...woman Antigone is Sophocles' Antigone, and the 19th century Englishwoman Jane Eyre in Jane Eyre, can be seen as highly unfavourable and disdainful of women. Both Antigone and Jane Eyre struggle and resist against a society which places men above them, and which sees expressions of female autonomy and liberty as unfavourable trends. Antigone and Jane Eyre both live in societies where a patriarchal culture dictates how these women should act within society, and what type of behaviour is acceptable, and which isn't. The control and subjugation of women – and the way they express themselves – can be seen as a consequence of discursive formations which aim to define the intrinsic qualities of men and women. It is in this context that the stories of Antigone and Jane Eyre can be seen as challenging conventional notions of gender and gender stereotypes, a highly pervasive discourse which affects a cluster of other ideas. This essay will argue that the characters Antigone in Sophocles' Antigone and Jane Eyre in Charlotte Bronte's Jane Eyre are characters who challenge gender discourses which were very prominent during their time, and subsequently, the ideational influences which structured leadership, the creation of identities, opinions regarding natural attributes, and cultural . While Antigone lives in a pre-modern society dominated by males who take the subservience and submission of women to be a given, Jane Eyre is a young woman within modern society who also challenges residual gender...
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...witches from Shakespeare’s Macbeth, symbolizes a common theme found in English literature: the effect of the supernatural. The supernatural is constantly exploited by authors to develop their plot. According to the Oxford English Dictionary, the supernatural is something “belonging to a realm or system that transcends nature, as that of divine, magical, or ghostly being.” As well as William Shakespeare, Charlotte Bronte and Jean Rhys utilize the supernatural in their books Jane Eyre and Wide Sargasso Sea, respectively, to affect the amount of power each character has the ability to attain. No matter the gain or loss of power, the supernatural...
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...Q2: Comparison of Jane Eyre and “Goblin Market” Bronte’s Jane Eyre and Rossetti’s “Goblin Market” are both texts written in the Victorian period. They both carry similar themes of the evils of patriarchy and the importance of empowering women to assert their identity in this time period. Both Jane Eyre and Laura are characters that are affected by the issues that mainly affected women in the male-dominated Victorian society. This is clearly portrayed when the men in both texts try to confine women physically and emotionally through deception and force. The different portrayal of both male and female characters also plays a very important role in communicating these issues. Rossetti’s “Goblin Market” can be read as a criticism of Victorian arrangement of marriage. She stresses the importance of women’s friendship as the main agent that can help in fighting against or changing society’s exploitation of women. The two sisters represent two different kinds of women; Lizzie, the submissive ones and Laura, those that fought against patriarchy, and the goblins represent the patriarchal system. It shows that women can control their destinies, gain some level of independence, and avoid society’s oppressive rules and work towards their liberation and happiness. In the Victorians society men where more educated, powerful and rich hence they dominated women. Women were subjugated to the home as housewives whilst their husbands earned money for the family. This gave the men even more...
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...A Comparison of Jane Eyre and Lin Daiyu in the View of Philosophy and Feminism I. Introduction 1.1 A Brief Introduction of Jane Eyre and Lin Daiyu “A Dream of Red Mansions” is one of the most outstanding works of China’s classic novels of realism. It bases on the background of Jia, Shi, Wang, Xue four families’ rising and falling, with the clue of the love tragedy of Jia Baoyu and Lin Daiyu. It truly and artistically reflects the historically declining trend of China’s feudal society. “A Dream of Red Mansions” can also be described as “Girls’ Country”, which is the anthem of female, but also is the threnody of women. The heroine Lin Daiyu, Annatto Fairy, wants to repay the goodness of God Shen Yin, taking her lifetime of tears in exchange for his being saved. Her rebellious sprit and solitary character, makes her as a lotus opening at a secluded place, clinging to her own pureness—for pure you came and pure shall go. She is sentimental and unfortunate, and is doomed to being lonely and pathetical .She, Lin Daiyu, lives under another’s house—Rong mansion, Grand View Garden, and she has no one to complain her sadness to. She is “Yea to the very end of heaven, Where I could find a fragrant grave!” in frustration, “What time the third moon comes, the scented nests have been already built. And on the beams the swallows perch, excessive spiritless and staid” in sorrow, and finally ends up with the sadness of “Flowers fade and maidens die; and of either naught any more is known”...
