...1. I feel that Nora made a very selfish decision. Leaving 3 children under any circumstance is difficult, however, her motive for leaving was selfish and self serving. She had been living in "The Dolls House" for along time. It wasn't until her secret was revealed that she all of a sudden had this revelation of liberation. It was an infantile response to a situation that could have been rectified. Honestly, where will we find Nora in 5 years? Living in another "Doll's House" being taken care of physically, emotionally and financially. Her sudden liberation was purely out of humiliation and she managed to damage many innocent people. How does she ever expect to explain her departure to her children? I borrowed money to save your father's life, which I wasn't supposed to do and I forged my dying father's name. I needed to leave to find myself.I feel that she never should have had children. Torvald is always being blamed for keeping up appearances, but she had those children for appearance sake only too. Ibsen never portrayed her as a caring or concerned mother. They were always off with the nurse. What was she doing that was so important that she couldn't spend time with her children? If she truly were a feminist, she would have broken the "nurse cycle" and tended to her offspring! I feel that Nora made a very selfish decision. Leaving 3 children under any circumstance is difficult, however, her motive for leaving was selfish and self serving. She had been living in...
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...The reinvention of the new “Orient Woman” According to Said, “Oritentalism”, the colonial stereotype is a complex and contradictory process. It arises due to the fear of miscegenation, yet the “other” is prefigured as being simultaneously an object of fear and desire. The “other”, on one hand, a subject of suppressed, disgust and discrimination, the other, it is a dream, fantasy, obsessions and desire. Therefore, it is fair to infer that the Orient is not a property of bodies or something originally existent in human beings; rather it is the social construct. Specifically, it is the product of the society’s dominant class – the Whites, the master- narrative. Racial differences have been used as a basis for racial stereotypes, for instance the White “norm” versus Non-white people. It is clear that racial identity is marked on skin. It is undeniable that some stereotypes do/might have a basis of truth, however such stereotypes do not take into the account of differences among the Orient. It is out of fear and apprehensiveness that lead to the birth of such unjust stereotypes, the film “Memoirs of a Geisha” directed by Rob Marshall highlights the irony of the stereotypes resulting in fragmentations of identity. “Memoirs of a Geisha” (Marshall, 2005) offers an interesting twist to our typical story-telling, the women are no longer silenced, and the story is told through the voice of a woman (though written by a male...
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