...and two passions. Although Bach didn’t write an opera, he wrote passion including recitatives, arias, choruses, chorales, and orchestral accompaniment. Bach wrote instrumental chamber music for solo, ensemble. For his work, there are fifteen sonatas for solo instruments such as six sonatas and patitas for violin (BWV 1001–1006), six cello suites (BWV 1007–1012), and partita for solo flute (BWV 1013). To be specific about the sonatas and partitas, the word sonata is derived from sonare which means ‘to play’ . It indicates that the piece were composed to play by an instrument, not sung by. The earliest sonatas were regularly written for an ensemble of instruments consist of small sections of contrasting material. The contrasting sections eventually evolved to separate movements with different affects, which became a form of multi movements These sonatas are distinguished by sonata da Chiesa (church sonata) and sonata da camera (chamber sonata). Most of them followed sonata da Chiesa form. There are thirteen works for unaccompanied solo instruments. Six sonatas and partitas for violin, Six suites for cello and a partita for flute. Sonata da Chiesa (church sonata) consists of four movements in alternation of fast-slow- fast-slow movements. Bach’s three sonatas for violin displays the form strictly. The whole four movements keeps the original key with the second movement is usually in relative key. The first movement is usually serious and solemn with counterpoint. The following...
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...Gluck-Sgambati 1)Dance of the blessed spirits Scarlatti 1)Sonata d minor K. 1 (L 366) 3)Sonata f minor K. 466 (L 118) Bach 1)WTC Book 1-Selections wtc1—#2 BWV 847, #22 BWV 867 2)WTC Book2-Selections wtc2-2 BWV 871 3)Tocattas—c minor, e minor, 6)French overture 7)Goldberg Variations—Selections aria, 1, 2, 5, 6, 9, 15 , , 31, aria 8)Invention No. 15 b minor 8)B minor Partita—Bach-Siloti 5)Partita C minor—final movement 9)Marcello full Beethoven 1)Moonlight Sonata 2)Pathetique Mov. 2 3)Appasionata 4)op. 131—4 Haydn—minor sonatas 1. Keyboard Sonata in G minor, H. 16/44 2. Keyboard Sonata in C minor, H. 16/20 3. Keyboard Sonata in C sharp minor, H. 16/36 4. Keyboard Sonata in B minor, H. 16/32 5. Keyboard Sonata in E minor, H. 16/34 6. Andante with variations for piano in F minor, H. 17/6 Chopin 1)Etudes—Selections op. 10/1, ,op. 25/6, , op. 25/12 2)Nocturnes—Selections op.9(1b, 3B), op. 15(2F#,), Op. 27(1c#, 2Db), Op. 48 (1c) --nocturnes[5], op. 72 no. 1, (Postumous No. 20 c# minor), 4, 6, 7, 8, 12, 15, 16, 20, 22, 24--preludes[10] 5)Waltzes-7 (c# minor), 14 (e minor), b minor, a minor, a flat major--waltzes [2] 6)Polonaise—F# minor Polonaises Op. 71 no. 1 Op. 71 No. 3 Polonaise for piano in B flat minor, KK IVa/5, CT. 164 (B. 13) Polonaise for piano in G minor, KK IIa/1, CT. 161 (B. 1) Polonaise for piano in G sharp minor, KK IVa/3, CT. 163 (B. 6) Polonaises for piano, Op. 26, No. 1 Polonaise Op. 26, No...
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..."Well-Tempered" tuning method that has been in use ever since, and used that method to create his genius works that make up the "Great 48 preludes and fugues". His mastery of counterpoint is unique. And the vast number of works, from the simplest lute piece to his wonderful Cantatas and on to the massive Passions and Masses profess the enormous genius. It is true that his music fell out of favor after his passing, but a few decades later we find the great composers from Beethoven through Liszt (and many more) being greatly influenced by the master Bach. Bach's works. His pieces require a very good finger independence technique, clear tone, legato (without pedal), cerebral difficulty (fugues). Have you ever listened to his six keyboard partitas? Goldberg variations? If Baroque music had consisted only of harmonies like those of Handel and Vivaldi, great as they are, the next generation might have started looking for different ways to sound new and fresh. We can't know, of course. There are a plethora of words that can describe Bach’s musical genius Bach's influence in music would be the equivalent an actor winning the holy trifecta of an Emmy for television, a Tony for stage productions, and an Academy Award for movies. As it is Einstein only tackled a piece of the whole puzzle; Bach was the ultimate initiator of all that we recognize today. Bach was influential during the baroque era. Bach's music was the foundation upon which modern music is derived from. His hard work...
