...“The Dead” In James Joyce’s short story “The Dead” we notice how not living life to its fullest potential can be detrimental to a persons self esteem. The title contributes to this revelation by setting a strong focus on death and mortality, which serves as a constant reminder throughout the story. Joyce chooses to reveal this to us in forms of motifs of music to structure the story, and with this use of musical references the meaning of the story comes out in so many different ways creating a melody, thereby binding the music, and story together. Joyce uses the main character Gabriel to reveal to us the overall reoccurring theme, and how emotionally dead these characters are which leads up to Gabriel’s epiphany at the end of the story. With a title like “The Dead” we imagine that it is going to take place in some gloomy place, like a graveyard. However, to our surprise the story opens up to a Christmas party in which Mr. & Mrs. Conroy, Gabriel and Gretta, are invited to attend. We do not get the feeling of gloom or death, but more of a warm inviting environment. However, with the progression of the story the focus shifts towards the isolation and insecurities that Gabriel is exemplifying. We first see this taking place when he is questioning himself about his speech that he is planning on giving later on in the night. Gabriel is wondering whether or not to quote Robert Browning because he “fears they would be above the heads of his hearers.” (2174) He feels...
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...lighthearted, or how horrific and tragic a film is perceived by the audience. This paper will provide an analysis of Hans Zimmer’s composition of the soundtrack to the movie The Dark Knight Rises. This dark, intense and emotionally pounding soundtrack pairs perfectly with the tension between the mysterious Batman character and his latest evil nemesis Bane. We will examine the musical characteristics of two selections from this soundtrack, “Gotham’s Reckoning” which has become Bane’s primary theme music that will forever connect the audience with feeling of impending doom and “Rise” the epic closing number in the movie that connects us to the previous films in the trilogy. There is a reoccurring rhythmic pattern used throughout this soundtrack that seemingly connects each piece in the work. The chant heard throughout the score gives a primitive depth since the words are unrecognizable. Hans Zimmer uses synthesizers and samplers to create this modern score which is closely tied to the music previously written for the two prior films from this trilogy. There are even some parts of the new musical pieces that contain excerpts or samples from the prior films soundtracks. Zimmer uses this technique in order to recreate the emotions from the prior films to establish an immediate connection with the familiar characters. “Rise” is actually the last piece of music in the movie; however, since it is also used in both of the previous films this connection effectively marks the...
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...and it gives off an eerie mood. Also on the first page, the rooms are described as: “That at the eastern extremity was hung, for example, in blue --and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange --the fifth with white --the sixth with violet.” Each room’s color represents a part of the life cycle. Because of the last room being the darkest, it also symbolizes a person’s death. With the reoccurring symbolism of death, there is yet another...
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...Tyler Gathercoal Written Assignment 2112 November 11, 2011 This seven movement “suite” as many people would describe it, is almost 21 minutes in duration. The song, 2112 (pronounced, twenty-one twelve), was written by the band, Rush. Rush is composed of three members; Alex Lifeson, Geddy Lee, and Neil Peart. The band originated in Canada in the year 1974. They quickly moved to the United States where they became one of the most popular bands in their era. Alex plays the guitar, Geddy plays the keyboards and bass while singing, and Neil Peart plays his massive drum-set and writes the band’s lyrics. In 1976, Rush came out with their fourth album, 2112—this album is often referred to as “Rush’s break-through album”. This album might possibly feature Rush’s greatest song ever composed, 2112. This song is based in the year 2112, and takes place at “The Temples of Syrinx”, which is where many priests live their lives. These priests do not believe in individualism, they believe they are all equal. All the priests that live at this temple are banded together under the Red Star of the Solar Federation. One day, one of these priests finds a guitar. He learns to how to play this guitar and shows the other priests, even though guitars have been banished from the temple for decades. The high priest thinks the guitar is evil and that it had destroyed the older generations of mankind. The high priest destroys the guitar. The 2112 album cover is seen as a red pentagram with...
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...Country: Germany/England See Here the Conqu'ring Hero Comes is one of Handel's most popular pieces. Three minutes and three seconds (3:03) long, it is a movement within a longer composition entitled Judas Maccabaeus written for an ensemble (group) of musicians. If you think of Judas Maccabaeus as a book, then See Here the Conq'ring Hero Comes acts as a chapter in that book. A movement may be enjoyed by itself; however, like a chapter in a book, it also fits into the structure of a larger composition. While you listen to this piece, ask yourself questions such as: what do you hear in this selection? In what way does this piece demonstrate unity and variety? Does listening to this music have any emotional or physical effect on you? Musical Ideas Now that you have listened to the entire piece, let's look at the structure of the work broken down into smaller sections. In this movement, there are two main...
