...Bertha Von Suttner, and her actions made a considerable impact on the 20th century. She laid the groundwork for many other activists like herself to try and combat the war, the actions involved, the use of weapons and peoples’ perspectives on it. Suttner grew up with the initiative to make herself aware of the contents of war after being raised in her childhood home with strong Military traditions forced upon her (Holt, 4). Unfortunately, these Military traditions fought against any pacifist behaviour along with her Austrian background (Holt, 3). In turn, these traditions only enraged her and encouraged her stronger as she grew up and further motivated her to become a strong female activist. Looking deeper into Suttner’s past, she came from...
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...UPSIDFLINTMOBILE All Enemy Units Die: DIEDIEDIE Kill Player X: KILLX Priests are Faster and Stronger: HOYOHOYO Removes the Fog of War: NO FOG Reveals the Map: REVEAL MAP Buildings and Units are Created Instantly: STEROIDS Black Sports Car with a Rocket Launcher: BIGDADDY Create a Man in a White Suit with a Quick-firing Laser Gun: PHOTON MAN Creates a Man in a White Suit with a slow-firing Nuke Gun: E=MC2 TROOPER Gives you Control over Nature (but lose control over your own civilization): GAIA St. Francis Unit that resembles Priest but can summon lightning when close enough to opponent: CONVERT THIS! Summons a Baby on a Tricycle with a Musket: POW Turns Heavy Catapults into Big Berthas: BIG BERTHA Turns Horse Archers into Black Riders: BLACK RIDER White Sports Car with a Roket Launcer: BIG MOMMA Your Ballistas and Helepolis have a 99+1 Range: ICBM Your Catapults and Stone Throwers Fire Villagers, Cows, etc: JACK BE NIMBLE Upgrade your Catapult Tiremes/Juggernauts into Flying Dutchmen: FLYING...
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...In between, in the short story of “Sweat” written the Phenomenal Zora Neale Hurston there was a silence character named “Bertha”. Hurston depicted Bertha as the other women to Delia’s troublesome relationship with her husband Sikes. Even though Bertha is a silence character throughout the short story. She holds an important key role in the novel. Particularly, in the story the love triangle relationship can be tie in with slavery. When our African men had more one women as their mistress. And it still exist to today to where we have cheating men. Furthermore, Sikes had so much authority over the towns people, that the author states that “Sykes reminding Bertha that this was his town and she could have it if she wanted it”. (1036) Also Hurston...
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...The character’s in the story remind me of my family, even though were unable to house the homeless in our city we make sure every year to help at the shelter. What do we come to learn about the character from the story? We come to learn that each have a different experience with freedom in America. Seth character was an owner of a boardinghouse with his wife Bertha. They offered housing for individuals who migrated north in search of families, employment, and their identity. Seth seems a little unsympathetic when people need assistance. When a character named Harold arrived with his daughter he was unable to pay her share, Seth said “she would not eat”. On the other hand his wife Bertha character seem more compassionate for the family and...
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...extent can Bertha be seen as ‘the repressed side’ of Jane’s personality? In the novel Bronte makes several comparisons between Jane and Bertha to show Bertha to be the repressed side to Jane’s personality. To repress something means to hold back an act of volition. This means that Bertha is the personification of Jane’s hidden feelings and passions and is shown through her characteristics and mannerisms. It can be argued that Bertha is the repressed side of Jane’s personality due to the fact that they are both described as animals. Jane is described as a ‘masterless and stray dog’. This gives the impression that Jane isn’t seen as anything more than a mere dog because she is very obedient to repress her passions which shows her to be subdued in her character. . The use of the verb ‘masterless’ could suggest that she doesn’t belong to anyone, this could be due to the fact that she moved from one place to another and so hasn’t been able to settle down with anyone. The use of the verb ‘stray’ suggests that Jane doesn’t belong anywhere and she has no real home. We know this to be true because, again, through her life she’s been moved from one place to another and so has nowhere in which she can call home. The theme of animals could link with Bertha because, just like Jane, Bertha is also described as an animal however a more vicious animal. Jane describes Bertha as ‘a clothed hyena’ and also states that she sounds like ‘a dog quarrelling’. This shows that even though Bertha is a full...
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...view two characters that had never known or met one another as doubles, such is the case of Bertha and Jane in the novel Jane Eyre. Jane who is a poor English clergyman’s daughter was raised in a charity school; Bertha on the other hand is an exotic Creole, and a wealthy Jamaican planter’s spoiled daughter. Furthermore, how is it that these two distinct characters could be considered each other’s double? Despite the clear contrast in characterization between Jane and Bertha, it is important to note similarities in their lives at Thornfield. While Jane feels figuratively trapped, Bertha is...
