In the “Baptism of Christ and Adoration of the Magi, from a Tree of Jesse Window”, the craftsman utilized certain shapes, hues, rhythm, symmetry, lines and content to attempt to show the significance of Christ and I will discuss how this is shown through the windows which makes the figures more prominent.

The shape of the stained glass was a vertically rectangular edge and was partitioned into two equivalent squares. Looking at the craftsmanship piece from the outside and going inwards there was a frame, which had rectangular boxes on the right and left sides. A couple cracks could be seen on this, which proves it was painted glass. The second line of the border column was designed in such a way that a pattern could be seen coursing through, …show more content…
Every figure in the smaller four circles was a male who was in an indistinguishable sitting position, with folded legs and looking upwards. In the larger upper circle the figure on the right side was a female with wings and holding a bit of white material. The other two were male figures, one figure in the center was not wearing anything on the top, his legs structure were …show more content…
The articles and patterns could be seen much clearer on account of these lines like the fringe, leaves staying on either side of the circles furthermore the figures and standards, everything was enhanced. The recolored glass painting was flawlessly symmetrical and adjusted. The circles' measurements and frames were all indistinguishable in both parts. All figures seemed as though they were portrayed generally with a dark outline. It was a touch hard to see the figures' characteristics from a distance.

The craftsman utilized vitreous paint and dull hues. In the second section of the border the craftsman utilized primary colors rhythmically, the little rectangle in the outskirt was red, then a blue square, a rectangle and afterward a yellow square. This example proceeded all through. The external circles were painted green and had leaves as if it were tree branches. The complexion was extremely dull. All the six circles had a dim imperial blue foundation that a looked as if they were portraits, giving a straightforward idea of what the content or subject matter is. The larger circles had extremely fine designs made in the background, which made the figures stand out even more. The figures were painted in chocolate chestnut, which made it hard