...Censorship in A Streetcar Named Desire Author of A Streetcar Named Desire - Tennessee Williams - stated that his plays are “Pleas for the understanding of delicate people”. A Streetcar Named Desire explores dysfunctional relationships and conflicts that arise in the breakdown. The 1930’s production code forced Kazan - director of A Streetcar Named Desire - to change the original text. The censors of the Breen Office forced Kazan to omit the film’s raw and candid portrayal of human behavior and relationships. Because the Breen Office controlled of the film industry, it definitely took away the audience’s understanding of the characters and their relationships especially in Stella’s descending of the staircase, dialogue between Blanche and Stella,...
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...Character comparisons; Comparing two characters, one from Streetcar Named Desire and another from Death of a Salesman Streetcar Named Desire Blanche Du Bois In the Streetcar Named Desire, Blanche Dubois is first introduced having dressed in white and symbolizing chastity and innocence. As sensitive, aristocratic, and refined as it is, the beauty depicts an appearance resembling a moth. Blanche comes from a background that is aristocratic. Her job, as an English teacher, as well as her home are all lost and in turn, she comes to stay in her sister’s house for a while, Stella, who stays with her husband Stanley, a coarse polish. Her lover passed away and since then she has changed her life completely. Blanche is seen to be a misfit in the apartment of Kowalski due to her nervous and refined nature. Blanche has spent the rest of her life in Laurel with her family that had aristocratic roots and from which she learned the finer things and issues in life. She is incapable of coping with the life outside Laurel, a life that gives her a lesson on how a tragic event can participate in ruining the future. She is flighty and unrealistic because she refuses to move out of the time warp and hence get used to the real world. As young as sixteen, she slobbers in love with a sensitive boy, whom she worships and elopes with. According to her understanding and believe, life with Allan had turned sheer bliss. However, her faith turns fully shattered as she realizes that he was bisexual degenerate...
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...[Insert hook] In the Pulitzer Prize - winning play, A Streetcar Named Desire, by Tennessee Williams, the author uses many literary criticisms, such as feminism, marxism, and psychoanalytical, to enhance the importance of each character's actions in order to create a masterpiece that consumes you instantly. Feminism is the most prominent literary criticism within A Streetcar Named Desire. Patriarchy is seen repeatedly in almost all of the interactions Stanley has with his wife Stella and her sister Blanche. In scene two of the play Stella doesn’t want Blanche around when Stanley has his poker night so she tells Stanley, “I'm taking Blanche to Galatoire's for supper and then to a show, because it's your pok'r night.” (Williams 32) and he replies, “How about my supper, huh? I'm not going to no Galatoire's for supper!” (Williams 32) to her. This portrays feminism because Stella knows that Blanche would call...
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...Tennessee Williams utilizes the symbol of the paper lantern to underline the differing characters of Blanche and Stanley who stand in contrast concerning their attitudes towards light. As to why she bought the lantern Blanche states, "I can't stand a naked light bulb, any more than I can a rude remark or vulgar action" (Williams 60). With negative word choice of 'rude', 'vulgar' and 'naked', she emphasizes her distaste of being exposed in the light and into reality. The paper lantern that Blanche brings into their home symbolizes her desire to cover up anything and make it appear tantalizing. Her life mirrors that of the lightbulb and the lantern, as she hides her faults and insecurities and reinvents herself. While the lantern solidifies Blanche as a symbol of illusion, it is the interaction between Stanley and the lantern that solidifies the theme of illusion and reality....
