...All empty space does not consist of stones. 6. Therefore, stones do not exist. To go even further, I can add another step in order to conclude that ordinary objects do not exist. The additional step would be that if ordinary objects exist, then stones must also exist. Therefore, ordinary objects do not exist. First we must see what objects exists and what objects occupy a position in space and time. Objects in the universe include planets, people, atoms, chairs, and the sun. They are all made out of parts and they are all composite objects. In order to explain the idea of composition we can say that the x’s compose a composite object if and only if the x’s, taken together have a function that none of them have separately, the x’s are physically bonded, and the x’s are inseparable. Nihilism supports Unger’s idea that stones do not exist because nihilism supports the idea that composition never occurs and therefore,...
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...INTD 103 Freehand Drawing | Elements and principles of art and design | The elements and principles of design are the building blocks used to create a work of art. The elements of design can be thought of as the things that make up a painting, drawing, design etc. Good or bad - all paintings will contain most of if not all, the seven elements of design.The Principles of design can be thought of as what we do to the elements of design. How we apply the Principles of design determines how successful we are in creating a work of art. THE ELEMENTS OF DESIGNLINE Line can be considered in two ways. The linear marks made with a pen or brush or the edge created when two shapes meet.SHAPE A shape is a self contained defined area of geometric or organic form. A positive shape in a painting automatically creates a negative shape.DIRECTION All lines have direction - Horizontal, Vertical or Oblique. Horizontal suggests calmness, stability and tranquillity. Vertical gives a feeling of balance, formality and alertness. Oblique suggests movement and action see notes on directionSIZE Size is simply the relationship of the area occupied by one shape to that of another.TEXTURE Texture is the surface quality of a shape - rough, smooth, soft hard glossy etc. Texture can be physical (tactile) or visual. see notes on textureCOLOUR Also called Hue see notes on colourVALUE Value is the lightness or darkness of a colour. Value is also called Tone see notes on tonal contrastTHE...
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...Visual Art Critique MUS 2313.003 Event: Gallery I & II of the Department of Art and Design Where: JCM Building at Texas State University Craven Image- Bill Komodore The Craven Painting was the first to catch my eye. Perhaps this was because the texture made the image seem blurry or maybe it was because it was the biggest, colorful painting you see when you walk in the door. Whatever the reason, I just had to stop and stare. At first glance it look like a soda can, and when you squinted your eyes, it even looked like the word ‘Craven’ that was in the middle said Coke. But maybe this was just what I saw especially because I was thirsty at the time. As for what is being said, I can honestly say I do not know. I am not an imaginative person so art is a weak point for me. I know craven means cowardly, which makes me think that he uses the background to abject fear to the audience. He then contrasts the background blacks and greys with a sudden orange in the middle, which draws the attention viewer’s attention to the center. The object in the middle looks like a jar that could be characterized with feeling entrapped which could continue to evoke fear. Last but not least, the lines in this painting are running in many different directions. As Dennis Spore says, “Artists use line to control our vision, to create unity” (Sporre, 15). In this artwork the artist actually does the opposite, with “non traditional brushstrokes”, to create chaos that continues the feeling of trepidation...
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...the cards for Manet. Ironically, his art career is still being appreciated over a century later. Manet's uncle, Edmond Fournier, supported Manet is his early art interests, arranging frequent trips to the Louvre. Eventually, Manet and his parents were on the same page and they supported his calling for art. The artist’s use of color, space and composition: The lemon by Manet is a unique piece of art. Manet utilizes realism to capture the simplistic form of the fruit. However, this painting is nothing less than sophisticated demonstrating Manet’s true command of color and touch with his brush. The painting is encompassed by dull, dark colors with sporadic brightness. Manet uses different forms of yellow to capture the color, shape, and texture of the lemon. The sudden brightness in the painting can be seen as the natural reflection that the lemon and the plate give off. He also utilizes dark browns mixed with green to reflect the depth and texture of the plate. His brush strokes are different throughout the painting. At times the brush strokes are hard and streaky, and at other times very clean. The painting is open composition, with the plate that the lemon is resting on going off the canvas. The lemon is horizontally depicted, with a strong shallow sense of...
