... One of Hitchcock's earliest and most famous films, 'The Lodger' is regarded as one of the world's first thriller films, incorporating mysteriousness and terror but, notably, lacking the degree of violence which was first introduced by Hitchcock in 'Psycho' , and remains constant in most thrillers. Psycho - 1960 Directed by Alfred Hitchcock, 'Psycho' was initially received sceptically by audiences and critics, however it eventually received outstanding box office returns and is now regarded as a pioneer in the evolution and development of thriller films. The explicit nature of the film set new boundaries for violence and sexuality in film. A majority of this film's success has, however, come since the death of Hitchcock in 1980, with a TV show, multiple sequels and spin offs, and a remake of the original movie all stemming from the 1960 version. The dark and realist nature of the film was previously unexplored by film makers and directors alike, which optimized the effectiveness of 'Psycho' as its thrilling and horrific connotations attracted audiences. The production of 'Psycho', and its success among certain audiences, acted as a catalyst for thriller films' induction into the mainstream film industry. Following its success, several thriller films were produced, with varying degrees of success, many of which boasted aspects which strongly emulated aspects of 'Psycho'. Jaws - 1975 Directed by Steven Spielberg, 'Jaws' depicts the story of a coastal U.S community...
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...Gabrielle Ibanez Cinema Appreciation 15 April 2015 Jaws “The Beach Scene” Steven Spielberg is without a doubt a director whom has become a household name. With many thousand project titles under his belt in one way or another, one must wonder what the magic behind a Steven Spielberg blockbuster is? In this paper I will be analyzing Spielberg’s story telling in the uncut beach scene in Jaws. This was only Spielberg’s second large studio film and he shows signs throughout every bit of it to be quite an artist with a gift that allows his scenes to breathe organically. Spielberg’s early work has a under layering feeling of Hitchcock styled moments which can be felt throughout the beach scene and Jaws in general. In a very fluid motion he reveals all of the scenes critical elements. First, the camera direction is one that is worth noting. The scene starts with a left pan following a large woman, anyone in the audience would assume she would make quite a full and appetizing meal for the shark lurking in the depths of the ocean. Behind the large woman we see the young man in yellow playing fetch with his dog who will later act as the first red flag that danger has already arrived. Once the woman goes into the water and the young man’s dog goes that direction as well, the young boy we are really meant to follow enters from the left; opposing the camera direction. I feel that the large woman, the dog and the young man in yellow act like arrows pointing your attention towards the...
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...For Cinema I chose to do a frame on the popular movie Jaws. Looking at this I see lots of terms in Reality Through the Arts to analysis this particular frame from Jaws. The first thing I notice about the fame is the type of the film and the type is Narrative, which is telling a story in many ways to use the technique of theatre. Mise-en-scene is also featured in this shot by the usage of different techniques. Starting off with the camera angle is high and is also a framed shot that is close up giving a better look of the shark and actor but display the emotions of the actor and the shark's movement. This obviously shows the details such as the actor smoking a cigarette and the large teeth of the shark Lighting in another mise-en-scene technique...
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...generic. A suburban family movie into a new house that has a demonic spirit, the same one that appears in all the previous movies, that reeks havoc on mainly the daughter but the parents as well. This movie includes a intense plotline unlike the previous movies in the series and captivating film quality that's sure to put one in awe. the skill of acting by the cast cannot be forgotten. As watching the movie one could feel the emotion, from the actors, pouring off the screen. The plotline of the movie is what makes it different from the ones before it. The movies before Paranormal Activity: The Ghost Dimensions, within the series, did not include much, if any, plotline for the audience to follow. The quality of the plotline is where things get rough. the characters and setting is introduced and then it becomes similar to the previous movies. Which is just first person footage of the paranormal activity and a few...
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...htm http://www.allfreepapers.com/print/3D-Technology/585.html www.insidekentmagazine.co.uk/issues 3D technology can be traced all the way back to the beginning of photography. In 1844 David Brewster invented the Stereoscope. It was a new invention that could take photographic images in 3D. Later, Louis Jules Duboscq took that invention and improved on it. Louis took a picture of Queen Victoria using the improved technology and displayed it at the Great Exhibition in 1851. This picture became very well known throughout the world. Steroscopic cameras started to catch on and became fairly common for personal use by World War II. In 1855 the Kinematascope, a stereo animation camera, was invented. It was able to create 3d motion pictures. In 1915 the first anaglyph movie was produced. Anaglyph technology used 3d glasses with 2 different color lenses that would direct an image to each eye. In 1890 William Friese-Greene, a British film pioneer, filed a...
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...Y es, you read that right Steven Spielberg the man who won 3 Oscars, and had had major successes include Jaws, E.T, Jurassic Park and saving private Ryan, was actually struggling in school. Steven Spielberg is a great example of resilience and is one of the best role models for people of all ages. Spielberg was a self-confessed geek who dreamed through most of his school years and was mostly disconnected from his classmate’s due in part to having dyslexia, his family moving three times and because Steven was one of a small amount of Jewish children at the schools he attended, he was bullied and even abused by his peers, furthermore being fascinated with films and cameras did not help him because it was such an unusual thing at his age....
