LIFE IS BEAUTIFUL

CREATED BY:
KRISTYL MAE GEMOTA
BSHRM 4C

Life is Beautiful

opens on a note of hilarity as the protagonist, Guido, and his best friend, Ferruccio, rocket down a country slope, the brakes on their rickety old car having given way. They pass through a parade, and the audience is immediately aware of where we are: the bystanders, believing Guido to be a Fascist leader, all raise their arms in the "Heil Hitler" sign. While Ferruccio attempts to fix the car, Guido happens upon a little farm, where the woman who is to become the love of his life literally falls from the sky into his arms. "Good morning, princess!" he cries, grinning widely.
Guido and Ferruccio find lodgings with Guido's uncle, Eliseo, who recently has come under attack by Fascists. Eliseo also helps Guido to get a job as a waiter in a fancy hotel. Guido visits a moneylender in an effort to secure a loan to open up a bookshop, and he soon realizes that the disagreeable man, Amico, who refuses his loan is also the betrothed of the woman who fell into his arms, Dora. The following series of events demonstrates what a truly extraordinary character Guido is: he is uniquely capable of manipulating his surroundings so that events that are "coincidences" take on the aura of genuine magic. It is this ability that ultimately sways Dora: on one rainy night, Guido virtually steals her away from the insipid Amico and takes her on a journey through her imagination to a place where pillows can be used as skirts, the Virgin Mary throws keys from the heavens, and red carpets unroll through darkened piazzas.
At Dora's engagement party to Amico, she decides once and for all to run away with the mysterious man who keeps appearing out of nowhere. Guido rides Uncle Eliseo's horse (which has been painted green and graffitied with the words "Jewish horse") into the ballroom and spirits her away to the home where they are to leave for several joyful years. They have a son, Giosue, who has his father's enthusiasm for life and his mother's tendency to hiccup.
, not just what's going to

When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor and imagination to protect his son from the dangers around their camp

PLOT
In 1939, Jewish-Italian Guido Orefice comes into Arezzo, Italy, ultimately to open a book store. In the meantime, he will work as a waiter at the hotel restaurant where his Uncle Eliseo is the maître d'. In town, he meets a school teacher named Dora, who he calls Princess and who comes from a wealthy Italian family. For him, it's love at first sight. Despite she already being in a relationship with another man, Guido ultimately sweeps her off her feet. They get married and have a son they name Giosué. On Giosué's fifth birthday, World War II is in full force. Since they are Jewish, the Germans take away Guido, Eliseo and Giosué to a labor camp. Wanting to be with her family, Dora insists she be taken too, but she is housed in the women's side of the camp. To protect Giosué from the horror of what is happening to them, Guido tells him that they are playing a game, certain actions which garner points, other actions which take points away or disqualify one from the game. The first to reach 1,000 points wins the prize of a real tank. Guido's primary goal is to keep Giosué safe at all cost, while he tries to figure out a way to get his family out of the camp and keep the Germans at bay from learning what he is doing with Giosué.

CONFLICT

External conflict:

An external conflict was developed when Antigone buried her brother and disobeyed Creon’s rules. She buried her brother knowing that her life was going to be taken away if she was caught. This is a good example of external conflict between the Antigone’s love and Creon’s rules. She stands against the civil laws by saying “Nay, he hath no right to keep me from mine own”.

Internal conflict:

Antigone believed in emotion feelings and values and what she thought it was right. In the other hand, the king Creon was very stubborn about his rules and God’s laws. An internal conflict developed at the end of the play when Creon realizes that his action and decisions destroyed his family and that from his wrong decisions he had lost everything. When he says: “Ah me,-yonder I behold a new, a second woe! What destiny, ah what, can yet await me? I have but now raised my son in my arms,-and there, again, I see a corpse before me! Alas, alas, unhappy mother! Alas, my child!” He experiences the internal conflict.