...information plaque). The painting depicts a small purple sailboat with a green and red sail in the sea underneath an enormous, majorly, pink cloud in the light blue sky with two other red sailboats and purple steam boats. The enormous pink cloud and the light blue sky is reflected into the sea and the purple sailboat has a dark reflection in the sea as well. The sailboat is in the center of the painting while the cloud is above and behind the sailboat. The other sailboats are to the right and behind the main sailboat and the steam boats are all the way to the right in the far distance. The time of day in the work, which can be determined from the color of the cloud and sky, appears to be sunset and the sun is off canvas at the top left corner. The viewer is meant to be looking at this view of the boats and massive cloud from land and to be peering at the landscape from the very edge of the water due to no land being shown. The primary focus of the painting is the sailboat that is located within the foreground of the painting. The focus divides the painting nearly symmetrically, the sky and the lake are almost even and the boat is right in the center to keep the painting balanced. The sailboat also in a way creates a dark arrow that makes the eye go to the pink cloud. The painting contains primary colors (blue, red, and yellow). There are many hues of purple for darker clouds, pink for the cloud, light greens for the sea and sail, various blues for the sky and shadow for...
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...Date: 1905 Style: Fauvism In the Joy of Life painting Matisse used flat, bold, contrasting colors. This technique of heavily outlined forms is an expression of fauvism. Each figure is simplified with strong outlines, creating linear rhythm. These outlines give the figures shadowing and depth. In the Foreground of the painting the figures are much larger than those in the background; Matisse diminished size to give the impression that the dancers are much farther away. Matisse created a sense of real perspective, as well as giving his piece direction. His piece makes you center in on the middle and the figures dancing in a circle. Each figure is painted peacefully in their own unique ways, some relaxing, others dancing, and a couple embracing each other. Matisse depicted a celebration of life, sexuality, and womanhood. Matisse’s Joy of Life and Picasso’s Les Demoiselles are two complete different styles. Matisse’s landscape is a broad open field. His figures are un-crowded and relate to the forms of nature that surrounds them. Picasso, on the other hand, compressed the space and took Matisse’s sensual relaxed atmosphere and turned it into an assertively pornographic ambiance. Picasso chose deep tones and shattered forms, where Matisse used clear, bright pigments and graceful curves. Artist: Pablo Picasso Title: Les Demoiselles Medium: Oil on Canvas Date: 1907 Style: Cubism The Les Demoiselles is a very disturbing painting. Picasso strayed from current and classical...
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...This piece of artwork depicts a group of women in an island setting. In the upper right portion of the painting, there are two women carrying a large tray above their heads. They are both dressed in white, ankle length strapless dresses. Both women have long, black hair and the women closer to the center of the painting seems to have her hair in a low ponytail. They are standing on a grassy embankment of green. In front of them is a pink embankment. There is a thin strip of yellow sandy beach that leads to the ocean behind them. In the background there is a wave with a white crest and a group of palm trees. The sky above the two ladies is partly cloudy with a vibrant blue peeking out from behind the white and grey cloud. In the upper center portion of the painting, there is a large figure standing on top of a brown platform surrounded by a group of rocks. The ocean looms behind the figure and the pink and purple embankment is in front of the figure. This figure has brownish grey skin and is wearing a blue codpiece with brown trim on the top. There is a blue skirt attached to the back portion of the codpiece, from hip to hip. This skirt seems to extend longer than the elevated platform the figure stands on. This figure has large, stony facial features. The black hair of this figure is parted in the middle and there is a large blue moon directly behind the head. This figure is standing erect with both arms curved out at the elbows away...
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...and it can never be a wrong answer. When an art piece is being deconstructed it needs to have support to help prove the point, and a way to help prove that, is to peel the layers away from the art piece. Throughout this paper, I will be peeling away Jacques Louis David’s painting called Andromache Mourning Hector. The art historians say the women in the painting is names Andromache, and she was married to Hector, who died in a battle to save his people. They say Andromache’s face is shows pain and her hand is laying opened on her husband’s side asking why did this have to happen to him. Andromache also is holding onto her son for comfort,...
