...King James I and his court were the first to watch a production of William Shakespeare’s “Othello.” The famous playwright was in the midst of his tragedy period, penning such classics as “Hamlet,” “King Lear,” and “Macbeth.” The story of “Othello” has its roots in the historical events and cultural atmosphere of the late 16th and early 17th centuries. It was a common practice of playwrights at the time to borrow or lift plot ideas from other preexisting stories, and Shakespeare was no exception to the rule. The plot of “Othello” most closely resembles a 1565 story by the Italian writer Giovanni Battista Giraldi Cinzio: a Moorish general is tricked by one of his officers into thinking his wife has been unfaithful. Shakespeare took the basic plot points of this tale and embellished them for dramatic effect, adding characters like Roderigo and Brabanzio and more fully developing the character of the villain, Iago. To heighten and speed up the drama, “Othello” takes place over the span of a few days. The backdrop of “Othello” has its origins in the real-life conflicts between Turkey and Venice that occurred in the late 16th century. The action of the play takes place in Cyprus, a Venetian military outpost that was conquered by the Turks in 1571. A contemporary study of these wars was “The History of the Turks,” written and published by Richard Knolles in 1603—just a year before “Othello” premiered. It is reasonable to assume that Shakespeare, like anybody of the time who kept...
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...HOW TO TEACH “OTHELLO” (The play by William Shakespear’s) I. INTRODUCTION Othello, like all of Shakespeare’s plays, particularly the tragedies, is complex and subtly nuanced. Through its complexitiesand subtleties, Shakespeare makes us care about the characters who people this story. We understand their weaknesses and their strengths, their passions and their nobility. In our engagement in their lives and our pondering over what has gone wrong and why, we are given the opportunity to analyze human life both in the abstract and in the particular of our own lives. Shakespeare’s ability to involve us in the lives and fortunes of his characters is one of the best reasons for reading and teaching Othello. Othello has particular gifts to offer to teenagers. It is a play about passion and reason. Intense feelings are exhibited here:love, hate, jealousy, envy, even lust. Teenagers struggling with their own passions can empathize with both Roderigo’s and Othello’s plight. It is also a play that examines, as do Shakespeare’s other works, human relationships and interactions. For teenagers in the first rush of attempting to understand how romantic relationships work and when and why they might fail, this text provides much to ponder. In addition, studying the play gives young people a rich literary vehicle for developing their critical thinking and analytical reading skills. The closer they examine this work, the richer they find it. II. SUMMARY OF THE PLAY The play is set...
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...To ‘endure’ love suggests overcoming hardships and turmoil. Both Othello’s high status and skin colour are regarded as obstacles to overcome in their relationship. “Noble moor”. From the word ‘noble’ we can see the fact that Othello has a high status in the Venetian society at that time which meant that he had a greater fall. The word ‘moor’ was a common derogatory term for black people in the 1600’s when Othello was set. Desdemona is depicted to show respect to her father and admit her duties towards him, showing her caring nature. “My noble father”, “to you I am bound for life and education. My life and education both do learn me how to respect you” and “you are the lord of my duty” The use of diction such as ‘lord’ and ‘noble’ when referring to her father shows the immense respect and love she has for him as she views him as her god for giving her life and education. She admits to her marriage and also understands her duties towards both her father and her husband. “You are lord of all my duty” (181), “But here’s my husband”. Othello was honest when he said that he has won Desdemona’s heart by telling her tales of his past. Desdemona is very faithful and truly loves Othello as she was very charmed by him and at the same time truly respects her father and his views showing her good nature. Brabantio is a very protective father. He makes sure that his daughter Desdemona lives a sheltered life under his care. She is his only child so he treats her like a prized possession...
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...Literature Paper 3: Othello How are conflicts between the individual and society presented in the play, Othello? In drama terms, the definition of conflict is the opposition between characters or forces that motivates or structure the action of the plot. In Othello, the conflicts between the individual and society are manifested through the conflicts between friends and enemies, Othello’s inner conflict, cultural and racial disparities which lead to racial discrimination. In this play, society precedence over the individual as the society somehow has forces to control the individual. takes Shakespeare uses techniques such as contrast, soliloquys, dramatic irony, syntax rhythm to achieve this. As a foreigner, Othello is an individual who is discriminated by the society he lives in which is dominated by white Venetians. Though he is a respectable general, he is still regarded as an outsider. In the beginning of the play, Iago presents Othello as a misfit in Venetian society because of different race and skin tone. This is seen through the snide remarks about Othello. “…an old black ram Is tupping your white ewe…” (1.1.88-89) This dramatic incongruity between Othello as the “old black ram” and Desdemona as the “white ewe” emphasises the Othello’s otherness. Through the antithesis-the contrasting light and dark imagery-we see the racial conflict between Othello (individual) and the Venetian society. The conflict between Othello and Brabantio is a microcosm of the conflict...
