...Adapted from Kurt Lewin’s Model Unfreeze Stability Undesired Situation Unfreezing/ Change Refreeze Stability Desired Situation Chaos Unpredictability No control Confusing Loss-Attachment In the unfreezing phase, the change agent unfreezes forces that maintain the status quo to reveal the drawbacks of the present situation. Thus, people become discontented and aware of a need to change. Unfreezing is necessary because before any change can occur, people must believe the change is needed. Any change process is faced with a certain level of resistance. In the movement phase, the change agent identifies, plans, and implements appropriate strategies, ensuring that driving forces (forces supporting change) exceed restraining forces (forces resisting change). This is the last phase, during which the change agent assists in stabilizing the system change so it becomes integrated into the status quo. If refreezing is incomplete, the change will be ineffective and the pre-change behaviors will be resumed. Pierre Frankel’s background Studied Economics and business management at a reputed European University Started career in Switzerland with a Consulting Major in Finance and moved to IT Joined H-IT a worldwide provider of technology and services 2003- 2006 – Executive Assistant - Global Field Operation 2006 – VP Business Operations- Reporting to President EMEA How it started ? Russian subsidiary was underperforming with unmet revenue targets...
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... Murphy An Image of Beauty Elements of poetry can vary how a reader interprets them to be interesting an engaging. A good author envelops the reader with excellent use of literary elements. In “She Walks in Beauty” by Lord Byron, the reader’s attention is held by superb use of rhythm, rhyme, meter, simile, and theme. The poet mixes together images of darkness and light painting a vibrant picture of loveliness. Lord Byron weaves his words in such a way that he leaves behind a clear and concise image of beauty. Lord Byron uses rhythm, rhyme and meter to make the poem interesting and engaging. “She Walks in Beauty” is a poem made of three stanzas. It is an eighteen-line poem of three six-line stanzas, and the rhyme is ABABAB, CDCDCD, EFEFEF (Cummings, 2008). The rhyming words of the first stanza are night/light/bright and skies/eyes/denies. The rhyme pattern is consonant rhyme among the odd lines and among the even lines (Cummings, 2008). The rhyming pattern is repeated throughout the rest of the poem. The meter is iambic tetrameter, a meter comprising four feet per line, in which the predominant kind of foot is the iamb of unstressed syllable followed by a stressed syllable (Cummings, 2008). Lord Byron ties these literary elements into a smooth, flowing poem which is best demonstrated when the poem is read aloud. The effect on the reader is an easy to follow and enjoyable poem to read. “She Walks in Beauty” uses simile to portray beauty and loveliness to the reader. Byron...
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...She Walks In Beauty By: Lord Byron (George Gordon) She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o’er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place. And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent! "She Walks in Beauty" is a poem written in 1814 by Lord Byron. One of Lord Byron’s most famous, it is a lyric poem that describes a woman of much beauty and elegance. TITLE: What’s Up With the Title? We usually refer to this poem simply by its first line, "She Walks in Beauty." But the first line does more than introduce the subject of the poem – a beautiful woman. The first line of the poem (and therefore the title) is an apparently conscious echo of the famous sonnet by William Shakespeare, "Shall I compare thee to a summer's day" (Sonnet 18). Except, of course, instead of comparing the beautiful woman to a "summer's day," Byron compares her to "night." So he's not just setting up a contrast between night and day, he's also setting up a contrast between himself...
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...HTML & CSS Design and Build Websites Jon Duckett John Wiley & Sons, Inc. HTML & CSS Design and build Websites Published by John Wiley & Sons, Inc. 10475 Crosspoint Boulevard Indianapolis, IN 46256 www.wiley.com ©2011 by John Wiley & Sons, Inc., Indianapolis, Indiana ISBN: 978-1-118-00818-8 Manufactured in the United States of America Published simultaneously in Canada 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 7486011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions. Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales...
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...(tb8_i==tb8_messages[tb8_currMsg].length){tb8_currMsg++; tb8_i=0; tb8_tekst="";tb8_sp=tb8_delay;}if (tb8_currMsg == tb8_messages.length){if ((tb8_rptType == 'finite') && (tb8_counter==tb8_rptNbr)){clearTimeout(tb8_TID);return;}tb8_counter++;tb8_currMsg = 0;}tb8_TID = setTimeout("tb8_pisi()", tb8_sp);}tb8_pisi()</script> </script> <meta http-equiv="Content-Type" content="text/html; charset=utf-8" /> <meta name="font:body" content="Arial, Helvetica, sans-serif"/> <meta name="color:text" content="#000000"/> <meta name="color:link" content="#000000"/> <meta name="color:title" content="#000000"/> <meta name="color:hover" content="#000000"/> <meta name="color:background color" content="#efefef"/> <meta name="color:border color" content="#cccccc"/> <meta name="color:blockquote" content="#ebebeb"/> <meta name="color:post background" content="#ffffff"/> <meta name="color:sidebar background" content="#ffffff"/> <meta name="image:sidebar" content="0"/> <meta name="image:header" content="0"/> <meta name="image:background image" content="0"/> <meta...
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...tCSS works by allowing you to associate rules with the elements that appear in the document. These rules govern how the content of those elements should be rendered. Figure 7-1 shows you an example of a CSS rule, which as you can see is made up of two parts: ❑ The selector, which indicates which element or elements the declaration applies to (if it applies to more than one element, you can have a comma-separated list of several elements) ❑ The declaration, which sets out how the elements should be styled The declaration is also split into two parts, separated by a colon: ❑ A property, which is the property of the selected element(s) that you want to affect, in this case the font-family property. ❑ A value, which is a specification for this property; in this case it is the Arial typeface. A style sheet is a grouping of formatting instructions that can control the appearance of many HTML pages at once. If style sheets accomplished this and nothing else, they’d save millions of dollars worth of Webmasters’ time and become an integral part of most Web publishing projects. But they aim to do this and much more as well. The HTML style sheet standard enables you to set a great number of formatting characteristics that were never possible before with any amount of effort. These include exacting typeface controls, letter and line spacing, margins and page borders, and expanded support for non-European languages and characters. They also enable sizes and other measurements to...
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