...relentless whispering and snide remarks. Pathetic bullies, she thought bitterly. That’s all they are. But despite her brave words, her eyes still smarted and she ached with the knowledge that there was nothing she could do. She hated it, the injustice of the way those girls treated her, treated others too, and she wanted to be brave. But she could never stand up to them. They could exile her completely, spread more rumours about her. What if she ended up with no friends, a social disaster, a freak? Her eyes stung as she struggled within herself. Better to stay quiet. Better to keep her head down, ignore them, wait for it to end. The injustice of the situation bruised her to her core, but she could never face losing the little popularity she had. She sunk down into her pillow and blissful sleep washed over her, easing her aching heart. A playful breeze danced around her and Gran as they walked together down by the pond. Gran was small and impossibly old, but she was sturdy, with a thick French accent and a thousand wrinkles. She was currently recounting her recent trip to the hospital, dismissing her heart palpitations as nothing serious, nothing wrong. “That’s your problem,” the girl said to Gran with a laugh, “you think you’re tougher than you really are.” Gran shook her head, banging her walking stick along the ground with each step. “Not me, my dear!” she countered. “Once you have lived through war like me, you are tough enough for anything.” Gran always rambled on about the war....
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...A Coward by Guy de Maupassant (1850-1893) Translators: Albert M.C. McMaster, A.E. Henderson, Mme. Quesada, & others. In society he was called "Handsome Signoles." His name was Vicomte Gontran-Joseph de Signoles. An orphan, and possessed of an ample fortune, he cut quite a dash, as it is called. He had an attractive appearance and manner, could talk well, had a certain inborn elegance, an air of pride and nobility, a good mustache, and a tender eye, that always finds favor with women. He was in great request at receptions, waltzed to perfection, and was regarded by his own sex with that smiling hostility accorded to the popular society man. He had been suspected of more than one love affair, calculated to enhance the reputation of a bachelor. He lived a happy, peaceful life--a life of physical and mental well-being. He had won considerable fame as a swordsman, and still more as a marksman. "When the time comes for me to fight a duel," he said, "I shall choose pistols. With such a weapon I am sure to kill my man." One evening, having accompanied two women friends of his with their husbands to the theatre, he invited them to take some ice cream at Tortoni's after the performance. They had been seated a few minutes in the restaurant when Signoles noticed that a man was staring persistently at one of the ladies. She seemed annoyed, and lowered her eyes. At last she said to her husband: "There's a man over there looking at me. I don't know him; do you?" The husband...
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...The Civil War was a grueling war in history that threatened to tear our country apart. It is arguably one of the most devastating wars because it threatened to sever our nation that had just recently been established. Our country was separated into two opposing sides that had different beliefs and values. At times their ideologies clashed, but in general they had many similar reasons for why they fought for their regions and how they maintained that motivation. James McPherson’s, For Cause and Comrades gives us insight into what goes on in the mind of a Civil War soldier as they prepare to fight, start fighting, and continue to fight. As the reader delves into the psychological reasoning behind why Union and Confederate soldiers fought for the United States of America, the reader discovers that the soldiers definitely had more similar motives than different ones. The beginning chapters of this account by McPherson tell us of the initial motivation of the Civil War soldier to fight. Their initial motivation would be defined as the moment they decided to enlist. McPherson helps us to understand the drive behind these soldiers to fight, sometimes until death, for their country. Two of the driving forces that motivate soldiers to fight were honor and duty (McPherson 5). They were looked upon as honorable if they fought for their country; dying to protect the rights of their country was seen as one of the most righteous ways to die. They also felt a deep connection to their country...
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...It was once said by a Greek author, “Persuasion is often more effectual than force” (Aesop). For decades now, authors have used several different tools to help with the effect of their story, play, etc. The many devices authors can choose help stimulate the mind and allow the readers to have a great sense of imagination. The use of these devices allow the readers to become more involved in the story, and it becomes more enjoyable. Decius is simply attempting to persuade Caesar into coming to the Senate House despite Calphurnia’s nightmare. Decius targets mainly Caesar’s pride while Calphurnia is attempting to reach out to him with compassion and sympathy. In the play Julius Caesar, Shakespeare reveals his understanding of the audience, uses...
