...therefore, shows that it is yet another example of misrepresented house wives, and although it is a 21st-century production, it employs a wide range of old stereotypes (Trier-Bieniek, & Patricia, 34). First of all, the title of the comedy drama is pregnant with negative connotations. At one time, this caused a lot of controversy in the U.S. when the President of the Parents Television Council, Mr. Brent Bozell criticized the comedy drama’s likely negative effect on morality in U.S society. Family values campaigners were enraged by the main theme of sex. Some critics described the show as treating the issues of infidelity lightly and portraying sex as gratuitous (Ruggerio, 15). Eddie portrays women as passive members of the society because she is successful in using her body and sexuality to get what she wants. For example, in her attempt to flirt with and seduce Carlos, she slowly takes off her clothes and is left standing with nothing other than her underwear illustrates that women are sexually objectified in the movie since this is not the first time the main female characters are shown in the drama in such provocative clothes. The comedy drama seems to suggest that nothing much has changed since the seminal article on the male glaze that was penned by Mulvey. The article suggested that men ought to do the looking while the role of women is to be appealing and be looked at....
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...Technology is slowly overtaking the normality of relationships in our world. In the movie, Her, Theodore, the main protagonist originally uses Samantha, a software program that listens and understands as a readily available conscious to cope with his recent divorce. Theodore’s character shifts from a depressed and heartbroken man to a light, hopeful character just by connecting with the software program called the AI’s. Originally Samantha is portrayed as a soft female voice that lingers, but throughout the movie she gains human qualities such as the ability to love. Samantha’s desirable qualities such as having a bright sense of humor and ability to joke with Theodore, makes her relatable and not just a computer. Theodore and Samantha's friendship...
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...Antwone Fisher In this report I will analyze the film “Antwone Fisher” using four standard categories to fully analyze this media product, these are cognitive, emotional, moral, and aesthetic. Cognitive is the mental process and thinking which can be something based on your knowledge of being able to interpret a media product or scene, or can be more complex as to knowing how some media products are created in limited ways in order for them to be successful. Emotional catches the feelings of a person and being able to accurately interpret those feelings. Some lower levels of emotion are those such as hate, fear, and lust and these are easy to interpret and most people know them. Some higher levels of emotions are ambivalence, angst, and confusion. The third standard category is moral, the ability to infer the values underlying the messages. Moral is concerned with the principles of right and wrong behavior and the goodness or badness of human character. Lastly, the final standard category is aesthetic, which is the ability to enjoy and appreciate from the artistic point of view. Antwone Fisher is an autobiographical drama written by the real life Antwone Fisher. Denzel Washington makes his triumphant directorial debut, and also introducing actor Derek Luke. This film won a few awards including Black Reel Awards, such as best breakthrough performance and best actor won by Derek Luke, and also best director by Denzel Washington. This film is about a young man who is...
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... Oregon, Chamber of Commerce as "Man of the Year" as well as a philanthropist no one has ever suspected him. Being unable to control his horrific addiction, Brooks gives in to his sadistic, all too real alter ego “Marshall” played by William Hurt. A pesky, voyeuristic witness “Mr. Smith,” played by Dane Cook catches him in the act of his latest crime. The rush that Mr. Smith felt after seeing Mr. Brooks brutally kill a couple he used to watch and take pictures of while engaging in sexual activities has set him on a path of destruction and he is taking all the wrong steps to get there. Then there’s the detective, “Tracy Atwood,” played by Demi Moore who has been on the case for quite some time without Mr. Brooks knowledge of it adds a few twists and turns to an already terrifying game of cat and mouse. The way the script has been written, is a “moral” one. You have a man, “Mr. Brooks” who is fighting multiple demons. One demon is his addiction to killing people. “Mr. Brooks” claims in the movie that “he doesn’t kill people because he enjoys killing them. He kills them because he’s addicted to it.” The viewer is able to see the conflict is Mr. Brooks struggle. The struggle is that Mr. Brooks is desperately trying to evolve into what he is not. Mr. Brooks repeats the “Serenity Prayer”...
