...It leaves a lot of questions than answers as to why there is so much fuss around this particular film. Confused about what to believe in, I opted to watch the movie, albeit with an open mind. Lucy is a Sci-Fiction film, filled with some action and adventure. It is about a young girl, a student, who gets involved with a drug dealing boyfriend. Her boyfriend asks her to do a single drop inside a hotel while he waits outside. But the drug lord has other ideas, he kills the boyfriend and forces the girl to transit his drugs, hidden in her stomach. The drug bag busts open and she is exposed to the drug. The content of the drug sends her brain into unprecedented over-drive, manifesting the real powers of a human brain. She acquires enormous supernatural powers; she becomes a great warrior, able to understand everything around her, ranging from languages, medical conditions to mind reading. She is also able to travel through time, from the past to the present day. The movie is faced paced, quickly moving between time. The parallel transition between Lucy’s story and the simultaneous lecture in which the professor tells his class about how the brain operates is quite amazing. The directing is as fast as it gets, trying to keep the audience at par with the narrative. I found it to be a little confusing, that is, transitioning between time, space and the lecture requires an extra bit of concentration. The editing is great, given the high 3D graphics...
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...English Overseas English zwwx@overseaen.com 2011 8 http://www.overseaen.com Tel:+86-551-5690811 5690812 Narrative Patterns Research in O Henry's Novels · ， （ ， 332000 ） Abstract：O· Henry is living in the time when novelists are in the great pursuit of narrative pattern research. Hence his works is inevitably Henry's novels in my opinion is also marvelous for his outinfluenced. Beside his humorous language, surprising ends and expressions, O· standing narrative patterns arrangement. In this article, a research will be conducted onto his narrative pattern in the aspects of narrative perspectives, narrative space and narrative time. By this research, more information and references is intended to obtain for the further study on this area. Key words: Narrative Pattern; Narrative Perspective; Narrative Space; Narrative Time ： I02 ：A ：1009-5039(2011)08-0350-03 1 Introduction · O Henry (1862-1910), as one of the most famous writers of short story in American literature history, or even around the whole world. Plus his contribution in narrative patterns research, he is also honored as the one of the founders of American short story history. Great praises, as well as critics are raised from the world onto his short novels which are well known for the humor, vivid spots description, surprising endings. However, in this article we will pay attention to the narrative patterns in O· Henry's novels, the area of which seldom calls focus and research from the American literature...
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...Theme and Narrative Elements in “Hills like White Elephants” Shawntelle D Holloway Ashford University Theme and Narrative Elements in “Hills like White Elephants” In the fictional writing, theme refers to a broad message the writer wishes to deliver buried deep within his story. A theme therefore cannot be picked directly from the storyline but only after identifying the underlying idea. Looking beyond the general plot will be the only way one can arrive at any stories intended theme. In the story hills white like elephants, the writer has used irony and satirical techniques of writing to create theme in his work. The saddening story of a young misfortunate couple has been used to portray the theme of hopeless love in a vague world that has no concept or morality. The setting of the story is vague and without any kind of personal emotion. The young couple seems to be caught in the crossroads faced by the challenge of abortion or keeping their unborn baby. While Jig seems ready and willing to have the baby, she is pushed by her ruthless boyfriend to abort. He seems more concerned about ideals of travelling, fun and merrymaking even when making a decision involving his unborn baby. Jig is pushed by her love for him to make a decision that will affect her and murder their unborn baby. He is a hypocrite and not kind to women willing to keep his own baby. By exploiting their love, he gets Jig to consent to an abortion even if she knows it is harmful. The use of irony and...
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...Switzerland where Tan completed high school. Being considered an outsider by her peers, and the continuous feeling of anger and loss she felt from losing her brother and father, she began hanging out with a crowd of drug-dealing hippies and at sixteen was arrested. Her relationship with her Mother became increasingly strained and after a close encounter of almost eloping with a mental patient, Amy and her family returned to United States where her mother enrolled her in a small Baptist college in Oregon, and had her majoring in pre-med. After a year at Linfield Amy enrolled in San Jose University, moved in with her boyfriend and changed to a double major of English and linguistics. After accomplishing her Bachelors in English and Linguistics she continued her education at San Jose to receive a Masters in Linguistics. On 6 April 1974 she married long time boyfriend, Louis M....