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...Lord Otori Shigeru – Takeo Eulogy I stand before you here today, as Lord Otori Shigeru’s adopted son, Takeo. Although Lord Shigeru is no longer with us, he will be remembered tremendously by everybody who had the experience of meeting him. Lord Shigeru always believed he would achieve far more in death than he did in life and it is therefore important that we do not spend the coming days in mourning. Instead, we rise and continue the legacy of Shigeru! And although he is no longer among us, we can honour his memory and keep his spirit alive. As I stand here before you today, I thank each and every one of you for attending. I also thank you, Lord Otori Shigeru for the honourable life you led, full of achievements and the memories which will remain as a result of you. From the moment I met him, he displayed qualities of a warrior. A warrior who always did his best to help the people. Lord Shigeru was a great man who did not feel the need, even as rightful heir to the Otori Clan, to use power and politics to make his mark in the world. In fact, Lord Shigeru often wanted nothing to do with the Otori Clan. However, having been born into it, it was expected that he continue the Clan into the future. This was not the life, Lord Shigeru wanted, in fact he much preferred settling down in his garden and becoming a farmer rather than the warlord he was expected to be. Lord Shigeru was even prepared to brave his enemy for a life with his one true love. We are gathered here today to honour...
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...Ay, so, God buy you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit1 That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free,2 Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled3 rascal, peak Like John-a-dreams,4 unpregnant5 of my cause, And can say nothing--no, not for a king, Upon whose property and most dear life A damned defeat was made. Am I a coward? Who calls me a villain, breaks my pate across, Plucks off my beard and blows it in my face, Tweaks me by the nose, gives me the lie i'th'throat As deep as to the lungs? Who does me this? Ha, 'swounds, I should take it; for it cannot be But I am pigeon-livered and lack gall To make oppression bitter, or ere this I should ha'fatted all the region kites With this slave's offal. Bloody, bawdy villain! Remorseless, treacherous, lecherous, kindless villain! Oh, vengeance! Why, what an ass am I! This is most brave, That I, the son of a dear father...
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...city puts in charge, no matter what the issue--great or small, just or unjust. for there’s no greater evil than a lack of leadership. that destroys whole cities, turn household into ruins, and in war makes soldier break and run away, When men succeed, what keeps their lives secure in almost every case is their obedience that’s why they must support those in control, never let some woman beat us down. If we fall from power, let that come at some man’s hand-at least we won’t be called inferior to any woman” ( Antigone, 442 BC). Creon is worried about being over power by a woman that he doesn’t listen to Haemon and decides to sentence Antigone because he doesn’t want to be seen as a coward to the people of Thebes. “When his son Haemon urges him to reconsider his terrible anger, the king responds, “While I am alive, no woman shall rule over me” (Antigone, 525). He seems to feel that his rule is threatened by the decision of one woman to act on her own authority.” ( Overview: Antigone, 1997 ) he is so blind that his people and his laws are more important to him than his family therefore, creating fatal flaw as a...
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...Heroes & Villains in Literature The following essay is going to discuss and analyze heroes and villains in Literature. This essay is going to focus especially on three famous books written by William Shakespeare. The referring books are ‘Romeo and Juliet’, ‘Macbeth’ and ‘Othello’. In these three different novels, a great variety of stereotypes of heroes and villains can be appreciated. William Shakespeare was born on April 23rd 1564, in Stratford-upon-Avon, England. When he was four or five he began his education at the local petty school. He left the local grammar school when he was about fourteen and went to help in his father’s glove-making shop. When he was eighteen, he got married and by the time he was twenty-one, he was the father of three children. [1] At some time during the next seven years, he went to London and found employment in the theatre. When he was twenty-eight, he was already well enough known as an actor and playwright. He mostly lived and worked in London until his mid-forties, when he returned to his family and home in Stratford, where he remained in prosperous circumstances until his death on April 23rd 1616, his fifty-second birthday. [2] In the thirty seven plays that are his chief legacy to the world human nature is displayed in all its astonishing variety. [3] While Shakespeare caused much controversy, he also earned lavish praise and has profoundly impacted the world over in areas of literature, culture, art, theatre, and film and is considered...
