...B ‘Living With Strangers’ An enforced closeness that exclusively belongs to boyfriends and family is something you cannot run from when being on the sidewalk in New York City. So is this the definition of the so-called living with strangers? Siri Hustvedt is an American author who in 2002 wrote the personal essay ‘Living With Strangers’. She simply raises the pros and cons of living together in the big city of New York – in a very non-simplistic way. With personal experiences and thoughts throughout the whole essay, she holds on to the reader’s attention from the very first line. I will mainly focus on the choice of genre, together with the linguistic instruments that Siri Hustvedt uses in her essay. There are a lot of basics that feature the characteristics of a personal essay. The personal essay is often focused on a belief or an insight about life. It combines elements as the narrative’s former experiences or relationships and raises questions about open answers. Only this genre permits Siri to be subjective on a topic where the essay still has a professional level of seriousness, while the intimate connection between sender and receiver creates a certain sense of ethos that helps Siri convincing her audience. This genre also gives Hustvedt the space to express her experiences in a way to convince us of her impression of “Living With Strangers”. Although, there is not a precise view being shared as the personal essay’s main argument: Instead it is more a meticulous reflection...
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...Living with strangers Every culture and society has different norms and ways of living their lives which can be difficult for others to understand. When you meet a stranger in the street in Minnesota it is almost considered compulsory to say hi when you pass by, at least where the author of the article “Living with strangers’’ is from. Her name is Siri Hustvedt and she wrote the essay in 2002 which was published in The New York Times. She moved from the country in Minnesota to New York City where addressing strangers on the street is considered very odd. Siri Hustvedt’s essay is inspired by this difference between the norms and ways of doing things. The title “Living with strangers” is a bit of a paradox, because living with someone would normally make them everything else than strangers. In Siri Hustvedts life that isn’t the case. She moves to New York City where there live a whole lot of people. In New York City you are surrounded by more and more people, nonetheless you get more and more isolated in your own little world. This isolation and exclusion from the world outside is what Siri Husvedt’s essay is based on. From her apartment she could hear and watch things which should have been kept private such as a couple arguing and men only wearing underwear. They could almost have been roommates or something but they were just fellow New Yorkers who had unintentionally shared private moments. She is living with strangers. “Pretend it isn’t happening”(p.1.l.20) is a law which...
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...“Living With Strangers” Many people think that urban life in big cities means a happy life, with no worries and just pure happiness. But what is happiness? And what makes us think that urban life is pure happiness? In the essay “Living With Strangers” by Siri Hustvedt, we hear about a woman's move from the countryside of Minnesota, to the Big Apple in New York City. Her move is described with many comparisons with her previous life and experiences, and a lot of humor, which underlines her situation and her attitude to urban life. In the following essay I am going to analyze and comment on Siri Hustvedt’s essay “Living With Strangers”. Part of my essay will focus on the genre, the attitude to urban living and the contrasts between Siri’s life in Minnesota and her new life in New York City. As said, the essay is based on Siri Hustvedt’s own life and experiences. Siri Hustvedt grew up in Minnesota, where everybody knows and greets each other. Now she lives in New York City where nobody seems to care about each other, and where greeting strangers would be “impractical and unsound”. This is a big change for her, and she uses an overwhelming amount of detailed descriptions to describe her situation in the Big Apple. She uses many personal experiences and examples, which characterizes the essay genre. Furthermore, she is very reflective, descriptive, subjective and very personal in her way of writing the essay. “It didn’t take long for me to absorb the unwritten code of survival...
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...Living with strangers What exactly is a big city and what correlation to the term ‘’urban living’’? A dictionary defines it as ‘’ The big city is used to refer to a large city which seems attractive to someone because they think there are many exciting things to do there.’’ So what relation does it have to urban living? Well, in the essay Living with strangers, written by Siri Hustvedt, we get some insight into the life of a person living in a larger city. In this essay, we get to know how everyone is a stranger and in New York City, there rules a special unwritten law, which is the law of PRETENDING IT ISN’T HAPPENING. An aspect of living with some complete strangers that Hustvedt is completely fascinated by, is the aforementioned ‘’law’’ pretend-it isn’t-happening-law, and that is an interesting way to get some insight into this urban living. It is a peculiar occurrence because you would think that moving to the cities would affect the amount of people you socialize with, but most of the time you actually spent indoors and isolated from the big world around you. When you finally move yourself out in the big world, then you spend half of the time looking into the ground and straying away from eye contact with strangers. Interactions between humans in our modern world is quite a complex subject to debate and it will be almost impossible, to find an exact answer to how one should act. Should everyone say hi to each and not really mean it, as they do in Minnesota or should they...
