...Explore how Faulks presents the different ways in which the characters cope with the realities of war in his novel Birdsong Sebastian Faulks uses the impact of the war to shape and add depth to his characters. The ways in which they cope with war, and the reasons for them to cope in this way, give detailed insights into the characters themselves. Faulks manipulates the character of Stephen Wraysford to begin the war as an extremely cold Officer, particularly towards Jack Firebrace, sending him for a court martial instantly, after a minor offence. Faulkes makes use of short, curt sentences in Wraysfords initial dialogue like “I doubt it.”This suggests harsh qualities, reinforcing the opinion that Stephen is a cold, removed character. Faulkes shows that Wraysford’s character softens towards his men, particularly the tunnellers, feeling empathy with their strange, but no less difficult path. This is shown in the contrast between the early parts of the novel where Stephen is almost exclusively referred to as “he” or “Stephen” and the later chapters where Stephen is referred to in a group with the tunnellers or other soldiers, making use of the pronoun “they” or “we” more often. Faulks presents Stephen as losing some of the isolated exterior by the end of the war that was the defining feature of his character at the beginning, This is shown in Stephen’s attachment to Jack Firebrace, presented by Faulks in the end tunnel scene. The strength of this partnership is shown in...
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...Stephen Galloway’s, The Cellist of Sarajevo and Sebastian Faulks’ Birdsong, the ongoing war around Arrow and Stephan force them to search for a renewed purpose in life and a new reason to carry on living. Ultimately, the characters attempt to achieve this goal but, due to the intervention of others, self-realization and the traumas they face the characters become more humane. One of the most prominent reasons the characters change throughout the story is because of the interventions of others. The characters come to realize that the people whom they resent are truly better people than they originally thought. In Birdsong, Stephen is relentless and cold towards a fellow soldier named Jack Firebrace, but when Stephen is in a tight spot and no one comes to help him, Firebrace is the one who saves his life. At one point, he even goes out of his way to find Stephen when he is in trouble, “‘You mean he’s dead?’ ‘They didn’t take him to the clearing section. He must have had it...’ ‘Jack recovering from his fright climbed over the wall and went closer…” (Faulks, 181). Firebrace was the last person that Stephen would expect to come save him. When he does, despite the fact that Stephen was deemed dead, Stephen finds it in him to create a new resolve to never be so cold to anyone ever again. The people they meet not only provide them with a new outlook on people it also develops their characteristics and help them change. In Birdsong, Stephen meets Isabelle who helps give poor families food during...
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...Losing someone you love deeply can cause all kinds of difficult emotions. Grief is usually the natural response to loss. It’s the emotional suffering when someone you never expected will be lost forever was taken away from you. In the novel Stone Carvers by Jane Urquhart and the movie, Birdsong based from the novel by Sebastian Faulks, the protagonist both undergo grief during the Great War. Through all these sorrows, they both have similar ways to cope with their undergoing emotions. In coping with their repressed feelings, they need someone to open up their past and their wounds. When Eamon was declared missing in action at war, Klara Becker tried to hide her grief by isolation away from the society, ignoring every little being that...
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...Explore the significance of the Home Front in ‘Birdsong’ One way in which the Home Front in ‘Birdsong’ is significant it through Weir’s visit home to his parents. Due to the affects that war bought upon men, this makes Weir struggle to re-connect with his parents again. The awkward distant conversations with his father using formal language like he is talking to a guest, ‘I’ll get the maid to make up a bed if you’re stopping’ presents the awkwardness and exemplifies the struggle men had to face when they came back home, showing that it wasn’t as easy as expected. Furthermore the use of ‘if’ makes Weir’s father sound even distant like it is a burden for him to stop and that it is an inconvenience for him to be back home. This makes the reader feel incredibly uncomfortable as we have read the men in action and have connected with separate characters in an emotional way. So to see the men being treated unjustly for what they are doing makes the reader feel just as uncomfortable as the conversations between Weir and his father. However this is not an unusual thing, as many of the soldiers were neither celebrated nor got the recognition they deserved from fighting at war. The awkwardness is furthermore highlighted when Weir himself ‘could think of nothing to say’ to his father. The lack of colloquialism used between these two characters, connotes the experience and horrors men faced at war and how they have been sculpted into his mind. Whereas his father is very dismissive and oblivious...
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...Birdsong has been a model for vocal development in humans for years. The plastic period in bird song, periods of unstable adult songs, corresponds to the precanonical vocal development. One explanation of speech development is the maturation of motor abilities. The development is limited by maturation but impelled by imitation (Goldstein et al., 2003). However, this perspective is defined by internal cues. The infant is apathetic in the development process. Another perspective is social influence. Within social influence perspective is action-based learning, the inter change of songs shared by adult and young infants. There is also a social shaping aspect within the social influence view. This is where the social interaction is key to shaping...
