...research paper, I will be discussing the first ten women who have taken trips out of this planet and details about their missions. On June 16, 1963, Valentina V. Tereshkova was the first woman to ever go to space. She was also the youngest woman to go into space at 26 years of age. The former Russian cosmonaut piloted Vostok 6. She completed almost three days in space and orbited the Earth forty-eight times. Tereshkova had no experience at all as a pilot, but she was accepted into the Soviet Space Program because of her 126 parachute jumps. She had 18 months of training along with 4 other women, out of the 5 she was the only one who went into space. The second...
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...2. Find one example of alliteration in the speech. In JFK’s speech he used alliteration, one example is “feeding the fires of war”. 3. Based on this speech passage, how does President Kennedy view space? JFK views space as a place for knowledge, not war. A place that must be explored and used for the right purpose. 4. Explain what he means when he says, “For space science, like nuclear science and all technology, has no conscience of its own.” When JFK says “For space science, like nuclear science and all technology, has no conscience of its own.” he is saying that some parts of science can be used for good and bad, but as humans we need to use science solly for good. The Mercury 13: Paving the Way for Women in Space 1. Why couldn’t women become astronauts in the early 1960s? Woman could not become astronauts in the 1960s because only test pilots can become astronauts and woman cannot become test pilots. 2. Who was Dr. William Lovelace? Dr. Lovelace developed the astronaut test for the Mercury project, she believed that woman should be allowed to become astronauts just like...
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...2014 Her Righteous Stuff Space exploration has come a long way since that night of October 4, 1957, when Sputnik 1 was launched by the Soviet Union, eventually starting the Space Race. In Tom Wolfe’s book, The Right Stuff, he dives into the lives and perspectives of the male pilots/astronauts who accomplished one of the greatest feats of American and world history. But what about the women? In its early years, much like everything involving people in its early years, the space program was extremely male-dominant. However, in 1959 – according to an article from the Advances in Physiology Education – General Donald Flickinger and Dr. W. Randolph Lovelace II had suggested (from an engineering standpoint) it would have been “more practical” to try to send women into space because of their lower body weight and oxygen requirements. However, this suggestion was rejected by the Air Force. At least there was some sort of consideration of women involvement to play a crucial, early role in one of the most important times in American history. Despite the early times and setbacks for women, they continued to push through. Women have played a crucial role in the space program, from overcoming discrimination to make significant contributions in all aspects of space exploration, including mathematics and orbital flight. Women have made significant contributions to space flight, and one particular woman, Katherine G. Johnson, had had a huge contribution in the first test flights. At 15, she...
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...The play seemingly complicates the first scene’s public masculinity through Benvolio’s challenge towards the violence, but his failure to resist demonstrates how alternative masculine identities fail. Once the initial fight concludes and Benvolio and Tybalt join the fray, Benvolio encourages the men to “[p]ut up [their] swords” (1.1.70). Here, Benvolio attempts to stop the violence, which complicates the notion that all men must publicly perform violent behavior. By publicly taking this stance, Benvolio positions himself against societal norms and expectations, which places him at risk for society to view him as less masculine. The Courtier notes how deviations and failures to achieve traditional notions of masculinity result in society viewing...
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...St. Luke Academy, Chicago © 2007 Mandy Walsh Bessie Coleman was the first African American woman to fly an airplane. Before Coleman's first flight, few women flew airplanes. The women who did were wealthy and Caucasian. Coleman always dreamed of flying. She took a stand against racism, segregation, and sexism to make her dream come true. Her bravery and determination showed the world that African Americans are equal, not just in the air, but in all places. Coleman was born on January 20, 1926 in Atlanta, Texas to George and Susan Coleman. She was born into a family of thirteen children, and her father left the family when she was young. (Hart, Up in the Air, pg. 12) Coleman had to overcome both racial and sexual barriers, because she was an African American woman. (Handlemen, Philip. "Armchair Aviator". Yankee Wings, January-February 1995, pg. 20.) The community in which Coleman lived was strictly segregated. African Americans could not go to the same schools, use the same bathrooms, or entrances into buildings. (Hart, Up In The Air, pg. 12) Coleman's family never had much money. To help her family out, Coleman took on jobs such as cotton picking, laundry, and housekeeping. Coleman had dreams of breaking away from these jobs that were for "colored people" (Hart, Up In The Air, pg. 13, 18) and promised that she would "amount to something". (Rich, Doris L. "My Quest for Queen Bess". Air and Space, August-September, pg. 57) One day when Coleman was picking cotton in...
