the styles of Europeans and white Americans and instead celebrated black dignity and creativity. Asserting their freedom to express themselves on their own terms as artists, they explored their identities as black Americans, celebrating the black culture that had emerged out of slavery and...
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...Running head: Essay #2 Essay #2 Darius McPherson Post University Essay #2 The Harlem Renaissance literature was a spark to African American which created many opportunity for black people to be inspirer to speak out. This allows poets to express them feeling against racism and that equality should be given to the black community. The literature of the Harlem Renaissance gave black people a chance to allow themselves to be heard. This gave hope to the black people an idea to use the (“cultural uniqueness through literature and art”). The Harlem Renaissance wanted the concentration to be on the literature which was used with creativity by the black people to portray black people life. The Renaissance made African American in a way that got them to a higher level to use music, and art to form the start of their own literature which created the new Negro movement. Everything was progressing for the black community as African American started using the visual of art which led them to the creation of jazz music and the approach of literature that shook the cultural into new ideas. With the Renaissance getting the recognition, Langston Hughes was a upcoming writer who would seem to become one of the best writer, poets of his time. Mr. Hughes was an inspire writer in which he wanted African Americans to feel good about themselves. Langston Hughes career as a writer, he talks about the “hardship, poverty, inequality”...
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...1. Review the timeline for the Literature of the Harlem Renaissance 1919-1940 on pp. 1377-1378 of the Norton Anthology of African American Literature and identify what you believe are three primary events that occurred and explain why you believe they had a significant impact on the period. The three primary event is: a. In 1919 W.E.B. Dubois organized first Pan American Congress in Paris. b. In 1920 ratification of the 19th Amendment granting women the right to vote. c. In 1923 – 33 the Harlem Renaissance The three events had a significant impact because women could not vote in the election as men could and vote their opinions on who they want as President. The Harlem Renaissance was a rebirth and express of African American culture as...
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...until about 1930 an unprecedented outburst of activity among African-Americans occurred in all field of art. Beginning as a series of literary discussions in the lower Manhattan (Greenwich Village) and upper Manhattan (Harlem) sections of New York City, this African-American cultural movement became known as “The New Negro Movement’’ and later as the Harlem Renaissance. More than a literary movement and more than a social revolt against racism, the Harlem Renaissance exalted the unique culture of African- Americans and redefined African-Americans were encouraged to celebrate their heritage and to become “The New Negro,” a term coined in 1925 by sociologist and critic Alain LeRoy Locke. One of the factors contributing to the rise of the Harlem Renaissance was the great migration of African-Americans to northern cities (such as New York City, Chicago, and Washington, D.C.) between 1919 and 1926. In his influential book The New Negro (1925), Locke described the northward migration of blacks as "something like a spiritual emancipation." One of the factors contributing to the rise of the Harlem Renaissance was the great migration of African-Americans to northern cities (such as New York City, Chicago, and Washington, D.C.) between 1919 and 1926. In his influential book The New Negro (1925), Locke described the northward migration of blacks as "something like a spiritual emancipation." In the 1920's African-Americans seemed to have passed through some rite of passage. As if for...
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...James L. Wilson Date 2/14/12 AFAS 160D1 Dr. Yuxuf Abana Essay # 1 The value of language The Norton anthology of African American literature book, does a great job in describing the uniqueness of the early African American language, as the roots for the spiritual and the secular forms of the African American vernacular. But for one to understand the African American vernacular, one must understand how the language was created. The language of the early Africans that occupied north America was unique to only this ethical group, because they where the only forms of Africans in that time that spoke a kind of language that was broken English or formally called “Pidgin” which is known as the language of the slaves. Lets take a look at the active definition for pidgin, so we can come to a clear understanding of the word before we progress further in the paper: “A simplified form of speech that is usually a mixture of two or more languages, has a rudimentary grammar and vocabulary, is used for communication between groups speaking different languages, and is not spoken as a first or native language. Also called contact language.”(pidgin online) so contact language is the language first spoken or developed when the Africans where first In America. The language was created due to the direct result of the times being that Africans by law where not allowed to be educated or to be treated like anything other then a slave...
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...IWT Task 1 (0813) This paper will analyze, critique, and help us to understand the music of the Harlem Renaissance and the Pop Art periods. The social conditions that influenced the art and the characteristics of the artists’ style were in many ways similar; however, with advancing technology, they had differing struggles to overcome. The Harlem Renaissance was sparked by the Great Migration from 1919 – 1926 in which African Americans began moving to northern cities to find employment and a better way of life. The musicians of this era were very influential in renewing the culture and history of the United States. Jazz, race, and class divided Harlem and New York cities. Some historians have said the best way to understand the Harlem Renaissance is by understanding the music (http://historyoftheharlemrenaissance.weebly.com/index.html; www.1920s-fashion-and-music.com/Harlem-Renaissance-1920s.html). With the roots of jazz coming from slave songs, it is truly an African-American invention. This newly formed music utilized the dissonant “blue” note. This modification to the to the standard major scale allowed the musician to play the note flat; usually the third, fifth, or seventh note of the scale. Music critic Sidney Finkelstein stated, “It expresses the hope and struggle for freedom, the vitality which enables a people to wrest joy out of misery and to assert the triumph of human beings over the obstacles that would grind them down.” ("MindEdge," 2014) Jazz was the sound...
