...Great and homoeroticism The concept of homosexuality in ancient Greece was non-existent, the concept of homoeroticism on the other hand did exist. In ancient Greece an educational system was based off homoeroticism. Homoeroticism was practiced between men and youth, it was a rite of passage into manhood as seen through the practices of pederasty. With this concept in mind the questions that scholars have often asked regarding whether or not Alexander the Great was homosexual have been in query since the idea of this modern construct has been established and it has faced its share of historical revisionism by scholars time and time again. Although Alexander the Great engaged in homoerotic behavior this was not unusual...
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...Fantasy literature is often used as a template for authors to showcase their personal views on sexuality, race, etc. When it comes to homosexuality in fantastic literature, it has always been present. In early works, however, homosexuality was often masked with innuendos and *insert something clever here.* The texts Sir Gawain and the Green Knight and Huntress are two prime examples of fantasy, both past and present, that use homosexuality as a way to further their plot line. It is appropriate to compare these two stories, because they follow a somewhat similar storyline that uses homosexuality/ homoeroticism to enhance the story itself, albeit they each do it in a vastly different manner. These differing presentations help to showcase how...
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...Despite the countless problems that the LGTBQ+ community is facing, some claim that homosexuality is an issue that does not exist in the Middle East. The most notable example is when former Iranian President Ahmadinejad stated during a speech at Columbia University that “In Iran we do not have this phenomenon” when asked about the LGBTQ+ community in his country. However, homosexuality has been occurring in the Arab world for a very long time and is far from being a foreign concept. As Sabine Schmidtke, a well-known Islamic scholar explains in her article, Homoeroticism and Homosexuality in Islam, “The frequency of homosexual practices in the Islamic world is well attested by a variety of sources, such as prose romances, poetry, adab literature,...
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...Meyer points out that under each fame plaques identify the men who made the paints: Michelangelo, Leonardo da Vinci, and Caravaggio. Meyer states in his paper, "As this cartoon suggests, neither the category of the homosexual artist nor the pictorial force of homoeroticism can be confined to our contemporary moment or the culture wars of the recent past." This cartoon is reproduced in Wendy Steiner, The Scandal of Pleasure: Art in the Age of Fundamentalism(Chicago: University of Chicago Press, 1995), p. 23. Meyer points out specifically the culture wars of the 1980s and the 1990s and how during that time Helms worked to impose content restrictions on federally funded art. Helms exploited public fears and fantasies about male homosexuality which was easy during that period due to the spread of HIV and AIDS and the lack of information and research done at the time to allow the public to understand what was causing such an...
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...Garrett Hinson American Literature II 3/15/13 The Sexuality of Nick Carraway The Great Gatsby’s narrator, Nick Carraway, belongs alongside the most sexually-complicated characters in all of literature, and while his character is seemingly-secondary throughout the novel, his crucial role as narrator requires that we form some sort of understanding of his enigmatic sexuality, for it has extremely significant implications for the rest of the plot. It is difficult to dismiss Nick’s often-sensual descriptions of men, his vague encounter with the party guest Mr. McKee, and his strangely-distant relationship with Jordan Baker as irrelevant to Nick’s perspective as narrator; each seems to suggest at least a latent tendency towards homosexuality. If indeed we are to interpret these behaviors as homosexual, then the entire attraction towards Jay Gatsby that Nick builds his story upon becomes more complicated. Nick would not merely being telling the story of a person he found to be beautiful, but a man he found to beautiful. This distinction refocuses the novel’s purpose entirely. Nick Carrway may in fact be in love with Jay Gatsby, and because Nick (as a possibly unreliable narrator) may not be able to admit this to his readers or to himself, it falls to us, the readers, to draw our own conclusions. In his first mention of Gatsby, Nick admits that “If personality is an unbroken series of successful gestures, then there was something gorgeous about him…” (Fitzgerald 2). While this...
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...delectable euphemism for irrumo? Hopefully, it has not. Roman sexual attitudes have changed greatly since the time of the Caesars, but the facts and records of yesteryear's sexual escapades have not. In fact, sexuality in ancient Rome generally lacked what we would today call 'heterosexual', or 'homosexual'. The colloquialisms of the lower class and silvery loquations of the upper-class possessed innumerable profane terms, some of which have direct lines to modern profanity. There was, of course, the pearly, carnal decadence of the elite, so often portrayed in the media – however, the milk baths and wine showers that come to mind were extravagances and eccentricities, leaving the rest of the people with a very different sexual life. Homosexuality and pedophilia were tenuous topic, despite their common recognition and plentiful literary references. Most important of all, perhaps, was a gaping chasm differing what was a 'normal' relationship in the Classical world and a modern relationship. To say the least, it was an exciting time to be vigorous and lascivious in Rome. To say the least, there is a large gulf between our own taboos and Roman sexual attitudes. The single most startling and definitive point of evidence to differentiate modern Western sexual attitudes...
