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Evolution Of Photography Research Paper

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Defining a photograph today, the age where digital technology is dominant comes with great difficulty. The traditional use of chemicals to produce fixed photographic pictures and analogue photography being the pioneers of the first photograph are gradually being forgotten. Traditional photography is no longer widely practised and may soon, no longer be in existence. Grant Romer says that, “the stretching and blurring of the definition of “photograph” is a direct result of the evolution of electronic imaging, which has profoundly disrupted the traditional photographic industry” (Romer 2005, p.1). The Oxford dictionary defines a photograph as “a picture made using a camera, in which an image is focused on to light-sensitive material and then …show more content…
Benjamin explains that, “photography, with its devices of slow motion and enlargement, reveals the secret. It is through photography that we first discover the existence of this optical unconscious” (Benjamin, 1999, p. 510). Unlike painting or drawing which requires time of the artist to accurately reproduce an object or an event, photography is quick to capture. It is impossible for an artist to reproduce exactly what happens within a second and disperses. Photography exposes, exactly as it is what the eyes cannot see, either because it is too small, it happened to quick or it dispersed. Cinema however has the ability to record the optical unconscious but unlike photography, which can freeze and take out of time in the true sense of the word, cinema is the continuous movement of pictures and like Sontag says, “photographs may be more memorable than moving images, because they are a neat slice of time, not a flow” (Sontag, 1979, p.17). With moving images, the continuous movement of pictures still makes is possible to miss out on the tiniest of actions, which photography can capture. Also, the photograph as an object makes it possible to keep such a finding of the optical unconscious as evidence. For example, because a horse in motion is so fast, the eye misses that this animal can have all its feet in the air at the same time, Eadweard Muybridge, an English photographer particularly interested in understanding motion carried out an experiment to prove that this fast racing horse could have all its feet off the ground at the same time when in motion. The success of Muybridge’s experiment and Benjamin’s explanation, have since been able to improve the human perception of motion and also convince to a large extent that the camera captures what the eyes does not

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