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...William Wilson Spring Term Writing Assignment 10 April 2014 General George S. Patton – US Army General Patton achieved and accomplished many things while serving this great nation. One may often look at his twenty-two service awards that he received, or take notice that he was an Olympian, served in both World Wars and the Mexican Revolution, or even the numerous commands he held. However, the greatest accomplishment that must be recognized is General Patton’s unique ability to lead and inspire soldiers. General Patton is recognized as one of the greatest military figures and this can mainly be attributed to him being one of the greatest leaders in military history. “Lead me, follow me, or get out of my way.” –General Patton General George S. Patton was born November 11, 1885 in San Gabriel, California. His family had fought in the Revolutionary War, Mexican War, and the Civil War and would share war stories to Patton when he was a young boy. From an early age, Patton was determined to one day become a war hero and was influenced by the stories of valor and bravery that his ancestors had shared with him during his childhood. Patton went on to graduate from the United States Military Academy at West Point and commissioned as a Second Lieutenant in the 15th Cavalry Regiment on June 11, 1909. He married Beatrice Ayer on May 26, 1910. A few short years later Patton would represent America in the Olympics in the first Modern Pentathlon where he finished fifth overall. With...
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... and expanding their knowledge. How could any of us know that this peaceful day would abruptly come to a startling end, and in such a horrific way? Years later, many would ask “where were you when it happened?” What seemed as a normal day to me which consisted of me sleeping in as I didn’t have to work on this particular day, I was awoken by my phone ringing and my hysterical mother on the other end of the line “TURN ON THE T.V. NOW!!!” she screamed and so as I wiped the sleep from my eyes and reached for the remote to do as she had instructed I asked her what’s wrong? and she cannot give me an answer as she is too upset to speak at this moment. Upon turning on the television to Fox 5, I was instantly snapped out of my usual morning stupor as horror crept into me. What I saw was nothing less than heart wrenching. The United States had been attacked by an unknown face, for unknown reasons, and all we the American people could do now was watch in horror. As the reporter spoke footage of the twin towers was replayed over and over again, and I watched in horror as a commercial passenger airliner was shown crashing into the towers in New York. I tried to wrap my mind around what I was seeing, and who could possibly be so heinous as to destroy innocent lives and further more why would someone want to? What had the United States done to bring such hatred upon ourselves, and to the extent where innocent lives were no longer innocent they were the targets for such...
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...which Hamlet delivers gives the audience their first glimpse of him as a character. Hamlet is reflective and depicts the way he views his own position; he tells of his father’s death and then his mother’s quick remarriage. He says, “It is not, nor it cannot come to good” (I, ii, 163), when referring to the marriage of his mother. This gives the audience a hint of foreshadowing because it is the first time when Hamlet mentions the future. This speech also reveals his thoughts further when he says that his mother is frail because she is a woman, while he also admits that he knows he must hold his tongue. During the course of this speech Hamlet makes several allusions to historical figures and this demonstrates to the audience that he is an intelligent young man. One of these allusions is when he compares the love his late father had for his mother to Hyperion to Satyr; this is a reference to the sun god and his affections. This clearly shows the audience that his heart is breaking not only for the loss of affections towards his mother but the fact that she does not seem to care about this loss. A second allusion made during the course of this soliloquy is a reference to Niobe, a figure in Greek mythology who was so grief stricken she could not stop...
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...Thirty-Seven Chapter Thirty-Eight Chapter Thirty-Nine Excerpt from Insurgent Chapter One Chapter Two Acknowledgments About the Author Back Ad Praise for Divergent Books By Veronica Roth Credits Copyright About the Publisher CHAPTER ONE THERE IS ONE mirror in my house. It is behind a sliding panel in the hallway upstairs. Our faction allows me to stand in front of it on the second day of every third month, the day my mother cuts my hair. I sit on the stool and my mother stands behind me with the scissors, trimming. The strands fall on the floor in a dull, blond ring. When she finishes, she pulls my hair away from my face and twists it into a knot. I note how calm she looks and how focused she is. She is well-practiced in the art of losing herself. I can’t say the same of myself. I sneak a look at my reflection when she isn’t paying attention—not for the sake of vanity, but out of curiosity. A lot can happen to a person’s appearance in three months. In my reflection, I see a narrow face, wide, round eyes, and a long, thin nose—I still look like a little girl, though...
