...Andy Warhol was born in Pittsburgh, Pennsylvania, in 1928. His parents were Russian immigrants from Slovakia. When Andy was in 3rd grade, he was diagnosed with “scarlet fever”, which causes colored skin blotches. Repeated trips to the doctor caused Andy to become a “hypochondriac” (someone afraid of doctors, medicine, and hospitals). Often stuck in bed for days at a time, Andy was entertained by the radio and television, which he later described as an important influence on his artwork. In 1945, he entered the Carnegie Institute of Technology where he majored in graphic design. Upon graduation, Warhol moved to New York where he worked as an illustrator for several magazines including “Vogue”, “Harper's Bazaar” and “The New Yorker” and did advertising and window displays for many department stores. Warhol became famous worldwide for his work as a painter, filmmaker, record producer, author, and public figure known for his social circles of friends which included Hollywood celebrities, politicians, and wealthy families. In the 1950’s, the record industry was quickly expanding with vinyl records and hi-fi stereo equipment. Around 1950, RCA hired Andy Warhol and his artist friend, Sid Maurer, to create vinyl album covers and poster advertisements for the newest recording artists. This led to many important meetings with influential businessmen. Throughout the 1950’s, Warhol enjoyed a successful career winning several awards from the Art Director's Club and the American...
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...during the 1940’s - 1960’s contributed greatly to the growing presence of popular imagery in society. Robert Rauschenberg and Andy Warhol are two artist who questioned the value of art during this era. They did so primarily by taking an experimental approach to their works, such as using the silkscreen, as well as demonstrated a unique view on artistic authorship. Both Rauschenberg and Warhol shifted from a conceptual outlook and pushed the boundaries on what was considered to be socially acceptable art. Robert Rauschenberg pushed the traditionally established parameters of art due to the experimental approach that he took. This in turn created opportunities as well as influenced the young artists who will come to...
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...Quoc Tran HUM 122 FALL 2009 Andy Warhol - Life and Legends Before taking the Humanities course in the Fall 2009 semester, I didn’t know anything about Andy Warhol. This is a good chance for me to make study about one of our best well-known 20th century American artists whose work is very broad. The Andy Warhol exhibit is located in the new Bank of America Gallery located on the Station's lowest level of the Union Station of Kansas City from October 2, 2009 until January 10, 2010. There are about eighty pieces by Andy Warhol from the Bank of America Collection such as Endangered Species, Flowers, Jews of the Twentieth Century, Myths, Muhammad Ali and Space Fruits spanning his career from the 1950's through 1986. These portfolios provide the viewer a brilliant mirror of postwar America, as well as insight into Warhol’s forms and ideas that continue to influence artists today. According to Christopher Leitch, director of the Kansas City Museum at Corinthian Hall, "this is the largest number of Warhol’s works ever gathered together in one place.” Obviously, Warhol made art to become "commonism" due to taking everyday objects and later newspaper and celebrity photographs and turning them into art such as the Coca-Cola bottles and the Campbell soup cans. I’m interested in the silk-screen process, created by Andy Warhol, in which paint was forced onto canvas through a high-contrast negative stencil attached to the fabric after striking color were added to selected areas, so images...
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...Beginning in Britain in the late 1950’s, Pop Art was an exquisite way to express independence around the society, during this time Britain was emerging from ‘post war’ years. Pop art began as a movement that expressed modern times. The first people to begin using the term Pop Art was a group of artist who called themselves The Independent Group. These students attended the Institute of Contemporary Art in London. The meaning of pop art is to appreciate popular/mass culture, otherwise known as the “visual art movement”. Before pop art, artist used abstract ways to compel their paintings. They also used geometric shapes in their pictures, such as circles, lines, triangles, cubes and cones. Pop artist embraced post W11 and the media boom from after the war. Pop art began as the marketing for commercial goods and the endorsement of the products the society socialized. After World War 2, there were many new ads were circulating and many more products were appearing. People began watching T.V. and movies; artist noticed the trend and started to use common ads as symbols of their art. The majority of Pop artist began their careers in commercial art such as Andy Warhol, Ed Ruscha, and James Rosenquist. Andy Warhol is a famous Pop Artist. Warhol’s works explored artistic expression, celebrity culture, advertisement and marketing that boomed in the 1960’s. He began his works as a commercial illustrator, being known as a controversial artist. Warhol’s work contained many forms of...
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...1)Andy Warhol was born on August 6, 1928 and died on February 22, 1987. He was a famous American artist who used many forms of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. He was also a pioneer in computer-generated art using Amiga computers that were introduced in 1984, two years before his death. After a successful career as a commercial illustrator, Warhol became a well-known and sometimes controversial artist. 2)Andy Warhol was a leading figure in the visual art movement known as pop art. Pop art emerged in the mid-1950s in Britain and in the late 1950s in the United States. The movement had grown very large by the 1960’s. Pop art challenges the traditions of fine art by including imagery from popular culture such as news or by responding to clever advertisements. Pop art often incorporates irony and consumer goods and usually with very bright colours. Artists often used pop art to communicate to people and let everybody know their thoughts on different issues. Most pop art are variations of well known, everyday objects. 3)Warhol’s works explore the relationship between artistic expression, celebrity culture and advertisement. Throughout the course of his pop art era he focused on four main subjects: product paintings, cartoon paintings, movie stars, and death. These paintings showed popular consumer items that were familiar to the average American person, such as Brillo soap pads, Coca-Cola bottles, and...
