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American Culture: The Cold War

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Culture betokens the whole involute of traditional demeanor which has been developed by the human race and is successively learned by each generation. A culture is less precise. It can betoken the forms of traditional deportment which are characteristics of a given society, or of a group of societies, or of a certain race, or of a certain area, or of a certain period of time. (Margaret Mead, 1951: p.17)
Definition of the Cold War
The Cold War is the denomination given to the relationship that developed primarily between the USA and the USSR after World War Two.
The Cold War was a period of economic, political and military tension between the Coalesced States and Soviet Amalgamation from 1945 to 1991. Following the terminus of the Second World …show more content…
It escalated due to antagonist values between the Cumulated States, representing capitalism and democracy, and the Soviet Cumulation, representing communism and authoritarianism. Being the two ascendant world powers after WWII, contention between the Americans and Soviets became an ecumenical conflict. The Cold War differed from most wars in that it was as much of a propaganda war as a war with military engagements. The Korean and Vietnam Wars are consequential examples of military intervention by the Americans in the denomination of ceasing communist expansionism. However, these wars did not have the decade’s long impact on American domestic and peregrine policy that the cultural, political, and economic battles of the Cold War had. (Katy Fletcher, …show more content…
Albeit the Anti-American films were eminently popular with audiences, the Ministry did not feel the message had reached the general public, perhaps due to the fact that the majority of moviegoers optically discerning the films engendered were, perhaps, the Soviets most liable to revere American culture. After Stalin’s death, a Main Administration of Cinema Affairs superseded the Ministry, sanctioning the filmmakers more liberation due to the lack of direct regime control. Many of the films relinquished throughout the tardy 1950s and 1960s fixated on spreading a positive image of Soviet life, intent to prove that Soviet life was indeed better than American life. (Lucas SW, 1999:

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