...states such as China and India developed their traditions of resistance as a result of being unable to resolve the ‘‘tiyong crisis’’ in a way that would finesse geopolitical and geo-symbolic decentering[2]. Elites in the pre-modern Siamese state resolved their tying crisis by re-imagining the Thai national essence as consistent with modernity’s basic presuppositions development that eventually helped facilitate Chinese recentering. Once transformed in the 1990s, the Chinese state became an agent of socialization by proselytizing for democracy within Asian[3]. Successful decentering is a complex historical process resulting from, among other things, the socialization of state-society units into an international normative order ‘‘modern’’ and Western in origin. Numerous actors at home and abroad promote decentering in the process of socializing non-democratic states into what Stanford sociologist John Meyer[4] have called a ‘‘world polity’’ informed by a modernist ‘‘global culture.’’. Agents of socialization include other states, international non-governmental organizations, journalists, academics, labor activists, religious leaders, and others. Not all states yield to socialization pressures and undergo successful decentering, of...
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...DESCRIPTION is one of four rhetorical modes (also known as modes of discourse), along with exposition, argumentation, and narration. Each of the rhetorical modes is present in a variety of forms and each has its own purpose and conventions. Description is also the fiction-writing mode for transmitting a mental image of the particulars of a story. Description as a fiction-writing mode Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Agent and author Evan Marshall (agent) identifies five fiction-writing modes: action, summary, dialogue, feelings/thoughts, and background (Marshall 1988, pp. 143–165). Author and writing-instructor Jessica Page Morrell lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition (Morrell 2006, p. 127). Author Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scene, and description (Selgin 2007, p. 38). Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses. Description is the fiction-writing mode for transmitting a mental image of the particulars of a story. Together with dialogue, narration, exposition, and summarization, description is one of the most widely recognized of the fiction-writing modes. As stated in Writing from A to Z, edited by Kirk...
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...Personal reflection 9 5. References 10,11 Introduction Heritage Hotel Auckland opened in 1998 and 1999 belongs to the Dynasty... Premium Report : Introduction Report : Introduction Winnie Wibowo To report is not only to tell someone about something but also to inform something to someone who intends to know. We do the... Premium General Format Of Hrm/Hrs Ojt Narrative Report Font Size: 14 Submitted by: < Name of Student Trainee > Line Space: 5 Submitted to: < Name of OJT Adviser > Line Space: 5 < Date... Premium Essay On Report On Seagull Hotel Ltd. College Higher diploma in hotel management Professional housekeeping HMT 102H FALL2011 Instructor name: Mr. Pntelis Hadjiyerou Students name: karki Anwesh... Premium Consulting Report Of Solberri Hotel with limited knowledge of the hotel industry and relevant skills. Besides, all short-term employees only receive two days introduction training which is apparently... Premium Ojt Report 5 Duties of a Front Office Agent...8 Hotel Policies....9 Job Description .11 2. Personal notes of the student My Job assignment and experience...13 Values... Premium Ojt Narrative Essay For Hrm Student My Community Liceo de Cagayan mission and vision and Core values have a big effect or impact to my community because this serves a guide to those people who are... Premium Problem Encountered By An Hrm Students In Their On The Job Training during their local on the job training. The respondents of the study were fifty students from Hotel...
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...sections and take the second part of the exam. Format: 3 mini-essay answer; 40-60 multiple-choice questions; 5-10 fill-in-the-blank questions; and 5-10 two-sentence answers. Short-essay answer: concisely answer the following questions. Be prepared to answer all of them. ACTUAL QUESTIONS FOR THE EXAM 1) Consider what you learned in lecture and from the readings by Rohter, Guimarães, Goldstein, Vaughan, and Stout. Discuss how people are racialized in Brazil and Cuba. Be sure to cover the following issues: a. What historical conditions explain the high level of inequality in these countries? Why are socio-economic conditions connected to race? (10 pts) b. Provide one concrete example from the readings that shows how constructions of race in Brazil and Cuba are similar, and one concrete example from the readings to show how they are different (10 pts) c. Discuss why identities are mediated and how media is used as part of the process of racialization (10 pts). Use one example provided in class to explain your argument (10 pts). 2) Considering the movie “Even the Rain” and from the readings by Barron, Thomson, Spronk, and Monasterios discuss the connections between extraction process, natural resources and social movements in Bolivia. a. Explain what the connections are between the extraction process, natural resources and social movements in Bolivia? Use one example from the movie and one example from the readings to develop your answer. (10 pts) b. Explain...
