...of The Tragedy of Romeo and Juliet, sets his play in the city of Verona, where two star-crossed lovers perish due to a series of intervening characters. One of which includes Lord Capulet, the Patriarch of the Capulet Family, who implicitly induces the five demises that occur throughout the play. Playing a leading role during Juliet’s life, Capulet alters many of Juliet’s intentions and thoughts, such as when Capulet proclaims that “[Juliet] should be married to this noble earl [Paris],” although Juliet declares that she has no deliberation to marry at such a young age (III.iv.22). Furthermore, when Juliet declines Capulet’s suggestion for marriage, he chastises her by calling her a “young baggage” and a “disobedient wretch!” which reveals his malevolence towards his daughter (III.v.160)....
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...Throughout “The Tragedy of Romeo and Juliet”, Lord Capulet’s personalities become revealed. In the first scene, Capulet comes across as aggressive. When Sampson and Gregory fight Abram, Capulet does not hesitate to pull his sword. “What noise is this? Give me my long sword, ho!” He says demanding Lady Capulet to hand him his long sword. In act three, Capulet shows his anger when Juliet disobeys him. “Or I will drag thee on a hurdle thither. Out, you green sickness, carrion! Out, you baggage!” He threatens to disown Juliet and make her live out on the street if she will not marry Paris. In the fifth act, Capulet shows his hatred toward Montague has vanished.” O brother Montague, give me thy hand. This is my daughter’s jointure, for no more...
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...Shakespeare’s Writings William Shakespeare used many different writing styles in order to capture the minds and hearts of his audience. He wrote thirty eight plays (Boyce 119), two narratives (Boyce 294), and 154 sonnets (Boyce 607). In order to do his writing, Shakespeare had to put his mind, body, and soul into his work. Shakespeare wrote three different types of genres, comedies, histories, and tragedies. “A comedy is a drama that provokes laughter at human behavior, usually involves romantic love, and usually has a happy ending.” The plots of the comedies were usually about the struggle between two young lovers. Shakespeare wrote eighteen comedies (Boyce 119). His histories dealt with England’s historical events. He wrote his histories to define the perfect king. Shakespeare wrote ten histories (Boyce 294). “A tragedy is a drama dealing with a noble protagonist placed in a highly stressful situation that leads to a disastrous, usually fatal conclusion.” He developed his tragedies from other tragic plays. Shakespeare based all of his plays from these three genres (Boyce 652). Shakespeare had five major themes about which he wrote. He used these themes in almost all of his plays. In his comedy, The Taming of the Shrew, a “drunkard” named Christopher Slay is tricked into believing he is a lord and later finds himself in many conflicts with the ladies of the house (Chazelle, n.p). In this comedy, Shakespeare demonstrated contrasting worlds by comparing men versus women...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...ENGLISH HANDBOOK -“Welcome to my evil lair…” -Mr. Braiman Brooklyn High School of the Arts www.mrbraiman.com http://handbook.mrbraiman.com “EVIL” Welcome to my evil classroom lair. In order to become full-fledged evil “minions,” you need to read this handbook carefully. It explains everything you need to know. “English,” as you may know, is shorthand for “English Language Arts.” Being that we are in an Arts school, but one where academics must and always do come first, it is important that we approach the subject as what it is: an art form. How does one study the arts? What exactly do we do when we study drawing, sculpture, music, or dance? Well, anyone who has studied the arts will tell you that studying the arts essentially involves two things: • Learning about, and developing an awareness of and appreciation for, existing works of art in that particular form; • Developing the skills and techniques associated with the art form, in order to create our own works. In the case of language arts, much like any other art form, we will be studying existing works of art (i.e., reading books, stories and poems), and developing the skills to produce our own (i.e., writing). That’s what English Language Arts is. We will also be preparing ourselves for New York State’s Regents Comprehensive Examination in English, which we’ll all be taking in June. This two-day, six-hour, four-part exam requires no specific knowledge or content, but it does require the skills to listen, read,...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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