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...Our presentation was about the movie Birdsong which originally a book by Sebastian Faulks. It the movie it was shown that Stephen has been undergoing many flashbacks that made him survived his hardships through the war. The theme, “The importance of memory to sustain us through hardships” covers some of the Freudian concepts that intertwines with the main theme, “The unconscious mind is greater than the conscious mind.” Freud explains that the conscious level is where the realization of a person at a certain moment or time, and also the awareness of the surroundings. The unconscious part is the person’s involuntary realizations and wishes that are not accessible, that holds one’s hopes, urges, and memories that is outside his/her awareness (McLeod). The movie,...
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...In both Journey’s End, and Birdsong, the audience are cognisant to how loved ones can keep the characters limits at bay. This is especially true of the protagonists Stephen Wraysford, and Stanhope regarding women. Wagstaff uses frequent flashbacks in conjunction with the scenes of war; this differs from Journey’s End, where Sherriff uses the claustrophobic setting of the trench, to imply the suffocating nature of trench warfare. Wagstaff’s form is used in order to illustrate how Stephens memories of Isabelle, are the only thing keeping Stephen from exceeding his limits. This is made explicit to the audience when the phrase “you gotta ‘ave something, someone worth living for”, is used, portraying how significant Stephens recollections of Isabelle are, as soon after this is said, Stephen quickly recuperates. These “dreamlike” memories indicate a...
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...Q 16) What do you think of the view that the most meaningful relationships in Birdsong are those between men? One may argue that the view that the most meaningful relationships in Birdsong are those between men is true to some extent. In the novel Faulks presents a number of meaningful relationships between men that are key to helping the characters maintain a purpose throughout the war within the novel. Stephen forms a relationship with Weir that wouldn’t have been of the same nature had they not been involved in a combat situation, but the element of war helps them to understand one another, creating a meaningful relationship between the men. Stephen and Weir place an element of trust in one another ‘I want you to do the runes, tell me my fortune.’ Weir relies on Stephen in this instance to convince him that he will survive and make it through the war. Evidently Stephen fixes the cards but without the use of the fortune telling Weir would surely lack confidence and almost certainly expect death. The strength of the relationship, however, is such that both characters can rely on each other through the hardships of war. The relationship between Jack Firebrace and Stephen underground also supports the view that the most meaningful relationships in Birdsong are those between men. Jack’s character is first introduced ‘lying forty five feet underground’. This presents an ominous, dangerous mood. Faulks also implements a sense of foreshadowing here as Jack’s introduction reflects...
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...Explore the ways in which the three texts present the suffering of soldiers in the war. World War One is known as “the war to end all wars”[1]. The war cultured “extreme suffering” which inspired many writers. The war also aided the advancement of attitudes towards the emotionality of men. Individual suffering is manipulated to intensify the pain by isolating singular characters. Sacrifices of the men force the reader into an uncomfortable atmosphere. Sebastian Faulks’ Bildungsroman Birdsong highlights the suffering of individual to understate that of the masses. Regeneration, written by Pat Barker in 1991, uses factual occurrences of Sassoon and Owen’s lives in Craiglockhart to detail historic experiences of suffering. The poetry features both pro and anti-war perspectives from historical figures featured within Regeneration. Birdsong emotively persuades readers that individual anguish has detrimental effects on soldier’s lives intensifying their suffering. The texts use third person narrative to create emotive circumstances which manipulate the reader into understanding the suffering as either mass or individual. The writers’ portrayal of individual suffering was the most poignant compared to the subversion of widespread suffering. The texts expose the stigmatization of physical disability as a cause of individual suffering. Historically, the dependence of disabled life reflects the burden faced by soldiers of returning to normality. Wilfred Owen’s poem Disabled explores the...
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...|Coursework Assistance: Essay Suggestions |[pic] | |Birdsong | | | |PERSONAL INFORMED INTERPRETATION | | | |Students who decide to write this type of essay should be aware of what is meant by the term ‘personal informed | |interpretation’. Think of this phrase as three separate words: | | | |‘Personal’ - What does the novel mean to you? How does it make you feel? This does not have to be a positive feeling - just | |because someone you know loves this novel above all others, does not mean that you have to! However, do not just write your | |essay in the form of a ‘rant’ - your reasons, whether you love or loathe the novel, must be reasoned and reasonable, but | |above all, personal. | | ...
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...The history books will always be wrong when discussing the winners and losers of war, There are no winners. This is the case in Pat Carr’s book The Death of a Confederate Colonel. Saranell Birdsong finds her life falling apart one piece at a time, after Ian Birdsong, her father leaves to go fight in the civil war. While she is receiving letters from her Dad about confederate victories, nearby towns are being burned down and fellow neighbors are coming back dead. There are no victors that come from war. Saranell has just received a letter from her father, in the letter Ian Birdsong tells her of his first battle and the confederate victory with only a few casualties. ‘“ That's good news, don't you think?” … “ probably not for the captain,...