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...compose, within strict boundaries, while playing. There are actually fully written ensemble compositions out there without improvisation. The compositions are still considered modal improvisation because the compositions still follow the conventions of maqam. 2. Islamic Call to Prayer and Jewish biblical cantillation are not considered “music” of “singing,” because of sensuality. Islam believes music is overly sensual. Islamic Call to Prayer does have definite pitch, rhythm, and contour. However, Islam does not think of Call to Prayer as sensual, but “as heightened speed or ‘holy’ speech, delivered in a style requiring both declamation and the spinning out of syllables”(248). Full-fledged singing is often forbidden for Judaism because of sensuality. To get around full-fledged singing, Judaism uses the term cantillation. Cantillation is thought of as a heightened speech that is between speaking and singing. Even if a cantillation has a melody, it is still not referred to as “singing.” 3. There are many factors that make Persian classical music different from Arabic music. One of the differences is the difference between the Arabic maqam and Persian dastgah. While Persian musicians have created “composed” melodic phrases, Arab musicians rely on oral tradition of melodic phrases. The “composed” melodic phrases created by the Persian musicians make short compositions, and are called gusheh....
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...レオナルド・ダ・ヴィンチ 『絵画論』 ▪ レオナルド・ダ・ヴィンチ(1452 -1519) o イタリアのルネサンス期を代表する芸術家 o 本名はレオナルド・ディ・セル・ピエーロ・ダ・ヴィンチ (Leonardo di ser Piero da Vinci ) o 絵画、彫刻、建築、音楽、科学、数学、工学、発明、解剖学、地学、地誌学、植物学など o 万能人(uomo universale )、「飽くなき探究心」と「尽きることのない独創性」 o 肖像画『モナ・リザ』と宗教画『最後の晩餐』 o 絵画作品、レオナルドが残したドローイングや科学に関するイラストが描かれた手稿、絵画に対する信念 ▪ 手稿 o ルネサンス人文主義 o 13,000ページ、手稿にドローイング o 芸術と自然哲学が融合したもの o レオナルドが興味と関心を持ったあらゆる分野の事象が書かれている。 ▪ 「絵の本」から 絵画とほかの芸術との • 絵画と詩人との相違 • 絵画と音楽との相違 • 絵画と彫刻との相違 遠近法 Perspective • 線的遠近法 • 色彩遠近法 • 消失遠近法 • 空気遠近法 光、影、色 ▪ 参考文献 杉浦明平訳 岩波文庫 レオナルドダビンチの手記 （上） The Notebooks of Leonardo, Da Vinch Irma A. Richter, Oxford University Press －絵画とほかの芸術との 画家は、自分をする美を見たいと思えば、 肝をつぶす：to be amazed 実際この宇宙の中に本質として、現在としてあるいは想像としてあるものを、かれはまず頭の中に、次は手の中に所有する。そしてそれは非常に優秀なので、それらがいかなるものであろうとも、同時に一眸の中に均衡のとれた調和を生じる。these are of such excellence that they can present a proportioned and harmonious view of the whole, that can be seen simultaneously, at one glance, just as things in nature. 絵画は自然から生まれる、自然の孫。 絵画を軽蔑するものは哲学をも、また自然を愛していない． he who despises painting loves neither philosophy nor nature. 絵と詩の 絵と音楽 音楽は絵画の姉妹という以外に呼びようがない。 眼に比べて第二次的な感官たる聴覚に従い、 for she is depending on hearing, the sense which comes second[1],and her harmony is composed of the union of its proportional parts sounded simultaneously, rising and falling in one or more harmonic...
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...In this essay I will attempt to analyze the artwork named “Beguiling Lure “ by Isaac Talley made in 2009. The medium of this artwork is acrylic and oil on canvas. The composition is simple with the main focus being a dangling object and a portrait of a single bird. The multi coloring of the background is bright and soft with dark and light hues. The artist was able to deliver the paint onto the canvas in different directions and angles which gives the appearance of overlapping colors,roughness and a uneven texture. There is a small horizontal space that has been left blank and untouched in the middle of the canvas that provides a dividing line separating the upper portion of the painting from the lower portion. Even though there is no similarities in the main two subjects in the painting the artist brings balance, proportion and unity to his work by using the same background colors and patterns from top to bottom. The eye is automatically drawn towards two specific areas on the canvas and directly to the middle upper portion of the painting where a circular white object is attached to a dark blue string of yarn that hangs from a peg at the top of the canvas. In the bottom right corner a is a painting of a black bird standing with its back to the viewer as it looks towards the hanging object. I think the painting is a form of expression in which the intention is to give the viewer an increased awareness of how we have become a materialistic society. Because of our increased...