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...Kellie Holley MUS 101 / 01402 February 10, 2013 Johann Sebastian Bach Johann Sebastian Bach was born March 21, 1685 in Eisenach, Thuringia, Germany. He was the youngest child of Johann Ambrosius Bach and Elisabeth Lämmerhirt. Johann Ambrosius Bach was a string player, employed by the town council and the ducal court of Eisenach. After his parents’ death, he was looked after by his older brother, Johann Christoph, who had been a pupil of Johann Pachelbel. It was from his brother that he received his first formal organ lessons. From 1703 to 1707, Bach was appointed as organist at the Neue Kirche (New Church) in Arnstadt. During this time he composed such works as Capriccio sopra la lontananza del suo fratello dilettissimo (1704; Capriccio on the Departure of His Most Beloved Brother), the chorale prelude on Wie schön leuchtet (c. 1705; How Brightly Shines), and the fragmentary early version of the organ Prelude and Fugue in G Minor (before 1707). In 1707 Bach obtained a post at the Blasiuskirche in Mühlhausen in Thuringia. He moved there soon after and married his cousin Maria Barbara Bach on October 17, 1707. At Mühlhausen he produced several church cantatas, all cast in a conservative mold, based on biblical and chorale texts. The famous organ Toccata and Fugue in D Minor and the Prelude and Fugue in D Major may also have been composed during this time, as well as the organ Passacaglia in C Minor. Cantata No. 71, Gott ist mein König (God Is My King), printed around...
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...16/07/2013 Page 2 of 2 • Costa Radio • Costa CruiseTips • Le destinazioni più richieste • I siti Costa Crociere • Le applicazioni Costa • • • • • • • • • • • • • Crociera Giro del Mondo Australia Baleari Canarie Caraibi Grecia Dubai Mauritius Norvegia Nuova Zelanda Oriente Spagna Turchia • Costa Land - Bambini, il divertimento è assicurato • La vacanza che vorrei... - Scopri la meta ideale delle tue vacanze! • John Heald’s blog (in lingua originale) Azienda Responsabilità sociale Informazioni utili Mappa Contattaci Carta dei diritti del passeggero Corsi di formazione Comment Form Cataloghi Costa online Condizioni generali Assicurazioni Finanziamento Esigenze Speciali Trasferimento dati USA Sicurezza FAQ © 2013 Costa Crociere S.p.A. - Partita IVA IT 02545900108 - Tutti i diritti riservati - Dati societari - Privacy NOVITA' aperto tutti i giorni (compresa domenica e festivi) 24 ore su 24 CHIAMATA DA RETE FISSA Costo di un'urbana al minuto (indipendentemente dal gestore): - Dal Lunedì al Venerdì 0,014 euro dalle 08.00 alle 18.30 0,082 euro dalle 18:30 alle 8:00 - Sabato 0,014 euro dalle 08.00 alle 13.00 0,082 euro...
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...RISERVATO ALLA BANCA Banco di Napoli S.p.A. Sede sociale: Napoli - Capitale Sociale Euro 1.000.000.000,00 i.v. - Registro Imprese Napoli, Codice Fiscale e Partita IVA 04485191219 - N. Iscr. Albo Banche 5555 - Codice ABI 1010.8 Appartenente al Gruppo bancario “Intesa Sanpaolo” - Iscritto all’Albo Gruppi Bancari - Socio Unico, Direzione e Coordinamento Intesa Sanpaolo S.p.A. VALORI ESATTI ITNATNOC Qtà Taglio Importo Cognome e nome …................................................................................................................................ MAV - ELETTRONICO BANCARIO PAGABILE ESCLUSIVAMENTE PRESSO AZIENDE DI CREDITO ESENTE DA COMMISSIONI domicilio …............................................................................................................................................... nato il …............................................... a …............................................................................................. doc. id ….............................................. nr …............................................................................................ emesso il ….......................................... a …............................................................................................ codice fiscale …....................................................................................................................................... ***************** DETTAGLIO VERSAMENTI **************** A.A.: 2011/2012...