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...Aitolkyn East Asian Cinema, Fall 2015 December 18, 2015 Introduction The effect of 1998's Japanese film Ring can be compared to a big tsunami wave that not only became highest grossing horror film in the country, but also shuddered Taiwanese, Korean, Hong Kong film markets. Following years many publications included it to the numerous symbolic "top 10 most scary films" lists. And when Steven Spielberg bought the rights to make the Hollywood remake it was seen as official evidence that Japanese horror cinema became new trendsetter in this genre and gained cult status in the West. Nowadays with numerous follow-ups within the Ring franchise and triggered a trend of Western remakes "Ring" is viewed as exemplary illustrative Asian horror movie. I will argue that the wide success of the movie is caused not by its deep cultural ties with Japanese cinema and Japanese horror movies in particular, but because on the contrary "Ring" has little to do with its traditional background. Hideo Nakata deliberately cut off all the cultural traces in order to make cinematic language of the movie universal and cosmopolitan thus giving a way for its intercultural translation and to be easily replicated. In order to do it first I will analyze different Japanese merchandizing strategies and study the film as a media product. Second, I will briefly overlook history and main stylistic traits of Japanese horror movie genre. In my general overlook on Japanese horror cinema, I will focus on two main...
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...compare to the critically acclaimed film of Jonathan Demme's 1991 The Silence of the Lambs, starring Anthony Hopkins as Dr. Hannibal Lecter, the infamous and psychotic cannibal psychiatrist. This movie, along with Alfred Hitchock's Psycho (1960), is one of limited horror/suspense films recognized by movie critics as one of the greatest American films ever made. Critics had much to say about the “commercialization” of one of the most horrifyingly amazing characters in the history of American theatre, but even more interesting is the change that is specified through the character's approval in mainstream culture. Hannibal Lecter is a different type of monstrous cannibal than those formerly seen in horror films, as shown through his criminal activities, and has been acknowledged by its viewers as an “anti-hero” as opposed to the adversary or antagonist of the movie. The story line behind this movie captured the audience to want to watch this disgusting anti-human film, which included cannibalism. Everyone that was involved in the creation of this film from the film director, cinematographer, art editors, sound directors, the costumes the staging everyone had to be in that same dark place in order to make this a captivating need to watch film. In the following pages I would like to describe scenes of the film and by using specific traits of each character describe why this film received Best Picture, Best Director, Best Actor, Best Actress and Best Adapted Screenplay in 1991. The Silence...
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...destroyed her own life. I began the essay trying to prove that her obsession with being perfect is what leaded her to her destruction and death, but after analyzing the movie it all turned around. I based my investigation in reviews of the film, different type of articles; such as from doctors who give their opinion about Nina’s behavior. These ones in particular where the most important for the answer of my research question, because these doctors have analyzed the mental condition of Nina and together with my own opinion it helped me to come to a conclusion. I also focused on the opinion of various dancers about the film, because they are the ones that understand the world of ballet more than anyone else. At last there were also interviews with the director to explain why he decided to make this movie and what he was trying to prove through it. The movie was, of course my principal source, I applied the whole investigation in the analysis of the movie. Then after having read all that information and having analyzed the movie to the end, I came to the conclusion that the need of being perfect of a human being is not what guides to its destruction, there have to be other factors that influence in the problem, such as pressure or intimacy. Index Introduction 4 Chapter 1 7 Perfectionism reflected in the movie 7 Chapter 2 11 Psychological problems brought by being a...
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...aforethought which will come with fatal consequences if you are found guilty of the killing. So in other words murdering someone is a taboo. Sometime the defendant would pled either not guilty, or guilty, on rare occasion they would pled insanity or self-defense. Self-defense stood out the most for me and it was the Jodi Arias and Travis Alexander case, Was it really self-defense or was it just pure jealousy? To start with, I was channel surfing when I stopped on CNN news channel. Nancy Grace was shouting at someone giving their opinion about something as she always do. I was about to change the channel when I saw a gruesome crime scene photo of a shower filled with blood. I wanted to know more about the bloody shower. Come to find out the shower and the blood in it belongs to Travis Alexander, a Mormon. Travis Alexander was murdered on June 4, 2008 by his ex-girlfriend Jodi Arias in his house. Alexander was stab nearly around 30 times and was shot in the head and his throat had been slit. Travis’s body was left in that shower for five days, decomposing and was later found by his friend. Jodi Arias was suspect for the killing of Travis’s death. Arias had three scenarios she told the cop when she was being...
