...plot summary (overall or structure summary for certain nonfiction pieces). The main character Beatrice lives in a future Chicago in where people are divided into factions based upon their personalities. Abnegation, for the selfless, Amity, for the peaceful, Candor, for the honest, Dauntless, for the brave, and Erudite, for the intellectual. When it comes time for the choosing day, Beatrice discovers that she is Divergent, a very special case in where a person is no set faction. After surprising her family with the choice of dauntless, Beatrice is sent into the initiation protocol for the faction. Starting with jumping onto a moving train. From that moving train she then must jump off of that train onto a roof, then down into a pitch black hole. After that part they must go through three initiation trials which she goes through and is injected with this serum thing that the eurdites activate to take control of the dauntless, all except the divergents who are surprisingly revealed to us that four and tris’ (Beatrice’s dauntless name) mother are. Then all of the action starts to kick in. We have death all around us. To get to the final control room to stop this brainwashing experience tris loses her mother and father. But after all that is said and done she meets four again who she is in love with near the end of the book and hop on a train leading into the city, which leads to the sequel book. This is super brief and I could right about another 3 pages if I had to since this...
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...Caribbean and its influence on Marshall’s life while growing up in the United States. Marshall’s mother and her female friends, immigrants from Barbados, would gather in the Marshall kitchen after their days of working in low-paid jobs to chat, gossip, and “tackle the great issues of the time” including the economy, politics, war, and their nostalgia for home. They discussed their adopted home, America—acknowledging both the racism they endured, and also the wealth of possibilities that the country offered. These women and their stories were, for Marshall, the origins of her fiction. She asserts that a writer’s ability to render everyday speech is derived from close listening, and the talk that “filled the kitchen” additionally functioned as a kind of therapeutic catharsis, a release of creative energy. The special kind of language used between certain groups of people gives writers their own narrative and unique language: “The principle means by which a character in a novel or story reveals himself and gives voice sometimes to profound feelings and complex ideas about himself and the world.” Although Marshall ultimately transitions from the kitchen table to the library, she states that something was missing...
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...’99—during the winter that straddled the two—I spent a night on and off the telephone with a person named John Fahey. The first moves with the courteous lento of one of Peter Taylor’s stories; the last has the directness of something by Raymond Carver; the second, more placeless and more contemporary, could be by lots of writers—Jennifer Egan, or maybe Sam Lipsyte. Actually, all are the opening sentences of essays by John Jeremiah Sullivan, from his second book, “Pulphead” (Farrar, Straus & Giroux; $16). It is obvious enough that they are by a talented storyteller, who has learned from fiction (as well as from the essayistic tradition) how to structure and ration his narratives. He seems to have in abundance the storyteller’s gifts: he is a fierce noticer, is undauntedly curious, is porous to gossip, and has a memory of childlike tenacity. Anecdotes fly off the wheels of his larger narratives. In a touching piece about the near-death of his brother (who electrocuted himself with a...
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...I did this to make an account Television is a telecommunication medium that is used for transmitting and receiving moving images and sound. Television can transmit images that are monochrome, in color, or in three dimensions. The word television comes . Television may also refer specifically to a television set, television program, or television transmission. First commercially available in very crude form on an experimental basis in the late 1920s, then popularized in greatly improved form shortly after World War II, the television set has become commonplace in homes, businesses, and institutions, particularly as a vehicle for entertainment, advertising, and news. During the 1950s, television became the primary medium for molding public opinion. The replacement of bulky, high-voltage cathode ray tube screen displays with compact, energy-efficient, flat-panel alternatives such as LCDs, plasma displays, and OLED displays was a major hardware revolution that began penetrating the consumer computer monitor market in the late 1990s and soon spread to TV sets. In 2013, 87% of televisions sold had color LCD screens. The most common usage of television is for broadcast television, which is modeled on the radio broadcasting systems developed in the 1920s. Broadcast television uses high-powered radio-frequency transmitters to broadcast the television signal to individual television receivers. The broadcast television system is typically disseminated via radio transmissions on designated...