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...“Sonny’s Blues” “Sonny’s Blue” reflect the black people life in the Harlem renaissance. African American talented and intelligent writer were recognized during the era of Harlem renaissance. Talented writer put their maximum effort in order to send their voice to black people around united state. They reach people soul and mind through a different kind of literature. In particular, African American talented uses poetry, fiction, drama, and essay. Especially at that time black people were facing a different kind of racialism. Such as, black people have to live in the poorest neighborhood. Moreover, they have to walk several mails if they want to go to school. Additionally, black people were not allowed to sit in chairs have been located for white people. By way of example, Montgomery City created city code that stated several rules regarding black people and segregation. In that period of time, the bus driver have the power to move any black person from his seat in order to give it to a white person. Rosa Parks is a black lady who was working as a seamstress at Montgomery department store. On December 1, 1955 Rosa Parks went to the bus station after she finishes her working hours. She was sitting in a black people area in the bus. When the bus became full with white people and no more seats are available, the bus driver decide to stop and move the line in order to have more seats for the white standing people. Rosa refused to give up her place to another person. So, the driver...
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...inductee into the Rock & Roll Hall of Fame. 3. Bogdanov, Vladimir. All Music Guide to Soul: The Definitive Guide to R&B and Soul. San Francisco, CA: Backbeat, 2003. Print. a. This is a complete guide to the uniquely American world of the blues. The roots of the blues can be found in the turn-of-the-century Mississippi Delta, but today its reach extends into all kinds of music including rock, jazz, country, soul, and more. 4. Brown, Ruth, and Andrew Yule. Miss Rhythm: The Autobiography of Ruth Brown, Rhythm and Blues Legend. New York: D.I. Fine, 1996. Print. a. Tony Award winner Ruth Brown is a rhythm-and-blues revolutionary, a woman whose early successes earned her instant worldwide fame and launched a career that has influenced such legendary performers as Aretha Franklin, Dinah Washington, Little Richard and Stevie Wonder. This candid autobiography offers the true story of her extraordinary life and career. 5. Burnim, Mellonee V., and Portia K. Maultsby. African American Music: An Introduction. New York: Routledge, 2006. Print. a. is a collection of thirty essays by leading scholars whch survey major African American musical genres, both sacred and secular, from slavery to the present. The work brings together, in a single volume, treatments of African...
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...Blackface Chic: High Fashion, Racechange and Cultural Tourism Race, Identity, and Public Culture Popular cultural representations, in particular those in the fashion industry, have recently reinvented a historically loaded image in their performances: blackface.1 In the past several years, blackface and other images of physical transformations of race have appeared in a number of high and popular fashion contexts including a “yellowface” fashion show in Shanghai sponsored by Karl Lagerfeld, supermodel Heidi Klum photographed wearing only chocolate syrup, an issue of French Vogue featuring a white model in black body paint and elaborate “African-inspired” costuming, a photograph in V Magazine of two models, one in blackface and one white, wrestling, two episodes of America’s Next Top Model involving racial and biracial transformation, and an editorial naming American Apparel and showing a woman in blackface. Blackface, though in a contemporary form more accurately described by the term “racechange,” or the performance of one race by another (Gubar 2000), far from being taboo have become an aesthetic in the fashion industry. Though popular magazines and newspapers such as Essence and a number of fashion blogs have responded to particular instances of racial transformation, there is relatively little scholarly work on the rise of racechange in contemporary fashion. This essay attempts to fill that gap in scholarship by examining racial transformation through the lens...
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...Harlem Renaissance. Why the period of American history from is 1919-1940 called the Harlem Renaissance? What makes it significant to African –American culture? What was the “common source” that inspired black artists during this period? The Harlem Renaissance was first named the movement. It was named Harlem because of its location (Harlem, New York). It was the hub of were black people could express their creativity involving the arts. Blues, Jazz, poetry and art were the main focus during that period. In addition, they also was allowed to express their social views about race or taboo without repercussion from white society. This time period is where the great poets such as Langston Hughes and author Zora Hurston could freely express themselves. Their common ground was to boldly create expressive art without boundaries exemplyfing their social conditions with dignity and humility despite their struggles. What is your favorite poem by Langton Hughes? My favorite poem is called I, Too. Langston sends a strong message to white America. He is saying, I laugh at you for separating yourself from me because of the color of my skin. I too am an American. How dare you send me to the back because of my skin tone, I will not go. I will stand strong were you can see me. I am beautiful and I will stand her and not be moveable so you can see just how beautiful my blackness is. You see, I am an American just like you. This poem is powerful. Langston Hughes...
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...Myesha Geathers Mr.Ryzski Honors American Literature January 9th, 2013 Zora Neale Hurston autobiography Dust Tracks on a Road, sketches her own life living in Eatonville, Florida, was the first organized self-government African American community. Many people saw the African American community as racism and segregation. Hurston implies that the nicest people she met in her early stages were whites who showed her compassion. According to her official website Zora Neale Hurston, “Dust Tracks on a Road, was her account of her rise from childhood poverty in the rural south to a prominent place among the leading artists and intellectuals of the Harlem Renaissance.” Many people viewed Dust Tracks on a Road, as a fantasy life she idealized not the actual truth. While others believed in Hurston’s portrayal. Zora Neale Hurston was the fifth of eight children of John Hurston and Lucy Ann Hurston. She was born in Notasulga, Alabama, on January 7, 1891. When she was 3 years old, her family moved to Eatonville, Florida. Zora Neale Hurston felt like Eatonville was “home” so she claimed it as her birthplace. Hurston glorify it in her stories as a place where African Americans could live as they desired, independent of white society, once her father became mayor. She would later call Eatonville, Florida a utopia. Hurston's childhood in this all black environment may have shaped her later views on race. Zora Neale Hurston represented Eatonville as a perfect place in reality. It was a...
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