...Students Name Instructors Name Course Date Rhetorical Analysis on Marjane Satrapi's “The complete Persepolis” “The Complete Persepolis” is a memoir and story based on Marjane Satrapi, who is also the author of the memoir. This is a rhetorical analysis on Marjane Satrapi’s story and we’ll see how the writer attempts to change the perception people have on the middle-east countries. The writer tries to prove that those countries are not as bad as depicted and there is still hope for the people living in those countries. She believes that people in the middle-east countries have the power to revolutionize their culture and fight for what they believe in. The writer is able to express the struggles and sufferings of the victims in the middle-east. Marjane Satrapi is shaped by the events in her life to become a rebel and through this, she is able to make the audience understand why people start and join revolutions in the middle-east. The writer is of the opinion that their culture is deeply flawed and in the beginning of the story, she is displeased that she has to wear a veil to school as it is mandatory for girls to wear veils, “Then came 1980: the year it became obligatory to wear the veil at school” (Satrapi, page 4), and the fact that boys and girls are still separated in school and can’t learn together. The writer mentions about her French school which was shut down because it was non-religious. The writer seeks to display the extent of cultural inequity and the social injustices...
Words: 1733 - Pages: 7
...Reflections Of Love Table of Contents Prologue Storge (Affection in families)-Definition The Little Black Boy- William Blake Winter Trees- Sylvia Plath Mother to Son- Langston Hughes Philia (Friendship)- Definition Love and Friendship- Emily Bronte Time to Talk- Robert Frost Eros (Romance)- Definition Somewhere Never Traveled- E.E. Cummings Wind and Window- Robert Frost She Walks in Beauty- Lord George Byron Agape (Unconditional Love)- Definition How Do I Love Thee- Elizabeth Barrett Browning Love is More Thicker than Forget- E.E. Cummings Biographies Epilogue Storge Affection Affection- is the love through familiarity, especially between family members or people who have otherwise found themselves together by chance. It is described as the most natural, emotional feeling because it is outcome of love due to family ties. Fatefully, it is the strong point what makes it the most defenseless. The affection is “built-in” and as a consequence people expect it. Prologue This poetry anthology is a collection of poems, which shows the people's view of love. As I am a hopeless romantic, I chose this topic. I think the journey that life takes us all on is one filled with many adventures. I believe to truly live life to the fullest would be to love. If a person can say that he or she has never truly been loved or loved someone then he or she has never really lived. The feeling of love is so euphoric. The...
Words: 5552 - Pages: 23
...Text Analysis №2 “Story of an Hour” by Kate Chopin. Kate Chopin was born in 1851 and grew up in the household dominated by generations of women that greatly influenced her style of writing. Many of her works deal with women searching for freedom from male domination, and she is considered to be an early feminist writer. Chopin wrote over a hundred short stories, many of which were published in two collections: Bayou Folk and A Night in Acadia. Her two novels, At Fault and The Awakening deal with the controversial themes of divorce and adultery. The story under analysis is called Story of an Hour and belongs to a psychological type including social element because the author depicts the inner world of the main character, her thoughts about her future life which reflect relations between men and women at the end of the 19th century. The story is close to some extent to Galsworthy’s The Man of Property as it shows the relationship between husband and wife typical of the Victorian society. The text under consideration has the close plot structure because we observe all the four elements here. In the exposition the reader meets the main characters of the story and learns about the heart disease which one of them has. Then, the events develop in the following way: Mrs. Mallard is told “as gently as possible the news of her husband’s death” by her sister Josephine and we see the usual reaction of a wife who lost her husband which is brightly illustrated with the help of the metaphor...
Words: 1243 - Pages: 5
...Topic: Medium-stakes assignment Order code: 81586685 | | | | | | Pages: | 1, Double spaced | Sources: | 1 | Style: | APA | | Order type: | Coursework | Subject: | English | Academic level: | Not specified | | | Language: | English (U.S.) | | Order Description The English class that I am taking right now is a bit different with other college level English classes. Before you start working on my assignment, I want you to read the course description of my class. Course Description: Texting the World brings together literary and nonliterary texts and considers how the same theme plays through them via analysis, evaluation, and creation of said texts. This particular section of ENG 200 is devoted to the theme of The Sea. Artists and writers have long found inspiration from the sea. In this course, we’ll examine representations of the sea throughout history, with an emphasis on contemporary and classical literature, as well as art, poetry, scholarship, and film. Through reading, writing, and discussion, we’ll consider the ways the sea, and what it encompasses and represents, can allow artists and writers to explore the human condition and show us something about our own values, attitudes, and beliefs. Assignments are designed to help you use writing as a learning tool and to improve your written communication abilities. You will be asked to complete a variety of low-, medium-, and high-stakes assignments, including informal writing tasks...