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...Living with Strangers In the essay “Living with Strangers” Siri Hustvedt discusses the lack of solidarity and the difference between the unspoken social rules, one can meet in a in a big city, for example New York City, and a small town in the state of Minnesota. These unspoken social rules are very hard for an outsider to understand. Hustvedt starts the essay by giving a briefly description of the huge difference she felt, when she moved from rural Minnesota to New York City. She talks about how one is expected to behave where she grew up. It was considered as rude and snobby to pass someone in silence – which is pretty much the worst thing in a small town – you have to say “Hi”. “Passing someone in silence wasn’t only rude; it could lead to accusations of snobbery – the worst possible sin in my small corner of egalitarian state (paragraph 3-5)”. Whereas in New York City it will make you seem mental greeting a stranger if you were to greet everyone you meet on the street. It is this problematic issue that has inspired Siri Hustvedt to write the essay. The title refers to the paradox living in a big city: on one hand you live among so many people and on the other you do not know these people so you are really on your own. Although this is not specifically mentioned; but she indicates it indirectly through an anecdote about the habits of her neighbors “...I listened to the howling battles of the couple the lived below me, their raging voices punctuated by thuds, bangs, and the...
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...Living With Strangers Sometimes it can be a leap in the dark to move from a small city to a big city. You start somewhere new; an unknown place filled with new experiences, challenges and strangers. It can be overwhelming at first, and it might as well take some time to grow accustomed to the new culture and what the city has to offer. The situation can especially be difficult to someone who comes from a city, where one is used to live in closely encircling. As an example of this kind of situation is Siri Hustvedt’s essay ‘Living with Strangers’, which is written in 2002 Hustvedt describes in her essay her move from rural Minnesota to New York City in 1978 and how suddenly norms and rules change for her. In Minnesota it is the custom to greet everyone you meet on the road, even though you do not know the person. If you pass someone in silence, you will be considered as discourteous and it can lead to accusations of snobbery. This is the worst and rudest possible thing you can do and it gets compared as a sin in the egalitarian state. A good place to start is the title of the essay ‘Living With Strangers’, because it sums up the thesis in the text and Hustvedt’s point with the text. The title refers to a major problem in every city - whether it is a big or small one, and it is because the society that we live in now has changed and is still changing. The late modern society is characterized by the fact, that we no longer are bound by old traditions and habits. We are instead...
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...B Living with strangers All cultures and societies have unspoken rules, which an outsider like our narrator in “Living with strangers” from the New York Times in 2002, simply will not understand. Whether if it is in the country like Minnesota where greeting everyone is considered obligated or New York City where addressing a stranger would make you seem mental. This observation is what has inspired author Siri Hustvedt to write the essay “Living With Strangers”. The title refers to what apparently is going on in every major city, although the essay never specifically mentions it: We are becoming increasingly isolated while being surrounded by more and more people. Why can this be? Siri Hustvedt describes this through an anecdote from her first apartment in New York. Even though she was living alone at the time, she think of her neighbours as roommates because she was the witness to several acts that should remain private such as an argument from the downstairs apartment or another woman walking around wearing only underwear, for her to see. However, she did not know these people. They lived so close and shared so many private moments and yet, Hustvedt can still not see them as anything else other than “fellow New Yorkers”. That’s why she is living with strangers. In the text Hustvedt is really fascinated by is the “pretend-it-didn’t-happen-law”. The “law” is made so people won’t feel embarrassed. It links to the previously mentioned about never greeting a person you...