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...in-depth film analysis because of how the talented actors helped put a unique spin on the whole god/human relationship for the modern day moviegoer. This movie is not designed to be an in-depth expose on the god/human relationship but a platform to gently remind the audience the of how important our decisions affect where we are in life and gives us a moment to pause and think about what kind of future do we really desire. In my opinion, the film Bruce Almighty utilizes Jim Carrey's comedic talents to address the heavy topic of the god/human relationship and the moral issue that the director wants the share with the audience is that our free will should be exercised a modicum of human integrity to effectively resolve our own personal issues/dilemmas. My first step in analyzing Bruce Almighty involves taking a closer look at plot development and how this movie took the universal truth concerning how mankind in general tends to get frustrated with God when things just don’t go their way while taking it down a unconventional comedic path to help lighten up the seriousness of the topic. The director of Bruce Almighty’s tells the story from a mixed point of view which means we sometimes learn what is going on at the same time as the characters and other times before the character (Goodykoontz, 2011). A prime example is, the scene where Bruce learns about his rival Caroll getting the anchor job that Bruce always wanted. The director uses a series of jump cuts between Jim, his girlfriend...
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... * Ron Howard * Robert Zemeckis * 16 mm/35 mm * Brotherly Love (Popeye), Max Fleischer * Original song * Made for adults as well as children * Take place in cities * As opposed to the barnyard settings of early Disney * Classic cartoon * Postmodern cartoon (The Simpsons) * Digital Cinema Print (DCP) * Ted Mundor, Landmark Theatres * Career * Monsters Magazine Film Fan Monthly (13 y.o.) * Movies on TV & TV Movies (17 y.o.) * American Society of Cinematographers (ASC) * Gene Shalp, The Today Show * Bruce Cook, Entertainment Tonight * Theme: Great Moments from Movie Musicals * “Somewhere Over the Rainbow”, The Wizard of Oz * Only a few cuts * Simplicity requires confidence * Contrast with the circus of Les Miserables * Remains in character without melodrama * Impression that she actually is singing * She is very much still Dorothy Gale, not Judy Garland * John Dies At the End * Phantasm * Bubba Hotep * Horror + Fantasy + Comedy * Based on novel of the same name * Don Coscarelli (Director/Producer) * Loved the novel immediately * Met Paul Giammatti on set of Bubba Hotep * He has different audience from this kind of film * However, loves genre...
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...movies." | | "The question whether movie violence should be regulated or not is a difficult and complicated matter." Although many people criticize violent movies, if there is a movie which does not contain sex and violence, who will go to see that movie? Most major movies, such as "Lethal Weapon", "Die Hard", and "Independence Day", were really popular in spite of the fact that the "good guy" killed more people than the "bad guy" did. In my opinion, Hollywood tends to produce few kinds of movies--action, panic, love story, and comedy. Whenever I watch a movie or a video, there is at least one murder in each movie. The biggest number of deaths are in the panic movies, in my opinion. Action movies with violence take heat from adults who blame them for real life violence because they are closer to reality than other movies. For example, in "Natural Born Killers" we can see around 50 deaths, whereas in "Independence Day" thousands of people die. In both movies, tons of people are killed, though the ways to kill are different. The big difference between them is about reality. |[pic] | |PHOTO BY THOMAS PETERS | |"Although many people criticize violent movies, if there is | |a movie which does not contain sex and violence, who will go| |to see that movie?" | Children might imitate behavior they...