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...the Shakespearean tragedy “Othello” written by William Shakespeare, the themes that’s being portrayed are honour and gender, through the play the audience if captivated by the characters choices and motives through the play. With the characters choices they help to make the play more understandable as the audience can recognise the tragic hero in both the plays. The relationships between men and women in Othello are remarked as lesser then men. Iago often refers to his wife as a prostitute - "A house wife that by selling her desires, Buys herself bread and clothes (iv.i.95)” showing what type of relationship women and men had during the late 16th century. Women were generally considered obedient, respectful, kind and warm. They were never outspoken nor were they meant to, for it could be seen as a lack of loyalty. When Othello accused Desdemona of cheating on him, he found himself in a position that he didn't want to face with. Othello was emasculated with the thought of a woman disobeying him. Men were easily manipulated into thinking the worst of woman because they were certain it would never happen. However, when the slightest things start to be pointed out the characters start to over analyse. Woman were not on the same level as men; men talked down to woman, they didn’t see them as equals nor think that they should be treated like one. This relates to Othello and Desdemona’s relationship – she “betrayed” their marriage by cheating so when Othello found out he reacted by saying...
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...Shakespeare’s “Othello” is a whirlwind of a story as it follows the emotional roller-coaster of an army general in the midst of love. The role-character, Othello, is an articulate, passionate and intelligent African-American who finds himself unable to trust the love that he and his wife Desdemona have for one another. Although Othello seemed to many as the epitome of strength and confidence, every superman has their kryptonite. Othello was punctual, knew just the right words to say at the precise moment – he was a romantic warrior, and intellectually sound. Nevertheless, as the story unfolds, Othello’s confidence is slowly transformed by his betrayer, Iago, to reveal Othello’s deep insecurities, lack of ability to manage relational uncertainty...
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...Othello Notes Reputation/Honour Importance of the theme of Reputation / Honour in Othello: The significant theme of reputation and honour is portrayed frequently throughout the novel Othello. Many of the characters in the novel carefully consider the consequences of their thoughts and actions in regards to their reputation and honour, making sure that they appear noble even when their actions are irrational and selfish. Such an example is shown when Iago appears to be simply stating the obvious about Desdemona, instead of manipulating Othello to believe his own fears. Othello is dictated by his desire to live up to his reputation, achieved through years of being a general in Venice. Reputation, used in conjunction with jealousy and trust, provide the key elements which provoke Othello’s mental disintegration shown predominantly by language techniques, into a world of mistrust and assumption. It is logical to assume that Othello’s suicide was a consequence of his need to preserve any traces of reputation left from his dedicated work as a general; from the characteristics portrayed of Othello it is implied that the act of imprisonment would crush Othello – he would no longer be an honourable citizen. In a similar way to Othello’s suicide, Iago’s sudden and unpredicted vow of silence could be assumed to also be a form of self-preservation, manipulating other characters by preventing any more damage to his reputation by not accidentally admitting details of his ignobility. ...
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...Andrea Barba Mike McLane ENGL 2450 31 March 2015 Racism Affects in Desdemona & Othello’s Relationship In Othello by William Shakespeare, it can be observed that even though Othello appears to be of good nature, his race affects how some of the other characters behave towards him. Othello’s race affects how the play develops, especially in regards to his relationship with Desdemona. While the Venetians do not appear to have any issue with having a black high ranking soldier, some do appear to have an issue with him marrying a white woman. Observe in the beginning of the play when Iago and Roderigo go to see Brabantio to explain what has occurred with his daughter, Desdemona. Because of Othello’s race they do not tell Brabantio that Othello and Desdemona have married; they inform him that Othello has stolen her. Brabantio goes to the senate because he believes that in fact, Desdemona was stolen, that she could not have gone with Othello willingly. He believes that Othello has used witchcraft and spells because he doesn’t think she would have gone with Othello on her own. Brabantio actually says to the Duke “By spells and medicines bought of mountebanks, For nature so prepost’rously to err” (1.3.61-62). He goes to this extent because he thinks it is against nature for them to even be together and reiterates it saying to the Duke and Senator “Against all rules of nature, and must be driven To find out practices of cunning hell” (1.2.101-102). Brabantio is trying to convince...
