...culture and identity. According to Oxford Art Online, the Simultaneous explosions of the Australian art market in the 1990s, gained international recognition for Aboriginal Art that emerged into the contemporary Aboriginal art that appealed to White Australia's conflicting a desire for cultural reconciliation. The recognition of artistic production in Aboriginal communities across Australia enabled artists to explore themes of cultural alienation. The first wave of contemporary Aboriginal painters including Clifford Possum, Rover Thomas, Paddy Bedford and Emily Kame Kngwarreye, utilized repertoires of dots, blocks of color, with stimulating negative spaces or gestural brushstrokes to evoke the sense of a sacred, collective 'knowledge'. Collectors and museums began to actively collect contemporary Aboriginal works, whose conceptual paintings reinterpreted Australian colonial history. Our Guarantee To You No Quibble Money Back Guarantee! We are so confident in our ability to produce top level academic work that we are prepared to back it with a "No Quibble, Money Back" guarantee! Guarantee Information Essay Writing Service Today Aboriginal Australians are producing art in the remote regions where artists continue to explore their connections with their ancestral land and traditions of ground designs, body art, painted canvases, and bark paintings using contemporary materials. The practice of art is seen differently by indigenous art-makers than their contemporary artist...
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...Syllabus ARH 4470/5482 Contemporary Art Spring 2013 Tuesday and Thursday 2:00-3:15pm Chemistry and Physics, Room 197 Instructor: Dr. Alpesh Kantilal Patel Assistant Professor, Department of Art + Art History Director, Master of Fine Arts Program in Visual Arts Contact information for instructor: Department of Art + Art History MM Campus, VH 235 Preferred mode of contact: alpesh.patel@fiu.edu Office hours: By appointment on Tuesdays and Thursdays (preferably after class). Course description: This course examines major artists, artworks, and movements after World War II; as well as broader visual culture—everything from music videos and print advertisements to propaganda and photojournalism—especially as the difference between ‘art’ and non-art increasingly becomes blurred and the objectivity of aesthetics is called into question. Movements studied include Abstract Expressionism, Pop, and Minimalism in the 1950s and 1960s; Post-Minimalism/Process Art, and Land art in the late 1960s and 1970s; Pastiche/Appropriation and rise of interest in “identity” in the 1980s; and the emergence of Post-Identity, Relational Art and Internet/New Media art in the 1990s/post-2000 period. We will focus primarily on artistic production in the US, but we will also be looking at art from Europe, South and East Asia, Africa, and the Middle East. Emphasis will be placed on examining artworks and broader visual culture through the lens of a variety of different contextual frameworks:...
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...AP Art History - SnapShot Summer Trees - Song Su Nam 1983 CE Ink on Paper Funky(Focus): The viewers eye lands on a variety of ink brushstrokes. Each brushstroke is relatively broad and lie parallel to each other. Some are darker than the others revealing the time of application, as some were applied when the paper was dry and some when the paper was wet. These brushstrokes can be identified as trees by the tiny extension of a line under each one. The brushstrokes suggest a mastery of control over the use of ink to paint. Caravaggio(content) : The subject of this work is the abstract, formal qualities of the work. The artwork isn't a realistic depiction of trees but the brushstrokes stand for trees. Song Su Nam addresses modern art, but focuses on the traditional aspect of his artwork. The work fits under the themes of the individual and society as well as knowledge and belief, as Su Nam is addressing art in the modern world by making reference to strong traditional cultural value. Flips(Function): Summer trees is an abstract modern work that explores the modern art world through its roots in traditional Korean culture. The material used is traditional ink on paper, and the artist created this work in Korea but it has become an example of modern contemporary art in todays day. To(Tradition): There are no rituals affiliated with the artwork, however the artwork is deeply rooted in tradition. Ink painting is an old Korean tradition that Su Nam chose...
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...within to the visual arts can be traced back as far as the inscribed carvings found on cave walls created by the Indigenous population of Australia approximately 46000 years ago. However, over the past few years, the use of text in art, also known as the art of typography, has become a frequent means of communication for artists in the creation of their works. Text within art can be projected, scrawled, painted, computerised and carved to the point that a work may be created of nothing but language. The art of typography is the technique of arranging type in such a way that makes language visible. It treats fonts as individual entities to be enjoyed by the audience. Some artists deal with language as a character on its own as opposed to a surface to draw upon. These artists place texts in ways that are intended to stimulate the way an audience perceives a work, to evoke emotion or to create a statement. However, others, particularly graphic designers, tend to focus on the decorative powers of text. Regardless of the artist’s intentions, the appearance of text within art can shift our appreciation of their sound and meaning. Artists that explore text in art include: Barbara Kruger, Yukinori Yanagi, Katarzyna Kozyra, Jenny Holzer, Wenda Gu, Shirin Neshat, Miriam Stannage, Colin McCahon and Jenny Watson. Artists such as Jenny Holzer, Wenda Gu and Shirin Neshat explore the cultural implications of language in art and the importance of language to identity through the inclusion...