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...abrasive abridge abrogate abscission abscond absolute absolve abstain lower; degrade; humiliate; make humble; make (oneself) lose self-respect embarrass subside or moderate shorten renounce; give up (position, right, or responsibility) abnormal or deviant deviation from the normal; mental disorder assist usually in doing something wrong; encourage suspended action detest; hate Dwell; abide by: comply with; put up with; tolerate; Ex. abide by the rules; Ex. I can't abide rude people. (of a condition) wretched; as low as possible; lacking pride; very humble; showing lack of self-respect; Ex. abject apology renounce upon oath washing renunciation; self-sacrifice; self-abnegation dwelling place; home cancel; put an end to detestable; extremely unpleasant loathe; hate being the first of its kind in a region; primitive; native; indigenous; N. aborigine unsuccessful; fruitless rubbing away; tending to grind down condense or shorten abolish cutting off; separation depart secretly and hide complete; totally unlimited; having complete power; certain; not relative; Ex. absolute honesty/ruler; CF. absolutism pardon (an offense) refrain; withhold from participation; intentionally not use one's vote; abstemious abstinence abstract abstruse abusive abut abysmal abyss academic accede accelerate accessible accessory acclaim acclimate acclivity accolade accommodate accomplice accord accost accoutre accretion accrue acerbity acetic acidulous sparing in eating and drinking; temperate restraint...
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...An exploration of postmodernism through textual analysis of Arrested Development. This essay will consider the postmodernism within the television programme Arrested Development through postmodern theories, postmodernist techiniques and textual analysis. Through historical context, genre conventions, intertextuality and continuity; the essay will investigate the use of pastiche in modern satire. As popular situation comedies fulfil the generic conventions of using multiple cameras, linear narratives, stand alone catchphrases and aspirational ideologies, the essay will deliberate whether post modernism is legitimate in television comedy. "As Hollywood agents worry about the demise of the town's lowing cash cow, the multi-camera, staged sitcom, here to save the day is Arrested Development, a farce of such blazing wit and originality, that it must surely usher in a new era in comedy." —Alison Powell, The Guardian (UK), March 12, 2005 Television situation comedy has always appealed to mass market audiences. From ‘The Brady Bunch’(1969 – 1974), which centred on a blended family, perhaps the best-known domestic comedy in US television history to ‘Cheers’(1982 – 1993), the show set in a bar in Boston. Sitcoms usually consist of recurring characters in a common environment such as a home or workplace. Sitcoms provide the audience with iconic moments in television history. The longitivity of this genre of programming allows the audiences to build up relationships with the characters...
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...University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2009 Peeking Out: A Textual Analysis of Heteronormative Images in Prime-Time Television D. Renee Smith University of Tennessee - Knoxville, drsmith@utk.edu Recommended Citation Smith, D. Renee, "Peeking Out: A Textual Analysis of Heteronormative Images in Prime-Time Television. " PhD diss., University of Tennessee, 2009. http://trace.tennessee.edu/utk_graddiss/10 This Dissertation is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact trace@utk.edu. To the Graduate Council: I am submitting herewith a dissertation written by D. Renee Smith entitled "Peeking Out: A Textual Analysis of Heteronormative Images in Prime-Time Television." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Communication and Information. Catherine A. Luther, Major Professor We have read this dissertation and recommend its acceptance: Michelle T. Violanti, Suzanne Kurth, Benjamin J. Bates Accepted for the Council: Carolyn R. Hodges Vice...
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...LACAN AND CONTEMPORARY FILM EDITED BY TODD McGOWAN and SHEILA KUNKLE OTHER Other Press New York Copyright © 2004 Todd McGowan and Sheila Kunkle Production Editor: Robert D. Hack This book was set in 11 pt. Berkeley by Alpha Graphics, Pittsfield, N.H. 10 9 8 7 6 5 4 3 2 1 Allrightsreserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from Other Press LLC, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. Printed in the United States of America on acid-free paper. For information write to Other Press LLC, 307 Seventh Avenue, Suite 1807, New York, NY 10001. Or visit our website: www.otherpress.com. Library of Congress Cataloging-in-Publication Data McGowan, Todd. Lacan and contemporary film / by Todd McGowan & Sheila Kunkle. p. cm. Includes bibliographical references and index. ISBN 1-59051-084-4 (pbk : alk. paper) 1. Motion pictures-Psychological aspects. 2. Psychoanalysis and motion pictures. 3. Lacan, Jacques, 1901- I. Kunkle, Sheila. II. Title. PN1995 .M379 2004 791.43'01 '9-dc22 2003020952 Contributors Paul Eisenstein teaches literature and film in the English department at Otterbein College, Columbus, Ohio, and is the author of Traumatic Encounters: Holocaust Representation and the Hegelian Subject (SUNY Press, 2003). Anna Kornbluh...
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