Michael Billington

Dr. Oguine

College English 1202 ZAH

Poetry Paper

March 2, 2004

Death Reflected in Three Poems Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective. Upon reading these poems, I could relate to each strongly on a personal level. Each poem expresses a different view of death and the different stages of acceptance and grieving. When I was younger, my grandmother passed away. I was quite fond of my grandmother and she and I had a close relationship. When she passed away, I was devastated and went through a series of phases and emotions, much like those described by the three poets in their works. In “Funeral Blues,” W. H. Auden writes, “Stop all the clocks, cut off the telephone/Prevent the dog from barking with a juicy bone”(lines 1-2). I can easily relate to these lines because it does seem like the world stops completely when a loved one is lost. Auden also writes, “He was my North, my South, my East and West/My working week and my Sunday rest” (9-10). It is apparent that the person he has lost is everything to him and losing him is a very hard thing to experience. I can still remember feeling a similar way when I lost a close family member. It seems hard to get on with life and try to move on when such a large part of life is taken away, and this is exactly the mourning portrayed as Auden writes about the devastation and confusion of coming to terms with the fact that his loved one is actually gone. Moreover, Auden uses several techniques in “Funeral Blues,” including a simple aa, bb rhyme scheme and a plethora of hyperboles. The rhyme scheme is effective because it makes the poem flow smoothly. This makes the poem seem to “pass by” the reader, much like the rest of life passes by someone who is still feeling the hurt of experiencing death. The hyperboles help to signify exactly how much the lost loved one means to the poet. An example can be seen in the lines, “Let aeroplanes circle moaning overhead/Scribbling on the sky He Is Dead” (5-6). Obviously the entire world is not too concerned with the death of one person, but it is apparent the poet feels that the rest of the world must be put on hold until he can regain his composure and accept his loss. While “Funeral Blues” only discusses emotion and hurt, Carolyn Forche’s poem “The Memory of Elena,” is about the actual death of a loved one and then the events following the funeral. In the poem, a man is shot and he dies in the arms of his wife. Carolyn describes what the wife is feeling when the husband dying. Later in the poem, the emotion with reaction of the wife is expressed. She seems to be greatly distressed and depressed; her surroundings seem unreal. Everything seems completely quiet or very distant. According to Forche, “[. . . ]and the bells/waiting with their tongues cut out/for this particular silence”(30-32). Everything reminds the wife of death even the “clopping of a horse, the sound of bones touched together”(15-16). This reminds me of my grandmother’s funeral. As my family members went back to her house, it felt so cold and lonely there. While the rest of them were talking around the table and even laughing at times, I can still recall going into a back room by myself, convinced that this was not in fact happening. One observation I made from “The Memory of Elena” and my personal experiences is that most people after a funeral, have a feast or celebration. This seems to be a common social practice for most families. It is difficult to celebrate the life of a loved one, immediately after the funeral, but many people seem to find that it helps the grieving process. Forche also uses some creative literary techniques, but ones different from Auden. Rather than using rhyme scheme and hyperbole like Auden, symbolism and repetition are the techniques of choice in “The Memory of Elena.” Symbolism is used in the form of paella, the dish served after the funeral. Forche writes, “This is not paella, this is what/has become of those who remained/in Buenos Aires” (23-24). What Forche is most likely trying to show with the paella is that Buenos Aires is symbolized by the rice bed of the dish, which is a dangerous place at the time. As a result, the people die, including her husband, symbolized by the dead shrimp and mussels in the dish. This is to show that they are, in fact, mourning the death of many people not just one. The other technique is repetition of bells in the poem. In the beginning of the poem, the bells are ringing at the church. Later in the poem, the wife recalls, “with pearls/cooling her throat and bells like/these, chipping at the night” (11-13). During happier times, the bells are an accepted and joyous sound, but now the bells do not ring in the ears of the wife, because the reality of the loss of her husband is so distant from her. On the other hand, Emily Dickinson’s “The last Night that She lived” is quite different from the poems of Auden and Forche, because Dickinson views death in a much more basic and straight-forward manner. Dickinson describes the death of a woman, who is upon her death bed awaiting her fate. The family members are in the house, waiting for what they know is inevitable: “We waited while She passed-/It was a narrow time-/Too jostled were Our Souls to speak/At length the notice came”(17-20). The mood of the household is eerily quiet since no one says anything. When the message comes that the woman has passed away, “an awful leisure was/Belief to regulate-“(27-28). Even though the family members know that the death is soon to come, it is still hard to comprehend and accept that the woman is, in fact, gone. This poem can relate to any person who has had a loved one in a hospital with cancer or a terminal illness. It is apparent that the person is going to pass away, but the truth does not set in until afterwards. Everyday, people are in waiting rooms, just waiting for someone to die and when it happens, there is still disbelief within them. This is because it is human nature to try and hold on to someone or something that has great importance to us. In fact, Emily Dickenson’s style of writing is unique. She does not use conventional literary techniques often in her writing. Instead she writes her poems how she feels them, putting in breaks in the poems and rarely using any rhyme scheme. The result is a poem that relates to the inner-most emotion of people, the emotion that is harsh and unrefined. The opening stanza sets the mood of the poem beautifully, “The last Night that She lived/It was a Common Night/Except the Dying-this to Us/Made Nature different” (1-4). Dickenson also capitalizes specific words in her poem which she wants the reader to put extra emphasis on. Words like “She” and “Dying” stand out to the reader making the poem set in much sooner. I believe that Dickenson’s poem is the best of the three because it seems most real. I could relate to exactly what she is writing, from beginning to end. I like how she does not try to beautify her emotions by using rhyme in her poem; instead she writes exactly what she feels and that makes the poem most appealing and easy to relate to with personal experience. Dickenson’s poem proves to me that a poem does not have to follow any set rules or guidelines in order to be great, it just has to be true. Emily Dickenson’ “The last Night that She lived” is quite true to real life, making it a great work of poetry. Ultimately, feelings of confusion and devastation, deep depression, and shock and disbelief are common emotions experienced by a person experiencing a loss. These certain emotions are expressed in the poems “Funeral Blues” by W.H. Auden, “The Memory of Elena” by Carolyn Forche, and “The last Night that She lived” by Emily Dickenson. Although each poet writes with his or her own literary techniques, such as rhyme scheme and hyperbole, symbolism and repetition, and dramatic pauses, they all have made the experience of death seem real and personal to the reader, and that is why their works are considered great works of modern, contemporary, and classical poetry.
Works Cited

Auden, W.H. “Funeral Blues.” Literature. 5th ed. Ed. Robert DiYanni. New York: McGraw-Hill, 2002. 1003.
Dickinson, Emily. “The last Night that She lived.” Literature. 5th ed. Ed. Robert DiYanni. New York: McGraw-Hill, 2002. 843.
Forche, Carolyn. “The Memory of Elena.” Literature. 5th ed. Ed. Robert DiYanni. New York: McGraw-Hill, 2002. 1070-71.