...Key Questions in ANT1CAG 1.What can anthropology offer to help understand global issues and problems? 2.How can anthropology contribute in our attempt to make sense of things that happen in or affect our everyday lives? 3.How do anthropologists think through things and how do they explain things? Emotional Knowledge Thinking and Feeling, Mind and Heart Anthropological Imagination What’s special about anthropology? ANTHROPOLOGY Clyde Kluckhohn ( Mirror for Man, 1944:16): “Ordinarily we are unaware of the special lens through which we look at life. It would hardly be fish who discovered the existence of water. Students who had not yet gone beyond the horizon of their own society could not be expected to perceive custom which was the stuff of their own thinking. Anthropology holds up a great mirror to man and lets him look at himself in this infinite variety” Anthropology subfields. -biological/physical – archeology –Linguistics – Social/Cultural Ethnology –comparative study of cultures or people Ethnography – a systematic study of a culture or people. History of Anthropology - Herodotus = father of anthropology? Age of Discovery (16th and 17th century) - Xuanzang (7th century chinese) - xuanzang said that the Indians were very clean, why has that changed? Ethnocentrism: evaluating other cultures according to preconceptions originating in the standards and customs of ones own culture. Edward Tylor –(1832 – 1917) 1st professor...
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...inspiration from prehistoric and tribal art and from various subcultures as a way of breaking the then indoctrinated rules of fine art and experimenting with entirely fresh techniques (Cardinal 2004). Prehistoric influences on modern artists were tacitly acknowledged in post-World War II France, which coincided with the discovery of the Lascaux Cave in 1940 and its opening to the public in 1948. Cardinal (2004) makes a case that the French painters and print-makers, Pierre Tal Coat, Jean Dubuffet, Jean Fautrier, and others were all influenced by the widely circulated popular images of Lascaux reprinted in newspapers and magazines at the time. Prehistoric cave art continues to capture our imagination, and despite its antiquity, reflects a style similar to many in the Western pictorial tradition, which may partially explain the reason we are still fascinated by these cave paintings today (Rosengren 2012). ...
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...to the formally mentioned anxieties faces by negra women, Anastacia’s popularity flourished. Once Brazilian culture had shaped the myth, the myth began to shape Brazil. Saint Anastacia’s appealed across ethnic boundaries, her image became a tool for racial harmony and pacifist black movements. Her fame sparked several television programs and radio shows, as well as a few hit songs (Blessed Anastacia, 77). Since her resurgence, the myth of Anastacia has become a vital Catholic devotion, with passionate followers and substantial cultural prominence. The myths of Napo Runa follow a less concise order than Anastacia; because the legends have been in the culture for so long, it’s impossible to pinpoint exact origins of the myths, as such my analysis of Napo Runa myth will depend more on myth and culture relationships rather than direct cause and effect. Nevertheless, I can offer theoretical possibilities based on their culture and Michael Uzendoski’s work. Connotations in their myths tend to prioritize men’s contribution as well as the male-female relationship. People associate masculine presence with life and strength; for example, children are swindled in cloth symbolizing the male genitalia in order to grow. Similarly, Napo Runa myth lends itself to male power, shamanism and shapeshifting is thought to be inherited through the paternal line (Napo Runa, 53). The Napo Runa marital relationship is unique by its dividing roles and gender unity. Males and females are interdependent on...
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...Saleem Ali Shaman Singh PLOT SUMMARY: In this movie, the jury of twelve men is entrusted with the power to send an uneducated, teenage boy to the Death Penalty. The crime that the boy is accused of is killing his father with a knife. The jury is locked into a small, claustrophobic room, on a hot summer day, until they come up with a unanimous decision. The decision that is to decide a boy’s life is to be either guilty or not guilty. The film is particularly important as it examines the twelve men's deep-seated personal prejudices. These are reflected in the perceptual biases and weaknesses, indifference, anger, personalities, unreliable judgments, cultural differences, ignorance and fears, that are in a position to mar their decision-making abilities, and subsequently cause them to ignore the real issues in the case. This can potentially lead them to a miscarriage of justice. What are the key learning for you as leaders? First and foremost, we learn that every decision should be based on reasonable evidence and it can be dangerous to rush to conclusions. In the movie, most of the Jury members were initially in a hurry to shut the case and pronounce the accused guilty even when they know it’s a matter of someone’s life. Only Mr. Raina stands against such a decision and demands that the jury should give appropriate time to the issue and have a healthy discussion on the entire case. Hence, as managers, we should always be dedicated and do a thorough analysis before taking...
