...divinity, it may not be what is righteous in regards to your own moral values. This theme of obligations vs. moral justice can be expressed in Sophocles’ Antigone, which can be seen through the main characters Antigone and Kreon, who have opposing views, but actions depict that if the law contradicts one’s moral duties, then one is justified to act in a manner of disobedience. The tragic Greek playwright Antigone is set in a more traditional era of time, where the city of Thebes is organized completely around religion and there are strict gender roles and expectations the citizens must abide by. Men are socially obliged to take care of the city, whilst women are to be taking care of the household, and more importantly are not to be seen wandering out in public. This distinction is important, as in all Greek plays, nothing is coincidence and the polarities between the gender roles plays a huge role in how the characters justify their actions. The play begins with Antigone and her sister Ismene sitting outside the palace the morning after the attack of the city of Thebes. The day prior, their brother Polyneices attacked their other brother Etyokles, and both committed acts of fratricide in pursuit of the title of King in the city of Thebes. Antigone is in distress as she has just heard news from the new King Kreon that he has made a proclamation that no one in the city of Thebes will mourn over the death of her brother Polyneices, and even more so, there won’t be a burial...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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