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...Living with strangers In the text “Living with strangers” Siri Hustvedt discusses the lack of solidarity and the social rules, one may meet in a big city, like New York City. Siri Hustvedt starts the essay by describing, the big difference she felt, when moving from rural Minnesota to New York City. She begins by briefly describing to the reader, how one was expected to behave, where she grew up. Whenever you encountered someone on the road, whether you knew them or not, you should always greet them. If you didn’t, you would be considered both rude and a snob, which was pretty much the worst thing, you could be in that part of rural Minnesota. Therefore, Siri Hustvedt quickly felt the difference between these two places, when greeting everyone you meet in downtown New York simply isn’t practical. But Hustvedt does not only describe it as impractical, but also as a kind of social code in the city. The title “Living with strangers” refers to a paradox that is apparent in every major city, although never specifically mentioned in the essay: We are becoming increasingly isolated while being surrounded by more and more people. Siri Hustvedt describes this through an anecdote from her first apartment in New York. Even though she was living alone at the time, she represents her neighbors as roommates, because she was witness to several acts that should remain private, such as a heated argument from down stairs and walking around wearing only underwear. However, she did not...
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...Living With Strangers Moving to a new place can be hard. You exchange your old surroundings with completely new ones, you have to change old habits, and you need to go out and explore new places and meet new people. This progress can be hard for some people and it will take a long time to get used to your new surroundings. Siri Hustvedt talks about this in “Living With Strangers” from 2002. In the essay Siri Hustvedt describes her experience when she moved from Minnesota to New York In 1978. The fact that it was brought in The New York Times might indicate that her essay presents the reality of the people of New York. The essay also appears like it was written to people who already have some knowledge about New York as an example she writes: “… was traveling uptown on the Second Avenue bus. At Twenty-Fourth Street …” (line 23-24 page 6). This would mean nothing to people who don’t know anything about the streets of New York and their bus system. During her essay Hustvedt reflects on the difference between her new home New York and her old home in Minnesota. She especially points out the fact, that in Minnesota everybody used to say “hi” to everybody, even people you didn’t know. Not even was it seen as being rude, but you could actually be looked at as a snob, which was the worst thing you could be looked at, but in New York it’s an entirely different story. Here it’s totally impossible to say hi to everybody, and nobody cares if you say hi to them because people don’t even...
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...Living with strangers Living with Strangers is an essay written by Siri Hustvedt, and in it she discusses the difference between life in the big city and life in the countryside. More precisely, she discusses the difference in social rules and her opinion on it. Siri begins by briefly describing to the reader how one was expected to behave where she grew up. Whenever you encountered someone on the road, whether you knew them or not, you should always greet them. If you didn’t, you would be considered both rude and a snob, which was pretty much the worst thing you could be in that part of rural Minnesota. When Siri moved to New York City in 1978 and she was met by a world vastly different from what she knew, and quickly learned that the social code of conduct was quite different as well. Greeting everyone you meet simply isn’t practical in downtown New York, as you are confronted with hordes of people every time you leave the apartment. On the subway, you are forced into such close contact with strangers that you can smell their hair oil, perfume and sweat, a level of intimacy reserved for lovers and family in rural Minnesota. Another phenomenon of big city life, or coping technique as she calls it, is that whenever something odd happens in the public space, you simply pretend it isn’t happening. She presents several examples of strange people doing strange things, and every single spectator simply minding their own business. To give any kind of response is viewed as...
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...Expecting too much, can disappoint us in the end An analytical essay of Reunion A lot of things in this world are expected in a positive way from us humans, we try to see the good in people, the good in our surroundings, but in the end we either fail and learn from our mistakes, or we succeed, but the main thing is, not rejecting the truth. Reunion is short story that will help us understand the statement mentioned above. In this essay, there will be a short resume of the short story Reunion, an analytical part, and in the end an interpretation where the short story Living with strangers and reunion are compared. The story takes place in New York at noon, where Charlie would be in New York for an hour and a half, so he asked his dad who he has not seen in three years, if they could eat lunch together. He meets his dad and they go to a restaurant, and when his father tries to order something, he fails because he is so rude to the staff, and this happens three more times in till Charlie has to leave for his train, his dad apologizes and tries to buy him a newspaper, but he fails once again and then Charlie leaves. Charlie met his dad after three years, he expected something else by meeting his dad, but unfortunately he got disappointed. This story, as mentioned earlier, takes place in New York, where Charlie and his dad visits four restaurants, and the station in the end. The first place was empty, but the bartender was quarrelling with the delivery boy, so the...
