...go wrong, at the time we can be furious but eventually we are usually able to look back and laugh, even if it is a rather wary laugh. Black comedy may position an audience to laugh at something they’re not ready to laugh at, or at something they’re not really allowed to laugh at. Black comedies can show us the errors and misjudgements that lead to our downfalls and give us an opportunity to laugh at the silliness of human existence. The only difference between comedy and black comedy is the seriousness of the consequences of the misunderstanding. Black comedy explores modern comic plays from different countries that deal with what is often uncomfortable or suppressed. The nature of comedy and the use of humour is used to confront an audience with human experiences of pain, loss, forms, styles, techniques and conventions. Black Comedy is all about how you get your audience into a position to observe the confusion, to be aware of the misunderstanding leading to these terrible events. And the difference (sometimes) between the confusion and the reactions of the confusion is what creates the comedy. The term for the positioning the audience so they are aware of a significance that the characters are ignorant, is of course Dramatic irony. Dramatic irony is a theatrical technique that can be used in a variety of styles of theatre, from tragedy to comedy. It is the form of irony where the audience is aware of the significance of something that the characters are ignorant of. Within the...
Words: 1142 - Pages: 5
...One would not usually list ‘watching people suffer’ as something that makes them laugh. I am no exception, but this changes when watching a Martin McDonagh or Harold Pinter Black Comedy. On viewing McDonagh’s The Lieutenant of Inishmore and Pinter’s The Homecoming, two vastly different Black Comedies. When watching these plays, I found myself laughing at what would seem like the most inappropriate places, if one was only looking at the violent and chaotic visuals. It is in their staging that the dialogue, characters and settings mix to create laughter and cartharsis. On viewing NIDA’s production of The Lieutenant of Inishmore, I discovered that one of the most laughter-inducing scenes was also one of the most violent. The second scene of the play where the mad son of Donny, Padraic, is torturing a ‘drug pusher’, James, is visually disturbing. I saw James hanging upside down, blood trickling down from his massacred feet to his horrified face. Despite this, the lyrical, song-like way in which Padraic adresses him, coupled with the highly satirical dialogue, provokes the audience to laugh and creates a funny scene. Padraic tells James sincerely to ‘Be pickin’ yer nipple’, as he feels it to be a kind gesture rather than cutting off both nipples. The extreme stupidity with which Padraic spoke incited laughter fom the audience around me, and focused attention away from the macabre nature of the scene. Inspired by my viewing of the NIDA production, I played the character of Davey...
Words: 708 - Pages: 3
...hybrid genre of black comedy, comedy, crime and thriller, whilst also touching on horror at points (the murders). The Avengers Assemble has a hybrid genre of sci-fi, action and fantasy. I will be looking at the parts of these movies that are typical of the genres that they are categorised in. The first text I will explore is Sightseers. In black comedies and crime, the iconography and location is often rural countryside; so Sightseers is challenging the conventions of the crime genre – often held in places associated more with ‘gangsters’, e.g. council estates, rougher areas (perhaps more populated) as opposed to the peaceful nature of the countryside. The choice of a caravan park adds a feeling of tranquillity and isn't an immediate location that springs to mind when it comes to thinking about the crime genre - so Ben Wheatley, the director, who has directed black comedies in the past, will have wanted to challenge the conventions of these movies. The comedy aspect is explored within quite a few scenes, the jokey comments that Tina is making to her mum at the beginning of the movie (where she repeats 'mum' several times, which is becomes quite humorous). The sort of humour used does challenge the conventions of a comedy as there are no out and out jokes, but some of the shots used such as Tina throwing food inside a bears mouth create a shock factor, that also makes you laugh - this is another way in which Ben Wheatley has challenged the conventions. Black comedy and the touches...