Words: 1659 - Pages: 7
...The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness – from overwhelming grief to seething rage – and explores themes of treachery, revenge, incest, and moral corruption. Hamlet is Shakespeare's longest play and among the most powerful and influential tragedies in the English language, with a story capable of "seemingly endless retelling and adaptation by others." The play was one of Shakespeare's most popular works during his lifetime It has inspired writers from Goethe and Dickens to Joyce and Murdoch, and has been described as "the world's most filmed story after Cinderella". Shakespeare based Hamlet on the legend of Amleth, preserved by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum as subsequently retold by 16th-century scholar François de Belleforest. He may also have drawn on or perhaps written an earlier Elizabethan play known today as the Ur-Hamlet. He almost certainly created the title role for Richard Burbage, the leading tragedian of Shakespeare's time. In the 400 years since, the role has been performed by highly acclaimed actors and actresses from each successive age. Three...
Words: 5201 - Pages: 21
...an undercurrent of social and economic powerlessness in the sonnets, especially when a rival poet seems likely to supplant the poet. In short, Shakespeare’s nondramatic poems grow out of and articulate the strains of the 1590’s, when, like many ambitious writers and intellectuals on the fringe of the court, Shakespeare clearly needed to find a language in which to speak—and that was, necessarily, given to him by the court. What he achieved within this shared framework, however, goes far beyond any other collection of poems in the age. Shakespeare’s occasional poems are unquestionably minor, interesting primarily because he wrote them; his sonnets, on the other hand, constitute perhaps the language’s greatest collection of lyrics. They are love lyrics, and...
Words: 4547 - Pages: 19
...A Preface of Quotations Whoever desires for his writings or himself, what none can reasonably condemn,the favor of mankind, must add grace to strength, and make his thoughts agreeable as well as useful. Many complain of neglect who never tried to attract regard. It cannot be expected that the patrons of science or virtue should be solicitous to discover excellencies which they who possess them shade and disguise. Few have abilities so much needed by the rest of the world as to be caressed on their own terms; and he that will not condescend to recommend himself by external embellishments must submit to the fate of just sentiments meanly expressed, and be ridiculed and forgotten before he is understood. --Samuel Johnson Men must be taught as if you taught them not; And things unknown propos'd as things forgot. --Alexander Pope Style in painting is the same as in writing, a power over materials, whether words or colors, by which conceptions or sentiments are conveyed. --Sir Joshua Reynolds Whereas, if after some preparatory grounds of speech by their certain forms got into memory, they were led to the praxis thereof in some chosen short book lessoned thoroughly to them, they might then forthwith proceed to learn the substance of good things, and arts in due order, which would bring the whole language quickly into their power. --John Milton Introduction Good writing depends upon more than making a collection of statements worthy of belief, because writing is intended to...
Words: 21397 - Pages: 86
...individuality. Thus, the prospect of a meaningful life continues to run away from us as we grow jealous of others who have more resources than we. To live a truly meaningful life that embraces both controllable and uncontrollable factors, we must resist trying to please others by avoiding the tendency to attempt to control what we cannot, to place more emphasis on others than the self, and to adopt an opinion for the sake of approval. If we craft our identity to reflect what someone else would like, we live our lives pursuing an external dream we cannot directly control. That is, we will lose ourselves in attempting to control others’ judgements. Specifically, the Great Gatsby takes a similar argument: “[Gatsby’s] idea of himself perhaps… had gone into loving Daisy. His life had been confused and disordered since then” (Fitzgerald 110). Gatsby inability to realize the uncontrollable nature of Daisy’s love for him, which causes him to grow more “confused and disordered” with his lack of progress. However, if Gatsby’s “Platonic conception of himself” had been rooted in his own identity, not that of what Daisy would have potentially wanted, he would have not shattered from the “elusive rhythm [and] lost words” that blinded him with a false promise (Fitzgerald 111). Further, we must live for ourselves, not for others; that way, we can focus on our character and success. In As I Lay Dying, if Cash had abandoned the blind desire to gain Addie’s approval, he could have avoided the damage...