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...Noticeable from the distance is the installation called For Lots of Lost Windows by Akiko Utsumi. It is conceptual art combining nature and man-made materials that invites its viewers to look beyond what is present in time and grasp the spiritual connection that the evolving nature presents. The scale of the installation is evidently intended to be large and visible from distance that it is too large compared to the common windows in our houses. The composition is divided from the foreground, the middle ground, and the background. The idea and purpose of the artist is for the viewer to rediscover the beautiful scenery through her “own view” - her window. The window is a standalone structure that stands as a foreground in an open space covered...
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...introduced to music when he was five years old when his father taught him the solfeggio and the banduria. Abelardo completed his first composition, a waltz entitled "Ang Unang Buko" dedicated to his grandmother, at the age of eight. By the age of thirteen, he was playing at saloons and cabarets in Manila, and by fifteen, he was teaching at barrio schools in San Ildefonso and San Miguel in Bulacan. In 1916, Abelardo entered the University of the Philippines Coservatory of Music, taking courses under Guy F. Harrison and Robert Scholfield. During his studies, he composed the melody of the university's official anthem, U.P. Naming Mahal. After earning a teacher's certificate in science and composition in 1921, he was appointed head of the composition department at the Conservatory in 1924. Years later, he ran a boarding school for young musicians, among which were Antonino Vuenaventura, Alfredo Lozano, and Lucino Sacramento. Abelardo died in 1934 at the age of 41, leaving behind a collection of roughly 140 compositions. He is known for redefining the kundiman, bringing the form to art-song status. Notable among his works are 'Nasaan Ka Irog," "Magbalik Ka Hirang," and "Himutok." The main theater of the Cultural Center of the Philippines and the building housing the College of Music in UP Diliman(Abelardo Hall) were named in his honor and memory. Compositions: Nasaan Ka Irog Magbalik Ka Hirang...
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...University of Newcastle ECON1002: Macroeconomics for the Global Economy SEMESTER 2, 2012 Tutorial One (Week 2) Introduction to economics: methodology and challenges Readings: Jackson and McIver Ch. 1 (see Course Outline) Learning objectives for Tutorial One: • Understand why macroeconomic policy is so important • What are the assumptions and limitations of macroeconomic theory? • Common fallacies in macroeconomics. 1. # (Assignment question) a. What is the major driver of recent growth in Australia? The major driver of recent economic growth in Australia is in mining sector or resource sectors where there they become the major source of minerals such as bauxite, alumina, lead, uranium, and zinc. The presence of huge reserves and the development of coal seam gas have raised hopes that Australia will soon become a leading global supplier of natural gas. Investment has flooded into the booming resource sectors. b. Look at Graph 3.3. Why has overall consumption increased since 2008 but retail trade (as part of consumption) has declined dramatically since 2009? Since 2009, retail trade has declined dramatically due to increase in competition (overseas and domestic online seller), and consumers being more value conscious. However ongoing growth in household’s disposable income has allowed households to increase consumption. c. Look at Graph 3.4. Why do you think the...
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...provide an overview of the great Moderation that took place during the early part of the 2000’s as discussed in the great moderation Dead or Alive case study. What is ‘the Great Moderation’? Business Cycles are cyclical and the effects of this cyclical nature affect the global economy and international markets in a wide variety of ways. Diego Comin, in his article the Great Moderation, Dead or Alive?, defined the great moderation as a “decline in aggregate volatility.” (Comin 2011) Investopedia calls The Great Moderation “the name given to the period of decreased macroeconomic volatility experienced in the United States since the 1980s.” (Investopedia, 2012) During this time of stability, the standard deviation of the real GDP quarter by quarter fell by half and the standard deviation of inflation fell by more than two thirds. 2. What are the key macroeconomic facts of the GM? From a Macroeconomic standpoint this time frame demonstrates a downward trend in aggregate economic volatility. The stability of the Economy after World war 2 and during the years after 1984 was not just a US phenomenon, 63 out of 88 countries experienced a decrease in volatility during this time period. The decline in aggregate volatility affected both developed and developing nations. This did not only affect the GDP it also affected “overall consumption, hours worked, investment, labor productivity, total factor productivity and the Stock Market.” (Comin, 2011) What are...