Words: 1033 - Pages: 5
...considered comic – “Puss-in-Boots” is obviously comic – other stories have moments of sardonic humour, often created by surprise or defiance of our expectations * Response to the word “darkly” in the question and its implications of black comedy – laughing at things which are not normally considered funny – expect some personal response here – sense of humour is very individual! * some candidates may discuss Carter’s language – her intermingling of the poetic and literary with the bluntly crude may be seen as a source of dark humour, equally her choice of structure may make her writing darkly comic – her use of juxtaposition – some readers have seen the absurd brevity of “The Snow Child” as comic and it is unquestionably “dark” Carter’s ‘The Bloody Chamber’ certainly embeds an element of terror within the collection. However, despite claims of horror apparent in the Marquis from the very start, it is also reasonable to argue that the tale also combines elements of dark comedy within the text provided by the very uncanny male protagonist. By the “leonine” portrayal of the Marquis, to his obvious fascination with murder; The Bloody Chamber could be seen to be crafted as too melodramatic and surreal, therefore setting itself up as dark comedy rather than a text of Gothic literature. A sense of foreboding is created within...
Words: 3224 - Pages: 13
...‘Most comedies can be criticised for a lack of seriousness’. To what extent do you believe this to be the case in the play ‘Much Ado About Nothing’? ‘Much Ado About Nothing’ contains comedy throughout but it could be argued that seriousness is present in equal measure. They are portrayed simultaneously by Shakespeare in his play: where one scene is comedic to one part of the audience, seriousness could be interpreted by others. The writer uses comedy not only to entertain but to portray and challenge concepts of gender, class and other norms dominant in Shakespearean times but also remain evident in contemporary society. He also uses a leading male and female character to construct this gender challenge, with a woman who will not marry until ‘God make men of some other metal than earth’ and a man she refers to as ‘no less than a stuffed man’. The forwardness with these lines are delivered in contrast with the passive expectations an Elizabethan audience would expect from the leading female, however comedy remains as the moment is unexpected. Furthermore, class and status issues can be identified in the play, an obvious example being the Prince’s brother a ‘bastard’, marginalised from society because of who he is, and a ‘watchman’ who is described as an ‘ass’. Through their comedic interchange of insults, two of Shakespeare’s main characters demonstrate the negative impact of gender issues in Elizabethan times. Benedick and Beatrice are constantly sparring with each other, starting...
Words: 1680 - Pages: 7
... Thesis: Engaging in this journal assignment enabled the steadfast dedication of creative efforts to be geared toward creating three play summaries based on contemporary stereotypes that exist. I. Introduction: Stereotypes and comedy A. Historical comedy B. Stereotypes as a tradition C. Stereotypes and the Shakespearean Experience II. Body: Three Play Summaries A. “Marriage, Rings, and Things” B. “Run the World” C. “Dear Curl-ella” III. Conclusion: Stereotypes, roles, and Society A. Humor and the Audience B. Effects of Stereotypes C. Stereotypes Thrive Adrianne Council Dr. Harkins-Pierre Introduction to Humanities 115 October 24, 2011 Journal # Contemporary Stereotypes Contemporary Stereotypes: Three Play Summaries There is a trivial tradition in comedy which dates back to both Shakespearean plays and literature. This tradition involves the usage of a coined blend of comedy and stereotyped characters. These characters are often for comical entertainment and laughter. Shakespeare always uses fools or stereotypical characters that are thought to have a diminished sense of intellect by the other characters. More interesting, however, these stereotyped...
Words: 1600 - Pages: 7
...Extended Definition of Comedy. Define “comedy”. When browsing the Internet for the definition of comedy, they all have the quote: “a light and humorous drama with a happy ending.” Comedy is full of opposites and contradictions. Something is funny when it’s both expected and unexpected. Something is funny when it’s familiar and unfamiliar. There are various types of comedy including irony, sarcasm, parody, spoof and many more. Irony is where the opposite of what is expected happens or where someone says the opposite of what they mean, while sarcasm is where an insult or quick remark is fired at someone with the intention of causing injury. Parody is when someone deliberately mimics the style of another for comic effect or ridicule. Spoof is somewhat like parody, except it’s lighter and has a gentle imitation. It is not necessarily intended to make fun of the thing being spoofed but the comedy happens in the allowance of the piece being spoofed. Comedy is funny when the act is unexpected. For example, a woman buys a white coat and approaches a wet black bench. "Look out!" yells a zoo keeper. " Oh, thanks," says the woman, "I almost sat on that." Then an escaped lion leaps in from the side and bashes her. This is comedy because just like the woman, the audience did not know that a lion would appear and bash her, even though the zoo keeper warns her to watch out. We all though the same the the woman thought, that the zoo keeper was warning her about the wet bench. This would...