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...Hide the Crazy Woman - The Figure of Bertha in Jane Eyre Introduction Over the time various famous and not so famous literary personalities have suffered from mental breakdowns. Very often writers themselves have written through their own “madness” and produced mad characters as a result. This is particularly true of many of the leading figures in Modernism, who all seem to have had some odd character traits. But even before Modernism the madman/woman was a very popular figure in literature. Just think of Shakespeare’s famous plays, where we encounter lunatics en masse. One of the most famous madwomen in English literature is Bertha, the locked up wife of Mr. Rochester in Jane Eyre. In this paper I will look at Victorian madness in general and at the figure Bertha more closely. Furthermore I will also look, from a somewhat feminist perspective, at Wide Sargasso Sea, a novel in which Jean Rhys takes up the figure of Bertha again. I shall try to explain this rewriting of a canonical text in a postcolonial context. Historical Madness Early in the Victorian period the madness seems to be lurking in the shadows – especially in gothic fiction, but then madness was very much on everybody’s mind in those days. The Lunatics Act of 1845 required that all counties should have mental asylums, and this led to an enormous increase of mental patients admitted to public care.[1] Before that it was not unusual for husbands to “shut up” their madwomen behind...
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...Post-colonial Fiction Essay Assignment 2012 Topic: How does Wide Sargasso Sea revise or alter the way one reads Jane Eyre? Your answer should include reference to contrasting narrative techniques employed by the two authors. Jane Eyre, written in 1847 by Charlotte Bronte, and Wide Sargasso Sea, written in 1966 by Jean Rhys, are two different novels, written in different eras and different backgrounds, thus are strongly related. In general terms, Wide Sargasso Sea can be considered to be a modernist revision of Charlotte Bronte’s Jane Eyre; it acts as its sequence. “Bertha” in Jane Eyre is “Antoinette” in Wide Sargasso Sea. However, after reading both novels, we perceive them in a completely different way, as the mainly the character of Bertha-Antoinette is dramatically shifted and is given a previously unheard voice. Wide Sargasso Sea acts like a polyphonic novel in contrast with Jane Eyre which functions as a monophonic one. It is a post-colonial modernist narrative, in where we get a post-colonial point of view. It breaks all voices and perspectives together in which Antoinette has the role of a 19th century heroine in colonial Era. In effect, Wide Sargasso Sea challenges the point of view which we perceive from Jane Eyre since there is a different point of view than in Bronte’s novel. Briefly, Rhys' novel is a retelling of Bronte’s novel where Rhys particularly pays attention to the negative effects that the culture of the Caribbean went through, due to the European colonization...
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..."A book for and about the neglected and the neglectful". Explore the methods which writers use to present the idea of neglect in light of this statement. 'Neglect' is defined as 'the state of being uncared for' and within Jane Eyre, neglect is a constant theme. This is evident in the way Jane is neglected from childhood, and how this has a knock-on effect on the way she behaves throughout the rest of her life. Other minor characters such as: Adela Varens, Mrs Fairfax and Bertha are victims of neglect. Through language, structure and the form of the novel Bronte creates an air of isolation. This in turn emphasises, primarily, Jane's neglect. The main way in which this is explored throughout Jane Eyre is how the main protagonist finds herself in states of constant isolation in every main stage of her life. It can be said that, essentially one of Jane's main aims during her journey through life is to finally experience reciprocated love and care, that lasts. Jane was arguably at her height of neglect during her childhood years and it is here that Bronte is able to present it most effectively. By emphasising that Jane was a neglected child, Bronte can elicit the most amount of sympathy from the reader. This theme is most apparent; firstly during her early childhood with the Reeds' and then at Lowood Institute. In the opening chapter, Jane sits at window sill which is described as the following; "Folds of scarlet drapery shut in my view to the right". The use of the phrase 'folds...
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...characters as either the angel or as the monster of the story. This was widely evident in Jane Eyre where both Jane in her childhood and Bertha after marriage are depicted as madwomen. According to Gilbert and Gubar’s perception, nineteenth-century women writers did this to maintain womanhood for themselves and their heroines. This was something exceptionally different from the traditional male writers’ use of dichotomy (Hart 77). On the contrary to this dichotomy, in Jane Eyre I found that Jane was not just limited to being this monstrous image since she also had a more angelic and dispassionate side after Lowood. As a result, similar to what Gilbert and Gubar had discovered, Bronte did not blend in with the male literature dichotomy (what is the male literature dichotomy?), but rather decided to merge the two traits in her protagonist Jane Eyre and showed that Bertha was her dark double (Hart 77). Therefore, by providing personal perspectives from Jane Eyre and relating them to Gilbert and Gubar’s theory, this paper will try to prove that indeed Bertha Mason was the ultimate madwoman figure that Bronte had illustrated in a methodical and deliberate manner: by first developing the character and second by creating a dark double which Bronte herself and Jane could relate to. Initially, as a reader I wondered, why would even the character of Bertha Mason be so important? Irrationally, it was not just because Bertha’s situation provided the title to Gilbert and Gubar’s famous book...
