...I like a lot of different music genres, but my favorite kind of music is Punk/Punk Rock/Rock. There are some Punk Pop bands that I like, but I generally stick to the first three. My least favorite kind of music is Rap and Country. When it comes to Rap I just don't like it. The beat is terrible and the lyrics sound like a drunk person wrote them right before they fell asleep in an alcohol induced coma, but Country I really can't stand. I don't like anything about Country music or its history. The only time I would listen to Country is if one of my friends wanted me to. Even then I would protest though. The beat of Rap and Country don't appeal to me. Though I don not have anything against anyone who likes these types of music, I simply do not...
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...“A STUDY ON THE MOST INFLUENTIAL MALE RAP ARTIST AMONG 50 HIGH SCHOOL STUDENTS IN NEWLAND CENTER FOR EDUCATION S.Y. 2011-2012” A Thesis Presented To the Faculty and Staff of Newland Center for Education In Partial Fulfillment For The Secondary Education By: Meinard Albert D. Retoran 4th Year – Gold 2013 – 2014 APPROVAL SHEET The thesis entitled “A STUDY ON A STUDY ON THE MOST INFLUENTIAL MALE RAP ARTIST AMONG 50 HIGH SCHOOL STUDENTS IN NEWLAND CENTER FOR EDUCATION, S.Y. 2013-2014” presented and submitted by RETORAN, MEINARD ALBERT D., in partial fulfillment for requirements in Secondary Education has been examined and is recommended for acceptance and approval for ORAL EXAMINATION. Mrs. Michelle D. Retoran Adviser PANEL OF EXAMINERS As approved by the COMMITTEE ON ORAL EXAMINATION with a grades of ___________ on _____________________. DR. ROSARIO C. CRUZ Director DR. GELARIO C. CRUZ __________________ Principal DepEd Representative MRS. SEGUNDINA BANZON __________________ Member Member Accepted and approved in partial fulfillment of the requirements in Secondary Education Date: ______________ ACKNOWLEDGEMENT I would like to dedicate this thesis entitled “A STUDY ON A STUDY ON THE MOST INFLUENTIAL MALE RAP ARTIST AMONG 50 HIGH SCHOOL STUDENTS IN NEWLAND CENTER FOR EDUCATION, S.Y. 2013-2014” to...
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...Though created in the United States by African Americans, hip hop culture and music is now global in scope. Youth culture and opinion is meted out in both Israeli hip hop and Palestinian hip hop, while Canada, France, Germany, the U.K., Poland, Brazil, Japan, Africa, Australia and the Caribbean have long-established hip hop followings. According to the U.S. Department of State, hip hop is "now the center of a mega music and fashion industry around the world," that crosses social barriers and cuts across racial lines. National Geographic recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a “global musical epidemic,” and has diverged from its ethnic roots by way of globalization and localization. Although some non-American rappers may still relate with young black Americans, hip hop now transcends its original culture, and is appealing because it is “custommade to combat the anomie that preys on adolescents wherever nobody knows their name.” Hip hop is attractive in its ability to give a voice to disenfranchised youth in any country, and as music with a message it is a form available to all societies worldwide. From its early spread to Europe and Japan to an almost worldwide acceptance through Asia and South American countries such as Brazil, the musical influence has been global. Hip hop sounds and styles...
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...2 Courtney Mustoe Does Rap music Misrepresent African Americans? There are many genera’s in today’s music world. Depending on who a person is, and what their emotions may be, there will always be a song or genera that one can relate to. Some music helps us relax, while others help us to get pumped up. Other music helps us study while some get us ready to party. Music can create closeness with a significant other while sometimes it can relate to our sorrows of a breakup. It can make us happy when we are sad, while in curtain circumstances make us sad when we are happy. Music can take over our thoughts and emotions that create a story we can relate to or a story we are unfamiliar with. It can take us down a street we have never been before. In some aspects this could be a problem. Some listeners might think all country singers are hicks from the south or mid west. Many might assume every punk rocker is a rebellious Goth. So if these presumptions can be made, what is there to stop people from letting a genera of music represent a certain race in our society today? In the past, music was limited by certain branches of music that could air on the radio and one genera in particular, rap, had to fight its way through the music industry to be heard. Its roots came from the hip-hop culture which includes rapping, graffiti, break dancing, DJing (audio mixing or scratching) ect. After rap was recognized, over the years, changes within the music industry and what the media...