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...Evergood 1934 Oil on Canvas Dance Marathon is a representational oil painting of several people gathered in an enclosed area that was painted by Philip Evergood in 1934. These people are unevenly spaced apart throughout the painting, either by themselves or paired with another person. The enclosed area has bleachers surrounding the spider web-like floor that is separated by handrails. On the top left hand side of the painting there is a man who is lounging across a few rows of the bleachers. To the left of this man you see a skeleton hand that is holding a $1,000 that appears to be hanging from the ceiling with the light fixtures. In that same area on the wall there is the word “walkathon” and “first aid station” with a red cross over a doors way. To the left o the door way you see a lady that is in all white from head to toe. To the right of the doorway, there are men sitting and one man standing at a table and they are placed under a red sign that has white lettering that says “Winner takes all Couples $1000 Solo $500”. Right next to the red sign there is another sign that says “49th day” placed above a Mickey Mouse clock. The bleachers on the right hand side of the painting there is a man in a black suit sitting next to a lady in a pink dress. Below the couple, sitting on the bottom row of the bleachers is another man in a suit and a hat hanging over the handle bar. On the bottom left corner of the painting there is an arm of a woman that is wearing a spiked gold bracelet and...
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...visual form such as painting and producing works to be appreciated primarily for their beauty or emotional power. They are various branches of creative activity, such as painting, music, literature, and dance. The elements of the composition of the art are used to arrange or organize the components in a way that is pleasing to the artist and, hopefully, the viewer. It helps give structure to the layout and the way the subject is presented. It also encourages or leads the viewer's eye to wander around the whole painting, taking in everything and ultimately coming back to rest on the point. These elements are considered to be unit, balance, rhythm, focus, contrast, pattern, color, line among others. Unit refers to when the parts of the composition feel as if they belong together. Balance is the symmetrical arrangement of objects. It creates a sense of calm when symmetrical and a sense of unease and imbalance where it’s not. Rhythm: just like music, a piece of art has rhythm, a piece of art can have a rhythm or underlying beat that leads and paces the eye as you look at it .Repeated color and shapes creates a rhythm in a paint (Rosenberg 2013). Focus refers to emphasis on a particular object. The viewer's eye may want to rest in the most of the things in the painting, otherwise he may feel lost and wandering around in space, while pattern shows the underlying structure, the basic lines and shapes in the paintings. Color is also an important element of painting. Every color has three...
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...This painting is called “Café Terrace at Night” by Vincent Van Gogh. It was created at 1888. This painting has the primary colors of blue, green, and a tiny bit of red. It also has a secondary color of yellow. The painting depicts the analogous colors of blue and yellow. The color temperature in this painting is cool and chill, but at the same time it is warm and cozy. The complementary colors of yellow contrasts with the complementary colors of blue and green. The contrast draws the attention to the focal point which is the café. There are a lot of vertical lines to show the stability of night. There are other buildings in the painting, but the audience’s eyes go toward the café. There are people sitting in the café eating, drinking, and conversing. There are also people in the streets wearing clothes with festive colors. The yellowish white stars in the night sky illuminate the ground. The pavement is reflecting the light of the starry sky and the café. The pavement also has a pattern going on. The light and dark values draw you to the focal point of the Café. I believe this painting has compositional unity, because the elements and principles are organized. The colors of harmonizing blue and the cozy café fits together perfectly. There is nothing out of place in this paining. In my opinion, the tranquil colors of blue of the night sky depict the calmness in the painting. For me, the café is the emphasis in this painting. The painting is mostly in dark and cold colors, but...
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...well as various cultural backgrounds. Among them I choose two religious painting as my favorite: The Divine Shepherdess, from 1780-1800, which is an oil painting on canvas; and Domenico di Bartolomeo Ubaldini’s Madonna and Child with Saint John the Baptist and an Angel, from 1518-1520. The latter one is also an oil artwork, but on panel, not on canvas. According to the annotate of The Divine Shepherdess, the theme source comes from the words of Saint Antoine, who said: “Mary is the Good Shepherd who pastures the church with the blessed fruit of her womb.” In The Divine Shepherdess, Mary has been portrait as a young woman with care and love, providing protection and shelter to the lambs. Sitting on a rock under a tree, Mary wears a tunic with delicate gild flower patterns embroidered on it. On her shoulder hangs a dark blue mantle, which embroidered with identical gild flower pattern as her tunic and trimmed with lace. On the shepherdess’s dark wavy hair she wears a golden lace timed hat with red feather on the top. Two angles, one on the top corner at each side, hold a crown and are about to put it on Mary’s head. The red and white ribbons around the angles symbolize Mary and the lambs. Near Mary’s right hand was a shepherd’s crook, symbolic of the love and care she provides her children (which had been represented as the flock of lambs here). Rose is another symbolic figure in this painting: she held a rose in her left hand, while had her right one rested on...