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...Modernism and House Made of Dawn Daniel Quitz Matrikelnummer: 1164204 Englisch (5) / Geschichte (5), LA Maximilianstrasse 16, 95444 Bayreuth Tel.: 0176/ 73911615 danielquitz@t-online.de Table of Contents 1. Introduction 2. Defining American Modernism 3. American Modernism in House Made of Dawn 3.1 Complex and Modern Urban Life 3.2 Alienation: The Portrait of a Lost Generation 3.3 The Stream of Consciousness 3.4 Other Features 4. Conclusion 5. Bibliography Quitz 1 1. Introduction When Navarre Scott Momaday first published his award-winning novel House Made of Dawn, literary critics celebrated the book as the Renaissance of Native American Literature. The novel, which won the Pulitzer Prize for fiction in 1969, has influenced both readers and well-known Native American writers such as Leslie Marmon Silko or Sherman Alexie since its first publication. Moreover, it has certainly made the success of Native American Literature possible. This is one of the reasons why Momaday can be considered as the “dean of Native American writers“ (Hager 2). House Made of Dawn is about Abel, a young Native American who returns home to Walatowa from World War II. There, he struggles to reintegrate into the tribal community as he is torn between two different worlds. On the one hand, it is the traditional environment of his pueblo where life depends very much on the rhythm of the seasons. On the other hand it is the world of a modern and industrialized...
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...‘Throughout his writing career, Conrad’s obsessions and his treatment of them in his fiction remain remarkably consistent.’ Do you agree? “Is there not also a central obscurity, something noble, heroic, beautiful, inspiring half-a-dozen great books, but obscure, obscure?…These essays do suggest that he is misty in the middle as well as the edges; that the secret casket of his genius contains a vapour rather than a jewel; and that we needn’t try to write him down philosophically, because there is nothing to write” (Gekoski 3). Certainly, as Forster says, it has been a common description of Conrad that his work is obscure. Forster seems to imply here that Conrad cannot be knowable due to the contradictory nature of his philosophies and that he is “misty in the middle as well as the edges”. Amongst Conrad’s “mist” and ambiguity it may seem difficult to determine the consistency of Conrad’s philosophies throughout his career. This essay seeks to illustrate Conrad’s tendency to concentrate on a cluster of related issues throughout his work and to highlight the pattern of consistency in which he treats them. Three of Conrad’s “obsessions” will be mainly focused upon; isolation, fragility in identity, and fidelity. In order to show a broad time span of Conrad career I will be referring to three of his works: Nigger of the Narcissus, Lord Jim, and The Secret Agent. It is the view of this essay that although Conrad may be obscure in meaning, his treatment of his ‘obsessions’ remain...
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...International Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 2 No. 4; July 2013 Copyright © Australian International Academic Centre, Australia A Stylistic Analysis of D.H. Lawrence’s ‘Sons and Lovers’ Nozar Niazi English Department, Lorestan University, Khorramabad-Iran E-mail: nozar_2002@yahoo.co.in Received: 04-04-2013 doi:10.7575/aiac.ijalel.v.2n.4p.118 Abstract Accepted: 14-05-2013 Published: 01-07-2013 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.2n.4p.118 This paper aims at analyzing D.H. Lawrence’s ‘Sons and Lover’ using a stylistic approach. Stylistics is a study of the amalgamation of form with content. The stylistic analysis of a novel goes beyond the traditional, intuitive interpretation, because it combines intuition and detailed linguistic analysis of the text. The defining elements of modern language are within the text itself, not prescribed from outside. With modernist texts, usually understanding comes from close study of the language system defined within the text itself. Form, technique and style are considered not as a mere vehicle of the content of the story, but an integral part of the work’s meaning and value. In our analysis of ‘Sons and Lovers’ the resources of language: lexis, syntax, phonology, figurative language, cohesion and coherence, are discussed in relation to the style of discourse in order to explore hidden meanings in the text. The resources of language are shown...