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...INTRODUCTION Architecture has a history of over 5000 years, there is an important role played by the patrons of architecture. Over the years, there has been a shift in the style of architecture with the shifting patronage. It is the patron of architecture who brings about historical changes, other developments in architecture lead to evolutionary changes. In earlier times, the patrons where the kings or the rulers, the architecture that time was autocratic and power centric in nature. When India was colonized, British rulers gained dominance and the role of the older patrons got diluted with time. Colonial architecture was power centric and showed dominance. Post independence the patrons became the government agencies who wanted a modern national identity for the country. Later, this shifted to the private agencies and the nature of architecture also shifted from public sponsored to private. With the advent of globalization in the 1990’s, rapid socio cultural changes started taking place. With social, cultural and economic changes, the patronage also shifted to the ever increasing public sector that brought about a major change in the architecture, both its style and functions. The architecture of today is based on economy, efficiency, modern and progressive lifestyle and aspirations of people. With the shifting patronage there is a corresponding change in the style of architecture. Over the years, the continuity in architectural language seems to be broken somewhere. There was an important...
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...lives and works between London and the US. She studied at the art school of Blackpool, at the northern part of England and then she moved to London to work as a photographer and model for upcoming magazines such as i-D. After a period characterized by purely music activity, Garner got back to her artistic interest and started developing her successful photographic career. Her photography has been published to a variety of significant British and American magazines and has been exhibited in many important art institutions all over...
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...Beginning in the mid-twentieth century, Native American artists exercised the ability to enter the contemporary art world as masters of their mediums and carriers of their dual Native and American heritage. Fritz Scholder carved his place in the art world, and the museum, achieving a balance between the desire to enter the mainstream art world and maintain traditional practices. Scholder’s role in the context of an art institution, which has driven the dissemination and selection of Native Art, entailed challenging the fields of art history, anthropology, ethnology, the museum, and history. The construction and narrative that is instilled in Native American objects involves acknowledging a past, present and future. Fallacies in interpretation were results of collecting with little regard for context that...
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...Do the monsters and the victims in horror films have any connection to contemporary social issues? Answer with reference to one or two horror films of your choice. Name: Leopold Riess Course: IR 140 Global Communications, Citizens and Cultural Politics Word Length: 1902 Story telling is an art that has been part of the human civilizations since time immemorial. In the different parts of the world, be it in Africa, the Caribbean or the European nations, the early human societies would use narrations for a variety of purposes such as entertainment, passing time or more importantly to communicate the values, traditions and principles that governed the specific society (Tudor, 1997). With the emergence of different religious schools of thought, narrations and later film work developed an inclination towards the depiction of evil versus good. The descriptions of the horrific nature of hell and the terrible demons there in was meant to scare shaky religious affiliates from deserting their faith. Since then the development of the horror film genre has advanced. According to Hogan (n.d) the first ever horror film to be produced in America was Frankenstein by Thomas Edison. In the contemporary day, the production of horror movies has been exaggerated with hard headed teenagers being the most preferred characters. As a matter of fact, some horror movies such as Friday the 13th and Freddy Vs Jackson were so popular that they made 234.6 and 224.8 million US dollars respectively...
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...The images are portraits of women that are overlaid by Persian calligraphy and they refer to the contrast she experienced between the traditional society she was raised in and the modern society evolving after the Iranian Revolution. In her art, she resists stereotypes – of both women and representations of Islam. Instead, her works explores all the complex social forces shaping Muslim women’s identity. Many of her photographs are actually mixed-media pieces of silver gelatin with ink. The calligraphy is Persian poetry about themes such as exile, identity, femininity and martyrdom. Neshat’s work revolves around concept, she has always been inspired by photojournalism and she feels that photography works best with her topics, conveying realism, immediacy, and a sense of...
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...A History of Human Art and Body Painting If the impulse to create art is a defining sign of humanity, the body may well have been the first canvas. Alongside paintings on cave walls visited by early people over 30,000 years ago, we find handprints, ochre deposits, and ornaments. And because the dead were often buried with valuable possessions and provisions for the afterlife, ancient burials reveal that people have been tattooing, piercing, painting, and shaping their bodies for millennia. All of the major forms of body art known today appear in the ancient world, and there is no evidence indicating a single place of origin for particular techniques. Like people today, ancient peoples used body art to express identification with certain people and distinction from others. Through body art, members of a group could define the ideal person and highlight differences between individuals and groups. In the past, as today, body art may have been a way of communicating ideas about the afterlife and about the place of the individual in the universe. A variety of objects demonstrate the use of body art in ancient times including an Egyptian fish-shaped make-up palette from 3650 BC to 3300 BC; a painted Greek vase from the fifth century BC depicting tattooed Thracian women; a ceramic spout bottle depicting the pierced face of a Moche warrior of Peru from AD 100-700; and ceramics of painted Nayarit women from 300 BC to 300 AD. As people from one culture encounter people from...
