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Cultural Identity Device

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Cultural Identity Stances of 20th Century Writers Throughout the past centuries many authors have taken stances on the societal happenings perspiring around them. Focusing around the turn of the 20th century, specifically the subsequent decades, the main dispute was between two concepts: assimilation versus cultural heritage. Assimilation is a controversial topic that some writers deemed necessary to live in a new culture, whereas others believed that expressing and retaining cultural heritage, or the mosaic idea, is essential. A specific poet and writer that supported the mosaic was Sherman Alexie. Like Alexie, countless others used poetry and literature as a call to action for their beliefs, whether it was assimilation, mosaic, or a mixture …show more content…
He also relied on the mass recognition of his speech to ease the process of assimilation. Atlanta Constitution editor Clark Howell once praised Washington’s address in a telegraph stating, “The whole speech is a platform upon which blacks and whites can stand with full justice to each other” (Washington, 458). Not only did Washington receive praise from newspapers, but also from “lecture bureaus, and editors of magazines and papers”, and even President Grover Cleveland himself (Washington, 458). By utilizing his large influence and press coverage, Booker T. Washington was able to promote his idea that assimilation was the process that would end racial tensions in the United States, regardless of the loss of African American …show more content…
“Sympathy” focuses on the repercussions of 256 years of slavery which were still felt almost 35 years after its abolition. Dunbar asserts that the African American community still feels these ramifications in the lines, “… a pain still throbs in the old, old scars / and they pulse again with a keener sting” (Dunbar, 12-13). Since slavery was forced into African American heritage with lasting effects, Dunbar does not want them to forget their past by assimilating into American culture. In the following lines Dunbar says, “I know why the caged bird sings, ah me, / … When he beats his bars and he would be free; / It is not a carol of joy or glee, / but a prayer that he sends from his heart’s deep core” (Dunbar, 15-19). The “caged bird” refers to the slaves that were imprisoned by their owners and the line “It is not a carol of joy or glee” is a direct reference to the hymns and spirituals that slaves sang in the fields. Within “Sympathy” it is easy to decipher that he does not want the African American population to forget their

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