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...Otherness: Essays and Studies 1.1 October 2010 Haunting Poetry: Trauma, Otherness and Textuality in Michael Cunningham’s Specimen Days Olu Jenzen Early conceptions of trauma are intimately linked not only with modernity but specifically with the height of industrialisation (Micale and Lerner 2001). This is converged in the opening of Specimen Days particularly in the image of an industrial accident at the ironworks where a young man is killed by the stamping machine. His young brother, replacing him at the machine after the funeral, then experiences an apparition of the dead brother still trapped inside the machine, which leads him to believe that all machines house entrapped ghosts of the dead. Writing on the Victorians’ anxieties about internal disruption caused by the advent of the railway, Jill Matus (2001, 415) has pointed out that, Freud himself remarked in Beyond the Pleasure Principle (1920), [that] there is ‘a condition [which] has long been known and described [and] which occurs after severe mechanical concussions, railway disasters and other accidents involving a risk to life; it has been given the name of traumatic neurosis’ (12). Freud’s remark brings to the fore the traumas of the industrial age as both individually and publicly experienced and negotiated. This condition of trauma as private and public, individual yet also societal is held in tension throughout Cunningham’s novel. Reflecting on the otherness of trauma and its vexed relationship to representation...
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...Compare and Contrast American Psycho by Bret Easton Ellis and The Remains of the Day by Kazuo Ishiguro focussing on the topic of the unreliable narrator The unreliable narrator is a technique used by authors where a scenario is created in which the reader cannot trust the narration of the book usually done in the first person. In American psycho, Ellis explores the sinister nature of Wall Street yuppie culture by examining the sanity of the narrating protagonist Patrick Bateman using the unreliable narrator. Ishiguro also uses this, exploring ideas of regret and also self-justification in the character of Mr Stevens in The Remains of the Day. Unlike Ellis who examines Bateman during his early working years, in his mid-twenties and presenting a snapshot of his life, Ishiguro uses his take on the unreliable narrator to look at Stevens towards the end of his life using a series of flashbacks narrated unreliably, by Stevens. Both novels are comparable in the sense they examine the topic of failure using unreliable narrators that will do anything to escape the idea that they are failures. A popular debate regarding American Psycho is whether Patrick Bateman is a murderer or not, certainly Bateman describes in detail of murders he commits and why he commits them, however, certain factors bring Bateman’s reliability of narration into question. Bruno Zerweck argues that due to the lack of ‘detective framework’ and ‘unintentional self-incrimination’ the narration of the novel is...
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...Myself in Writing Certain people don’t like to write and others can’t get enough of it. Personally, I swing both ways about writing. I enjoy being able to express my feelings down and share them with others, not all the time because there are some things I like to keep to myself. I love the idea of letting my ideas and thoughts stream out and come to the surface. Reading other people’s stories or thoughts inspires me to be free and write down how I feel. Sometimes it’s hard to express the feelings I get and how to incorporate them into words for others to comprehend, but I guess that’s the reason. To have others approach your feelings and figure out the emotions they capture through your piece of literature. Now, the part I dislike about writing is having to follow structure and regulations. I do understand why there are building blocks to literacy writing, I just don’t feel you get to allow yourself to come out of your shell as much. For example, me, I am writing this essay allowing myself to express what I feel and about my writing history, but it’s going by some guidelines of the class. The font, margins, and the minimum length of the essay are just the beginning of them. In high school I remember we had to write about how we felt about a book that was assigned in class, but we had to have a thesis statement, a full-circle ending, and it had to be 3 pages long. I did enjoy reading the book, the analysis behind the words and writing what we got out of the book. It...
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...Before the United States became militarily involved in defending the sovereignty of South Vietnam, it had to, as one historian recently put it, "invent" the country and the political issues at stake there. The Vietnam War was in many ways a wild and terrible work of fiction written by some dangerous and frightening story tellers. First the United States decided what constituted good and evil, right and wrong, civilized and uncivilized, freedom and oppression for Vietnam, according to American standards; then it traveled the long physical distance to Vietnam and attempted to make its own notions about these things clear to the Vietnamese people—ultimately by brute, technological force. For the U.S. military and government, the Vietnam that they had in effect invented became fact. For the soldiers that the government then sent there, however, the facts that their government had created about who was the enemy, what were the issues, and how the war was to be won were quickly overshadowed by a world of uncertainty. Ultimately, trying to stay alive long enough to return home in one piece was the only thing that made any sense to them. As David Halberstam puts it in his novel, One Very Hot Day, the only fact of which an American soldier in Vietnam could be certain was that "yes was no longer yes, no was no longer no, maybe was more certainly maybe." Almost all of the literature on the war, both fictional and nonfictional, makes clear that the only certain thing during the Vietnam War...