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...On Monday, March 18th I attended my second College of Charleston Dance Concert. This year’s concert was entitled “Landmark”. The title embodies the triumph of this landmark year in which CofC is now offering a dance major. Each of the pieces was concentrated on the idea of a landmark in the sense of the choreographer’s direction. With the subject being so broad, there was an excellent array of styles, themes, and performance. The Jazz piece entitled “Take Five” was choreographed by Julianna Hane. The piece was inspired by the 1920s jazz clubs and combined the authentic style of the time with contemporary movement. thought the costumes were absolutely wonderful. The bright, bold colors that contrasted against eachother brought life to the piece. The dance started and ended the same, with the one guy walking onto the stage (and then exiting at the end). His quirk drew my attention and I was immediately drawn in. At the beginning I thought the movement was a tad slow-going. I was hoping to see a more “va-va-voom” like dance because of the inspiration behind the piece, the roaring 20s. I expected to have a more sultry draw as well. One part that really stood out to me was the little solo section. I thought the concept of the group dancing in the circle and taking turns to individually have the spotlight was great. They each demonstrated different skills and brought something new to the piece. It reminded me of a "dance off" in a way. I especially...
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...Music & Infinite Spirit I attended the South Suburban College’s Faculty Members’ Recital on Wednesday afternoon, October 15, 2014. The lecture recital included two music faculty members. David L. Howard was the violinist and was accompanied by Marilyn Bourgeois on the piano in presenting a music work of J.S. Bach from Paritita 3: Preludio…Gavotte en Rondeau, also P. de Sarasate…Nocturno,(from Chopin opus 9, number 2); and Paganini Caprice Number 24. The Lecture Recital was held at the college main campus’ Kindig Performing Arts Center. The Kindig Performing Arts Center seats roughly about 400 people, and all of the seats were not occupied due to the time of day but Mr. Howard stated it was a bigger turn out then normal which was good . I had a good seat with a fair view in the top right cascade of the theatre. The recital began promptly at the scheduled time as expected. When Mr. Howard was introduced the lights were dimmed down a little and were centered on the stage. Mr. Howard began by positioning the violin carefully under his neck. When Mr. Howard started playing his violin you could feel the vibration from each piece he performed. Mr. Howard performed Preludio. Gavotte en Rondeau by Bach which was a perpetual motion masterpiece and a ‘country’ dance of French origin. Next, was a transcription of Chopin’s Nocturne Opus by Pablo de Sarasate which his work is in the same key he adds an individual flair. Last was Caprice Number 24 by Niccolo Paganini. Each...
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...School of Music Performance Series Autumn 2014 Greetings from the Director Ladies and Gentlemen! On behalf of The Ohio State University School of Music, I am thrilled to announce, as our gift to Central Ohio and musiclovers everywhere (I’ve been waiting to say this for months!), cue timpani roll … FREE ADMISSION TO SCHOOL OF MUSIC EVENTS FOR ACADEMIC YEAR 2014-2015 (With the exception of just a few premium concerts, noted throughout this brochure.) Our facility fund-raising New Day Initiative is well underway but there is no reason to wait for a new building, we’re making music now! We want you to come to a concert and find out why we are celebrating YOUR School of Music. Want to get involved? Join our new Patron Society. Learn about the possibilites at music.osu.edu. A few reminders: Musicology Lecture Series – We enjoy this series and want to spread the word. Not only will you hear fascinating speakers, but also you’ll have the opportunity to discuss their research with them. Parking on Campus – We recommend using the Ohio Union South Garage located a short distance south of our performance venues and accessible from both College Road and High Street. Find more information in the back of this brochure and at music.osu.edu. 22nd Annual Music Celebration Concert Friday, December 5, 2014 | 8 p.m. (see page 12 for additional information) I look forward to seeing you at these concerts, lectures and recitals. Be sure to stop backstage afterwards and introduce yourself...