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...Methodology Second Language Acquisition and the Critical Period Hypothesis Edited by David Birdsong University of Texas LAWRENCE ERLBAUM ASSOCIATES, PUBLISHERS Mahwah, New Jersey London This edition published in the Taylor & Francis e-Library, 2009. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. Copyright © 1999 by Lawrence Erlbaum Associates, Inc. All rights reserved. No part of the book may be reproduced in any form, by photostat, microform, retrieval system, or any other means, without prior written permission of the publisher. Lawrence Erlbaum Associates, Inc., Publishers 10 Industrial Avenue Mahwah, NJ 07430 Cover design by Kathryn Houghtaling Lacey Library of Congress Cataloging-in-Publication Data Second language acquisition and the critical period hypothesis/ edited by David Birdsong. p. cm. — (Second language acquisition research) Chiefly papers presented at a conference held Aug. 1996, Jyväskylä, Finland. Includes bibliographical references and index. ISBN 0-8058-3084-7 (alk. paper) 1. Second language acquisition—Congresses. I. Series. P118.2.S428 1998 401′.93–dc21 98–42609 CIP ISBN 1-4106-0166-8 Master e-book ISBN CONTENTS Credits Preface Chapter 1: Introduction: Whys and Why Nots of the Critical Period Hypothesis for Second Language Acquisition David Birdsong Chapter 2: Functional Neural Subsystems Are Differentially Affected by Delays in Second Language...
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...Lyndsey Osler et Shantell Ripley Une version moderne des personnages Le comte de MonteCristo Ali Franz d`Épinay Justin Bieber Andrea Cavalcanti Leonardo DiCaprio Monsieur Morrel Olivia Pope Maximilien Morrel Clark Gable Bertuccio Esteban Ramirez Le comte de MonteCristo Captain Jack Sparrow Haydée Belle from Beauty and the Beast Édouard de Villefort Romeo Barrois Arnold Pennyworth Madame de Villefort Diane Downs Monsieur de Villefort Arnold Schwarzenegger Madame Danglars Camilla Parker Bowles/ Duchess of Cornwall Danglars Jafar Valentine de Villefort Kim Kardashian Albert de Morcerf Cindy Birdsong Madame de Morcerf/ Mercédès Kelly Frears Le comte de Morcerf/ Fernand Caledon Hockley Monsieur Noirtier Geoffrey Butler Steven Hawkings Ali → Geoffrey Butler Dans l’oeuvre, Ali est assez hors de propos comme Geoffrey Butler dans l’émission The Fresh Prince of Bel Air. Ali est le serviteur de Monte Cristo, puisqu’il a sauvé sa vie, il est loyal à son maître comme Geoffrey vers la famille Banks où il a travaillé pendant une longue période de temps. Franz d’Épinay → Justin Bieber Franz d’Épinay est totalement en amour avec Valentine de Villefort. Il est prêt à l’épouser, mais Valentine est amoureuse de Maximilien Morrel et a aucune intention de marier Franz. Justin Bieber, comme Franz, est follement amoureux de Selena Gomez mais elle n’est pas prêt pour une relation avec le musicien. ...
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...his thoughts and attitude towards the war. Robert Crude show's his hate for the enemy as he claims "I long to be with battalion so that I can do my best to bereave a German family. I hate these swine’s" introducing the idea of bloodlust for the enemy as Robert Crude seems almost excited to kill the Germans. This hatred for the enemy is also echoed in 'Birdsong' as Stephen Wraysford says "you hate the Germans don't you?" to a scared comrade; illustrating the view that the soldiers should share resentment for the enemy to inspire the soldiers to fight harder. Robert Crude then says "one feels that one must kill, as often as one can" sinisterly portraying his feeling that killing the enemy is the right thing through his certainty in his remark. In the opening of the extract it is clear that Crude has great confidence in the success of the bombardment believing "never a German can live over that side" due to the British high command portraying that there would be no Germans alive come the time of the attack due to their heavy bombardment on their trenches. The attitude of the high command is also prevalent in the 'Birdsong' by Sebastian Faulks as the character of Colonel Barclay gives an inspiring speech to the soldiers before the attack claiming the German "dug out [had been] obliterated" and "his defences shattered", providing the men with great confidence and enthusiasm which is reflected in Weir's letter home as he...
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...The sources them self are also credible filling a sixteen page bibliography and consist of mostly primary sources such as statements from A.C. Birdsong and a letter from a Lieutenant Burnet. Aside from the unclear flow of the book the content and supporting evidence fortifies the author's thesis. The composition of the book was slightly unorganized and made the read through taxing due to the episodic layout of the chapters. Without a chronological set up or any visible pattern one may find them self jumping to various chapters for connections or clarification. In the preface, addressing the lack of chronological organization, Mayhall says, “One may walk the corridor of time, opening a door here or there, to pick the story wanted, each an event -- separate, discrete, complete, in itself.” The layout is similar to that of a lesson plan which would be beneficial to the target...
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