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...Virginia Watkin Professor Dave Graham Music 118 November 26, 2013 Rock and Roll has Lost the Ability to Effect Meaningful Societal Change Music has often been said to be the universal language. Rock musicians especially learned to use the power of rock music and lyrics to effect powerful changes in society, most particularly in the 1960’s and 1970’s. The early age of Rock and Roll was an exciting time for the musicians, lyricists and the mass of young people who listened to them. While it may be that rock music in all of its genres of today can still prod listeners to champion for social change, the rock music market has fragmented so dramatically that rock and roll has lost the ability to impact mass sections of the population and has therefore, lost its unique voice and ability to effect real social change in US society. The turbulence of the 1960’s, due to the escalation of the conflict in Vietnam to a full out war, the assassination of both President John F. Kennedy and Martin Luther King Jr. and the push for civil rights for all people made for fertile ground for songwriters to encourage change for the better through their music. (Hibbard and Kaleialoha, p 122) Lyricists and composers worked in tandem to write songs to both inform the public and, in some cases, incite the public to take action against what was happening in, around and to the world. Songs such as “Blowin in the Wind, written by Bob Dylan in 1962 and “Ball of Confusion (that’s what the world...
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...This article is about the cultural movement. For the music genre, see Hip hop music. For other uses, see Hip hop (disambiguation). Graffiti of "hip hop" in Eugene, Oregon Hip hop is a form of musical expression and artistic subculture that originated in African-American and Hispanic-American communities during the 1970s in New York City, specifically the Bronx.[1][2][3] DJ Afrika Bambaataa outlined the four pillars of hip hop culture: MCing, DJing, B-boying and graffiti writing.[4][5][6][7] [8] Since its emergence in the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.[9] Hip hop music first emerged with disc jockeys creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, more commonly referred to as sampling. This was later accompanied by "rap", a rhythmic style of chanting or poetry presented in 16 bar measures or time frames, and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJ's. An original form of dancing and particular styles of dress arose among fans of this new music. These elements experienced considerable refinement and development over the course of the history of the culture. The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop...
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...Research Project ‘Does Hip-Hop have a negative influence on young people?’ Introduction This research project will explore the impact that hip-hop culture has on young people in society today. From examining current literature and conducting a quantitative study the project will aim to answer the question ‘does hip hop have a negative influence on young people?’ There has been lots of controversy surrounding this subject in recent years. Some say hip-hop is responsible for the rise in youth violence whilst others say hip-hop is just an accurate representation of a violent society. This paper will give an insight into what young people in the Teesside area who live and breathe this popular culture think. Action Plan Project Management Plan Research Project | | Timeline | Start | Finish | Weeks Needed | Task number | Task detail | | 1 | Agree Topic with supervisor | On-going | 2 | Literature review | 15/01/2015 | 05/02/2015 | 3 weeks | 3 | Decide on research design | 20/01/2015 | 27/01/2015 | 1 week | 4 | Develop Data Collection Tools | 06/02/2015 | 20/02/2015 | 2 weeks | 5 | Distribute/Conduct Data Collection Tools | 23/02/2015 | 02/03/2015 | 2 weeks | 6 | Collect and Analyse Data | 02/03/2015 | 16/03/2015 | 2 weeks | 7 | Draw conclusions | 16/03/2015 | 30/03/2015 | 2 weeks | 8 | Write Report | 20/03/2015 | 15/04/2015 | 3 weeks | Sources Both primary and secondary sources of research will be undertaken throughout this project. The...