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...CRITICAL ESSAY: Pleasure and pain: Representations of illegal drug consumption, addiction and trafficking in music, film and video It is a safe assumption that when the term ‘drug’ or ‘use’ is mentioned, many automatically associate this with something rather unpleasant, a negative experience. This is due to the fact that individuals throughout most of their lives are warned of the destructive, detrimental and the horrendous nature of drugs and the consequences that arise from one’s involvement with them. This message is conveyed through many platforms, one of them being the media/entertainment industry. It is the same media portrays the image of illegal drug consumption as highly pleasurable. In the article Pleasure and pain: Representations of illegal drug consumption, addiction and trafficking in music, film and video (Fraser, S and Moore, D, 2011), composer Susan Boyd thoroughly explores through qualitative research the role music, film and video playing in creating meanings and images of drug consumption, addiction and trafficking and- in doing so, shapes up our perspective on drug use. This essay will discuss ways within which music, film and video represents illegal drug consumption, addiction and trafficking and how this influences our perspective and understanding of drug use. Media in today’s contemporary society is viewed as a necessity, it is held on the same level of importance as food and clothing (Stoddart, T, 2014). Individuals are exposed to the media throughout...
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...This essay will examine the centenary commemoration of the 1916 rising with particular focus placed on the RTE television series Rebellion.1 An analysis of this drama will allow this essay to examine the manner in which the anniversary of the rising contributes to contemporary Irish identity. The Easter Rising is a rebellion which took place between the 24th and 30th of April 1916 and resulted in 450 deaths including the execution of the fifteen leaders of the rebellion. The rising itself consisted of members of the Irish Citizens Army, the Irish Volunteers and the women's group, Cuman na mBan. The events which led up to the rising and the storming of the GPO began in 1913 with the denial of home rule and the Lockout which sought to protect...
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...1. Stereotypes, narratives, ideologies and discourses are devices that, in different ways according to different theorists, fortify media power. Critically analyse how these devices work, according to various theorists, and reflect upon which best explains communicative power. The social construction of reality is mediated through the communicative powers of stereotypes, narratives, ideologies and discourses and the media is extremely powerful in communicating messages with these devices. It will be argued that discourses are the most powerful communicating device used by the media in the postindustrial era today. Furthermore as per Croteau & Hoynes (2014, p. 9), the analysis will focus on recognised mass media that is readily available in print, film, radio, television, sound recordings and the Internet. Poststructuralists within sociology examine the structures of society and human agency. Human agency or action is influenced by sociocultural factors such as ideology that shape human identity and act subconsciously over an individual. Ideology is the system of meaning that helps explain, define and make value judgments about the world (Croteau & Hoynes 2014, p. 152). As we live in an interconnected world there are many ideologies as there are social structures in any given society. Related to this is that dominant ideas are hegemonic. Marx created the superstructure, which is the domain of ideas for example religion, legal structures, family, institutions...
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...book, it provides us with an exploration and study of women, specifically in the Odyssey, but at the same time in epic poetry as a whole. Its gives us more details about the issues of women during the period of the greek, specifically in the Odyssey, and expands details about the women’s characteristics. For example, there is more than just one long chapter committed to to the practices of spinning and weaving and the meaning of those practices towards the Trojan War. It makes use of scenes such as the one in Iliad book 22, where Hector tells Andromache to go back to her weaving, and find deeper and better meanings for it. Lillian Doherty, Siren Songs: Gender, Audiences, and Narrators in the Odyssey (Ann Arbor 1995) In Siren Songs: Gender, Audiences, and Narrators in the Odyssey, Lillian Eileen Doherty highlights a thematic attitude by Odysseus as well as the Odyssey, of ambivalence towards women. The author views Odysseus as rewarding supportive female characters by treating them as fortunate members of the audience for his own stories. At the same time, treacherous female narrators--who threaten to interrupt or revise the hero's story--are discredited by the narrative framework in which their stories appear. Siren Songs creates audience-oriented approaches, and examines the relationships among three kinds of audiences: internal, implied, and actual. The author preludes and supplements her own reading of the Odyssey with an analysis of the issues posed by the earlier feminist...
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.... ] Breaking the Book Known as Q Readers, in fact, never confront abstract, idealized texts detached from any materiality. ey hold in their hands or perceive objects and forms whose structures and modalities govern their reading or hearing, and consequently the possible comprehension of the text read or heard. —Roger Chartier O let my books be then the eloquence . . . —“23” Shake-speares Sonnets I COLEMAN HUTCHISON is a PhD candidate in the Department of English at Northwestern University. He is completing a dissertation entitled “Revision, Reunion, and the American Civil War Text.” N THE FIRST SENTENCE OF HER ART OF SHAKESPEARE’S SONNETS, Helen Vendler tells a little white lie: “I have reprinted both the 1609 quarto Sonnets and a modernized version of my own” (xiii). e crux of this declaration is “reprinted.” Vendler does indeed print a version of the 1609 quarto—or “Q,” as it is referred to bibliographically; one could even say that she “reprints” the type of the quarto. Vendler does not, however, “reprint” the 1609 quarto Sonnets. Like nearly every modern editor before her, Vendler presents the poems as discrete units on a page, eliding and ignoring the page breaks that so o en—and, I will argue, so meaningfully—interrupt the poems. In “reprinting” these poems, Vendler uses a de cut-and-paste method to rearrange, re-member, and reconstitute the type of the 1609 quarto into uninterrupted material units, into what we would visually recognize as “sonnets.” e...