Words: 805 - Pages: 4
...Contents Introduction…………………………….……….…………….…………………... 3 FIRST PART 1. What is Humour?..................................................................................................... 5 2. Humour and Culture…………………………….……………………………...… 6 3. What amuses Britain?……………………………….…….……….………...…… 7 4. Comedy…………………………………………………………………………… 8 4.1 British Comedy………………………………………………..………………..… 9 5. British Television Comedy.……………………………..……………………...… 9 5.1 Sitcom - situational comedy……………………………………………………. 10 5.1.1 Britcom……………………………………………………………….…….…… 11 SECOND PART 6. What makes Britain laugh?..……………………………………………..…… … 11 6.1 Madness & Surrealism………………………………………………………….. .12 6.1.1 Monty Python's Flying Circus…………………………………..………….…… 12 6.2 Political Satire…………………………………………………..…………….…. 14 6.2.1 Yes, Minister……………………………………..………………….……. …….. 15 6.3 The Race……………………………………………………….…………….. …. 17 6.3.1 Da Ali G Show……………………………………………………………….. … 18 6.4. The Family………………………………………………...…………….…… … 20 6.4.1 Only Fools and Horses………………………..……………..……... .. 21 THIRD PART 7. It’s Monty Python!.………………………………………………... ….… 24 8. Manipulation in Political Life……………………………………… ……. 26 9. “Boyakasha!”..................................................................................... 27 10. "This time next year, we'll be millionaires!"………………………. .… ….. 30 Conclusion…………………………………………………………. 33 Appendices Appendix A……………………………………………………………….. 35 Appendix...
Words: 12139 - Pages: 49
...Within our society there are cartoonists, stand-up comics, comedians, writers, and television hosts that say things that other people would never dare to utter in public. The purpose of the humorists, according to Alain de Botton, is “to convey with impunity messages that might be dangerous or impossible to state directly.” In Alain de Botton’s book, Status Anxiety, he argues that these humorists serve a key function in our society. I believe this statement is true because humorists have played a role in history, allowed people to reap benefits from laughter, and confronted unmentionable issues. First, comedy has long played a role in our society. In Medieval Europe the court jesters made jokes. The jester’s jokes were thought to affect...
Words: 958 - Pages: 4
...dissipated. Physically watching the play made my thoughts more apparent and clear. I really started to feel badly for Nina due to the fact that she was, in a sense, stripped of her innocence, whereas reading it made me dislike her naivety. Section 2 In Anton Chekov’s The Seagull, there can be many debate as to what the genre of the play falls into. Some argue it is pure tragedy, others argue drama, but there are others, including Chekov, that argue it is a comedy. While these are very matter of fact and binary answers, I argue that the genre is not so black and white. Due to the paradoxical characters and their tragic demise, the genre of The Seagull can be categorized as a, “tragicomedy.” The Seagull possesses many elements of tragedy such as: believable characters, realistic events, and unhappy or unfortunate outcomes. However there is still an undertone of high comedy, or comedy of manners, that can be found within these dull characters. They are the main cause of all their pain and misery and therein resides the comedy. Let us analyze two of the main characters, Nina...