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...Global Business Cultural Analysis South Korea By: Erik Mays Liberty University BUSI 604 Dr. Romanoski May 9, 2014 Abstract In this research paper I will be analyzing the cultural perspectives of doing business in South Korea. In doing so, I will be answering the four major questions as it relates to the major Elements and Dimensions of culture in South Korea. Also, since the dimensions of culture in any nation are many, it is necessary to analyze each category that makes up the Dimensions of one’s culture, these categories have been in place for many years in any given country. If we simply consider the Dimensions of Culture in the United States alone, which range from Religion to our Ethical standards, it would be clear that there are many categories within each of those. Therefore, it is important to analyze each category in detail, in an attempt to determine exactly what it will take to do business in that country or any country across the globe. This research paper will attempt to identify those major elements and dimensions of culture in South Korea. Once these elements and dimensions have been identified, it would give a clearer picture on how South Koreans integrate those elements and dimensions into their everyday business. Also, when comparing South Korean and the United States culture and business, there would naturally be implications that should be considered for US businesses that want to do business in South Korea. This research will also address those...
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...What is Hypnotherapy? Describe the psychological and physical aspects of hypnosis and discuss the role of relaxation in Hypnotherapy. This essay will offer a definition of hypnotherapy and then proceed into a brief history of hypnosis. Afterwards, the aim is to describe what psychological and physical aspects appear within hypnosis including a few examples for illustration. The latter part of this essay will focus on the role of relaxation within hypnotherapy, finishing with an overall conclusion. To answer what is Hypnotherapy, firstly the term ‘hypnosis’ must be understood. Hypnosis is “a different state of consciousness which you can naturally enter so that, for therapeutic purposes (hypnotherapy), beneficial corrections may be given directly to your unconscious mind”, according to the BSCH at http://BSCH.org.uk/hypnotherapy.htm (2007). Therefore, Hypnotherapy appears to be the therapeutic work done between the client and the Hypnotherapist in order for advantageous changes to occur within the clients (unconscious) mind. Ancient history highlights Hypnosis used by the Egyptians through pictorial evidence of people standing over another making what is assumed hypnotic hand motions, but interpretation of such is difficult, (Waterfield 2004). Modern history starts with Franz Anton Mesmer’s (1733-1815) early notions on ‘universal gravitational fluid’ whereby the planets influence fluid inside the human body. Initial healing used magnets owing Mesmer to change his terminology...
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...Promoting Cultural Sensitivity A Practical Guide for Tuberculosis Programs That Provide Services to Hmong Persons from Laos U.S. Department of Health and Human Services Centers for Disease Control and Prevention Hla dej yuav hle khau; Tsiv teb tsaws chaw yuav hle hau. “When you cross a river, take off your sandals; when you emigrate from one country to another, take off your hat.” –Hmong Proverb Promoting Cultural Sensitivity A Practical Guide for Tuberculosis Programs That Provide Services to Hmong Persons from Laos Female elder. © Frank Carter. U.S. Department of Health and Human Services Centers for Disease Control and Prevention 2008 For Additional Information For more information or for a list of available guides, please contact: Division of Tuberculosis Elimination National Center for HIV/AIDS, Viral Hepatitis, STD, and TB Prevention Coordinating Center for Infectious Diseases Centers for Disease Control and Prevention 1600 Clifton Road, NE, Mailstop E-10 Atlanta, GA 30333 Phone: (404) 639-8120 Web site: http://www.cdc.gov/tb Suggested Citation Centers for Disease Control and Prevention. (2008). Promoting Cultural Sensitivity: A Practical Guide for Tuberculosis Programs That Provide Services to Hmong Persons from Laos. Atlanta, GA: U.S. Department of Health and Human Services. 2 Contents Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Intended Audience . . . . . . . . . . . . . . ....
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...150 Professor: Ramona Lee Pérez, PhD Email: ramona.perez@qc.cuny.edu Office hours: Th 2-3 PM, PH 315H COURSE DESCRIPTION This course is an introduction to the range of human diversity through an exploration of the peoples of the world. We will cover the basic concepts, theories, and methods that anthropologists use to study variations in cultural norms and social practices, economic systems and rules of law, social organization and patterns of inequality, identity and worldview, and patterns of social and cultural change. Focusing on the culture concept and the method of ethnography, we begin with the historical foundations of anthropology and then follow its attempts to understand contemporary human cultures. Comparative analysis of multiple ethnographic case studies and major theoretical approaches illuminates the range of human diversity, the forces that shape cultures, and how people adapt to a rapidly changing modern world. The central objectives of this course are to develop your intellectual skills, your cross-cultural fluency, and your sense of civic and moral engagement in global society. I hope that this course inspires many of you to become anthropology majors or minors, and grants each of you an anthropological perspective on your own life. REQUIREMENTS This is an intensive course that requires full participation from every student. You must attend all lectures, study all the assigned materials before the class for which they are listed, complete...