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...Davon Keppel Professor Todd Craig English 112 3/19/16 What Is Happening to The Message? Throughout history, poets were known for telling the people what was going on in either their country or town. Hip-hop was born as a descendant from poetry. But as it began its craze was due to the DJ scratching different beats together. As the DJ began to like the music they created it became background sound to the lyrical Emcee. Everyone wanted to know what the Emcee had to say and how they would rhyme. I have noticed that the positive message in the Emcees rhyme’s and political statements that rap music started with began to deteriorate over time. It was as though hip hop went from talking about what was going on currently in a positive way, to rappers encouraging violence as promoting a negative message. Since the 1980’s to current time there has been a persistent problem of how hip-hop has changed. Grand Master Flash’s “The Message” is a sociopolitical rap song that is truly about poverty and how inner city life was in America in 1982. The first verse speaks to the apparent struggle in his time, “Got no money to move out, I guess I got no choice”. Many people at the time, even though their surroundings were not safe, had no money to move away. Another verse from Master Flash “Rats in the front room, roaches in the back/ Junkies in the alley with the baseball bat” is a light way to show the public what is going on in some neighborhoods. In the 1980’s there was a crack epidemic...
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...Portrayal of Women in Rap and Music Videos :: 4 Works Cited Length: 1724 words (4.9 double-spaced pages) Rating: Blue Price: $24.95 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation. Women need to act sooner rather than later because in recent years the rap industry has become more and more sexual. Ra... ... middle of paper ... ...Society 113 (2000): 255-69. JSTOR. 29 November 2009 . McLune, Jennifer. "Hip-Hop's Betrayal of Black Women." Perspective on Contemporary Issues. 5th...
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... In cultures all over the world, music can be seen encompassing many aspects of life for many individuals. It is a form of mass communication that speaks directly to society as a cultural form", and often reflects a collection and pattern of personal experiences. Hip-hop or rap, an art form and culture nearly thirty years old originating from The Bronx, New York, has provided a forum for Black and Latino youth to express their respective cultures and speak on a number of issues. Today, Hip-hop is a global phenomenon that appeals to almost all ethnicities and is synthesizing a new culture that goes beyond race, education, and income. Hip-hop has been under continual metamorphosis since its 1970’s inner-city inception. Some of the original artists like Kurtis Blow chose to lament everyday life in the ghettos. Others, Sugar Hill Gang among them, took a more dance inspired approach to the music. But for both these and other artists from the early years of rap through the late 1980’s including KRS-One, Public Enemy, Queen Latifah and LL Cool J, fast beats and socially relevant lyrics were among the primary components of the music. By the 1990’s a new face of rap music emerged. It began with Ice T and later gained popularity with artists such as NWA (Niggaz Wit Attitude) whose first album shocked and titillated the rap world with their obscene lyrical content and unabashed “gangsta” style, since then dubbed by the media as “gangsta rap.” Despite the growing acceptance...
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...World Music Genre Study NAME MUSIC INSTRUCTOR’S NAME DATE OF SUBMISSION INTRODUCTION This research paper is a specific study of one of the African dance musical genre-reggae, which was first developed in Jamaica in the late 1960s. The music of Jamaica includes Jamaican folk music and many other popular genres. Therefore, Jamaican popular music since 1960 can be roughly divided into four eras each of which had a distinctive beat – ska, rocksteady, reggae, and dancehall. (Chang and Chen W, 1998, x) But this African dance musical genre “reggae” has gained immense popularity since it was first introduced in the music world and since then it is one of the most popular genres of music. Hence, it is one of the most significant music genres in Western musical market. In my paper, the focus of the reggae music genre is from 1965 till 1975 as these were considered as the major years or a decade for reggae music when it flourished. This was the time period during which the culture of reggae music was civilized and spread widely in the parts of Jamaica. Bob Marley is known as one of the best artists of this genre and the impact he made and contributed has made beyond the shores of Jamaica and globally as well. Reggae was created by the Jamaicans and still it is the only music genre which is so much popular and not created by Europeans or Americans. It has gained immense popularity since its introduction and in the recent years as well that it is the first model in which a third...
