Premium Essay

Faith Bandler Rhetorical Analysis

Submitted By
Words 1896
Pages 8
The Pillars of Rhetoric
Although it is the strong feelings that an individual displays about particular aspects of society that arouse interest in a speech, it the way that these are presented that allows a speech to transcend contextual bounds and continue to captivate audiences. Although he lived over 2000 years ago, the Greek philosopher Aristotle really knew what he was talking about when it came to the art of rhetoric. I know that it’s highly unlikely that you have read his 4th century BC treatise ‘Rhetoric’, unless you have a particular obsession for reading particularly old books written by particularly old men, but his division of persuasion into three categories remains relevant, as they continue to be manipulated and mastered by many orators today.
These three categories are ethos, the …show more content…
And in this article, I will walk you through the analysis of them.
But first, a brief history…
Faith Bandler’s oration was presented at the ‘Talkin’ Up Reconciliation Convention’ in Wollongong, August 1999. Bandler is an Australian activist who has lived an iconoclastic life, fighting for equality amongst all Australians. Similarly, former President of Egypt, Anwar Sadat was an advocate for peace in the Middle East, the purpose of his speech to announce and advocate his goal of attaining peace in the Middle East.
Both speakers display strong feelings and values towards the concepts of unity, equality and peace, and both discourses serve the purpose of uniting and inspiring nations to allow peace, unity and equality. These speeches possess a prevailing relevance because, amongst other reasons, the issues that they are discussing are still issues today, over a decade

Similar Documents

Free Essay

Hsc English Adv Notes Ayli & Related Texts

...Area of Study: Belonging * ‘As You Like It’ written by William Shakespeare * ‘Towelhead’ directed by Alan Ball in * ‘The Surfer’ written by Judith Wright | As You Like It | Towelhead | The Surfer | Language Form and Structure | * ‘As You Like It’ is a stage play in the form of a comedy * It also qualifies as a pastoral romance * Shakespeare wrote the lines of the play in both verse and prose | * ‘Towelhead’ is a film | * Poem * 3 stanzas * Free verse | Personal, cultural, historical and social context | * Written during the reign of Elizabeth I and ironically, both Rosalind and Celia would have been played by men * Appealing nature to both lower and higher classes * Used as a model of social critique | * Set in Houston, Texas during the 1990s * Occurred during the Gulf War * Follows the sexual awakening of Jasira (an American-Lebanese girl) | * Set in Australia | Identity One’s sense of belonging is built upon their exploration of self and the confidence they establish through their own identity. | Identity is explored most obviously with Rosalind’s disguise as Ganymede. This concealment of her true identity allows Rosalind to discover whether Orlando truly loves her. It also allows Rosalind to gain a deeper understanding of herself. This is seen through the use of dramatic irony, this enhances the audience’s connection with the characters and adds to the humour of the play. “Nay, you must call me Rosalind”. Ultimately, it...

Words: 10263 - Pages: 42

Premium Essay

Leadership

...Fourth Edition Reframing Organizations Artistry, Choice, and Leadership LEE G. BOLMAN TERRENCE E. DEAL B est- se l l i n g a u t h o rs of LEADING WITH SOUL FOURTH EDITION Reframing Organizations Artistry, Choice, and Leadership Lee G. Bolman • Terrence E. Deal Copyright © 2008 by John Wiley & Sons, Inc. All rights reserved. Published by Jossey-Bass A Wiley Imprint 989 Market Street, San Francisco, CA 94103-1741—www.josseybass.com No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-6468600, or on the Web at www.copyright.com. Requests to the publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-7486011, fax 201-748-6008, or online at www.wiley.com/go/permissions. Credits are on page 528. Readers should be aware that Internet Web sites offered as citations and/or sources for further information may have changed or disappeared between the time this was written and when it is read. Limit of Liability/Disclaimer...

Words: 193447 - Pages: 774