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...Andy Warhol is a Famous Pop Art artist. He is known as the ‘Father of Pop Art.’ Andy Warhol’s quirky art, astounding Business sense, and love for a good party made him one of the most influential personalities of his generation. Warhol Pursed fame and popularity nearly as intensely as art and filmmaking. Beneath the beauty of his work, Warhol was shy and quiet, he reportedly hired look-a-likes to speak for him at engagements. Warhol was born in Pittsburgh, Pennsylvania on August 6, 1928. He was the youngest of three sons born to Slovakian immigrants Julia and Ondrej Warhola. Andy displayed an early talent for drawing at the family home. Andy’s real last name was originally Warhola, but he dropped the last ‘a’ in ‘Warhola’ to create his memorable...
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...is a American artist, he was born on August 6, 1928 Pittsburgh, PA. He is known as a artist that works with exploring leading figure in the visual art movement known as pop art. He works exploring the relationship between artistic expression, celebrity culture, and advertisement that flourished by the 1960's. As a teenager he graduated from Schenleyh Schenley High School in 1945. after high school he wanted to study art education. at the universe of Pittsburgh During the 1950's, After words plans changed and he enrolled in the Carnegie Institute of Technology in Pittsburgh, where he studied commercial art. During the 1950's Warhol gained fame for his whimsical ink drawings of shoe advertisements. Warhol was an early adopter of the silk screen printmaking process as a technique for making paintings, earliest silk screening in painting involved hand-drawn images though this soon progressed to the use of photographically derived silk screening in paintings....
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...Abstract This essay employs a visual analysis to compare and contrast Andy Warhol’s ‘Blue Marilyn’ with Roy Lichtenstein’s ‘In the Car’ in association to the postmodernist theme of Consumer Culture and more explicitly, the introduction of Pop Art, born from post-war consumerist societies. The argument refers to eight scholarly research sources, three of which are scholarly journal articles. POSTMODERNITY AND CONSUMERISM: WIT, INVENTION AND THE AFTERMATH OF WAR Research Statement: Using a visual analysis, compare and contrast Andy Warhol’s Blue Marilyn with Roy Lichtenstein’s In the Car in association to the postmodernist theme of Consumer culture and more explicitly the introduction of Pop Art; born through post-war materialisation. The Postmodernist Cannon of the latter twentieth and twenty-first Century Art is a crucial anthology, signifying radical and innovative movements that differentiated from Modernist art practices. It signifies a period of time whereby practitioners sought to contradict the rebellious experimentational aspects of Modernist art through re-visioning and revitalising media to fit the metamorphosing culture. Incorporated within the Cannon were several movements that were heavily influenced by the rise of Consumer cultures, dictated by the post-war explosion of advertisement in the 1950’s, compelling practitioners to manipulate and transform their style in either awe of the perpetually adapting society or in rebellion towards the mass produced...
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...historical artists found art as an outlet for what was happening currently in their time periods. Dadaism began in Switzerland in 1916 as a response to World War I. Influenced by the earlier Cubism, this style of art ranged from paintings, sculptures, poetry, and photography. Dadaism is well known for the way it ridiculed materialistic and nationalistic attitudes. They were un-conventionalist in every manor. The Dada artists opposed and resented the social classes who thought that they could control the working class. Dadaists were disgusted by the nationalism that fed into World War 1 and were against any form of group leadership or dictatorship. They were upset that the modern European society would allow war to happen and this is how they knew to protest the idea of war. And if war was to happen then any traditions in any facet where thrown out the window, including art. They believed the art at this time had no meaning and if they were to continue to create art, they would make non-art to show that they did not agree with the current dramas. Dadaist tried to separate themselves from society norms in every which way they could. Even the explanation of how they got the name “Dada” screams unconventional. Some say that the name “Dada”, which is French for hobbyhorse, was adopted from co-founder Richard Huelsenbeck, who claims that he came up with the name by “plunging a knife at random into a dictionary”. (Wolf, 2014) One of the core principals of Dadaism was the belief...