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...the good in people and gave everyone the benefit of the doubt. Even though Bertha’s husband Seth did not understand the other men in the boardinghouse, his wife Bertha tried to. Bertha tried to calm her husband down when he was upset. When Seth thought that the other people in the house were crazy and weird and wanted to kick them out, Bertha advised against it. I am definitely like Bertha when it comes to friends and strangers. I always try to give people a chance before I judge them. I am always there for my friends if they need me and give them advice. I especially give great advice to my female friends about men just as Bertha did with Mattie. Bertha says, “And I wouldn't waste my time fretting over Jeremy either. I seen it coming. I seen it when she first come here. She that kind of woman run off with the first man got a dollar to spend on her. Jeremy just young. He don't know what he getting into” (Act 2, Scene 3). Bertha is trying to tell Mattie that Jeremy is young and he does not know what he wants so Mattie should just leave him alone. Bertha ends up being right because when Molly comes to the boardinghouse Jeremy’s interests move to her instead. This shows just how unstable and confused Jeremy is and Bertha tries to warn Mattie but she does not listen. Mattie ends up running after Herald. I am much like Bertha in giving my friends advice and they do not listen to it and it ends up backfiring on them in the...
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...Rochester is a bigamist, and is an example of the common domineering male during this time. Mr. Rochester taunts Jane publicly, making her feel small and making himself feel big. Author Charlotte Fiehn analyzes their behavior and writes, “While Jane experiences heightened awareness, embarrassment and a captive, disempowered state, Rochester demonstrates his absolute control. He is calm, one assumes, because he has full knowledge, full control in this moment. He experiences no anxiety about Jane’s anticipated removal because he intends, at least at that point, to keep her, as he has kept Bertha Mason in the same kind of muted, disempowered state” (316) Although Mr. Rochester seems to want to take Jane for what she is, he instantly wants to transform her into looking like Blanche Ingram, a popular socialite who wants to marry Rochester for his money. Mr. Rochester wants to control Jane like he controls Bertha Mason, and make Jane powerless so he remains powerful. After Jane’s wedding to Rochester is ruined by the realization that Mr. Rochester has a secret wife, Brontë writes, “Jane Eyre, who has been an ardent, expectant woman-almost a bride-was a cold, solitary girl again: her life was pale; her prospects were desolate” (295). Although Mr. Rochester made Jane feel solitary, Jane prevails and decides to leave Thornfield. Mr. Rochester makes Jane stand out as an uncommon female figure during this time, and sheds light on how much courage Jane has to leave such a deceitful man upon hearing...
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...Charlotte Brontë’s 1847 novel, Jane Eyre, has been reproduced into many types of entertainment over the course of the last century. Each reproduction depicts the characters, settings, and events in a unique manner. Most notable of these differences is how the work deals with Bertha, the crazed wife of Mr. Rochester who stands between Jane and happiness. Two recreations that depict different ways of developing suspense around Bertha are the 1944 black and white film directed by Robert Stevenson and the 2011 film directed by Cary Fukunaga. Due to the first person narration of the novel, Brontë utilized the motif of the supernatural and dramatic revelations to build suspense around Bertha’s reveal. Stevenson’s 1944 production of Jane Eyre as a...
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...Beteckning: Humanities and Social Sciences Double Oppression in the Color Purple and Wide Sargasso Sea. A Comparison between the main characters Celie and Antoinette/Bertha. Ingela Lundin 2008 C-essay English Literature Supervisor: Dr Maria Mårdberg Examinator: Dr Helena Wahlström Table of Contents 1. Introduction .......................................................................................................................... 1 1.1 Purpose and main questions ............................................................................................. 1 1.2 Method and material......................................................................................................... 1 1.3 Theoretical approach ........................................................................................................ 2 1.4 Previous research – an overview ...................................................................................... 3 1.5 Introducing the novels ...................................................................................................... 4 2. A comparison of the double oppression in the two protagonists’ marriages.................. 6 2.1 The diminishing and isolation of Celie and Antoinette/Bertha........................................ 6 2.2 The upholding of the white man’s norm ........................................................................ 14 Conclusion..........................................................
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...Bob Lipsey. All characters, including men, women, and children, are played by two actors who sufficiently play each role. As the play begins there are two announcers who announce the Christmas Yard contestants and where we meet several of the characters. We are informed that one of the characters Vera Carp, has won the contest 14 times in a row. Bertha Bumiller desperately tries to convince Charlene Bumiller to get into the Christmas spirit. We also learn that Stanley Bummiller, who brings home a pregnant cat and is Charlene’s twin, is attempting to end his probation from jail by helping with the production of A Christmas Carol. The actors do a stupendous job at keeping the audience entertained and keep us laughing. We then meet Vera Camp, the town snob, tries to help Bertha redecorate her Christmas tree. We learn that Bertha’s husband, Hanks, wallet is found in front of the Star Light Hotel, as it is assumed that he has been cheating on her but Bertha will not leave him. We meet Didi Snavely, who is believed to be a crazy woman who owns a weapon store. We learn that her husband is a dumb alcoholic and causes a lot of problems. Bertha and Didi stay positive throughout the whole scene even though both of their husbands are messed up. Didi then calls Lenard’s radio show and “ruins his Christmas” by announcing on air about his affair knowing his wife Reba could be listening. We also meet Aunt Pearl who is a bigger lady who likes to shoot blue jays and...
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