...often reflects a collection and pattern of personal experiences. Hip-hop or rap, an art form and culture nearly thirty years old originating from The Bronx, New York, has provided a forum for Black and Latino youth to express their respective cultures and speak on a number of issues. Today, Hip-hop is a global phenomenon that appeals to almost all ethnicities and is synthesizing a new culture that goes beyond race, education, and income. Hip-hop has been under continual metamorphosis since its 1970’s inner-city inception. Some of the original artists like Kurtis Blow chose to lament everyday life in the ghettos. Others, Sugar Hill Gang among them, took a more dance inspired approach to the music. But for both these and other artists from the early years of rap through the late 1980’s including KRS-One, Public Enemy, Queen Latifah and LL Cool J, fast beats and socially relevant lyrics were among the primary components of the music. By the 1990’s a new face of rap music emerged. It began with Ice T and later gained popularity with artists such as NWA (Niggaz Wit Attitude) whose first album shocked and titillated the rap world with their obscene lyrical content and unabashed “gangsta” style, since then dubbed by the media as “gangsta rap.” Despite the growing acceptance of Hip-hop within white America and the middle class, Hip-hop is, at times understandable, also under siege. Comments made on rap or Hip-hop by Bill O'Reilly, popular talk show host on the Fox News Channel...
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...Do the Right Thing, black film and the emergence of a subsequent hip-hop visual markers have posited African-American kaleidoscopes of a view into aspects of the so-called ‘black experience’ in social terms. Music and song scores in film today – across the board – are replete with hip-hop representations. Munby maintains that the “low-budget” characteristics of Rudy Ray Moore’s effort to appeal to black audiences in the pre-1980s, given his “irreverent attitude to the laws that govern mainstream moviemaking” had failed to measure up to what hegemonic society deemed as ‘good’ black film (204). Yet, three key areas of discourse of hip-hop influences in cinema persist around the culture of...
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...Hip-hop on the silver screen has in the modern era been awarded a significant portion of blockbuster film soundtracks, showcased in films such as The Fast and The Furious series and, perhaps more relevant to this coursework: Straight Outta Compton. In order for one to make a proper distinction between the concepts of a “hip-hop film” and “hip-hop in film”, one must first understand the basic semantics of the argument proposed. The core difference lies in that the “hip-hop film” implies an overarching theme of hip-hop culture prevalent within the film, foretelling the potential viewer that the film may include forms of expression like breaking, DJing, graffiti work, and MCing. A film like Straight Outta Compton is a perfect example of a “hip-hop...
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...Imagine living in a Puritan society 330 years ago. Religious zeal and devotion are the basis of the community. Ministers and pastors promote male supremacy and women are looked down upon. The fundamental rule in society is to follow God’s law and obey His commandments. Harsh, remorseless punishment is inflicted on those who stray from God’s laws. Now compare the Puritan society to today’s society. The American culture is ruled by momentary yet popular trends. Colored skinny jeans, snap-backs, unnecessary fashion glasses and neon clothing can be seen almost anywhere on the street (Lutz). Also modern culture has astronomically altered social norms. Women used to be the ideal caretaker of innocence and purity, but now women dress in revealing clothing and are preyed on by the indecent society. Proper mannerisms have vanished and young people have become straightforward and sometimes even rude. Respect for elders and wisdom has dwindled (The Revolution in Manners and Morals). What is the cause of this cultural shift? In Boston during 1684, a group of strict Puritan religious leaders wrote a letter to the community addressing the issue of dancing. Men could dance together and women could dance together, which was viewed as a natural expression of joy. Also children could dance with their parents’ permission. However if a male and female danced together it was seen as an inexcusable sin before God (An Arrow Against Profane and Promiscuous Dancing). Puritan religious leaders warned...
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...Research Analysis Essay The Influence of Hip Hop on Today’s Youth “After silence, that which comes nearest to expressing the inexpressible is music.” This profound statement from English writer, Aldous Huxley, demonstrates the importance that music obtains in today’s society. Simply, music is a form of expression, not limited to any specific genre. Although this expression is not limited to one genre, there is one that seemingly obtains the title of most controversial. The Rap/Hip-Hop genre has been harshly criticized for the topics of discussion in which many songs entail, and the various projected images. Everything has its pros and cons; many people have lost sight of its purpose. Student of Dartmouth College, Rebecca Heller states, "Many people don't realize that hip-hop began by bringing communities and neighborhoods together on the streets of the South Bronx." Hip-Hop is not only a tool of personal expression, but it is also a tool of communal empowerment. Tricia Rose, author of Black Noise, writes that “it is a black cultural expression that prioritizes black voices from the margins of urban America” (2). Hip-Hop is a social movement. It is a way for the African-American community to identify, as the search for identification is a struggle. “Hip hop emerges from a complex cultural exchanges and larger social and political conditions of disillusionment and alienation” (59). In today’s society, the best method in connecting to the youth is the media outlet, through music or...