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...MosaicoX: appunti per la gestione dell'interfaccia ® Mosaicox: Appunti per la gestione dell'interfaccia Versione 3.6 – 15.11.2006 - © Whag srl Autore: Carlo Cassinari Applicabile a MoasServer Ver. 1.3.5 Pag. 1 di 24 15/11/06 MosaicoX: appunti per la gestione dell'interfaccia I marchi MosaicoX e i tre quadrati rossi con la X sono marchi registrati di Whag Srl Pag. 2 di 24 15/11/06 MosaicoX: appunti per la gestione dell'interfaccia Indice dei contenuti 1. Struttura dell'interfaccia 1. Componenti di base della videata 2. ApView 3. Collegamenti tra ApView e Database 4. Struttura base di una tabella dati 5. Specifiche dei descrittori degli oggetti delle ApView 2. Elenco tabelle applicative 3. API Pag. 3 di 24 15/11/06 MosaicoX: appunti per la gestione dell'interfaccia 1. Struttura dell'intefaccia L'interfaccia del MOAS può essere costruita dinamicamente dal client in base alle informazioni che gli invia il server. Per questo sono stati implementati nel server xmlrpc i metodi GetViewGui, GetViewData, GetTreeMenu e GetSpeedBar. Questi quattro metodi, estrapolando le informazioni contenute in alcune tabelle del database, inviano al client l'elenco dei componenti che definiscono i contenuti, l'aspetto e le funzioni disponibili per l'interfaccia. Questo sistema offre il vantaggio di poter costruire o modificare l'interfaccia in funzione delle esigenze specifiche del singolo cliente. Attualmente è disponibile l'interfaccia WEB e alcune librerie...
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...Johann Sebastian Bach was born in Eisenach, Saxe-Eisenach, on 21 March 1685 O.S. (31 March 1685 N.S.). He was the son of Johann Ambrosius Bach, the director of the town musicians, and Maria Elisabeth Lämmerhirt.[10] He was the eighth child of Johann Ambrosius, (the eldest son in the family was 14 at the time of Bach's birth)[11] who probably taught him violin and the basics of music theory.[12] His uncles were all professional musicians, whose posts included church organists, court chamber musicians, and composers. One uncle, Johann Christoph Bach(1645–93), introduced him to the organ, and an older second cousin, Johann Ludwig Bach (1677–1731), was a well-known composer and violinist. Bach drafted a genealogy around 1735, titled "Origin of the musical Bach family".[13] Bach's mother died in 1694, and his father died eight months later.[5] Bach, aged 10, moved in with his oldest brother, Johann Christoph Bach(1671–1721), the organist at St. Michael's Church in Ohrdruf, Saxe-Gotha-Altenburg.[14] There he studied, performed, and copied music, including his own brother's, despite being forbidden to do so because scores were so valuable and private and blank ledger paper of that type was costly.[15][16] He received valuable teaching from his brother, who instructed him on the clavichord. J.C. Bach exposed him to the works of great composers of the day, including South German composers such as Johann Pachelbel (under whom Johann Christoph had studied)[2] and Johann Jakob Froberger;...
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...LE AGEVOLAZIONI FISCALI A FAVORE DELL’ATTIVITÀ SPORTIVA DILETTANTISTICA LE AGEVOLAZIONI FISCALI A FAVORE DELL’ATTIVITÀ SPORTIVA DILETTANTISTICA INDICE INTRODUZIONE 1. L’ATTIVITÀ SPORTIVA DILETTANTISTICA Associazioni e società sportive dilettantistiche L’iscrizione al CONI I primi adempimenti fiscali 2. IL REGIME FISCALE AGEVOLATO In cosa consiste Le condizioni per accedere Come fare la scelta 3. LE AGEVOLAZIONI PER LE IMPOSTE SUL REDDITO Imposte dirette Irap Le attività considerate non commerciali 4. LE AGEVOLAZIONI PER LE IMPOSTE INDIRETTE L’Iva L’imposta di registro L’imposta di bollo Le tasse di concessione governativa 5 6 6 8 8 10 10 11 12 14 14 15 16 18 18 20 20 20 5. I COMPENSI PAGATI DALLE ASSOCIAZIONI: IL TRATTAMENTO FISCALE 21 Le imposte sui compensi agli sportivi 21 Le somme corrisposte agli amministratori 23 6. I BENEFICI SUI FINANZIAMENTI RICEVUTI Le sponsorizzazioni La raccolta dei fondi 7. LE DICHIARAZIONI FISCALI DELLE ASSOCIAZIONI SPORTIVE Il modello UNICO Il modello 770 8. LE AGEVOLAZIONI PER CHI SOSTIENE LE ASSOCIAZIONI La detrazione irpef per iscrizione e abbonamento alle associazioni sportive Le erogazioni liberali effettuate da persone fisiche Le erogazioni delle società ed enti 9. PER SAPERNE DI PIÙ 25 25 26 28 28 28 30 30 31 32 33 3 LE AGEVOLAZIONI FISCALI A FAVORE DELL’ATTIVITÀ SPORTIVA DILETTANTISTICA INTRODUZIONE Negli ultimi anni l’attività sportiva dilettantistica ha ricevuto particolare attenzione da parte del legislatore....