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...PRE DIPLOMA PROJECT ANALYSIS AND IMPROVEMENT OF ENGINEERING AND MANAGEMENT ACTIVITIES IN THE COMPANY SISECAM II.1. DEVELOPMENT OF GLASSWARE IN THE WORLD II.1.1. BIRTH OF GLASSWARE AND FIRST DEVELOPMENTS Glass is used since approximately 4000 years and it surely is an important invention in the history of humanity. According to knowledge passed from Senior Plinius, first glass was found by chance on the coasts of Phoenicia (present Syrian and Lebanese coasts). According to this chance, saltpetre soils mixed with sands by fire. Phonic merchants, who strived with sailing, had used to saltpetre soils for seated their stew pot that their meals cooked in it. The first known glassware products were glass vases and were produced in Ancient Egypt that dated at approximately B.C. 2700. Ancient Egyptians produced glass pots that were first known and decorated zigzag and invented coloured glass. They embedded their deads in glass coffins. Their habit had been passed to Assyrians and Greeks in Hellenistic era by commercial relationships. The glassware passed from Ancient Egypt to Mesopotamia and Ancient Greece approximately B.C. 2500. Mesopotamians produced glass objects for religious ceremonies and daily usage and spread their glassware to Anatolia. However, the glassware in Mesopotamia started to decline at approximately B.C. 1500 due to continuous wars between Mesopotamian states and foreign invasions. II.1.2. GLASSWARE IN SYRIA AND EGYPT The glassware in Syria...
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...FOUNDATIONS OF TAOIST PRACTICE by Jampa Mackenzie Stewart When you try to define Taoism, you immediately run into trouble. The great Taoist philosopher and author of the Tao Te Ching, Lao Tzu, begins his first chapter with the warning words, The Tao that can be described is not the eternal Tao. The name that can be named is not the eternal name. Thus Westerners are not the only ones who have a hard time defining Taoism; the Chinese have had difficulty time agreeing on just what Taoism is for millenia. Taoism is sometimes defined as a ritualistic religion, as a philosophy, as Chinese folk religion, as alchemy, as a system of magical lore, or as a series of health practices similar to yoga. The adherants of each school often look with disdain on the others as being heterodoxy, heresy, or simply incomplete portions of the great Tao. The Chinese word Tao (pronounced "dow") means "the way, the path." In the common sense it refers to the way of doing anything, or the pathway to some destination. In its higher meaning, Tao refers to the way of the universe, the way things are. As a spiritual system, Tao means the way to achieving a true understanding of the nature of mind and reality, to the way of living in harmony with the changes of Nature. Thus the Tao is the goal, the path and the journey all in one. A Taoist then, is "a follower of the Way," the same title by which the early Buddhists and Christians dubbed themselves. The earliest Taoists appeared at least four thousand years...
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...------------------------------------------------- Iban people From Wikipedia, the free encyclopedia Iban | A traditional Iban Family | Total population | c. 830,000 | Regions with significant populations | Sarawak (710,000), West Kalimantan (100,000) & Brunei (20,000) | Languages | Bahasa Iban | Religion | Christianity/Animist | Related ethnic groups | Kantu, Mualang, Semberuang, Bugau & Sebaru | The Ibans are a branch of the Dayak peoples of Borneo. In Malaysia, most Ibans are located in Sarawak, a small portion in Sabah and some in west Malaysia. They were formerly known during the colonial period by the British as Sea Dayaks. Ibans were renowned for practising headhunting and tribal/territorial expansion and had a fearsome reputation as a strong and successful warring tribe in ancient times. Since the arrival of Europeans and the subsequent colonisation of the area, headhunting gradually faded out of practice although many tribal customs, practices and language continue. The Iban population is concentrated in Sarawak, Brunei, and in the West Kalimantan region of Indonesia. They live in longhouses called rumah panjai[1]. Nowadays, most of the Iban longhouses are equipped with modern facilities such as electricity and water supply and other facilities such as (tar sealed) roads, telephone lines and the internet. Younger Ibans are mostly found in urban areas and visit their hometowns during the holidays. The Ibans today are becoming increasingly...