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...United States by African Americans, hip hop culture and music is now global in scope. Youth culture and opinion is meted out in both Israeli hip hop and Palestinian hip hop, while Canada, France, Germany, the U.K., Poland, Brazil, Japan, Africa, Australia and the Caribbean have long-established hip hop followings. According to the U.S. Department of State, hip hop is "now the center of a mega music and fashion industry around the world," that crosses social barriers and cuts across racial lines. National Geographic recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a “global musical epidemic,” and has diverged from its ethnic roots by way of globalization and localization. Although some non-American rappers may still relate with young black Americans, hip hop now transcends its original culture, and is appealing because it is “custommade to combat the anomie that preys on adolescents wherever nobody knows their name.” Hip hop is attractive in its ability to give a voice to disenfranchised youth in any country, and as music with a message it is a form available to all societies worldwide. From its early spread to Europe and Japan to an almost worldwide acceptance through Asia and South American countries such as Brazil, the musical influence has been global. Hip hop sounds and styles differ from region...
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...The birth of hip hop was one of the most important cultural movements that continue to impact the lives of those who hear the music. With its history deeply rooted in the music styles of West African griots, the elements of hip hop represent the suffering and painful journey slaves faced. The culture of DJing, rapping, graffiti and breakdancing was later integrated into this new music genre. As a result, many stereotyped hip hop as music that was particularly popular among blacks, which could be affiliated with radical black groups and gangs. Even today, many hip hop songs are negatively known for their message about drug use, sexual desires, and violence. REACH is a dance team affiliated with Rutgers University that focuses on the glorification...
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...Music 407 23 June 2014 Hip-Hop Music This research paper will be discussing the origins and development of hip-hop music, some of the characteristics that define hip-hop as a musical genre, and the social significance of hip-hop from its creation up until current day. The purpose of this paper is to inform and enhance the understanding of hip-hop music, drawing connections between musical stylistic origins and social influence throughout history on hip-hop music to create an unbiased, accurate account of how hip-hop music came to be what it is today. The genre of hip-hop music formed in the 1970s amongst African American Groups in urban New York City, during a time when “block parties” and it’s associated music started to become extremely popular. Credited with founding hip-hop music, DJ Kool Herc, an immigrant from Jamaica, started to extend the percussive breaks in popular funk and soul music (Dyson). This new sound became so popular that DJs needed to start using two turntables to lengthen percussive breaks, effectively creating an entire new sound and new genre of music (Bekman). Hip-hop music is characterized by four main elements: rapping, scratching (DJing), break dancing, and graffiti (Chang). Because music is dynamic and constantly changing, hip-hop started to develop sub-genres within hip-hop, such as southern trap music or west coast gangsta rap. Hip-hop music in different regions started to develop their own unique style of hip-hop, and although all of these...
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...Hip-hop influenced American culture by taking a political stance, forcing Government officials to address controversial topics. Hip-hop is more than just stereotypes, this type of music style goes beyond a new form of art communication and bares the souls of those who express the struggles and experience of their everyday life. On the same note, hip-hop artists realize that those who did not grow up around the vast culture of hip-hop they tend to portray the music as chaos and never truly understanding the message behind the music. For others to understand and connect with hip-hop we have defended the use of typical stereotypes and believe that hip-hop is a culture inspiration and a global influence. Without the innovation of hip-hop and the artists’ hard work that drives the creativity of poetic justice, there would be not hip-hop....
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...The nature of Tupac’s assertion of the role of youth in impacting maximum change in this country depicts a correlation amongst maximum impact of change and age. Tupac’s assertion articulates the sociopolitical change ignited by lyrics in relation to the passion associated with youth in Hip Hop. The risk associated with the ignition of sociopolitical change is one that black youth in Hip Hop should take. Tupac’s assertion of the role of youth in impacting maximum change in this country is invalid. The ignition of sociopolitical change is independent of age. The correlation depicted by Tupac’s assertion is invalidated when determining the age of Hip Hop artists associated with sociopolitical change. At the age of 29, Kendrick Lamar exhibits...