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...Baroque Period Baroque music describes a period or style of European classical music approximately extending from 1600 to 1750. This era is said to begin in music after the Renaissance and was followed by the Classical music era. The word "baroque" came from the Portuguese word barroco, meaning "misshapen pearl", a strikingly fitting characterization of the architecture of this period; later, the name came to be applied also to its music. Baroque music forms a major portion of the classical music canon, being widely studied, performed, and listened to. It is associated with composers such as Johann Sebastian Bach, Antonio Vivaldi, Jean-Baptiste Lully, George Frideric Handel, Arcangelo Corelli, Claudio Monteverdi, and Henry Purcell. The baroque period saw the development of functional tonality. During the period, composers and performers used more elaborate musical ornamentation; made changes in musical notation, and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established opera as a musical genre. Many musical terms and concepts from this era are still in use today. History of the name Music described as Baroque is a broad range of styles from a wide geographic region, mostly in Europe, composed during a period of approximately 160 years. The systematic application of the term "baroque" to music of this period is a relatively recent development. It was in 1919 that...
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...|L.p. |Włoski |Polskie znaczenie | |1 | Nome |nazwisko, nazwa | |2 | Molto, tanto |Bardzo | |3 | A |do, ku, na, po, za, dla, przy, aby, żeby (tu) | |4 | Attraverso |przez (fru) | |5 | E |I | |6 | Solo, gia’ |tylko, właśnie | |7 | Un |stawiamy przed spółgłoską (e) | |8 | La forma, creare |forma, tworzyć | |9 | In |w | |10 | La fraza |zdanie | |11 | E’ |jest (3 os liczb.poj) | |12 | Perfetto |świetnie | |13 | Questo |to | |14 | Pensare |mysleć, uważac | |15 | Tu |ty | |16 | Parlare, dire |mówic, powiedziec | |17 | Che |że,...
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...Uscire dalla crisi con Keynes keynesblog.wordpress.com “La saggezza del mondo insegna che è cosa migliore per la reputazione fallire in modo convenzionale, anziché riuscire in modo anticonvenzionale” – John Maynard Keynes, Teoria generale dell'occupazione, dell'interesse e della moneta John Maynard Keynes (1883-1946) è stato il più importante e “rivoluzionario” economista del Novecento. La sua teoria economica, che ruppe con la tradizione liberista del laissez-faire,cioè con l’idea che lo Stato non debba occuparsi di economia e lasciar fare al libero mercato, fu la base del New Deal inaugurato dal presidente americano Franklin Delano Roosevelt per uscire dalla crisi iniziata nel 1929 con il crollo di Wall Street. Le politiche keynesiane, costituite soprattutto da investimenti pubblici, tassazione progressiva e protezione sociale, risollevarono l’economia americana e segnarono la politica economica dell’Occidente fino agli anni ‘70. L’abbandono di quel fecondo filone di pensiero, in favore di un libero mercato senza alcun contrappeso, ha sguarnito la politica e la teoria economica degli strumenti per comprendere e gestire i cicli e ha prodotto diseguaglianze sempre più gravi che, secondo molti, sono tra le cause della recessione di questi anni. Il principio della domanda effettiva “Quando si risparmiano cinque scellini, si lascia senza lavoro un uomo per una giornata.” − John Maynard Keynes, Esortazioni e profezie − Keynes, contrastando alla radice la teoria economica allora...
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