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...their judgment. I know there are more men writers than female writers, but you can’t deny that there are a lot of excellent female writers in this world too. Some of them are very famous and the fictions they created are so popular nowadays. They affect countless reader’s minds and how they chosed their next books. For example, Agatha Christie’s << Murder on the Orient Express>> and Charlotte Brontë’s << Jane Eyre>>, are better than most books which are in the same genre. We can never ignore what women writers did to help build the history of world literature and their amazing fictions. They have their own advantages and disadvantages. One big positive quality that female writers have is that they can describe their character’s feelings and minds very well. Most of the time they can express feelings with their pens far better than men. Kegan Gardines believes that these differences in experience will be apparent in the writing. She gives examples of the characteristics of women’s writing that differ from men’s writing: “recurrent imagery and distinctive concept … for example, imagery of confinement and unsentimental descriptions of child care” (178). As for men’s writing, “male fiction often splits characters into disjunct fragments, while female characters in novels by women tend to dissolve and merge into each other (185). Finally, she states, “female identity is a process” (179). Gender influences development of...
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...Essay Luong A7-02 English Literature Division - HUFS Nguyen Hien Luong A7-02 Teacher: Nguyen Tuan Ky On the inspiring development of Jane Eyre’s character in the Charlotte Bronte’s novel of the same name Charlotte Bronte’s Jane Eyre is a master work of 19th century English literature and a powerful symbol of the triumph of self will over circumstances. Jane Eyre overcame very trying — or should we say impossible — circumstances to obtain her personal freedom and self-determination at the end of the story. Her success is a powerful inspiration to millions of readers around the world. However, in my opinion, the most inspiring about the novel is not Jane’s success itself, but her character development, which served as the catalyst for this success. This essay aims to illustrate the uniqueness of Jane’s character development, and attempts to explain why this unique development took place. What makes Jane’s character development special and unique is the fact that this type of development is not at all typical for people who were physically or mentally abused (as Jane certainly was during much of her ten-year stay at her uncle’s house). As a matter of fact, these people often grow up carrying with them emotional wounds that can never be healed. As a result, they are more likely to develop difficult personalities and turn into rebellious and violent individuals who see life and other human beings with much hatred. A research (Cathy Spatz Widom, "The Cycle...
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...Introduction to The Classic Fairy Tales by Maria Tatar is a scholarly article that focuses on how different aspects of society influences fairytale. The author stated that even though fairy tales are not “unique one-offs”, as said by Angela Carter, they still “circulate in multiple versions, reconfigured by each telling to form kaleidoscopic variations with distinctly different effects”.Various theorist were also incorporated into to explain what truly makes a fairytale and the components. She mentions how fairytales are viewed in each culture whether it be the different names of the characters or the morals of the story that is conveyed. One of the basic plot structure mentioned that is part of the components was the episodic structure. For instance in the tale of Beauty and the Beast regardless of how many version of the story there are or what language it is translated in there are five parts that are always similar. Those five parts are the monster as husband, disenchantment of the monster, loss of the husband, search for the husband and recovery of the husband.This is an example of what our author states in her thesis concerning the multiple version and having distinctly different results. The second form of evidence that she provides to reinforce her thesis is the explanation on how we ingest the fairytales along with the values and consciousness as children and not before long we are adults with the same ideas. Boys dream of rescuing girls and the girls “aspire to be...
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...Charlotte Bronte’s Jane Eyre, Jane is portrayed with a self-sufficient attitude to demonstrate her ability to surpass normative Victorian spheres. As described in the excerpt from John Ruskin’s “Of Queen’s Gardens,” a Victorian woman was expected to embody passivity and refrain from conflict, remain protected by both her husband and home, and to not surpass her husband intellectually in order to serve him. Jane transgresses the expectation of being passive and avoiding conflict by defending herself against the judgement of others, yet she often submits to Mr. Rochester’s criticism. Although she leaves Thornfield and endures the tribulations of the external world to gain independence, she eventually returns to Thornfield to marry...