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...Essay on Essay Analysis on The Movie "The Terminator" For the purposes of this essay I have chosen The Terminator, a science fiction B-movie feature from 1984. Although I intend mainly to study this purely as a single film, I do intend to study Terminator 2 in addition, thus making the essay a study of the series. In addition, I will be contrasting the theory written surrounding these films in relation to other contemporary postmodern theory, and as a result will be mentioning several other films by way of a comparison or contrast. The Terminator seems quite remarkable to me, for a number of reasons. Firstly, it is one of many action films I watched in my early teens; a considerable number of which, like this film, starred the Austrian body-builder turned actor, Arnold Schwarzenegger. What is so different about The Terminator though, is that unlike most of these films, this movie has enough depth and substance that, not only does it still bear watching now that I am older, but it also has an archive of academic theory written about it. The Terminator tells of a cyborg, a human shaped machine coated in flesh, that is sent back in time, from an apocalyptic future in which machines have 'got smart' and acted on their own to destroy the human race. The cyborg's mission is to assassinate the mother of the human's great leader, the man who taught the survivors to fight back against the machines. The woman, a young waitress named Sarah Connor, is protected only by a lone warrior...
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...Drown Drown, the compilation of ten short stories written by Junot Diaz narrates the experience of Hispanic Latino teenagers with different themes and from one part of life to another. He pictured the world of Drown as a rough, violent, poor and seemingly hopeless experiences. The compilation of stories narrated by Yunior tells his stories from different points of view of life. The events and experiences mentioned in this novel by Diaz are what most Hispanic teenagers go through. As the novel begins with “The fact that I am writing you in English already falsifies what I wanted to tell you.” (Drown). This epigraph in beginning by Gustavo Perez Firmat gives a clue of focusing Hispanic community. After reading the whole book my question is this book merely story telling or autobiographical? This question came to my mind by relating Diaz’s interview in Colbert’s show. Stephen Colbert, the host of show when asked him how he came to America, Diaz answered that his father first came to New York, settled here and called them over. Diaz also mentioned that he saw his dad the first time as he was away from family and once they landed to America his father took them to New Jersey which was weird according to Diaz. Same scenario was somewhat presented in beginning of Drown but through Yunior- the narrator. Diaz used the specific words and some symbols which the reader can almost feel the story as if it is real. Diaz, who was born in Santo Domingo in Dominican Republic and migrated...
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...Investigating the presentation of speech, writing and thought in spoken British English: A corpus-based approach1 Dan McIntyre a, Carol Bellard-Thomson b, John Heywood c, Tony McEnery c, Elena Semino c and Mick Short c a Liverpool Hope University College, UK, b University of Kent at Canterbury, UK, c Lancaster University, UK Abstract In this paper we describe the Lancaster Speech, Writing and Thought Presentation (SW&TP2) Spoken Corpus. We have constructed this corpus to investigate the ways in which speakers present speech, thought and writing in contemporary spoken British English, with the associated aim of comparing our findings with the patterns revealed by the previous Lancaster corpus-based investigation of SW&TP in written texts. We describe the structure of the corpus and the archives from which its composite texts are taken. These are the spoken section of the British National Corpus, and archives currently housed in the Centre for North West Regional Studies (CNWRS) at Lancaster University. We discuss the decisions that we made concerning the selection of suitable extracts from the archives, the re-transcription that was necessary in order to use the original CNWRS archive texts in our corpus, and the problems associated with the original archived transcripts. Having described the sources of our corpus, we move on to consider issues surrounding the mark-up of our data with TEI-conformant SGML, and the problems associated with capturing in electronic form the CNWRS...