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...St. Luke Academy, Chicago © 2007 Mandy Walsh Bessie Coleman was the first African American woman to fly an airplane. Before Coleman's first flight, few women flew airplanes. The women who did were wealthy and Caucasian. Coleman always dreamed of flying. She took a stand against racism, segregation, and sexism to make her dream come true. Her bravery and determination showed the world that African Americans are equal, not just in the air, but in all places. Coleman was born on January 20, 1926 in Atlanta, Texas to George and Susan Coleman. She was born into a family of thirteen children, and her father left the family when she was young. (Hart, Up in the Air, pg. 12) Coleman had to overcome both racial and sexual barriers, because she was an African American woman. (Handlemen, Philip. "Armchair Aviator". Yankee Wings, January-February 1995, pg. 20.) The community in which Coleman lived was strictly segregated. African Americans could not go to the same schools, use the same bathrooms, or entrances into buildings. (Hart, Up In The Air, pg. 12) Coleman's family never had much money. To help her family out, Coleman took on jobs such as cotton picking, laundry, and housekeeping. Coleman had dreams of breaking away from these jobs that were for "colored people" (Hart, Up In The Air, pg. 13, 18) and promised that she would "amount to something". (Rich, Doris L. "My Quest for Queen Bess". Air and Space, August-September, pg. 57) One day when Coleman was picking cotton in...
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...is now called Russia, were trying to build successful aircraft to take them beyond the realms of our world. The first successful space mission was launched by the Soviet Union in 1957, when Yuri Gagarin orbited the earth. Over a decade later, the United States major accomplishment was successfully landing a man on the moon. Neil Armstrong and Buzz Aldrin were the first people to take “one small step for man” and “one giant leap for mankind.” Many technical advancements, including spacecraft, created a race between nations to decide which country is the best of both worlds. If it had not been for each country’s persistence to surpass the other, space exploration would not have come about. The knowledge we have today about space is because of the world-renowned “space race.” Throughout the space race, many important discoveries were made by both countries. Dwight D. Eisenhower did not make space a priority, as he was more interested in keeping the country safe from communism, keeping...
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...Agenda comparison For purpose of this homework, the first African American woman in space, Mae Carol Jamison, is used as a subject to demonstrate the differences in agenda and how those change the viewer’s image understanding. In the first photograph, taken in the space station, Jamison’s centrality makes her the main object in the picture plane. This is supported by being in focus compared to the background. The object is bleeding from the bottom, but is not heavy. Her lower body is vaguely diagonal yet her torso is vertical in the picture. Moreover, she is the only real vertical in the photograph, while the camera is slightly under the eye level making her important and respectable. Since there is a high contrast between her skin tone and the clothing the focus is on her face, where her facial expression can be seen due to the highlights. From her forehead, the tube lines lead the eye to the hand grasping...
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...Museum Assignment Painting: Latin American art. Jose Clermerte Orozco (born in 1883 In Cuidad Guzman Mexico) Died in 1949 in Mexico City. Grupo Erotico (Allegorical Figures), 1945. Oil on Canvas. Next to the entrance and next to Candida Portnari (born in 1903 in Sao Paub, Brazil) Brazil Wood, 1938. Pencil on Craft Paper. Died in 1962 in Rio de Janeiro. Brief description of painting: In this painting, there appears to be a male figure carrying a female figure on his shoulder. The male figure appears to be running away from something. It appears that he may have just rescued a damsel in distress. As he is running, he is stepping on what appears to be two evil creatures. Shapes – A shape is a two-dimensional figure that may regular or irregular in appearance. In this painting, both regular and irregular shapes were used. Irregular shapes were primarily used in this painting. The irregular shapes are unique and have the outline of a human figure. There are four distinct irregular shapes in this painting, which are the male figure, the female figure, and the two evil looking creatures toward the bottom of the painting. These irregular shapes are considered biomorphic because they resemble living beings. The regular shapes in this painting can be seen on the evil figures toward the bottom of the painting. Regular shapes are geometric shapes that have a name, such as a circle or square. Circles were used to make the eyes of the creatures. The head of the creature, most towards...