Words: 1852 - Pages: 8
...CHAP TER Rhetorical Modes 1. NARRATION L E A R N I N G O B J E C T I V E S 10 1. Identify the purpose and structure of narrative writing. 2. Recognize how to write a narrative essay. Rhetorical modes simply mean the ways in which we can effectively communicate through language. This chapter covers nine common rhetorical modes. As you read about these nine modes, keep in mind that the rhetorical mode a writer chooses depends on his or her purpose for writing. Sometimes writers incorporate a variety of modes in one essay. In covering the nine rhetorical modes, this chapter also emphasizes these as a set of tools that will allow you greater flexibility and effectiveness in communicating with your audience and expressing your ideas. rhetorical modes The ways in which we effectively communicate through language. 1.1 The Purpose of Narrative Writing Narration means the art of storytelling, and the purpose of narrative writing is to tell stories. Any time you tell a story to a friend or family member about an event or incident in your day, you engage in a form of narration. In addition, a narrative can be factual or fictional. A factual story is one that is based on, and tries to be faithful to, actual events as they unfolded in real life. A fictional story is a made-up, or imagined, story; the writer of a fictional story can create characters and events as he or she sees fit. However, the big distinction between factual and fictional narratives is based on a writer’s purpose...
Words: 14947 - Pages: 60
...use of images to disclose the idea that the abyss of female sexuality is a direct threat to the virtues of Protestantism. Two scenes in particular illustrate first, how females are viewed as the creators of sin, which leads to weakness in man, and secondly, how female sexuality is the primary source of misdirection for the heterosexual Christian male because it creates sexual desire and fantasy, which can lead him astray. In the first scene in which the fantasy of disclosure of the “ulcers” first occurs, Spenser depicts female reproduction and maternal functions as Errour, or “A monster vile, whom God and man does hate” (I.i.13). Additionally, Errour’s ability to breed is grotesque because the progeny she proliferates is emblematic of a never-ending cycle of deceit that continually seeks to subvert Protestant principles. In the second scene in which the fantasy of disclosure occurs, the exposure of Duessa’s hideous “neather parts” suggest that female sexuality is indeed fundamentally evil because it undermines Protestant ideology. Thus, the “ulcers” that Spencer discloses and identifies within an obscure second level reading of The Faerie Queene are those things that stand for the “Other.” The “Other” in this context represents women and the female capacity to create life, and inspire sexual desire in the heterosexual male. Therefore, through the lens of this ideology, the “Other” undermines the established order of Protestantism and its fantasy of rebirth in the Father, the Son...
Words: 2341 - Pages: 10
...images to disclose the idea that the abyss of female sexuality is a direct threat to the virtues of Protestantism. Two scenes in particular illustrate first, how females are viewed as the creators of sin, which leads to weakness in man, and secondly, how female sexuality is the primary source of misdirection for the heterosexual Christian male because it creates sexual desire and fantasy, which can lead him astray. In the first scene in which the fantasy of disclosure of the “ulcers” first occurs, Spenser depicts female reproduction and maternal functions as Errour, or “A monster vile, whom God and man does hate” (I.i.13). Additionally, Errour’s ability to breed is grotesque because the progeny she proliferates is emblematic of a never-ending cycle of deceit that continually seeks to subvert Protestant principles. In the second scene in which the fantasy Commented [LG1]: Good sense of the ideology of sexual reproduction here…. of disclosure occurs, the exposure of Duessa’s hideous “neather parts” suggest that female sexuality is indeed fundamentally evil because it undermines Protestant ideology. Thus, the “ulcers” that Spencer discloses and identifies within an obscure second level reading of The Commented [LG2]: There’s a nice pun here, since “fundament” also means “bottom” or “nether parts”…. Which I suspect is what Spenser is driving at! Faerie Queene are those things that stand for the “Other.” The “Other” in this context represents women and the...