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...Follow-Up Assignment The Descent Into Hell by Duccio is significant as a painting because it shows the symbolic power of Christ over Satan as he sets his forefathers free from Limbo. Being in Purgatory, the souls in this place are sinned cannot move into Heaven, but Christ’s frees them and cleanses them. The technical characteristics of the painting would categorize it as Early Italian Renaissance, but has traces of Byzantine art as seen by the gold shine on Christ's robe. Above Christ’s head is a clear definition of a golden halo and represents his holiness as the son of God. The people painted in the image have shape and proportion underneath the draped clothing giving it a sense of scale and proportion. This is a characteristic that the Southern Italian artists uses due to their interest in the human anatomy. The perspective of the image is flipped up which is an attempt to giving dimension to the figures, but instead the illusion is indicated by stacked figures. Although, the doorway that Christ busted down shows the inner curves which gives the impression of the door’s dimension. By opening the cave, it allows for more space in the painting. The Moneylender and his Wife by Massys depicts a scene of a man occupied on weighing pearls, jewels, and coins on the table in front of him and this action is distracting his wife from reading a book. The two figures are symmetrically framed in the painting focusing the attention to them. Massys discretely paints the religious icon...
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...The Burial of Count Orgaz is a painting by famous renaissance artist El Greco. The painting is sixteen by eleven feet and was drawn with oil on canvas. The painting depicts a burial scene of Count Orgaz and a heaven scene with Christ above them. This painting is the most intriguing for El Greco’s use of two focal points. In El Greco’s career The Burial of Count Orgaz is widely accepted as his greatest work. In describing the painting itself it is divided into two sections, one being a burial scene of Count Orgaz in the lower half portion of the artwork, and a scene of heaven with Christ and the saints swirling overhead among thin silky clouds. The two distinct sections of this artwork give the painting two focal points, which the eyes are drawn towards. The section of the artwork depicting heaven has Christ as a focal point, he is centered at the very top of the painting with virtually every figure around him looking up with some motioning towards him. Christ is dressed in white robe, and the figures surrounding Christ vary from Saints to musicians, angles, multitudes of followers, and the Virgin Mary. The figures all seem to be swirling among silky clouds around Christ which gives each figure a distinct position and proportion in the painting, some closer up and distinctive, other more further away and faded. The burial scene directly below the heavens has the Count Orgaz as the focal point and he is positioned near the lowest part of the painting and perpendicular to Christ...
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...April 3, 2014 Piet Mondrian/ De Stijl The “Logical Consequences of Cubism” Piet Mondrian Landzicht Farm Under Unclouded Blue Sky (1905) -placid water—stable image -reflection of trees on a slow moving river -inhibits the illusion of death because of symmentry -charge the realistic landscape Geinrust Farm in the Mist (1906-07) Avond (Evening); Red Tree (1908) -symbolist color influences of Van Gogh -more extreme, pure colors—less and less naturalistic -starts to focus on single objects that are more static and more frontal -putting pressure on the motif of the tree View from the Dunes with Deach and Piers -starts to explore the methods of Seurat - Seurat’s atomization of motif and symbol -futile to depict nature as it is -encounter of the verticality of the plane -osilating between surface and depth -structurally on the left and chromatically to the right Lighthouse in West Kappele (1909) Molen (mill); Red Mill at Domburg Evolution 1910-11 -esoteric iconology -relationship between spirituality and abstract form -mondrian is thinking about how you can make paiting universal -discovers Cezzanian impact on cubism—turns around his painting and makes him pick up more abstract aspects Still Life with Gingerpot (1911) -still much naturalism -can still comprehend many objects that are depicted illusionistically -creates metrix of lines Still Life with Gingerpot II (1912) -linear squaring and organization of all...