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...After I read the first short story The disposable rocket , we especially a men must be proud of the physical advantages that we have than a women. Although sometimes we often very slack but basically a men with his advantages and disadvantages that he have are still better and superior than a women. As the story said, “we (male bodies) were made for combat.” So this statement strengthens the superior of men. Besides that, I think this short story is about how we are showed by the authors that people with a men gender are a right person to do anything in this world than women. More power and stronger than women make a men more appropriate to do an activity which is need stamina, power, and intelligent such as spaces mission and as this story said “his body is like a delivery rocket that falls away in space, and put their bodies at risk to experience the release from gravity”. But in the second story The Chrysanthemums, honestly I cannot understand what the point of view from this story is. But maybe I think The Chrysanthemums is reflected about a simple life of a couple Henry and Elisa in the countryside away from hullabaloo of the world and both can be fill their roles well as a husband and wife. Moreover, if I connect the first story with this story and if we talk about gender, that Elisa is a strong woman who has a same position or capacity with a man. For example in this story Henry and Elisa almost have a same job as Henry is a farmers and Elisa is a gardener especially...
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...Altering public space Altering public space In the essay “Black men and Public Space” by Brent Staples, he talks about how being a black man alters public space in a negative way. Altering public space is changing how a person, place, or thing makes you feel. It can be negative, but it also can be positive. Some positive ways altering public space can be a friendly smile walking into a room, beautiful new constructions, and planting trees to better the environment. But with good, there’s always bad. Ways of altering public space in a bad way is Staples discovery of this comes during a late-night encounter. A young white female, whom Staples labels “my first victim” (197), was walking down the street in front of Staples and was not comfortable with the space he provided for her. After a couple of glances back and changes in her pace, she soon began running and disappeared down a side street. Of course, Staples had no intention of robbing or in any way harming this woman. He was just taking a walk, just as she was. Sometimes these kinds of aspects of life are just inevitable. It can be unfair and hard to deal with, but these situations happen in our everyday lives. Nevertheless, this was a fairly well to do neighborhood. Apparently, this woman figured that if a black man did find himself in this part of town, he was most likely up to something. Not wanting any trouble, she decided to get out of harm’s way. When you alter public space, people take notice...
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...right to call oneself an adult is a much more labour-intensive process. This is the case with the Native American Apache, who live throughout “Arizona, New Mexico, and Northern Mexico” (Eck, 2016). Every year, young adolescent girls who experience their first menstruation are subjected to a physically and spiritually intense process known as the “Sunrise Ceremony” (Apache Girls' Sunrise Ceremony, 2009). This four-day ceremony consists...
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...cannot deny how many times I have heard “that’s a boys game” or “you throw like a girl.” Girls are not encouraged to participate in sport to the same extent males are, we get little practice at developing spatial skills, and are not asked to perform physically demanding tasks. It is ideas and practices like this that have detrimental consequences for women. We are told “don’t get hurt… don’t get dirty… keep those clothes pristine.” I believe women have come to believe the fragility and immobility society has cast upon them, and by doing so is enabling her own inhibition. Young now explores the objectification of women or the objectified bodily existence, where woman views herself as a mere thing. Due to the threat of rape and objectification, women tend to live less openly, more protected and guarded.21 She lives her space as confined, only existing as a free subject in a small area which she projects. Women are victims of patriarchal objectification and Young stresses the need for women to resist and transcend this...
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...lost their lives on the space shuttle challenger, including McAuliffe, who was the first civilian in space. It took...
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...ABSTRACT Shards of Memories, Fragments of Sorrows: Mothertongue Transforming Spaces Occupied by Women in South Africa through Theatre This paper sets out to explore how processes of theatre making employed by The Mothertongue project, provide spaces for women to remap their personal narratives. Mothertongue works from the premise that the development and subsequent performance of stories in theatrical processes affords women the opportunity to re-write and remap their personal narratives and in so doing insert their voices into the landscape of South African Theatre. In an attempt to redress the gender imbalances and androcentricism prevalent in post-apartheid theatre, this paper speaks to the relationship between theatre, liminality and communitas. I am interested in unpacking how collaborative processes of theatre-making provide spaces for women to remap their personal narratives. Remapping in this instance refers to processes of transforming lived experience through story. I address how, through engaging in ritual activities that are central to the stories performed, actors, audiences and the owners of the source stories are invited to physically participate in remapping and transforming lived experience. Linked to this is the choice of form(s) and how this affects or impacts on the performed stories as well as on the construction of performed rituals and ultimately on the processes of remapping personal narratives. I focus specifically on Mothertongue’s 2004...
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