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...lives nearby and she could tag along with us for the day. Finally, the last time I had been to the DAM was back in middle school when I really didn’t appreciate what great artwork was offered there and some teenagers don’t really value the meaning of beautiful art and what the museum has to offer. There was so much to view throughout the museum that it really was hard to decide what artwork I could pick to write about. The very first piece that really caught my eye was on the 4th floor and the first piece through the doors of the exhibit. Displayed ahead was El Anatsui’s exhibition of international contemporary pieces called When I Last Wrote to You about Africa. Oasis, was one of the few “curtain-like” sculptures that I spent the most time looking at. Created in 2008, El Anatsui is a Ghanaian sculptor who is widely known for his sculptures that relate to African history and colonial experiences. From far away I feel like the artist wanted viewers to see the soft, subtle look of a woven, rippled quilt. Once I stood in front of it I saw what the piece represented. It was made of thousands of beer and liquor bottle labels. The texture seemed somewhat rough and bumpy due to all of the different variety of labels portrayed in the piece The sparkle of all the bright colors of red, yellow, gold and specks of white and silver intertwined was immaculate and the lighting that is was displayed above really helped to...
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...Paolera 2010 2 The original edition was published by E.P. DUTTON, INC. NEW YORK For G. B. Copyright @ 1984 by the Estate of Gregory Battcock and Robert Nickas All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper or broadcast. Published in the United States by E. P. Dutton, Inc., 2 Park Avenue, New York, N.Y. 10016 Library of Congress Catalog Card Number: 79-53323 ISBN: 0-525-48039-0 Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto 10 9 8 7 6 5 4 3 2 1 First Edition Vito Acconci: "Notebook: On Activity and Performance." Reprinted from Art and Artists 6, no. 2 (May l97l), pp. 68-69, by permission of Art and Artists and the author. Russell Baker: "Observer: Seated One Day At the Cello." Reprinted from The New York Times, May 14, 1967, p. lOE, by permission of The New York Times. Copyright @ 1967 by The New York Times Company. David Bourdon: "An Eccentric Body of Art." Reprinted from Saturday Review of the Arts 1, no. 2 (February 3, 1973), pp. 30-32, by permission of Saturday Review of the Arts and the author. Cee S. Brown: "Performance Art: A New Form of Theatre...
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...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
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...wasn’t the day we started the American Revolution either (that had happened back in April 1775). And it wasn't the day Thomas Jefferson wrote the first draft of the Declaration of Independence (that was in June 1776). Or the date on which the Declaration was delivered to Great Britain (that didn't happen until November 1776). Or the date it was signed (that was August 2, 1776). So what did happen on July 4, 1776? The Continental Congress approved the final wording of the Declaration of Independence on July 4, 1776. They'd been working on it for a couple of days after the draft was submitted on July 2nd and finally agreed on all of the edits and changes. July 4, 1776, became the date that was included on the Declaration of Independence, and the fancy handwritten copy that was signed in August (the copy now displayed at the National Archives in Washington, D.C.) It’s also the date that was printed on the Dunlap Broadsides, the original printed copies of the Declaration that were circulated throughout the new nation. So when people thought of the Declaration of Independence, July 4, 1776 was the date they remembered. In contrast, we celebrate Constitution Day on September 17th of each year, the anniversary of the date the Constitution was signed, not the anniversary of the date it was approved. If we’d followed this same approach for the Declaration of Independence we’d being celebrating Independence Day on August 2nd of each year, the day the Declaration...
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...with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing. At a time when America is seeking ways to sustain its innovative edge, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering. Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing offlimits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted. Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple’s hardware and software tended to be, as if part of...
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...Contents Preface Acknowledgments Introduction 1 BRAIN POWER Myth #1 Most People Use Only 10% of Their Brain Power Myth #2 Some People Are Left-Brained, Others Are Right-Brained Myth #3 Extrasensory Perception (ESP) Is a Well-Established Scientific Phenomenon Myth #4 Visual Perceptions Are Accompanied by Tiny Emissions from the Eyes Myth #5 Subliminal Messages Can Persuade People to Purchase Products 2 FROM WOMB TO TOMB Myth #6 Playing Mozart’s Music to Infants Boosts Their Intelligence Myth #7 Adolescence Is Inevitably a Time of Psychological Turmoil Myth #8 Most People Experience a Midlife Crisis in | 8 Their 40s or Early 50s Myth #9 Old Age Is Typically Associated with Increased Dissatisfaction and Senility Myth #10 When Dying, People Pass through a Universal Series of Psychological Stages 3 A REMEMBRANCE OF THINGS PAST Myth #11 Human Memory Works like a Tape Recorder or Video Camera, and Accurate Events We’ve Experienced Myth #12 Hypnosis Is Useful for Retrieving Memories of Forgotten Events Myth #13 Individuals Commonly Repress the Memories of Traumatic Experiences Myth #14 Most People with Amnesia Forget All Details of Their Earlier Lives 4 TEACHING OLD DOGS NEW TRICKS Myth #15 Intelligence (IQ) Tests Are Biased against Certain Groups of People My th #16 If You’re Unsure of Your Answer When Taking a Test, It’s Best to Stick with Your Initial Hunch Myth #17 The Defining Feature of Dyslexia Is Reversing Letters Myth #18 Students Learn Best When Teaching Styles Are Matched to...
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