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...Beteckning: Humanities and Social Sciences Double Oppression in the Color Purple and Wide Sargasso Sea. A Comparison between the main characters Celie and Antoinette/Bertha. Ingela Lundin 2008 C-essay English Literature Supervisor: Dr Maria Mårdberg Examinator: Dr Helena Wahlström Table of Contents 1. Introduction .......................................................................................................................... 1 1.1 Purpose and main questions ............................................................................................. 1 1.2 Method and material......................................................................................................... 1 1.3 Theoretical approach ........................................................................................................ 2 1.4 Previous research – an overview ...................................................................................... 3 1.5 Introducing the novels ...................................................................................................... 4 2. A comparison of the double oppression in the two protagonists’ marriages.................. 6 2.1 The diminishing and isolation of Celie and Antoinette/Bertha........................................ 6 2.2 The upholding of the white man’s norm ........................................................................ 14 Conclusion..........................................................
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...Studies in Literature and Language Vol. 3, No. 2, 2011, pp. 25-27 DOI:10.3968/j.sll.1923156320110302.215 ISSN 1923-1555[Print] ISSN 1923-1563[Online] www.cscanada.net www.cscanada.org Female Consciousness in Wuthering Heights ZHAO Juan1,* 1 Institute of Foreign languages, Beijing Technology and Business University, China * Corresponding author. Email: zhaoj@th.btbu.edu.cn Received 16 May 2011; accepted 18 August 2011 Wuthering heights , a representative work in Victorian Era by Emily Bronte, a famous female writer of the 19th century in Britain, has greatly influenced readers for generations. This article investigates the female consciousness in Withering Heights and analyses how Catherine rebels against the male-dominated society and pursues her love. The female consciousness includes the sense of independence and the pursuit of her true self. The spiritual equality is the foundation of happiness between lovers, and although women dace lots of obstacles in their struggle and fight against the society, a wonderful future to women is to be ushered in if they keep fighting. Key words: Feminism; Female consciousness; Rebellion; Spiritual pursuit Z H A O J u a n ( 2 0 11 ) . F e m a l e C o n s c i o u s n e s s i n Wu t h e r i n g Heights . Studies in Literature and Language, 3 (2), 252 7 . Av a i l a b l e f r o m : U R L : h t t p : / / w w w . c s c a n a d a . n e t / i n d e x . p h p / s l l / a r t i c l e / v i e w / j . s l l . 1 9 2 3 1 5 6 3 2 0...
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...Jane Eyre by Charlotte Brontë An Electronic Classics Series Publication Jane Eyre by Charlotte Brontë is a publication of the Pennsylvania State University. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Faculty Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Jane Eyre by Charlotte Brontë, the Pennsylvania State University, Electronic Classics Series, Jim Manis, Faculty Editor, Hazleton, PA 18202-1291 is a Portable Document File produced as part of an ongoing student publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Cover Design: Jim Manis Copyright © 2003 - 2012 The Pennsylvania State University is an equal opportunity university. Charlotte Brontë Jane Eyre by Charlotte Brontë PREFA PREFACE A PREFACE TO THE FIRST EDITION of Jane Eyre being unnecessary, I gave none: this second edition demands a few words both of acknowledgment and miscellaneous remark. My thanks are due in three quarters. To the Public, for the indulgent ear it has inclined to a plain tale with few pretensions. To the Press, for the fair field its honest suffrage...
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...Breaking Into Cars—Stephen I had never broken into a car before. We were in Laredo, having just finished our first day at a Habitat for Humanity work site. The Hotchkiss volunteers had already left, off to enjoy some Texas BBQ, leaving me behind with the college kids to clean up. Not until we were stranded did we realize we were locked out of the van. Someone picked a coat hanger out of the dumpster, handed it to me, and took a few steps back. “Can you do that thing with a coat hanger to unlock it?” “Why me?” I thought. More out of amusement than optimism, I gave it a try. I slid the hanger into the window’s seal like I’d seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame. Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I’d been in this type of situation before. In fact, I’d been born into this type of situation. My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally. My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft...