Words: 542 - Pages: 3
...“The real importance of Earnest is the thrill of brilliant repartee. And as we laugh, an amazing thing happens: Oscar Wilde comes alive.” The Washington Post commends the 2002 comedic motion picture version of Oscar Wilde’s well-known play The Importance of Being Earnest. The director, Oliver Parker, maintained the farcical humor of the original play while integrating cinematic staging elements such as elaborate costumes and deft acting to seamlessly create a new depiction of Wilde’s notorious play. The cast seamlessly portrays the originality of Wilde’s infamous characters: Jack played by Colin Firth, Algernon played by Rupert Everett, Gwedolen played by Frances O’Connor, and Cecily played by Reese Witherspoon. The amusing acting merged with...
Words: 357 - Pages: 2
...We have all been there; you are sitting at home, bored and decide to pick up the remote. What kind of show do I want to watch? you think to yourself. There are countless types of television categories. Are you in the mood to laugh? To cry? To get so sucked into the plot that the next thing you know you have finished a twelve episode season in one sitting? There are lots of television genres, and the most popular are comedy, drama, and science fiction. The comedy genre has one goal in mind--to make you laugh. Shows like The Office and Parks and Recreation are examples of comedies that never fail to make you laugh. While The Office and Parks and Rec. are shot in a way some may not like (they are both filmed with a single-camera setup), they are prime examples of what comedy...
Words: 676 - Pages: 3
...Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love Title page of the first quarto of Shakespeare's Midsummer Night's Dream (1600) "Comedy", in its Elizabethan usage, had a very different meaning from modern comedy. A Shakespearean comedy is one that has a happy ending, usually involving marriages between the unmarried characters, and a tone and style that is more light-hearted than Shakespeare's other plays.[13] Comedy (from the Greek: κωμῳδία, kōmōidía), in the contemporary meaning of the term, is any discourse or work generally intended to be humorous or to amuse by inducing laughter, especially in theatre, television, film and stand-up comedy. This sense of the term must be carefully distinguished from its academic one, namely the comic theatre, whose Western origins are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters.[1] The theatrical genre can be simply described as a dramatic performance which pits two societies against each other in an amusing agon or conflict. Northrop Frye famously depicted these two opposing sides as a "Society of Youth" and a "Society of the Old",[2] but this dichotomy is seldom described as an entirely satisfactory explanation. A later view characterizes the essential agon of comedy as a struggle between a relatively powerless youth...
Words: 1240 - Pages: 5
...For my final paper I chose Fargo due to the fact that film noir was my favorite genre of films that I was introduced to in this class and it has amazing reviews, but I had never seen it. First off I love how the film opens "the following story is based on real events" disclaimer, it sets the viewer up to think they are about to see a powerful drama, then it catches them off-guard with a black sort of morbid comedy. Even from there, the opening shot shows the car driving down a dark empty road accompanied by some very appropriate music to makes us believe that it’s going to be a high action or suspenseful film, but the real colors of the movie quickly start to show through. This film changes an ordinary, Midwestern town upside down with a triple homicide and makes for a movie that can have the audience questioning their faith in humanity. I think that this film fits into the ordinary film noir genre, but turns it into a comedy/high drama, of Jerry’s despicable greed and his search of his idea of the “American Dream”. Slightly off subject, as far as “typical” noir films go I was surprised at the high saturation of light they used in this film even during very dark times/situations. I feel like this film removes the cliche of a typical police investigator. Marge is not the typical maverick cop we see in most investigative films, but a woman that is happily married to possibly the most painfully boring human being on earth, but a good husband, Norm. Marge’s...
Words: 1006 - Pages: 5
...The subjects of The American Culture War, such as homosexual rights and abortion rights, have been disputed over decades. In his comedy routine Matters, comedian and actor Michael Che addresses these subjects while providing his opinion in a humorous manner. Throughout Che’s funny, liberal comedy routine, he uses pathos to connect to his audience and logos to ridicule modern contentions, but his lack of proper ethos appeal weakens his overall stance on the matter. Michael Che’s humorous personality boosts his pathos appeal, and his apparent use of logos by oversimplifying certain problems allows him to create an argument that his intended audience understands and finds funny. Che, throughout his show, smiles continuously and keeps an upbeat...
Words: 505 - Pages: 3