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...Often noir films used voice-over narration from a private detective, an insurance agent, a writer, a veteran of the war, murderers and even killed, as in Sunset Boulevard (1950). Surprisingly, this insight of the criminal’s mind made it possible for the audience to sympathise with the protagonist. Despite refusing to give the audience a moral role-model, noirs depict the anti-hero instead of a traditional hero. However what makes the protagonist identifiable among the putrescent people of the noir world is that we get an insight to his...
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...on the LO in the context of learning and OL and in particular the theoretical tensions and dilemmas existing between these concepts. Management theorists have under-utilised the insights and practices from other disciplines such as sociology, philosophy and anthropology. As Burrell (1994) argues: Sooner or later organisation studies must enter an area where philosophy and social science meet. Organisation studies must also enter intellectual theory where the well-established French and German traditions of social theory meet. The author Deb Stewart is a Lecturer in the School of Management, Victoria University, Melbourne, Victoria, Australia. Keywords Learning organization, Organizational learning, Organizational change, Metaphor, Narratives Abstract Examines the theoretical and practical development of the concept of the learning organisation (LO). Some theorists...
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...north, and calling for action against the cruel institution of slavery. Employed as a teacher by Pace University in 1968, Jean Fagan Yellin wrote and published her dissertation. While re-reading Incidents in the 1970s as part of the project and to educate herself in the use of gender as a category of analysis, Yellin became interested in the question of the text's true authorship. Over the next six-years, Yellin found and used historical documents including the Amy Post papers at the University of Rochester (Post was a close friend of Jacobs), state and local historical societies, and the Horniblow and Norcum papers at the North Carolina state archives, to establish both that Harriet Jacobs was the true author of Incidents, and that the narrative was her autobiography. Her edition...
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...Leavis some key moments - 21 Liberal humanism in practice - 31 The transition to 'theory' - 32 Some recurrent ideas in critical theory - 34 Selected reading - 36 2 Structuralism - 39 Structuralist chickens and liberal humanist eggs Signs of the fathers - Saussure - 41 Stop and think - 45 The scope of structuralism - 46 What structuralist critics do - 49 Structuralist criticism: examples - 50 Stop and think - 53 Stop and think - 55 39 Stop and think - 57 Selected reading - 60 3 Post-structuralism and deconstruction - 61 Some theoretical differences between structuralism and post-structuralism - 61 Post-structuralism - life on a decentred planet - 65 Stop and think - 68 Structuralism and post-structuralism - some practical differences - 70 What post-structuralist critics do - 73 Deconstruction: an example - 73 Selected reading - 79 4 Postmodernism - 81 What is postmodernism? What was modernism? - 81 'Landmarks' in postmodernism: Habermas, Lyotard and Baudrillard - 85 Stop and think - 90 What postmodernist critics do - 91 Postmodernist criticism: an example - 91 Selected reading - 94 5 Psychoanalytic criticism - 96 Introduction - 96 How Freudian interpretation works - 98 Stop and think - 101 Freud and evidence - 102 What Freudian psychoanalytic critics do - 105 Freudian...
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...An exploration of postmodernism through textual analysis of Arrested Development. This essay will consider the postmodernism within the television programme Arrested Development through postmodern theories, postmodernist techiniques and textual analysis. Through historical context, genre conventions, intertextuality and continuity; the essay will investigate the use of pastiche in modern satire. As popular situation comedies fulfil the generic conventions of using multiple cameras, linear narratives, stand alone catchphrases and aspirational ideologies, the essay will deliberate whether post modernism is legitimate in television comedy. "As Hollywood agents worry about the demise of the town's lowing cash cow, the multi-camera, staged sitcom, here to save the day is Arrested Development, a farce of such blazing wit and originality, that it must surely usher in a new era in comedy." —Alison Powell, The Guardian (UK), March 12, 2005 Television situation comedy has always appealed to mass market audiences. From ‘The Brady Bunch’(1969 – 1974), which centred on a blended family, perhaps the best-known domestic comedy in US television history to ‘Cheers’(1982 – 1993), the show set in a bar in Boston. Sitcoms usually consist of recurring characters in a common environment such as a home or workplace. Sitcoms provide the audience with iconic moments in television history. The longitivity of this genre of programming allows the audiences to build up relationships with the characters...
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...the organization is the bearer of numerous transactions. Inside organizations one may find remarkable opportunities for just or unjust behaviour, for moral or immoral behaviour, for situations of equality or inequality which deserve to be evaluated ethically. As FEWEB is a school for the study of economics and business administration in an economic perspective we focus on so-called “economic decisions” which are decisions being taken with some form of economic calculus. In this course we will spend time on questioning whether the economic or financial outcomes of these decisions are morally neutral or deserve some further moral investigation. Now, this course trains its participants what moral investigation is all about. We do so, for example, by questioning whether such decisions or the expected outcome of such decisions may contribute to something as an increased income for some parties involves, or to our common good, or to the durability or continuity of the organization as such, or some other goal or objective. A good objective...
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