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...d. 14/9/2011 Essay 1 Living With Strangers The big city. Just the word gives a wealth of associations: The big city is noise and traffic, a lot of life. The big city is the anonymity in the crowd. The place where everything you do is not noted by others. The big cities came as a result of the increasing urbanization after the industrialization in the 1800s when a lot of people moved from the country to the cities to get a job. But the fact that you are now living with hundred thousands or millions of other people creates many challenges. It can especially be a problem how to deal with all the people who you do not know and who you do not manage to get to know. That is exactly the theme the American writer Siri Hustvedt takes up in her essay Living With Strangers published in The New York Times in 2002. The text is built up in three main sections. In the first part Hustvedt tells her personal story about her moving from the country where everyone knows each other and everyone always greets everyone, and to the big city New York where nobody greets each other and millions of people live side by side. She quickly learns the unwritten rule which says something like, pretend like nothing is happening, “It didn’t take long for me to absorb the unwritten code of survival in this town (…): PRETEND IT ISN’T HAPPENING” (line 17-20). Hustvedt quickly captures the reader’s interest by telling this personal story in the beginning because the reader can identify herself with her and...
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...Inductive Essay- Dr. Satel “When Altruism Isn’t Moral” Cheryl Cassagne California Intercontinental University GRC 600: Doctoral Academic Study and Writing Professor Nigel Basta February 18, 2018 Inductive Essay Dr. Satel “When Altruism Isn’t Moral” Literature Overview The article “When Altruism isn’t Moral,” Dr. Satel refers to a scenario of two unknown individuals; and how they shared a bond due to ones suffering. The article is interesting in the sense that one stranger opens his heart to save another man’s life by donating an organ. Davis wife sent over 140 letters of plea to friends and relatives. One of letters was given to Thompson’s coworker who was hoping that Thompson...
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...Albert Camus Biography Albert Camus was born November 7, 1913, and reared in Algeria, a country exposed to the blistering African sun and the plain by the Mediterranean sea. These roots — the sun and the sea — have spread into all of Camus' writings — the novels, the plays, and the essays. They are a part of his lyricism, his symbolism, and his values. The universe, it seems from his early notebook (Noces), was mother, father, and lover for the young Camus, and from the first, Camus was aware of the paradoxical aspects of his natural world. The sensual free pleasure of swimming and hiking was in continuous contrast to the bare stony earth that made living a matter of poverty and destitution. He was early aware of the absurd condition of humanity's being totally alone in a resplendent universe. This concept is Camus' equivalent of "In the beginning . . ." With this truth, all of his writings sound revolt, for he refused to be deceived by social, religious, or individual submissions that ignored or defied the irreducible truth that humanity alone is responsible for itself, its meaning, and its measure. Camus' writings are a testament to a continuing belief in humanity's exiled but noble condition. Lucien Camus, Albert's father, was killed in 1914, during World War I's Battle of the Marne, and the year-old child was reared by his deaf mother. She had little money and was apparently a rather joyless and boring companion for her son. It is little wonder that he spent much of his...
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...in class and watched Stranger with a Camera I didn’t get how the class could draw any meaning from this film. It almost felt like we were watching something just for the sake of using up class time. I didn’t have a clue as to how this related to this class at all. It was only when I watched it for the second time, still skeptical, that I had a true flash of brilliance. It was all there in front of me; I realized that this film has a deeper meaning than most other films that I have watched over the course of my 19-year life. I think the most meaningful thing that this film taught me was that you shouldn’t judge a book by its cover. I wanted to know though how much you are really limited by perspective. Seeing the various scenes of the conditions the poor of Letcher County were living in you would think that it should be a violation of human rights, but you...
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