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...Treasure Island by Robert Louis Stevenson Literature Study Guide © Kent Duryée Table of Contents PART ONE Overview for Parents…………………………………………………………….Page 1 I. Main Characters II. Points for Discussion: • Vocabulary • The Spanish Main • The Age of Reason • Victorian Industrialism • The bildungsroman • Women in Victorian Europe and America Answer Key for “Setting the Stage” and “As You Read” questions…………Page 3 Questions For Discussion……………………………………………………….Page 6 END OF ANSWER KEY PART TWO Study Guide for Students………………………………………………………..Page 7 • History and Setting • The Triangle Trade • Geography • European Colonialism Questions: Setting the Stage…………………………………………………..Page 7 Questions: As You Read……………………………………………………….Page 8 Questions: After Your Reading………………………………………………..Page 9 Vocabulary Exercises………………………………………………………….Page 10 END OF STUDENT ACTIVITIES PART THREE Parents’ Footnotes – Plot Synopsis…………………………………………..Page 12 Answers to Vocabulary Exercises………………………………………….…Page 13 References / Internet Resources……………………………………………..Page 14 1 Literature Study Guide: Treasure Island by Robert Louis Stevenson Part One: For the Parent/Teacher Recommended Ages/Grade Level: Ages 12 and up or Grades 7 and up. Edition used: Children’s Classics, Random House Value Publishing, 1998 Ed. Part One: Overview for Parents: ______________________________________________________ Treasure Island is an adventure novel set in England during the 1700’s. This is one of the classic adventure tales;...
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...attractive daughter of a former slave owner, whose cotton business had been ruined by the war, is stalked by a menacing looking black soldier, named Gus. He is shown with his shirt wide open and bare-chested. Flora, the stereotypical southern belle, notices the voyeur and is visibly shaken. Flora tries to hide from Gus, but Gus corners her and tells her that he wants her and that he is not married. Since the end of the Civil War, Flora has noticed several black soldiers in the area in the past few months harassing her family and other upstanding families. Gus forces Flora closer and tries to kiss her. In a panic, Flora slaps him and pushes him away. Flora flees into the woods. The ensuing pursuit shows Gus as a sex-crazed maniacal troll chasing down the seemingly innocent virginal fairy. Gus follows her absorbedly intent on raping her. Flora winds up on a cliff overlooking a series of jagged rocks. She stares at Gus and motions for him to leave her alone. In a silent ultimatum, she gesticulates that if he doesn’t leave then she’ll leap from the cliff to the rocks below. Gus is exposed as a beast, sweating and pulsating lustful desires. He moves closer to Flora to stop her from leaping. Unwilling to give herself to a black man and death being the only alternative, Flora jumps from the cliff. Thus, the quintessential portrayal of the black man was born into the psyche of American culture. The Birth of a Nation was just but one movie of the early era of Hollywood...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...MODULE C – History and Memory Sample 1 How has your understanding of events, personalities or situations been shaped by their representations in the texts you have studied. Refer to your prescribed text and at least TWO other related texts of your own choosing. History can be defined as “the methodical record of public events” where memory is defined as “the faculty by which events are recalled or kept in mind”. Thus history and memory interrelate as history can be seen as the contextual justification for memory. “The Fiftieth Gate” is a poignant interweaving of history and memory. The text follows protagonist, Mark Baker an historian, son of Holocaust survivors Genia and Yossl (Joe), on an historical journey through memory, to uncover the origins of his past and act as a catalyst for future generations to also connect with their history. Mark Baker’s journey through history and memory is also executed through his conventional ideas that memory is biased and less valid than history. There are numerous references to the discrepancies between the personal memories of his parents and the documented history Mark as an historian believes. In this way it is apparent that Mark is on a quest for verification, “my facts from the past are different”. This displays the flaw Mark traditionally notes in memory and his need for historical evidence. As responders accompany Mark on his journey, they also encounter the complexity of simultaneously being a son and an historian. This...