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...about the cultural movement. For the music genre, see Hip hop music. For other uses, see Hip hop (disambiguation). Graffiti of "hip hop" in Eugene, Oregon Hip hop is a form of musical expression and artistic subculture that originated in African-American and Hispanic-American communities during the 1970s in New York City, specifically the Bronx.[1][2][3] DJ Afrika Bambaataa outlined the four pillars of hip hop culture: MCing, DJing, B-boying and graffiti writing.[4][5][6][7] [8] Since its emergence in the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.[9] Hip hop music first emerged with disc jockeys creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, more commonly referred to as sampling. This was later accompanied by "rap", a rhythmic style of chanting or poetry presented in 16 bar measures or time frames, and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJ's. An original form of dancing and particular styles of dress arose among fans of this new music. These elements experienced considerable refinement and development over the course of the history of the culture. The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art...
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...in the struggle. You know what I'm sayin? It's all good, baby baby." This introduction is from the song 1994 song "Juicy" by Christopher Wallace, or as the world knows him, The Notorious BIG. The late Christopher Wallace used music to express the circumstances that he encountered as a young black man in New York in the 1980s. Like Wallace, and many other black men and women, life was extremely difficult during this time. The war on drugs had just ended (allegedly) and racial injustice was a huge problem....
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...Remain the Same: Hip-Hop from a Protagonist’s Point of View The Hip-Hop culture and all it stands for has saturated a generation in an unprecedented way. It has begun to shape and unify a diverse population of people. Hip-Hop, for many, provides an outlet to express your thoughts and for others, Hip-Hop is a lifestyle. The influence of Hip-Hop has become universal. It has transcended from a cultural genre to having a larger audience not made up of solely African Americans. It has gone from the slums, to the suburbs, and into larger corporate rooms. McDonald’s, Addidas, Nike, Coca Cola, Sprite, and other corporate giants have capitalized on this phenomenon. Although critics of Rap music and the Hip-Hop culture seemed to be fixated on the messages of sex, violence, and harsh language Hip- Hop has potential to unify individuals and promote change. This genre of music has transformed generations across the country. Hip- Hop possesses a level of maturity and a sense of cultural belongingness that has become a protest form for people all over the world. The art form, now simply known as Hip- Hop, began with three New Yorkers: Busy Bee Starski, DJ Hollywood, and DJ Afrika Bambaataa; they are credited for creating the term Hip-Hop. It all began in the early 1970’s with house parties and basement beat shaking music in upstate New York. The beats were very melodic, Africanized, and soulful. Hip-Hop is music for Blacks and Latinos who...
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...Hip Hop: A Way of Thinking? Since the development of hip hop nearly three decades, it has become a ubiquitous form of music in the nation, influencing the youth with its edgy music and empathetic lyrics. First pioneered in the streets of New York as a response to the oppression of blacks during the civil rights movement, hip hop and its successful influence on its listeners, especially the black youth, was able to thrive due to its uncanny ability to adapt and respond to the problems that that era presents. From the socially and politically conscious hip hop (SPC hip hop) during the civil rights movements to the mainstream music we hear on the radio today, the difference in message projected by today’s modern, hyper-masculine hip hop onto society compared with that of SPC hip hop has become a controversial subject criticized by American media such as Byron Hurt’s movie “Hip Hop: Beyond Beats and Rhymes” and Tricia Rose’s article “There Are Bitches and Hoes.” With regards to the negatives that hip-hop music could have on society, the songs “Let Nas Down” by J. Cole, “Come Get Me” by Jay-Z and “Bitches Ain’t Shit” by YG each respectively complicate, exemplify and extend Hurt’s claims that hip hop artists solely produce generic, hyper masculine mainstream music for the production of records; glorify violence and negatively portray women as sexual objects in order to prove their man hood. When the song “Let Nas Down” by J. Cole is analyzed through a historical context and compared...
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...Intro During the 1980s, an empowered new generation of Black youth began to interpret the civil rights movement in a different, more direct way, far removed from the "I Have a Dream" Idealism of the 1960s. This movement was pioneered by Spike Lee's film Do the Right Thing, and the civil rights themed song Fight the Power composed by Public Enemy. In the Fight the Power music video, which was also directed by Spike Lee, Chuck D denounces the marches and speeches of the 60s and calls for more radical action, promising that "the young black America... ain't goin' out like that '63 nonsense." The clip documents a large rally in Brooklyn’s, Bed-Stuy against the racially motivated violence that had plagued the city. This landmark song and video are widely considered hip-hop greatest, and helped to mobilize a new youth culture with a civil rights movement of their own. The song became more than just a feature in a movie. Fight the Power means something big, refusing to let racism keep Black African Americans down. Furthermore, it's about not just talking the talk, but also walking the walk (Shmoop). In our dissertation, we will concentrate on why Spike Lee wanted to write Do the Right Thing and the message he wanted to send to America. Then, we’ll move into Public Enemy rising as civil rights leaders for black youth and their aggressive approach for equality along with their composition of Fight the Power. We’ll then shift into text and the meaning behind the lyrics of Fight the Power...
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