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...AN ANALYSIS OF THE PRACTICE AND APPLICATION OF "STEALTH MARKETING” THROUGH CUSTOMER RELATIONSHIP MANAGEMENT & THE FRONTIER OF COMPETITIVE DIFFERENTIATION (GRAMEENPHONE PERSPECTIVE) By Tarannum Binte Shaheed ID: 081 044 030 An Internship Report Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Business Administration Fall 2012 NORTH SOUTH UNIVERSITY February 2013 1 AN ANALYSIS OF THE PRACTICE AND APPLICATION OF "STEALTH MARKETING” THROUGH CUSTOMER RELATIONSHIP MANAGEMENT & THE FRONTIER OF COMPETITIVE DIFFERENTIATION (GRAMEENPHONE PERSPECTIVE) Submitted to: Dr. Jashim Uddin Ahmed Internship Supervisor Director & Lecturer, School Of Business BUS 498: Internship Submitted By: Tarannum Binte Shaheed ID # 081 044 030 Bachelor of Business Administration (Fall 2012) NORTH SOUTH UNIVERSITY 2 LETTER OF TRANSMISSION February 15, 2013 To Dr. Jashim Uddin Ahmed Director & Lecturer School of Business North South University Bangladesh Subject: Submission of Internship Report Dear Sir, It is my great honor to submit the report of my 3 months long Internship Program in Grameenphone Ltd. The report titled ―An analysis of the practice and application of Stealth Marketing through Customer Relationship Management & The frontier of Competitive Differentiation (Grameephone‘s Perspective)‖ is the final outcome of successful completion of my internship program at the company. It has been a joyful and enlightening experience for me to work in an organization...
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...Bloodlines of Illuminati by: Fritz Springmeier, 1995 Introduction: I am pleased & honored to present this book to those in the world who love the truth. This is a book for lovers of the Truth. This is a book for those who are already familiar with my past writings. An Illuminati Grand Master once said that the world is a stage and we are all actors. Of course this was not an original thought, but it certainly is a way of describing the Illuminati view of how the world works. The people of the world are an audience to which the Illuminati entertain with propaganda. Just one of the thousands of recent examples of this type of acting done for the public was President Bill Clinton’s 1995 State of the Union address. The speech was designed to push all of the warm fuzzy buttons of his listening audience that he could. All the green lights for acceptance were systematically pushed by the President’s speech with the help of a controlled congressional audience. The truth on the other hand doesn’t always tickle the ear and warm the ego of its listeners. The light of truth in this book will be too bright for some people who will want to return to the safe comfort of their darkness. I am not a conspiracy theorist. I deal with real facts, not theory. Some of the people I write about, I have met. Some of the people I expose are alive and very dangerous. The darkness has never liked the light. Yet, many of the secrets of the Illuminati are locked up tightly simply because secrecy is a way...
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...50 Key Concepts in Gender Studies Jane Pilcher & Imelda Whelehan Fifty Key Concepts in Gender Studies i Recent volumes include: Key Concepts in Social Research Geoff Payne and Judy Payne Key Concepts in Medical Sociology Jonathan Gabe, Mike Bury and Mary Ann Elston Forthcoming titles include: Key Concepts in Leisure Studies David Harris Key Concepts in Critical Social Theory Nick Crossley Key Concepts in Urban Studies Mark Gottdiener The SAGE Key Concepts series provide students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension. JANE PILCHER AND IMELDA WHELEHAN Fifty Key Concepts in Gender Studies SAGE Publications London • Thousand Oaks • New Delhi iii © Jane Pilcher and Imelda Whelehan 2004 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted or utilized in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission in writing from the Publishers. SAGE Publications Ltd 1 Oliver’s Yard 55 City Road London EC1Y 1SP SAGE Publications Inc 2455 Teller Road Thousand Oaks, California 91320 SAGE Publications India Pvt Ltd B-42 Panchsheel Enclave Post Box 4109 New Delhi 100 017 British Library...
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