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...Water-Young-Il Ahn On the day of Friday April 10, 2015, I Angie Ramirez visited the Long Beach Museum of Art and came across a painting that I found breathtaking. The painting happened to be by 80-year-old painter, Young-Il Ahn. Water ALB14, is a painting inspired by the ocean. It is a large piece of art; one that is even taller than me; keeping in mind I am five feet two inches and this painting measures at exactly 72 x 60 inches. It is oil on a canvas and is part of Ahn’s A Memoir of Water Works. This painting is a startling piece of work. In this painting, Ahn uses bold colors and texture to mimic the immensity of the ocean and the constant movement of the waves. He uses mostly different shades of blue, red, green, and yellow. The bright colors he uses are more of a representation of his own creative style. Ahn captures a more private moment using bold colors creating an emotional impact. He used bright colors and elaborately used more of a royal blue than red, yellow, and green. . He also used graceful and sensuous lines that seem to appear as small brushstrokes. The surfaces on this painting are textured beautifully and do happen to show a bit of small harsh lines, almost like dabs giving the artwork a dramatic feel. This work of art is represented as non-representational art because it takes nothing from reality. It is created purely for aesthetic reasons. The intent was to use the elements and principles of art in a way that results in a visually stimulating work. Ahn...
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...The first impressions a person gets when looking at this painting are loss, sympathy and sadness. This painting is painted with Acrylic on a large canvas. It shows a corner of a building that is partly destroyed. Not much of the building can be seen but things beside the corner don’t seem to have that much damage. The building seems to have three storeys and there is a blue commercial sign on the first floor that has red Chinese words. This painting has some blue and red colours but mostly gray. This painting looks like as if a person was took a picture while standing by the corner of the building. Gray is the colour of ash and storm clouds therefore when a person see a painting of something unpleasant that has a lot of gray it makes it more unpleasant. The Gray colour on the painting assists on making it more tragic. The title Apartment tells what’s in the paining directly. The name of the exhibition is self-similar “In mathematics, a self-similar object is exactly or approximately similar to a part of itself” wiki. Most of the paintings in exhibition are similar; they all seem to represent the same time and place which is Beijing after the Sichuan earthquake. Naming the exhibition self-similar is a metaphor; the artist is showing people the pain of different people from different part of the world and delivering the massage that Beijing is one of the places that faced a disaster. So, disasters around the world are the object in this metaphor and Beijing is one of the parts...
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...aesthetically and spiritually. Also, with a strong, vivid palette of primary and secondary colours—red,yellow and green with a hint of brown and flesh undertones—a sense of the artist's emotional depth is evoked. Hence, the self-portrait suggests a robust man whose forceful presence is asserted formally through his unorthodox, expressive painting style and palette choice. Affandi’s expression reveals physical flaws, including his broken teeth and thinning hair. However, the expression captured on Affandi’s face is one of benign good humor as he grins widely out from the picture to return the viewer’s gaze, which brings across a dynamic side of his personality despite his old age. In conclusion, Affandi’s self-portraits reveals an aging artist who realizes his frailty and, despite this, still exudes confidence and passion. Van Gogh’s self-portrait is one of a man with a chiseled face and penetrating eyes, fringed by red and ocher wisps of hair, which all but glows against a field of cool, moody blue-green, set down in fervent, agile brush strokes. Indeed, the use of the color blue is so prevalent in the painting that it becomes less a color than force, colonizing and dominating the canvas. This conveys an atmosphere of dramatic melancholia, reflecting Van Gogh’s unstable and unhappy state of mind when he was working on the painting. Refuses to function as merely a backdrop, the blue comes to physically envelop Van Gogh, saturating...
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...The two paintings that I chose for our second writing assignment are Self-portrait on the Borderline between Mexico and the United States and Model with Unfinished Self-portrait. I chose these two paintings for two reasons. The first reason being that both pieces include people. I thought that might make it easier to compare and contrast the two. The second reason is even though they both have people they each have a totally different feel to them. Self-portrait on the Borderline Between Mexico and the United States has an almost confusing feel to it. Kahlo is standing between Mexico and the U.S., and seems lost in and confused about where she belongs. The right side, the U.S., is dominated by industry, and the left, Mexico, is represented by landscape and the Mexican culture. The painting has variety and unity. I think that if I looked at this painting without knowing the title and the intension I would say that this piece has only variety, but because I understand what Kahlo wants to communicate, the variety is unified. Model with Unfinished Self-portrait has a simpler feel to it. It seems to be more peaceful and relaxed. A painting to look at and enjoy, not deciphering the “true” meaning behind it. I think the most confusing part about this piece is the title. Without looking at an outside source to see what the artist looks like, is the model sleeping or is the model sitting at the table. My first guess would be that the model is the one asleep and the artist is the...
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