Words: 2341 - Pages: 10
...Copyright © 2013 by McGraw-Hill Education. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. ISBN: 978-0-07-180360-1 MHID: 0-07-180360-2 The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-180359-5, MHID: 0-07180359-9. E-book conversion by Codemantra Version 1.0 All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill Education eBooks are available at special quantity discounts to use as premiums and sales promotions or for use in corporate training programs. To contact a representative please visit the Contact Us page at www.mhprofessional.com. Trademarks: McGraw-Hill Education, the McGraw-Hill Education logo, 5 Steps to a 5 and related trade dress are trademarks or registered trademarks of McGraw-Hill Education and/or its affiliates in the United States and other countries and may not be used without written permission. All other trademarks are the property...
Words: 76988 - Pages: 308
...revise. DON’T FORGET TO PRINT, SIGN AND ATTACH THE “PLAGIATSHINWEIS”! First steps Many students neglect the preliminary work of the writing process, but if you give it sufficient attention the actual writing of your paper will be faster and more organized than if you just start writing. The most important thing is to be systematic in your approach. 1. Finding a topic Perhaps the most difficult part of any research paper is finding an adequate topic, formulating a title and making a coherent argument. Once you have decided on a topic or a title, which in literary studies will most likely involve a certain text, rephrase it as a question to guide your research. You should also think about the methodology you intend to apply to your analysis. • • • • 1 Start by reading your primary text closely. If you have access to an annotated edition of your chosen text, make good use of the materials this offers you. Read both the text itself and the additional material carefully whilst taking notes. This will be the basis for your subsequent research. Try to summarize and organize your findings systematically. Figure out which...
Words: 3119 - Pages: 13
...Rhetorical Terms/Devices Figurative language is the generic term for any artful deviation from the ordinary mode of speaking or writing. It is what makes up a writer’s style – how he or she uses language. The general thinking is that we are more likely to be persuaded by rhetoric that is interesting, even artful, rather than mundane. When John F. Kennedy said, “Ask not what your country can do for you, ask what you can do for your country” (an example of anastrophe), it was more interesting – and more persuasive – than the simpler, “Don’t be selfish.” Indeed, politicians and pundits use these devices to achieve their desired effect on the reader or listener nearly every time they speak. The stylistic elements in a piece of writing work to produce a desired effect related to the text’s (and author’s) purpose, and thus reveals the rhetorical situation. In classical rhetoric, figures of speech are divided into two main groups: Schemes — Deviation from the ordinary pattern or arrangement of words (transference of order). Tropes — Deviation from the ordinary and principal meaning of a word (transference of meaning). *Important Note: Words marked with an asterisk* are words for which it would be impossible for you to write 3 examples for your weekly vocabulary assignment. In those cases, please write only the definition, in your own words, and the rhetorical uses/effect of that device, or do what you are instructed to do under those words. Please mark these words that deviate...
Words: 7172 - Pages: 29
...Julius Caesar full title · The Tragedy of Julius Caesar author · William Shakespeare type of work · Play genre · Tragic drama, historical drama language · English time and place written · 1599, in London date of first publication · Published in the First Folio of 1623, probably from the theater company’s official promptbook rather than from Shakespeare’s manuscript publisher · Edward Blount and William Jaggard headed the group of five men who undertook the publication of Shakespeare’s First Folio narrator · None climax · Cassius’s death (V.iii), upon ordering his servant, Pindarus, to stab him, marks the point at which it becomes clear that the murdered Caesar has been avenged, and that Cassius, Brutus, and the other conspirators have lost in their attempt to keep Rome a republic rather than an empire. Ironically, the conspirators’ defeat is not yet as certain as Cassius believes, but his death helps bring about defeat for his side. protagonists · Brutus and Cassius antagonists · Antony and Octavius setting (time) · 44 b.c. setting (place) · Ancient Rome, toward the end of the Roman republic point of view · The play sustains no single point of view; however, the audience acquires the most insight into Brutus’s mind over the course of the action falling action · Titinius’ realization that Cassius has died wrongly assuming defeat; Titinius’ suicide; Brutus’s discovery of the two corpses; the final struggle between Brutus’s men and the troops...
Words: 22331 - Pages: 90