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...Intertextuality is the shaping of a text meaning by another text. Intertextual figures include: allusion, quotation, calque, plagiarism, translation, pastiche and parody.[1][2][3] An example of intertextuality is an author’s borrowing and transformation of a prior text or to a reader’s referencing of one text in reading another. The term “intertextuality” has, itself, been borrowed and transformed many times since it was coined by poststructuralist Julia Kristeva in 1966. As philosopher William Irwin wrote, the term “has come to have almost as many meanings as users, from those faithful to Kristeva’s original vision to those who simply use it as a stylish way of talking about allusion and influence.”[4] Contents [show] Intertextuality and poststructuralism[edit] Kristeva’s coinage of “intertextuality” represents an attempt to synthesize Ferdinand de Saussure’s semiotics—his study of how signs derive their meaning within the structure of a text—with Bakhtin’s dialogism—his examination of the multiple meanings, or “heteroglossia”, in each text (especially novels) and in each word.[5] For Kristeva,[6] “the notion of intertextuality replaces the notion of intersubjectivity” when we realize that meaning is not transferred directly from writer to reader but instead is mediated through, or filtered by, “codes” imparted to the writer and reader by other texts. For example, when we read James Joyce’s Ulysses we decode it as a modernist literary experiment, or as a response to the...
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...OLD ENGLISH LITERATURE • Palaeolithic nomads from mainland Europe; • New inhabitants came from western and possibly north-western Europe (New Stone Age); • in the 2nd millennium BC new inhabitants came from the Low Countries and the middle Rhine (Stonehenge); • Between 800 and 200 BC Celtic peoples moved into Britain from mainland Europe (Iron Age) • first experience of a literate civilisation in 55 B.C. • remoter areas in Scotland retained independence • Ireland, never conquered by Rome, Celtic tradition • The language of the pre-Roman settlers - British (Welsh, Breton); Cornish; Irish and Scottish Gaelic (Celtic dialect) • The Romans up to the fifth century • Britain - a province of the Roman Empire 400 years • the first half of the 5th century the Angles, Saxons, and Jutes (N Germany, Jutland) • The initial wave of migration - 449 A. D. • the Venerable Bede (c. 673-735) • the Britain of his time comprised four nations English, British (Welsh), Picts, and Scots. • invaders resembling those of the Germans as described by Tacitus in his Germania. • a warrior race • the chieftain, the companions or comitatus. • the Celtic languages were supplanted (e.g. ass, bannock, crag). * Christianity spread from two different directions: * In the 5th century St Patrick converted Ireland, in the 7th century the north of England was converted by Irish monks; * in the south at the end of the 6th century Aethelberht of Kent allowed the monk Augustine...
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...Frankenstein Science AO2 Unrestrained scientific desire: ‘they penetrate into the recesses of nature and show how she works in her hiding places’ • ‘they ascend into the heavens’ ‘new and almost unlimited powers’ ‘penetrate’ ‘command’ ‘mimic’ • ‘with fervour’ • ‘performed miracles’ • ‘unfold to the world the deepest mysteries of creation’ • ‘secret’ ‘hidden laws’ • How dangerous is the acquirement of knowledge’ Power: ‘as if my soul were grappling with a powerful enemy’ • ‘like a hurricane’ ‘pour a torrent of light’ • ‘pursued’ ‘unremitting ardour’ ‘clung’ ‘dedicated myself’ ‘secret toil’ ‘tremble’ ‘tortured’ • ‘one pursuit’ • ‘tread a land never before imprinted by the foot of man’ • ‘I preferred glory’ • ‘until from the midst of this darkness a sudden light broke in upon me- a light so brilliant and wondrous’ Lack of Morality: Transgression against God he mocks the power of the creator ‘torrents of light’ ‘a new species would bless me as its creator and source’ ‘many happy and excellent natures would owe their being to me’ • ‘eyes insensible to the charms of nature’ • ‘Labours’ scientist in being able to mimic and usurp traditional creation methods; existence of an immortal soul? • Responsibility for creation image reinforced ‘inarticulate sounds’ Pursuit: ‘deeply smitten with the thirst for knowledge’ • ‘Pursuit for discovery and wonder’ attracted to the tree of knowledge ‘eternal light’ back to biblical times, tree of knowledge...
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