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...spirit IRIS, the rainbow, messenger of Juno CERES, goddess of the harvest JUNO, queen of the gods and wife of Jupiter: the goddess of riches, the air and of marriage NYMPHS REAPERS SPIRITS The scene: an uninhabited island The Tempest ACT I SCENE I. On a ship at sea: a tempestuous noise of thunder and lightning heard. Enter a Master and a Boatswain Master Boatswain! Boatswain Here, master: what cheer? Master Good, speak to the mariners: fall to't, yarely,or we run ourselves aground: bestir, bestir. Exit Enter Mariners Boatswain Heigh, my hearts! cheerly, cheerly, my hearts!yare, yare! Take in the topsail. Tend to themaster's whistle. Blow, till thou burst thy wind,if room enough! Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO, and others ALONSO Good boatswain, have care. Where's the master?Play the men. Boatswain I pray now, keep below. ANTONIO Where is the master, boatswain? Boatswain Do you not hear him? You mar our labour: keep yourcabins: you do assist the storm. GONZALO Nay, good, be patient. Boatswain When the sea is. Hence! What cares these roarersfor the name of king? To cabin: silence! trouble us not. GONZALO Good, yet remember whom thou hast aboard. Boatswain None that I more love than myself. You are acounsellor; if you can command these elements tosilence, and work the peace of the present, we willnot...
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...constant, although with a particular focus on the tropes of physical prowess, superhuman endurance in combat and dutiful respect of ladies. However, as Leigh Hunt remarked of Tennyson’s Idylls of the King, the poem ‘treats the modes and feelings of one generation in the style of another’. I would argue that, in fact, this applies directly to all three writers. Malory presents the reader with an earthy, realistic, yet anachronistic representation to demonstrate the worth of such ideals in a country wrought with decline and chaos during the Wars of the Roses. Tennyson idealizes this knightly conduct: this glamorization of chivalry functions as a model which, for Tennyson, reflects the applauded propriety of Prince Albert and other Victorian gentry. Monty Python, in tune with the 1960/70s synonymous with the radical and subversive, deride the chivalric values which to them seem impractical and unrealistic. In medieval Arthurian literature, physical prowess was a knightly imperative. Being seemingly undefeatable in battle was the basic underlying currency of the medieval feudal system. For example, Thomas of Chestre’s fourteenth-century warrior, Sir Launfal, slays ‘Syr Valentyne’, who ‘was wonder...
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...THESEUS Now, fair Hippolyta, our nuptial hour Draws on apace. Four happy days bring in Another moon. But oh, methinks how slow This old moon wanes! She lingers my desires, 5 Like to a stepdame or a dowager Long withering out a young man’s revenue. THESEUS Our wedding day is almost here, my beautiful Hippolyta. We’ll be getting married in four days, on the day of the new moon. But it seems to me that the days are passing too slowly—the old moon is taking too long to fade away! That old, slow moon is keeping me from getting what I want, just like an old widow makes her stepson wait to get his inheritance. HIPPOLYTA Four days will quickly steep themselves in night. Four nights will quickly dream away the time. And then the moon, like to a silver bow 10 New bent in heaven, shall behold the night Of our solemnities. HIPPOLYTA No, you’ll see, four days will quickly turn into four nights. And since we dream at night, time passes quickly then. Finally the new moon, curved like a silver bow in the sky, will look down on our wedding celebration. THESEUS Go, Philostrate, Stir up the Athenian youth to merriments. Awake the pert and nimble spirit of mirth. Turn melancholy forth to funerals. 15 The pale companion is not for our pomp. THESEUS Go, Philostrate, get the young people of Athens ready to celebrate and have a good time. Sadness is only appropriate for funerals. We don’t want it at our festivities. Exit PHILOSTRATE Hippolyta, I wooed...
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