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...*Daryoosh Hayati Lecturer of English Language, Lamerd Branch, Islamic Azad University, Iran Journal of Subcontinent Researches University of Sistan and Baluchestan Vol. 3, No.7, summer 2011 (p.p 31-52) East meets West: a Study of Dual Identity in Mohsin Hamid’s the Reluctant Fundamentalist Abstract This essay will present a postcolonial study of how Eastern identity and Western identity clash in The Reluctant Fundamentalist by Mohsin Hamid, the Pakistani- American novelist, and make the character of the protagonist a glocal one, (A mixture of global and local), a term newly coined by Postcolonial scholars to show the ever clashing mixture of global and local dualities in immigrants’ personalities. The basis for this research paper is the postcolonial theories of Edward Said, Fanon and Homi K. Bhabha. The aim is to question simply and sardonically the human cost of empire building, moreover it is discussed how the people in a totally alien culture are faced with different cultural predicaments, dilemmas as well as contradictions threatening their identity. Identity is supposed to be stable, while as this novel indicates, it is more of glocal identity which is at risk due to the cultural conflicts, as a result of which identity and ethnicity are subjected to change for the benefit of the hegemony. In line with Edward Said’s: “the East writes back” it is shown how this novel is a reaction to the discourse of colonization from the Pakistani side (which stands for the East)...
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...Literary Critique of “I Stand Here Ironing” Tillie Olsen’s “I Stand Here Ironing” focuses on a mother who receives a phone call while ironing, about her eldest child Emily. The call comes from a school guidance counselor asking her to make time to see her so they could discuss helping Emily. While listening, the mother partakes in a mental or interior monologue of her first born child’s life, and how being a single teen mother facing poverty shaped her daughter into who she is to today; a stiff, awkward ,and isolated young woman. Although there are various angles in which to analyze this text, the prominent angle is how society, especially in the 1930’s, view of women and motherhood have affected the narrator in her way of raising Emily. A sociological critique of I Stand Here Ironing by Tillie Olsen examines a wide range of social and feminist issues throughout the short story. Theses social ills have left the narrator with a strained psyche and have her questioning her parenting. I “Stand Here Ironing” is a short story in which the reader gets a mental image of the way it was for the narrator to raise her child alone. The narrator was a single mother at the age of nineteen, living during the latter years of the Depression. As a single mother during the depths of the Great Depression it was an especially hard time. The narrator describes the world in which her first child, Emily was born into. “It was the pre-WPA world of the depression” (290). Emily’s mother struggled to...
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...Dorie Love-Ashby P. Elmore Composition II 1302-7420 5/25/11 FAULKNER Faulkner was born in 1897, to a genteel southern family. His father, Murry Cuthbert Falkner, was a railroad worker, owner of a cottonseed oil and ice plant, livery stable operator, hardware store employee, and secretary and business manager at University of Mississippi. His mother was Maud Butler Falkner. Falkner grew up and spent most of his life, off and on, in Oxford, Mississippi. He trained for the Royal Air Force in Canada, and later the British Royal Air Force during World War I, but the war was over before he saw action. After the war he briefly attended the University of Mississippi. He married Lida Estelle Oldham Franklin, June 20, 1929. The Faulkner works were greatly influenced by his family history. The area in which he lived had a great deal to do with his sense of the doleful position of Black and WhiteAmericans. This also influenced his sense of humor and is said to be the legacy of earlier writers like Mark Twain. Faulkner was best known for his novels, but he also wrote short stories, poetry and occasional screenplays.. Film versions have been made of several of his works: Sanctuary (1961), Intruder in the Dust (1949), The Sound and the Fury(1959), The Reivers (1969), and Pylon (1957; or Tarnished Angels). Others (Requiem for a Nun, 1951, and "Barn Burning") have been filmed for television. (Pierce, Constance, and Heller) Faulkner received the 1949 Nobel Prize for Literature for "his...
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...FA ND OM UNB OUND —-1 —0 —+1 561-47344_ch00_1P.indd i 7/27/11 6:21 PM -1— 0— +1— 561-47344_ch00_1P.indd ii 7/27/11 6:21 PM FAN DO M U N BOUND Otaku Culture in a Connected World Edited by MIZUKO ITO DAISUKE OKABE IZUMI TSUJI —-1 —0 —+1 New Haven & London 561-47344_ch00_1P.indd iii 7/27/11 6:21 PM Published with assistance from Copyright © 2012 by Yale University. All rights reserved. Subject to the exception immediately following, this book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. The author has made an online version of this work available under a Creative Commons Attribution-Noncommercial 3.0 License. It can be accessed through the author’s Web site at http:www.itofisher.com/mito. Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail sales.press @ yale.edu (U.S. office) or sales @ yaleup.co.uk (U.K. office). Designed by James J. Johnson Set in Janson Roman and Helvetica type by Westchester Book Group, Danbury, CT Printed in the United States of America [[CIP info to come]] A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence...
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