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Hills Like White Elephants Interpretation

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Submitted By ayoungin92
Words 1048
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Amanda Young
Professor Janson
English Composition II
July 29, 2013 In Ernest Hemingway’s “Hills like White Elephants” contrary to most interpretations, it is Jig who holds control of her fate and is not influenced by her male companion “The American” because of her new found maturity over this big decision.
Jigs first metaphorical comparison that the hills look like white elephants is a dig against her male companion recognizing her understanding the burden he believes she has become. “Hemingway finds a poignant way to suggest the girl’s true feelings about her predicament which she remains unable to communicate forthrightly to her companion” (Renner 30). The symbolic meaning of a white elephant is something that holds value but its upkeep exceeds its usefulness. Jig and her unborn child have become white elephants to the man because although he loves her, the upkeep of starting a life with her and this child is more than he bargains for. Many interpretations have described Jig to be a very naïve young girl who is strongly influence by her male companion, but she fully understands her options. However, “ironically the American has become a “white elephant” to her, at the same time that she and the fetus continue so to him” (Hannum 53). The girl and the unborn child may be white elephants, but The American has also taken on the role of the white elephant in Jigs eyes. Jig no longer is reliant on the man’s opinions nor finds anything he says useful or insightful. Near the end, Jig reveals her frustration and her stance that she does not want his opinion anymore by demanding he “please please please please please please please please stop talking” (Hemingway 296).
The Modernist writing style used although not abundant, gives great insight into the minds of these two characters through the simplicity of their words and their silence. Simply by reading the text it is understandable why so many readers interpret Jig to be heavily reliant on the American because of her constant questioning. However, if you look at the text and the conversation it becomes very apparent that Jig’s sarcastic responses have been falsely misinterpreted as being naïve. This is evident in the text when Jig questions the man with
‘Then what will we do afterward?’
‘We’ll be fine afterward. Just like we were before.’
‘What makes you think so?’
‘That’s the only thing that bothers us. It’s the only thing that’s made us unhappy.’
The girl looks at the bead curtain; put her hand out and took hold of two of the strings of beads.
‘And you think then we’ll be all right and be happy’
‘I know we will. You don’t have to be afraid. I’ve known lots of people that have done it’
‘So have I’ said the girl ‘And afterward they were all so happy’
‘Well,’ the man said, ‘if you don’t want to you don’t have to. I wouldn’t have you do it if you didn’t want to. But I know it’s perfectly simple.' (Hemingway 295).
As you can see this can be interpreted in many different ways and the most popular is the interpretation that all Jig wants is to make The American happy. However, accepting that would be to ignore the pattern and the tones that the characters are using. Through further interpretation, it became evident that Jig is not truly looking for an answer but responding sarcastically to his meaningless responses. When Jig says “And you think then we’ll be all right and be happy”, the lack of a question mark reveals to me her sarcastic tone really meaning ‘how could you honestly believe that to be true’. The American’s sudden change in direction at the end with ‘Well if you don’t want to you don’t have to’ shows that he has noticed her sarcastic responses and her apprehension. In a modern writing style like this it is important to focus on all aspects of the dialogue because not everything is revealed.
Although this piece is strong in the inferences that are understood by what is said or not said, it is also true that by looking at the setting we can infer and observe Jig take control over her decision. “Setting neatly reinforces conflict: the two lines of rails, presumable going in opposite directions, represent figuratively the decision point at which the couple find themselves” (Renner 28). The train station junction is symbolic of the pause in life the couple is now facing between the opposite two choices their lives can go. In the beginning, readers are described that part of the train station “on this side there was no shade and no trees” but later “across, on the other side” is described to have “fields of grain and trees along the banks” (Hemingway 296). The two opposing sides show the conflict between the “On this side” which hold the values associated with abortion through the lack of life and “Across, on the other side” are the values associated with having a child through the abundance of life. It is no coincidence that immediately after Jig stands up to walk to the end of the station, that she becomes increasingly more vocal in her acknowledgment that nothing will be the same. She is no longer going to listen to his idiotic meaningless words that have no value because ultimately he has no idea of the conflict going on her mind when he has already made up his. The American tries to take control of the situation and her again by saying, “Come on back in the shade…You mustn’t feel that way” (Hemingway 296). The shade is symbolic of him trying to get her to see from his point of view by trying to disregard her feelings completely. Which gives her no choice but to quietly disregard his feelings by politely demanding he drop the subject.

Work Cited
Hannum, Howard L.. “’Jig Jig to dirty ears’: Whit Elephants to Let’. The Hemingway Review 11.1 (1991): 46-54. Print
Heminway, Ernest. “Hills like White Elephants”. Literature and the Writing Process. Elizabeth McMahan/ Susan X Day/ Robert Funk/ Linda Coleman.. 9th Ed. Pearson Education, Inc. 294-297. Print
Renner, Stanley. “Moving to the Girl’s side of ‘Hills like White Elephants’”. Illinois State University. 27-41. Print

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