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...CREATIVE DANCE History of Creative Dance Creative dance is perceived differently by different sectors of the education system. In many provinces, creative dance is part of the physical education curriculum. More recently, two provinces— British Columbia and Saskatchewan— have considered placing dance under the rubric of arts education. The aspect of creative dance that is emphasized reflects the position creative dance is assigned in the curriculum. When in the physical education curriculum, creative dance lessons typically focus on development of the motor skills involved, with little concern for the experience’s aesthetic potential. In arts education, the primary focus is creative dance’s aesthetic potential. Advocates view creative dance not only as having potential for developing motor skills or aesthetic sensibility, but as a means to improve students’ self-concept and as a valuable component of an integrated curriculum. Upon closer scrutiny, however, these different ways of justifying creative dance may prove contradictory. “Creative dance” is a particular form of dance. This form is typically taught in elementary schools because unlike other dance forms, it does not require years of training. Basically, creative dance involves the use of movement elements to express thoughts and feelings. Dimondstein (1974) expands on this definition when she considers dance to be “the interpretation of a child’s ideas, feelings, and sensory impressions expressed symbolically in movement...
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...Praise for The Spirit Catches You and You Fall Down “Fadiman describes with extraordinary skill the colliding worlds of Western medicine and Hmong culture.” —The New Yorker “This fine book recounts a poignant tragedy…It has no heroes or villains, but it has an abundance of innocent suffering, and it most certainly does have a moral…[A] sad, excellent book.” —Melvin Konner, The New York Times Book Review “An intriguing, spirit-lifting, extraordinary exploration of two cultures in uneasy coexistence…A wonderful aspect of Fadiman’s book is her even-handed, detailed presentation of these disparate cultures and divergent views—not with cool, dispassionate fairness but rather with a warm, involved interest that sees and embraces both sides of each issue…Superb, informal cultural anthropology—eye-opening, readable, utterly engaging.” —Carole Horn, The Washington Post Book World “This is a book that should be deeply disturbing to anyone who has given so much as a moment’s thought to the state of American medicine. But it is much more…People are presented as [Fadiman] saw them, in their humility and their frailty—and their nobility.” —Sherwin B. Nuland, The New Republic 3/462 “Anne Fadiman’s phenomenal first book, The Spirit Catches You and You Fall Down, brings to life the enduring power of parental love in an impoverished refugee family struggling to protect their seriously ill infant daughter and ancient spiritual traditions from the tyranny of welfare bureaucrats and intolerant...
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...dances, and mimetic customs; the plays with Spanish influence, among which are the komedya, the sinakulo, the playlets, the sarswela, and the drama; and the theater with Anglo-American influence, which encompasses bodabil and the plays in English, and the modern or original plays by Fihpinos, which employ representational and presentational styles drawn from contemporary modern theater, or revitalize traditional forms from within or outside the country. The Indigenous Theater The rituals, dances, and customs which are still performed with urgency and vitality by the different cultural communities that comprise about five percent of the country’s population are held or performed, together or separately, on the occasions of a person’s birth, baptism, circumcision, initial menstruation, courtship, wedding, sickness, and death; or for the celebration of tribal activities, like hunting, fishing, rice planting and harvesting, and going to war. In most rituals, a native priest/priestess, variously called mandadawak, catalonan, bayok, or babalyan, goes into a trance as the spirit he/she is calling upon possesses him/her. While entranced, the shaman partakes of the sacrificial offering, which may be a chicken, a pig, a carabao (depending on the gravity of the spirit’s anger) or simply rice uncooked or in cakes, rice wine, and betel nut. This act, which represents the death of the supplicant at the hands of the spirit, adapts itself to the occasion for which the ritual is held. Among the...
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...philosophy it carries more abstract meanings. Taoist propriety and ethics emphasize the Three Jewels of the Tao: compassion, moderation, and humility, while Taoist thought generally focuses on nature, the relationship between humanity and the cosmos (天人相应), health and longevity, and wu wei (action through inaction), which is thought to produce harmony with the Universe. Reverence for ancestor spirits and immortals is also common in popular Taoism. Organized Taoism distinguishes its ritual activity from that of the folk religion, which some professional Taoists (Daoshi) view as debased. Chinese alchemy (including Neidan), astrology, cuisine, Zen Buddhism,several Chinese martial arts, Chinese traditional medicine, feng shui, immortality, and many styles of qigong breath training disciplines have been intertwined with Taoism throughout history. Spelling and pronunciation In English, the words Daoism and Taoism are the subject of an ongoing controversy over the preferred romanization. The root Chinese word 道 "way, path" is romanized tao in the older Wade–Giles system and dào in the modern Pinyin system. In linguistic terminology, English Taoism/Daoism is a calque formed from the Chinese loanword tao/dao 道 "way; route; principle" and the native suffix -ism. The sometimes heated arguments over Taoism vs. Daoism involve sinology, phonemes, loanwords, and politics – not to mention whether Taoism should be pronounced /ˈtaʊ.ɪzəm/ or /ˈdaʊ.ɪzəm/. Daoism is consistently pronounced...
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