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...GPA vs. Music OIS 2340 Section 1 Aubrey Bullough Alyssa Boyd Helena Paulos Moraya Dodson Sam Webster Executive Summary We are a radio station and we were interested in finding a new target group for our upcoming sister station and who better than to target the large student population? Our goal was to find out if listening to classical music while studying is beneficial to students’ GPA’s. We assumed that students who listened to classical music while studying have higher GPAs (3.1 or above) in comparison to students who listen to other genres while studying. A sample of 61 college students was taken and of those 16 reported that they listen to classical music while studying and obtain a GPA of 3.1 or above. We used proportional hypothesis testing to keep our data simple and precise. Our hypothesis was that 50% of students with GPAs 3.1 or above listened to classical music while studying. After extensive research and advanced calculations we have decided to reject this hypothesis. To gather our data we created a digital survey on Survey Monkey and had each member of our group post the survey link as their Facebook status. To our advantage, Facebook worked extremely quickly. Our questions in our survey consisted of: (a) “Do you listen to music while you study?” (b) “What genre do preferred to listen to while they study?” And (c) “What is your current GPA?” We received roughly 100 responses and of those 100, 61 students earned a GPA of 3.1 or above and listen to...
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...Background Information: MTV (short for Music Television), which pioneered the concept of a cable music channel, was launched on August 1 1981. At the time of its launch, the MTV channel primarily catered to those in the 12 to 24 age group, airing heavy metal and rap music, although it expanded into several different niche markets through the establishment of alternative channels, such as VH1 and Nickelodeon, in conjunction with airing reality TV shows. In 1986, MTV was acquired by Viacom inc. and started to expand its operations through the global marketplace through a “Think Globally, Act Locally” strategy. The channel MTV Arabia was formed as a result of a licensing arrangement between MTV and AMG. MTVN (MTV Networks) launched MTV Arabia on November 17, 2007, in partnership with Arabian Television Network (ATN), which is part of the Arab Media Group’s (AMG) Arabian Broadcasting Network (ABN). According to analysts, MTV’s success in the Middle East was contingent upon a tactical balancing between delivery of international quality music and the culturally sensitive environment prevalent in the region. The Fundamental Management Issue: The key fundamental issue within the MTV case study is to determine whether localisation is needed to be successful in the market in conjunction with maintaining the MTV global brand and product. This is an issue since the market that MTV was entering, the Arabian market, presented a different cultural and socio-ethical construction from which...
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...History and Analysis in Popular Music:1 Prof. Francis Amora Music of the Philippines: Traditional music:Main article: Filipino folk music Philippine gong music can be divided into two types: the flat gong commonly known as gangsa and played by the groups in the Cordillera region of the bossed gongs played among the Islam and animist groups in the Southern Philippines. Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines, along with its varied accompanying ensembles. Different groups have different ways of playing the kulintang. Two major groups seem to stand-out in kulintang music. These are the Maguindanaon and the Maranaw. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from China from before the 10th century CE, or more likely, to the introduction of bossed gong chimes from Java in the 15th century. Nevertheless the kulintang ensemble is the most advanced form of music from before the late 16th century and the legacy of hispanization in the Philippine archipelago. The tradition of kulintang ensemble music itself is a regional one, predating the establishing of borders between the Philippines, Indonesia and Malaysia. It transcends religion, with animist and Christian ethnic groups in Borneo, Flores and Sulawesi playing kulintangan; and Muslim groups playing the same genre of music in Mindanao, Palawan and the Sulu archipelago. It is distantly related to the Gamelan...
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...highly profitable through the sale of pre-recorded music product, and ancillary profit centers. EE will own and control the masters (master copies), copyrights and licenses of its product, which will enable EE to create immediate revenue streams while growing its music catalog into a multi-million dollar asset. 1.2 PRODUCTS & SERVICES The company has established three record labels to handle a variety of music genres including AfroPop, Rhythm & Blues, Afro Jazz, Gospel and rap. EE has compiled an exciting and diverse roster of recording artists. Selected over the past year, these highly talented veteran and debuting artists will enable EE to quickly penetrate the music marketplace. 1.3 MARKET ANALYSIS EE will distinguish itself from other independent record companies through its marketing and promotional plan. Intense, calculated and relentless promotional campaigns will enable EE to earn massive revenues through the growing popularity of "singles", as well as traditional full-length albums. EE will utilize the success of its pre-recorded music to develop profit centers in independent distribution, merchandise and concert promotion. 1.4 STRATEGY & IMPLEMENTATION EE maintains strong affiliations in the music industry. EE has been offered international distribution with Maxis Distributing (a distribution arm of Maxis) and the Alaba Group. This provides EE the opportunity to generate revenue from the world's largest music markets including Japan, Germany, the United Kingdom...
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