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...dramatist around the world. Among all his works, many literary critics regard Othello as the peak of his tragedies. Othello is not only a tragedy of family, but also a tragedy of love. Jealous psychology of the characters ultimately leads to the marital tragedy. Iago was jealous of Cassio and Othello, so he slandered and entrapped Cassio and Desdemona, which directly brought about the tragedy. Othello’s true love to Desdemona was utilized by Iago who had an ulterior motive. Driven by jealousy, Othello readily believed Iago, and personally killed his own wife, and eventually drew his sword to cut his own throat. Therefore, the tragedy in Othello’s marriage is largely rooted in jealous psychology. We analyze the reason effect this tragedy of marriage by following the premarital objective situation and the subjective married life. Othello and Desdemona’s marriage is doomed and dysfunctional from the beginning because of acute differences in marriage and due to Othello’s flaw of characters. We analyze the reasons which affect this tragedy of marriage by following the premarital situation then Othello’s characters in married life. To pave the way for detailed analysis, it is necessary to know about two types of marriages at that time. Jessica Tvordi says in “In quarter and in Terms like Bride and Groom”: Reconfiguring Marriage, Friendship, and Alliance in Othello “In its treatment of marriage, Othello introduces and creates tensions between two models of marriage: the dynastic or...
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...In the play Othello, the character of Othello has certain traits, which make him seem naive and unsophisticated, compared to many other people. This is why Iago, is able to manipulate him so easily. Iago told Roderigo, "O,sir, content you. I follow him to serve my turn upon him "(I, i lines 38-9). Iago is saying, he only follows Othello to a point, and upon reaching it he will not follow him any longer. This is the first sign of how deceitful Iago will be. Iago has his own evil agenda in mind and he will use his reputation of being honest Iago to influence Othello. The Moor, as many Venetians call him, is of strong character. He is very proud and in control of every move throughout the play. The control is not only of power, but also of the sense of his being who he is, a great warrior. In Act I, Othello has runs into Brabantio, who has come to kill him, but before anything could happen Othello said, "Hold your hands, both of you of my inclining and the rest. Were it my cue to fight, I should have known it without a prompter" (I, ii, lines 80-3). The power shown here is quite astounding. The nature of Othello's character is of a dark man. A dark man, not only because he is black, but also because his whole person is very mysterious. He is mysterious in that he believes there is magic brewing everywhere. With this dark side he is also very outgoing, and not very bright. It is almost too easy for Iago to trick him into believing that Desdemona is unfaithful. Though he doesn't...
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...Student’s Name Professor’s Name Course Date Racism in Othello Once or twice in a lifetime, individuals go through the ordeal of racism or being alienated; in the play by William Shakespeare, Othello, the young man Othello has served the city of Venice in a number of ways ranging from emerging victorious in the wars he fought to providing other services to the same city. At the time the play was being written in the 17th century, the minority groups were considered nonentities, irrelevant and were also ignored in most activities of the society. Despite the frustrations faced by the blacks during this time, Othello emerged a unique black man who managed to become a military general who was even accorded respect by the white people who were also in power. However he started experiencing the diverse effects of racism when he got married to Desdemona, the daughter of a senator by the name Barbantio; what made people to insist that the marriage across the races was not the right thing. Other characters were not pleased with move of Othello to marry the senator’s daughter and resort to calling him names such as the moor, which indicated his race; they referred to him with such names so that they could remind him that he was a descendant of Africa. This fight which was launched against the minority groups within the play Othello later brings his marriage to a tragic end. The play Othello cannot be seen as being racist, but the characters within the play were racists...