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...of Macroeconomics by Smriti Chand Macro Economics The Nature and Scope of Macroeconomics! Introduction: The term ‘macro’ was first used in economics by Ragner Frisch in 1933. But as a methodological approach to economic problems, it originated with the Mercantilists in the 16th and 17th centuries. They were concerned with the economic system as a whole. In the 18th century, the Physiocrats adopted it in their Table Economies to show the ‘circulation of wealth’ (i.e., the net product) among the three classes represented by farmers, landowners and the sterile class. Malthus, Sismondi and Marx in the 19th century dealt with macroeconomic problems. Walras, Wicksell and Fisher were the modern contributors to the development of macroeconomic analysis before Keynes. Certain economists, like Cassel, Marshall, Pigou, Robertson, Hayek and Hawtrey, developed a theory of money and general prices in the decade following the First World War. But credit goes to Keynes who finally developed a general theory of income, output and employment in the wake of the Great Depression. Contents: Nature of Macroeconomics Difference between Microeconomics and Macroeconomics Dependence of Microeconomic Theory on Macroeconomics Dependence of Macroeconomics on Microeconomic Theory Macro Statics, Macro Dynamics and Comparative Statics Transition from Microeconomics to Macroeconomics Stock and Flow Concepts 1. Nature of Macroeconomics:________________________________________ Macroeconomics is the...
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...2. MEASURING CO-MOVEMENTS OF INCOME IN BRAZIL AND THE ROLE OF MACROECONOMICS In this paper we investigate the dynamics of income inequality among Brazilian states by applying the Bayesian Dynamic Factor Model described in (OTROK; WHITEMAN, 1998) and (KOSE; OTROK; WHITEMAN, 2003) to Gini indexes over the 1976-2014 period. Our results indicate that the common factor accounts for 48 percent of the Gini index co-movements; the richest states are more exposed. We found that macroeconomic stability is negatively correlated to the common factor, meaning that stability is inequality-decreasing. The deciles analysis suggests that inequality is related to lack of business cycles synchronization. Keywords: business cycles; bayesian analysis; income inequality...
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...Essay Plans Macroeconomic Policy Introduction Macroeconomic policies refer to policies directed at stabilising the aggregate level of economic activity or output. The fundamental rationale for government macroeconomic intervention is to stabilise fluctuations in the business cycle. Through the conduct of such ‘counter cyclical’ or ‘stabilisation’ policies the government seeks to achieve three major objectives. • Economic growth that is sustainable in delivering rising real incomes whilst minimising inflationary pressures and the current account deficit as a percentage of GDP; • Internal Balance, which is characterised by full employment and price stability; • External Balance, which involves financing import expenditure with export income, stability of the exchange rate, and minimising the levels of net foreign liabilities and net foreign debt as a percentage of GDP. Other objectives include ensuing that the benefits of economic growth are enjoyed by all groups of the population through an equitable distribution of income, as well as ensuring that economic growth and development is ecologically sustainable such that it meets the needs of present generations without compromising the ability of future generations to meet their own needs. Macroeconomic policies operate on the demand side of the economy since changes in the settings or stances of fiscal and monetary policies will impact on the growth of aggregate demand. • If AD exceeds AS at the full employment...
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...INTERNATIONAL MONETARY FUND AND THE WORLD BANK Managing Public Debt: Formulating Strategies and Strengthening Institutional Capacity Prepared by the Staff of the IMF and World Bank Approved by Christopher Towe, Danny Leipziger, and Kenneth Lay March 3, 2009 Contents Page Acronyms...................................................................................................................................3 I. Introduction ............................................................................................................................5 II. The Financial Crisis: Implications for Debt Managers .........................................................6 III. Work Program Linkages ......................................................................................................7 IV. Medium-Term Debt Management Strategy.........................................................................8 A. Developing the Framework.......................................................................................8 B. The Guidance Note..................................................................................................10 C. The Cost-Risk Analytic Tool ..................................................................................11 D. Preliminary Results from Early Application of the Framework .............................13 V. Debt Management Performance Assessment (DeMPA).....................................................15 A. The DeMPA Framework........
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