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...Despite being a married man and the societal and legal distaste for homosexuality, Wilde indulged himself in the pleasure of falling in love with Douglas. With this brash and rather negligent quest to challenge the norm, Wilde eventually fell into hot water for his homosexual relationship. All at once, Wilde was thrown into a storm of legal battles, including being accused of sodomy by Douglas’ father—to which Wilde responded with a suing for libel, but eventually failed—and the consequential arrest and trial. While it is reported Wilde’s testimony was outstanding, carrying that trademark wit, he was eventually found guilty and sentenced to hard labour. At the end of his sentence, he still seemed to love the man who served as his societal noose. Wilde went to France, where he—bankrupt and unwelcome in London—couldn’t muster the power to replenish his career as a writer and only published one more work, The Ballad of Reading Gaol (the prison where his sentence was executed), in 1898. While Wilde was visited by loyal friends, even at one point reunited with Douglas, he died suddenly at the crisp age of 46, in November, 1900 in Paris. Given Oscar Wilde’s evident association with the upper class, it seems that in all of his writings he’s one way or another mocked, satirised, and exposed some of the less admirable qualities of the nobility. While he expressed themes of the criticism of women, themes of homoeroticism and corruption, some of his more potent and noteworthy tropes can...
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...It was also a time where men began to fear female sexuality; however these feelings were often contrasted with feelings of desire. The fear of female sexuality was created through the idea, that if women gained power of their sexuality, they would also gain control of the men. So in order to prevent this from occurring, female sexuality had to remain oppressed. Bram Stoker was married to Florence Balcombe; however this has never stopped the rumours of his sexuality. As Stoker was around the same time as, and friends with, Oscar Wilde, who was imprisoned for being a homosexual, it is thought that Stoker’s wife may have been a cover up so that he would not be imprisoned also. His novel Dracula has both subtle and non-subtle hints of homoeroticism in it, these hints however could be subtle jabs at Victorian society, or a commentary on the legal situation of Wilde at the time of his writings, the question remains of Stoker’s homoerotic content of the novel. Bram Stoker includes many gothic features in his novel Dracula, these include; the setting of Dracula’s castle in the...
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...CRIMINALIZATION OF HOMOSEXUALITY: A GRAVE VIOLATION OF HUMAN RIGHTS -****** ******* With the guidance of Professor ****** ****** Post-graduate Diploma in Human Rights Department of Civics and Politics University of ******i 2013-2014 Declaration The work I have submitted is my own effort. I certify that all materials in the Dissertation which is not my own work, has been identified and acknowledged. This project has been submitted for the partial fulfillment of the requirements for the award of the degree of the post-graduate diploma in Human Rights. The results embodied in this thesis have not been submitted to any other University or Institute for the award of any degree or diploma. Signature of Guide Signature of Student Date: 26/04/2014 Acknowledgement First and foremost, I would like to thank my supervisor Professor ******* ****** for his guidance when I was writing this dissertation. Secondly, I would like to extend my gratitude to all my classmates in the Human Rights Diploma programme for helping me in many ways. Lastly, I would like to thank ******** ********, ******* ******** and ****** ****** for their emotional support. Content Declaration 02 Acknowledgement 03 Content 04 Introduction 05 Homosexuality in India 1 Section 377 20 Discrimination faced by LGBT 30 Conclusion 46 Bibliography 51 Articles 54 1. INTRODUCTION Across the...
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...This article was downloaded by: [University of California Santa Barbara] On: 13 April 2012, At: 11:44 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Review of Education, Pedagogy, and Cultural Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/gred20 Scared Straight: Hip-Hop, Outing, and the Pedagogy of Queerness Marc Lamont Hill Available online: 20 Jan 2009 To cite this article: Marc Lamont Hill (2009): Scared Straight: Hip-Hop, Outing, and the Pedagogy of Queerness, Review of Education, Pedagogy, and Cultural Studies, 31:1, 29-54 To link to this article: http://dx.doi.org/10.1080/10714410802629235 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/termsand-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions...
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...Theorizing identity in language and sexuality research M A R Y B U C H O L T Z Department of Linguistics 3607 South Hall University of California, Santa Barbara Santa Barbara, CA 93106-3100 bucholtz@linguistics.ucsb.edu K I R A H A L L Department of Linguistics Campus Box 295 University of Colorado at Boulder Boulder, CO 80309-0295 kira.hall@colorado.edu A B S T R A C T The field of language and sexuality has gained importance within socioculturally oriented linguistic scholarship. Much current work in this area emphasizes identity as one key aspect of sexuality. However, recent critiques of identity-based research advocate instead a desire-centered view of sexuality. Such an approach artificially restricts the scope of the field by overlooking the close relationship between identity and desire. This connection emerges clearly in queer linguistics, an approach to language and sexuality that incorporates insights from feminist, queer, and sociolinguistic theories to analyze sexuality as a broad sociocultural phenomenon. These intellectual approaches have shown that research on identity, sexual or otherwise, is most productive when the concept is understood as the outcome of intersubjectively negotiated practices and ideologies. To this end, an analytic framework for the semiotic study of social intersubjectivity is presented. (Sexuality, feminism, identity, desire, queer linguistics.)* I N T R O D U C T I O N Within the past decade the field of language...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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