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...Student’s Name Professor’s Name Course Date Racism in Othello Once or twice in a lifetime, individuals go through the ordeal of racism or being alienated; in the play by William Shakespeare, Othello, the young man Othello has served the city of Venice in a number of ways ranging from emerging victorious in the wars he fought to providing other services to the same city. At the time the play was being written in the 17th century, the minority groups were considered nonentities, irrelevant and were also ignored in most activities of the society. Despite the frustrations faced by the blacks during this time, Othello emerged a unique black man who managed to become a military general who was even accorded respect by the white people who were also in power. However he started experiencing the diverse effects of racism when he got married to Desdemona, the daughter of a senator by the name Barbantio; what made people to insist that the marriage across the races was not the right thing. Other characters were not pleased with move of Othello to marry the senator’s daughter and resort to calling him names such as the moor, which indicated his race; they referred to him with such names so that they could remind him that he was a descendant of Africa. This fight which was launched against the minority groups within the play Othello later brings his marriage to a tragic end. The play Othello cannot be seen as being racist, but the characters within the play were racists...
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...Shakespeare's Attitude Toward Women in "Othello" A quick summary of the play can be found here. Shakespeare was always wary of women and careful to give them respect, which is obvious when reading Othello. The society of Othello is strongly dominated by men who are the political and military leaders of their homeland. These men are expected to stay loyal to their reputations and to uphold the strong sense of character that earned them their positions in the first place. Women on the other hand, are thought of as weak second-class citizens or even defective males, who are in place for nothing more than to serve their men. The captivating thing about Othello is Shakespeare’s upheaval of these expectations, demonstrating his malaise over the way gender relationships were so often represented. The monstrous actions and subsequent downfall of the men in Othello show how no one is above being corrupted and how men are not nearly as powerful as they seem. The resolve of the female characters demonstrates their capacities to do much more than simply serve. Furthermore, by the end of the play, I believe the men of Othello are not the ones who represent strength; instead, this title goes to the women. From the way the play begins, women seem like nothing more than affectionate wives and pawns in Iago’s evil scheme. Emilia claims, “I nothing, but to please his fantasy,” (Norton Ed., 2157) referring to Iago, as she snatches up Desdemona’s handkerchief in order...
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...> Compare the way writers present the forces of destructive love in Othello, Tess of the d’Urbervilles and A View from the Bridge. > > Shakespeare, Hardy and Miller present the forces destructive love in a variety of different ways, key ways include; through the use of literary terminology, representation of characters and symbolic themes of culture/society at the time. It is often portrayed within a mixture of other categories of love; patriarchal, romantic and unrequited intertwined with the most prominent themes of fate, family and tragedy. > > In terms of form, structure and context; Shakespeare has chosen the form of a play for his story of Othello therefore being divided into Acts and Scenes which develops the undertone of drama allowing for 'cliffhanger' endings, which when portrayed in the theater is positively reviewed by the audience. For example the first known performance in November 1604 at Whitehall Palace, which then created widespread delight causing the play to move across England. Perhaps the play was so greatly beloved due to the time in which it was written, as it came into the Jacobean period (when King James I ruled England) as the period of delight during Elizabethan times (due to War Victory) was over and so the tone of the play will be keeping well with the tone of the time between the reigns. It will also be coinciding with the theme of War as the play is set in the backdrop of Wars between Venice and Turkey when in reality the Spanish Armada will...
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...ALLEGOR AND IRONY IN 'OTHELLO' Y ANTOINETT B. DAUBER E Othello is Shakespeare's Spenserian tragedy, in which the theme of slandere d chastity becomes a vehicle for exploring the problems of an allegorica l art . Allegory is the mode of selfconscious faith, and Spenser's corpus may be rea d as a portrai t of the artis t as allegorist , wrestling first with the burdens of selfconsciousness and then with the burdens of faith.l In Othello, Shakespeare compresses and objectifies this struggle. Unlike Spenser, he is not committed to the maintenance of allegory, and so he freely dramatizes the interna l weaknesses and external onslaughts that lead to its destruction. What I am calling the 'Spenserian ' quality begins with the chivalric elements in the tragedy. Truly, Othello is a kind of Savage Knight, Desdemona, the absolutely, almost miraculously, worthy lady, and Iago, something of a manipulator like Archimago.2 But more particularl y I would call attention to a specific engagement with Spenserian rhetoric . Consider Cassio' s words of welcome to the disembarking Desdemona: Tempests themselves, high seas, and howling winds, The gutter'd rocks and congregated sands, Traitors ensteep'd to enclog the guiltless keel, As having sense of beauty, do omit Their mortal natures, letting go safely by The divine Desdemona. (2.1.68-73)3 He sets her in the line of Spenser's heavenly allegories . As a parallel , we may recal l Una , slandere d by the arch-magician , abandone d by 123 her...
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