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...compete in the same spheres as men, resulting in a blurring of the once distinct boundaries between the male and female worlds. This intersection of the sexes had two effects: first, because women were no longer confined to domestic work, they had less incentives to remain in dominantly female circles; second, because women could operate in the male world as individuals, they had to learn to mirror male patterns of dominance or portray the traditional role of women. These combined effects resulted in the breakdown of sisterhood as women distanced themselves from female bonds in order to gain power in the male world. This fall of sisterhood is evident in literature, which I will convey through an analysis of three selections: A Streetcar Named Desire, a play by Tennessee Williams; “Recitatif,” a short story by Toni Morrison; and “Everyday Use,” a short story by Alice Walker. First, I will...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...THE FIRST FILIPINO Republie of the Philippines Department of Education & Culture NATIONAL HISTORICAL COMMISSION Manila FERDINAND E. MARCOS President Republic of the Philippines JUAN L. MANUEL Secretary of Education & Culture ESTEBAN A. DE OCAMPO Chairman DOMINGO ABELLA Member HORACIO DE LA COSTA, S. J. Member GODOFREDO L. ALCASID Ex-Oficio Member TEODORO A. AGONCILLO Member EMILIO AGUILAR CRUZ Member SERAFIN D. QUIASON Ex-Oficio Member FLORDELIZA K. MILITANTE Exccutive Director RAMON G. CONCEPCION Chief, Administrative Division BELEN V. FORTU Chief, Budget & Fiscal Division JOSE C. DAYRIT Chief, Research & Publications Division AVELINA M. CASTAÑEDA Chief, Special & Commemorative Events Division ROSAURO G. UNTIVERO Historical Researcher & Editor EULOGIO M. LEAÑO Chief Historical Writer-Translator & Publications Officer GENEROSO M. ILANO Auditor JOSE RIZAL (1861-1896) THE FIRST FILIPINO A Biography of José Rizal by LEÓN Ma. GUERRERO with an introduction by CARLOS QUI R INO ( Awarded First Prize in the Rizal Biography Contest held under the auspices of the José Rizal National Centennial Commission in 1961) NATIONAL HISTORICAL COMMISSION Manila 1974 First Printing 1963 Second Printing 1965 Third Printing 1969 Fourth Printing 1971 Fifth Printing 1974 This Book is dedicated by the Author to the other Filipinos Speak of me as I am; nothing extenuate, Nor set down aught in malice, Shakespeare: °the/Lo. Paint my picture truly like me, and not flatter me at all ; but...
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...of oppor tunity cost See how to use marginal reasoning when making decisions TEN OF PRINCIPLES ECONOMICS Discuss how incentives af fect people’s behavior The word economy comes from the Greek word for “one who manages a household.” At first, this origin might seem peculiar. But, in fact, households and economies have much in common. A household faces many decisions. It must decide which members of the household do which tasks and what each member gets in return: Who cooks dinner? Who does the laundry? Who gets the extra dessert at dinner? Who gets to choose what TV show to watch? In short, the household must allocate its scarce resources among its various members, taking into account each member’s abilities, efforts, and desires. Like a household, a society faces many decisions. A society must decide what jobs will be done and who will do them. It needs some people to grow food, other people to make clothing, and still others to design computer software. Once society has allocated people (as well as land, buildings, and machines) to various jobs, 3 Consider why trade among people or nations can be good for everyone Discuss why markets are a good, but not per fect, way to allocate resources Learn what determines some trends in the overall economy 1 TLFeBOOK 2 4 Ten Principles of Economics PA R T O N E INTRODUCTION scarcity the limited nature of society’s resources economics the study of how society manages its scarce resources it...
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...[pic] Каушанская. Сборник упражнений по грамматике английского языка Part I. ACCIDENCE THE NOUN Exercise 1. State the morphological composition of the following nouns. Snow, sandstone, impossibility, widower, opinion, exclamation, passer-by, misunderstanding, inactivity, snowball, kingdom, anticyclone, mother-of-pearl, immobility, might, warmth, succession, ex-president, nurse, misdeed, wisdom, blackbird, attention, policeman, merry-go-round, girlhood, usefulness, fortune, friendship, statesman, brother-in-law, population, fellow-boarder, smelling-salt. Exercise 2. Point out the nouns and define the class each belongs to. 1. Don't forget, Pettinger, Europe is still the heart of the world, and Germany the heart of Europe. (Heym) 2. Pursuing his inquiries, Clennam found that the Gowan family were a very distant ramification of the Barnacles... (Dickens) 3. His face was sick with pain and rage. (Maltz) 4. He drank coffee, letting the warmth go through his cold, tired body. (This is America) 5. But there is only one place I met with the brotherhood of man, and it was in the Communist Party. (This is America) 6. The mysteries of storm and the rain and tide were revealed. (Galsworthy) 7. Having set the tea, she stood by the table and said slowly: "Tea's ready, Father. I'm going to London." (Galsworthy) 8. By this time, quite a small crowd had collected, and people were asking each other what was the matter. (Jerome i(. Jerome) 9. There were several...
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