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...Arts of the global village are categorized by the many varieties of stylistic diversity and a number of ideas and techniques, which all of these are brought together by the sensations of digital technology. Digital computers have definitely made their mark and put the entire history of art at disposal. Everyone now a day knows what the internet is, but what people don’t know is how far the internet can really go if you try. The internet “gives access to the contents of more than 5,000 museums, and millions of photographic images are available on a variety of websites” (Fiero 167). Not only does digital technology just store information and help distribute data but has completely transformed how art is made and viewed. This technology has made its way to where it is now used for the majority of architectural designs along with engineering. Digital computers provide a three-dimensional picture of the execution process for architecture. Computers are a primary tool in order to make digital art. To give an idea of how vast digital art forms are here lies a few examples “two-dimensional imaging, virtual reality, performance, animation, game art, and Internet art” (Fiero 167). Digital imaging, “the process by which computers manipulate old images or generate new ones” have completely revolutionized the “world of film, television...
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...a process of identity construction, a process that is based not only on what they think about themselves, but also on the social representations. This is the period of human development in which time dedicated to music and listening to music is at its peak and identity is hesitant, flexible, and shaped by multiple means of communication, as contemporary hip hop music. In this context, it is notable that contemporary hip hop is the favorite genre between adolescents at Omni Middle School. Adolescence is an important phase in the process of reaffirming personal identity, psychosocial identity and sexual identity. Identity is understood...
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...Ahmadou Ahido gained independence for his people by uniting the formerly British Southern Cameroons with French Cameroun to form the Federal Republic of Cameroon (Chika Okeke-Agulu). At this time Tayou was pursuing a career in law hoping that is would lead to a kind of purity. He later fled the profession after realizing the system was corrupt and turned to an old passion of his, art. Tayou stated, “when I was young I wrote and I drew. It was my way or rebelling.” (Bellmann) Beyond being part of his own life Tayou’s works today is based on the premise that art cannot be separate from life. Pascale Marthine Tayou is a chameleon able to change between many tiles such as sculptor, drawer, installator, performer, and video artist as well as a poet, writer, director and actor in his own plays and films (Bellmann) . His works might individually seem formless and out of control, viewed together in an instillation his works are like a series of interconnected dynamic networks that also like the chameleon blend together to create one message. Through Pascale Marthine Tayou postcolonial, modernist contemporary African art our society is reflected and in doing so our morals are challenged to seek love over all else. As a self trained artist Tayou career began with drawing; in 1995 he created a series of sketches based on Karl Marx’s Das Capital. After creating these first works he became associated with Doul’art association, contributing significantly to promotion the artist to the...
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...Max Kiefer Mrs. Lisk AP U.S. History 22 May 2024 The Harlem Renaissance: A Flourishing of African American Culture The Harlem Renaissance was a pivotal period in American history that spanned the 1920s, marked by an extraordinary outpouring of African American art, literature, music, and thought. This cultural movement not only redefined African American identity but also had a profound impact on the broader American cultural landscape. The movement was characterized by a newfound sense of racial pride and a desire for social and economic equality. This book explores the contributions of key figures in the Harlem Renaissance, the impact of their work, and the lasting legacy of this significant cultural awakening. ORIGINS OF THE HARLEM RENAISSANCE The Great Migration, which saw millions of African Americans move from the rural South to urban centers in the North, set the stage for the Harlem Renaissance. Harlem, a neighborhood in New York City, became the epicenter of this cultural explosion. The migration brought a concentration of talented individuals who sought to escape the oppressive conditions of the South and to find new opportunities in the North. The vibrancy and diversity of Harlem provided the perfect environment for a cultural renaissance....
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...Yayoi Kusama: The Modern Alice in Wonderland Being a pioneer in the minimalism and feminist art movement, Yayoi Kusama is constantly pushing boundaries in the realm of culture and art. Every element in Kusama’s artwork, such as repetition, pattern and accumulation, questions the viewers to rethink social and political norms of society in the hopes that it would inspire change to gender equality. Her installation, Walking Piece, serves as an exemplary example of dissolving boundaries between human, art and environment. Dressed in a traditional pink kimono and holding an umbrella decorated with traditional Japanese flowers, Kusama wanders around the city of New York against a grey sea of houses. This performance, through the association of...
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