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...What is film all about A Mayan forest village lives happily and harmoniously, except the mean teasing of Blunted's inability to sire. When terrified refugees pass, the chief forbids the hunting party to 'spead fear', but the real cause soon follows. Their own community is pillaged, the survivors cruelly enslaved and dragged away. The chief's proud son Jaguar Paw manages to hide his pregnant wife and toddler son, but in an unsafe place. The men are destined for bloody sacrifice to the gods in the raider kingdom's pestilence-stricken capital. An 'auspicious' solar eclipse renders their number superfluous, but the raiders' captain orders them killed as target practice. Jaguar Paw survives, killing the captain's son, and may now incarnate an apocalyptic prophecy or still perish without saving his family, while another danger looms unseen. Cast Rudy Youngblood as Jaguar Paw Itandehui Gutierrez as Wife Dalia Hernandez as Seven Jonathan Brewer as Blunted Mayra Serbulo as Young Woman Morris Birdyellowhead as Flint Sky Carlos Emilio Báez as Turtles Run Amílcar Ramírez as Curl Nose Israel Contreras as Smoke Frog Israel Ríos as Cocoa Leaf María Isabel Díaz as Mother-in-Law Iazúa Laríos as Sky Flower Raoul Trujillo as Zero Wolf Gerardo Taracena as Middle Eye Rodolfo Palacios as Snake Ink Ariel Galván as Hanging Moss Fernando Hernandez as High Priest Rafael Velez as Mayan King Diana Botello as Mayan Queen Bernardo Ruiz as Drunkards Four Ricardo Díaz Mendoza as Cut...
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...Auteur Theory says that a director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of the production of the film as part of an industrial process, the auteur's creative voice is distinct enough to shine through all kinds of studio interference and through the collective process.” Auteur is a french word meaning ‘ Author’ Arising in France in the late 1940s, the auteur theory it was dubbed by the American film critic Andrew Sarris was an outgrowth of the cinematic theories. The features of being an auteur include; 1 having a recognizable style, 2 repeatedly returning to the same subject mater, 3 habitually address a particular psychological or moral theme, 4 employ a reoccurring visual and aesthetic style, 5 constantly work with the same actors or cinametogarphers or editors…ect , or demonstrate any combination of the above. Steven Spielberg is an auteur and today I am going to prove it. I will show you through his use of themes, subject matter, visual style, Collaborations, and Institutions. Steven Allan Spielberg was born to parents Arnold and Leahanni Spielberg. The older brother to three younger sisters, Spielberg began experimenting with film in his early teens making movies he would show at his family house. At 13, Spielberg was already showing glimpses of future greatness, even winning a prize for his 40-minute war film 'Escape to Nowhere'. The family often moved with his...
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...the more filmmakers rely on the music to develop a mood that interprets the meaning of the scene for their audience. Therefore, music provides a cue for the listener to tell whether the narrative is suppose to be perceived as scary, romantic, funny, sad, or happy--ultimately, affecting the audience's mood. Horror movies are great examples of that concept. Hitchcock's Psycho (1960), is a perfect example of how a music can tell its audience what's about to come. The most memorable scene in the film was the brutal shower stabbing scene with Janet Leigh. The use of music in this scene allows the viewer to achieve a fear of the unknown. As Leigh is showering, the camera view point is of Bates walking into her room. Then, the music gets eerie and scary. The audience can feel something is about to happen to Leigh's character because of the taunting music. The music’s tempo increases as Bates gets closer to the shower. When Bates stabs her to death, one of the most famous sounds in horror film history is born. The famous "eeeh, eeeh, eeeh" is played with each stab sounding like shrieking violins. Imagine this scene in the late 1800’s during the...
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...around $1 million, and his net worth in 2014 was around $3 billion. In Cincinnati, Ohio, on December 18 1946, Steven Spielberg was born, the only son in a family of four. Stevens’s passion for directing and producing films started at a young age, as a kid he would make amateur films of special family events using the family camera. Steven wanted to do bigger and better things, although this got boring and he started to make fictional movies (a movie that told a story), and even took shots from different...
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...started his career as a production assistant at Korty Films, working under John Korty, a film director and animator, best known for his television and documentary work. David Fincher’s love for film started at an early age, when, like Steven Spielberg, he made home movies with an 8 mm camera. At Korty Films, David Fincher quickly moved up the production department’s ladder, eventually becoming a visual effects producer, which likely prompted the next whimsical move in what would become a long and illustrious career in filmmaking. After leaving Korty Films, David Fincher was given the incredible opportunity to work with the legendary filmmaker George Lucas (Star...