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...re tu ra li CAPE Modern te ng Languages Literatures nE e siniEnglish ur e at l er g it En sin ur e at er it L Caribbean Examinations Council ® SYLLABUS SPECIMEN PAPER CSEC® SYLLABUS,MARK SCHEME SPECIMEN PAPER, MARK SCHEME SUBJECT REPORTS AND SUBJECT REPORTS Macmillan Education 4 Crinan Street, London, N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world www.macmillan-caribbean.com ISBN 978-0-230-48228-9 © Caribbean Examinations Council (CXC ®) 2015 www.cxc.org www.cxc-store.com The author has asserted their right to be identified as the author of this work in accordance with the Copyright, Design and Patents Act 1988. First published 2014 This revised version published 2015 Permission to copy The material in this book is copyright. However, the publisher grants permission for copies to be made without fee. Individuals may make copies for their own use or for use by classes of which they are in charge; institutions may make copies for use within and by the staff and students of that institution. For copying in any other circumstances, prior permission in writing must be obtained from Macmillan Publishers Limited. Under no circumstances may the material in this book be used, in part or in its entirety, for commercial gain. It must not be sold in any format. Designed by Macmillan Publishers Limited Cover design by Macmillan Publishers Limited and Red Giraffe CAPE® Literatures...
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...2012: Beginning of the End or Why the World Won't End? 12.22.11 Scenes from the motion picture "2012." Courtesy Columbia Pictures. Remember the Y2K scare? It came and went without much of a whimper because of adequate planning and analysis of the situation. Impressive movie special effects aside, Dec. 21, 2012, won't be the end of the world as we know. It will, however, be another winter solstice. Much like Y2K, 2012 has been analyzed and the science of the end of the Earth thoroughly studied. Contrary to some of the common beliefs out there, the science behind the end of the world quickly unravels when pinned down to the 2012 timeline. Below, NASA Scientists answer several questions that we're frequently asked regarding 2012. Question (Q): Are there any threats to the Earth in 2012? Many Internet websites say the world will end in December 2012. Answer (A): Nothing bad will happen to the Earth in 2012. Our planet has been getting along just fine for more than 4 billion years, and credible scientists worldwide know of no threat associated with 2012. Q: What is the origin of the prediction that the world will end in 2012? A: The story started with claims that Nibiru, a supposed planet discovered by the Sumerians, is headed toward Earth. This catastrophe was initially predicted for May 2003, but when nothing happened the doomsday date was moved forward to December 2012. Then these two fables were linked to the end of one of the cycles in the ancient Mayan calendar at the winter...
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...by Danny Boyle in 1996. The Acid House, a collection of short stories, was published in 1994 and was followed by Welsh's second novel, Marabou Stork Nightmares (1995), a harrowing stream-of-consciousness narrated by football hooligan Roy Strang. Ecstasy: Three Tales of Chemical Romance, a collection of three novellas, was published in 1996, and a third novel, Filth, a vivid account of the violent adventures of a bigoted, racist and corrupt Scottish policeman, was published in 1998. Glue (2001), is the story of four boys growing up in an Edinburgh housing estate. Porno, a sequel to Trainspotting, was published in 2002. Welsh is also the author of two plays, Headstate (1994) and You'll Have Had Your Hole (1998). 4 Play, an omnibus edition of four stage adaptations of Welsh's fiction by Harry Gibson and Keith Wyatt, was published in 2001. His screenplay of The Acid House was directed for Channel 4 Films by Paul McGuigan (1998). His journalism includes a column for Loaded magazine and occasional articles for The Guardian. He is also a DJ and has recorded a single with rock group Primal Scream. In February 2003 Irvine Welsh began writing a Monday column for the Daily Telegraph. “His Language”: “When I first started to get into writing, it was via music. I'd generate ideas for songs that would turn into stories, then they'd turn into novels. I was biased toward music. I was getting interested in house music at that time,...
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...much what you would expect of someone who is seeing people and places for the first time. Often times when people are amazed by something or in a place for a first time, their discussions about it are usually long and explicit. Her detailed descriptions are likely a result of her being amazed at these people and their behavior and much less likely to be her making an attempt to abolish all slavery and create a better relationship with the Native Americans. *Oroonoko: the Royal Slave is a novel that does not have enough evidence for someone to say the author was advocating for the abolition of slavery or even much condemning slavery or social inequality and may perhaps be reinforcing the beliefs that some slave masters already had towards blacks.* Whether done intentionally or not, the narrator’s extreme details provide a magnificent learning opportunity for the readers. Her opinions and attention to detail allows readers to...
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