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Renaissance: Linear Perspective

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Renaissance: Linear Perspective
Maurice Young
ART/101
July 21, 2013
Sara Shreve

Renaissance: Linear Perspective One of the major roles of the artist is to enable the viewer to see the world in a new and innovative way. This task was a major challenge for the Renaissance artist before the 14th century on account of the artist not having the eyes to see or the skills to introduce the world to linear perspective. Smarthistory (2013) states that linear perspective “creates an illusion of space from a single, fixed viewpoint. This suggests a renewed focus on the individual viewer, and we know that individualism is an important part of the Humanism of the Renaissance” (para. 3). Although beautiful and true to the style of the time, before the Early Renaissance period artist did not paint in three dimensional however, some artist did try to create illusions of space and depth to show the world realistically during the late 1300s unsuccessfully (Op-Art.co.uk, 2012). A list of Renaissance artists took full command of creating three-dimensional illusions on canvases and in their victory we see the world in a new and innovative way.

[pic] Fig. 1 1486 Birth of Venus Botticelli Galleria degli Uffizi Sandro Botticelli (1445- 1510) was an Italian painter who studied under the direction Filippo Lippi who was a master painter during the Florentine Renaissance. Lippi taught Botticelli linear perspective along with a linear sense of form for color which is displayed in Botticelli’s “Birth of Venus”. The painting depicts Venus coming from the sea, arriving at the sea-shore awesomely praised as a goddess by angels and a woman. Humanism is major influence at this time which Botticelli acknowledges by placing Venous nude in the center of the painting. Botticelli painted the goddess Venous to symbolize his version of pagan

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