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...Erin Brockovich movie clip I have chosen to choose the film Erin Brockovich and the scene where Erin gets rehired. In this scene her ex-boss, Ed, comes to her door to ask about the information that has come to him. Erin tells him that if he rehires her then she will tell him. He then rehires her and they talk about what has been happening with some of the people that are living where they have been affected by the hexavalent chromium. She extorts Ed for a raise and benefits. Erin gets her information about PG&E from the water board by flaunting herself. “The Director of this movie is Steven Soderbergh. The Producers are Carla Santos Shamberg, Danny DeVito, and Stacey Sher. The Cinematographer is Edward Lachman. The Editor is Anne V. Coates. The Costume designer is Jeffrey Kurland. The Screenwriter is Susannah Grant (http://movieclips.com/N4kHP-erin-brockovich-movie-erin-is-re-hired/)”. “The Production Design is by Philip Messina and the Art Direction is by Christa Munro (http://www.imdb.com/title/tt0195685/fullcredits )”. The Director has a very important role. "The director is the one that is responsible for the whole film. The director is the one that interprets the script into their own vision and then decides the final look of the whole film with the production designer and cinematographer. The director will also be the one that is directing the actors as well as the action while it is being shot (Goodykoontz, 2011, Ch. 7)." "The directors are not only the ones that...
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...British documentary making, most famously proclaimed: “the only reality which counts in the end is the interpretation which is profound” (Berkeley University of California, 2003). It is all a matter of perspective. However, with this said, it is crucial that we concede upon the inevitable when it comes to documentary viewing: the complete picture is always obscured. Andrew Morgan’s The True Cost does not escape this reality. Like it or not, all documentaries are, and always will remain, versions of the truth. But this has not stopped the billions today who watch documentaries, and nor should it. It is an inherent feature of the human condition to pursue truth. We become drawn – perhaps infatuated – by the most compelling, enthralling and jaw-dropping of claims, even if it’s outright sickening and atrocious. So I ask you, why do we seek the truth? Like most people in the western world, renowned for his humanitarian work nowadays, Andrew Morgan, regularly shopped at fashion stores such as the Gap, Walmart, Target and H&M before making this documentary. But after the 2013 Bangladesh Rana Plaza collapse, he too began to pursue the truth. It is human nature to be inquisitive about the unknown; we naturally explore the unthinkable and chase the unfathomable. And it is this paradox of life which drove Andrew Morgan to produce this documentary. While later stressing in a conference that the making of The True Cost was simply a “story about clothing”, it transformed into something...
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...Analyzing films is considered an art form that attempts to “break up the whole to discover the nature proportion, function, and interrelationships of the parts” (Boggs and Petrie, 2008). Final Fantasy, the first CGI (computer generated image) film featuring synthetic human actors, opens with its protagonist, Dr. Aki Ross, surveying her barren, alien surroundings. Aki wakes from the recurring dream and looks out at earth from the window of her spaceship. As the music swells, our heroine wonders if she will be able to save the world from the “phantom” spirits that have invaded it. Two scenes later, we learn that the phantoms also have infected Aki, effectively linking the fate of the devastated planet with that of a beautiful, young though entirely computer-generated into a female body. I’m introducing the film by way of Aki’s dubiously raced, female body for two reasons. First, Hironobu Sakaguchi, its creator, director and producer has made it clear in press releases and the supplemental documentary on the special edition DVD that the film functions as a showcase for the protagonist. “Identifying the theme can be considered both the beginning and the end of film analysis” (Boggs and Petrie, 2008). According to Sakaguchi, Aki represents his mother (the two share the same name) and his coming to terms with her death (Pham, 2001). Second and more to the point of my essay, critical reception of the film places strong emphasis on the character, which often is treated as a metonym for...
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...ng, CityVarsity Television and Film Production Techniques DIR200 2nd Year Directing “The Director's POV” Index: 1. Introduction 4 Section A: My Version 2. 1st Chosen Scene: Original Script 5-8 3. 1st Chosen Scene: Shooting Script 9 4. 1st Chosen Scene: Shot List 9-12 5. 1st Chosen Scene: Floor Plan 13 6. 1st Chosen Scene: Chosen Shots Storyboarded 14-15 7. 1st Chosen Scene: Short Analysis of Scene 16 8. 2nd Chosen Scene: Original Script 17-22 9. 2nd Chosen Scene: Shooting Script 23 10. 2nd Chosen Scene: Shot List 23-26 11. 2nd Chosen Scene: Floor Plan 27 12. 2nd Chosen Scene: Storyboard 28-29 13. 2nd Chosen Scene: Short Analysis of Scene 30 Section B: Their Version 14. 1st Chosen Scene: Floor Plan of Actual Shots 32 15. 1st Chosen Scene: Marked Up Script 33-38 16. 1st Chosen Scene: Various Notes on the Filmed Scene 38-39 17. 2nd Chosen Scene: Floor Plan 40 18. 2nd Chosen Scene: Marked Up Script 41-47 19. 2nd Chosen Scene: Various Notes on the Filmed Scene 48 Section C: Comparison 20. Comparison 49-52 Section D: General Analysis of the film 21. Plot Summary 53-54 22. Tag Line 54 23. 'What if...?' Statement 54 24. List of Locations 55-57 25. Character profiles 57-59 26. Subtext 60-61 27. "Moments" 61 28. Director's Style 62 29. Emotions 62-63 30. Conclusion 63 1. Introduction Initially I was going...
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