...Villegas Fohrweisser ID number: 1295075 Source: William Deresiewicz, “The end of solitude”, The Chronical, January 30, 2009, pg. 1 to 4. Key concepts: Social networking, Solitude, Connectivity, Contemporary self, Technology, Society, Loosing abilities, people. Main Issues: What is happening with solitude in these days? Why are T.V. and Internet a problem in these days? And how can they affect the ability to being alone? In wich way does social networking affect the human behaviour? What happen, when you lose the ability to being alone? Main Thesis: We are replacing the solitude to being in constant communication with people. T.V was designed to eliminate boredom, so, when you are bored then you turn on the T.V and Internet doesn’t allow solitude, because you are in constantly communication with people. The more you do social networking, the more known you are, and this happens because people are afraid to being alone. Solitude is important because, it is the moment when people can read, actually it is when people can think about everything. Supporting Elements: • I was told by one of her older relatives that a teenager I know had sent 3,000 text messages one recent month. So on average, she's never alone for more than 10 minutes at once. Which means, she is never alone. (The end of solitude, pg. 1) • The great age of boredom, I believe, came in with television, precisely because television was designed...
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...my way unnoticed In the winter driving rains In and out of lifetimes unmentioned of my name Searching for my double. Looking for Complete admiration to the core 'Tho I tried and failed in finding anymore I prob'ly... I prob'ly thought "There's nothing more Absurd than that love is just a four letter word." http://www.bobdylanroots.com/love1.html Jugalbot Jecca S. SPCH 61 9:00 – 10:30 TTH 12/10/2015 Solitude is not the absence of Love Without solitude, Love will not stay long by your side. Because Love needs to rest as well, so that it can journey through the heavens and reveal itself in other forms. Without solitude, no plant or animal can survive, no soil can remain productive for any length of time, no child can learn about life, no artist can create, no work can grow and be transformed. Solitude is not the absence of Love, but its complement. Solitude is not the absence of company, but the moment when our soul is free to speak to us and help us decide what to do with our life. Therefore, blessed are those who do not fear solitude, who are not afraid of their own company, who are not always desperately looking for something to do, something to amuse themselves with, something to judge. If you are never alone, you cannot know yourself. And if you do not know yourself, you will begin to fear the void. But the void does not exist. A vast world lies hidden in our soul, waiting to be discovered. There...
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...2015 T4 Ella Wheeler Wilcox In the poems Solitude and It might have been by Ella Wheeler Wilcox there are strong comparisons that can be made between the two by using both the style used in each poem and the substance. The poems are almost complete opposites, yet are very similar, Solitude is about being alone in the world or feeling isolated, while It might have been is meant to be empowering because the author encourages the readers to not regret anything or to not let chances slip by. Ella Wheeler Wilcox was born November 5, 1850 in Johnstown, Wisconsin. She began writing poetry at a very young age and was a recognized poet before she had even graduated high school. She was constantly compared to Walt Whitman because of their way of writing; her poetry was sentimental and romantic. Something that set them apart though was their form; Ella Wheeler Wilcox maintained a very traditional form unlike Walt Whitman. Her most famous work was the Poems of Passion. She married Robert Wilcox in 1884. Soon after her husband’s passing in 1916, Ella passed away due to cancer on October 30, 1919. Her autobiography, The Worlds and I, was published in 1918, a year before her death. The poem Solitude talks about being isolated from the world when you are feeling down and enjoying everything around you when you are feeling happy. Laugh and the world laughs with you; / Weep and you weep alone (Solitude. Lines 1 and 2) these two lines in the poem, I believe, show...
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...-------8 Summary Reaching Out was published by Doubleday Dell Publishing Group in 1986. It was written by Henri Nouwen and offers counsel in the three movements of the spiritual life. The book simplifies the relational of humanity with the living God. Nouwen (1986) explores these three movements as spiritual growth and development. This he indicated will bring people closer to God. The first movement is from loneliness to solitude. Loneliness is an inner struggle for all humans. It is a feeling that no matter how many people are around you, you still feel alone or lonely. Loneliness is to be embraced, to look at it as a phase on the journey of life. The lonely person must have the courage and the faith to follow the path from loneliness to solitude. The illustration about the New York subway was very intriguing. There are so many people traveling on the same path, yet they are alone in their isolated bubble. Solitude by contrast is being centered in life, contented in the experiences of life as it occurs. The transition from loneliness to solitude involves the path to freedom. Freedom to live life to the fullest, freedom to engage with others, to release the fear and feeling of loneliness. The...
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...lighted Place”, Ernest Hemingway conveys the idea of loneliness and its corresponding effects. Characters from each text are alone in unique ways; Santiago is a elderly man who, although fishing alone, does not despair in his loneliness. In spite of the fact that he is in solitude, he does not mind being alone. Whereas the deaf man and the waiter attempt to find a way to avoid their loneliness by looking for a place to be so that they are not alone. While many elderly may be alone it does not necessarily mean they are lonely. In the novel The Old Man and the Sea, Santiago is an old man who fishes alone in a skiff in the Gulf Stream. He is a widow who has no family and does not have much. Santiago has only one human companion, but in his opinion the sea creatures are his friends. Santiago finds it easy to relate to the fish when he reflects on the fish’s choice of staying far away from everything, “His choice had been to stay in the deep dark water far out beyond all snares and traps and treacheries. My choice was to go there to find him beyond all people. Beyond all people in the world. Now we are joined together and have been since noon. And no one to help either one of us” (Hemingway 50). Santiago’s solitude extends to the fish; they are in isolation from the rest of the world, but together because of it. Santiago isolates himself on purpose, because he is comfortable with only the company of the sea creatures instead of people. He feels at ease being alone and even says, “If...
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...“Cell phones must be turned off or they will be confiscated during class.” What a joke, do teachers and employers really think that a person, let alone an immature teenager, will follow their rules? I think not. With apps for facebook, twitter and the internet now all on phones it is impossible to go a day without being connected to the world through technology. You see it everywhere in classrooms, the dinner table, movie theaters, work people try to limit the hours teens spend on their phones. But you take away a phone from a teen and it’s the end of their life. They don’t know what to do, they feel isolated from everyone. Now imagine a person being completely disconnected from all of civilization and escaping through the wild? It’s not going to happen; life now is all about social networking. In Edward Abbey’s book, Desert Solitaire, the chapter “The Moon Eyed Horse”, is not merely about Abbey’s encounter with a horse but Abbeys desire to escape society for good. As the chapter begins Abbey is helping his friend Roy roundup cattle in the desert. When they stop to get their horses some water Abbey notices foot prints of an unshod horse, “a wild horse” (Abbey 171). Abbey comes to find out that the horse was Roy’s “Old Moon-Eye is what you might call an independent horse. He don’t belong to anybody. But he ain’t wild. He’s a gelding and he’s got Roy Scobie’s brand on his hide” (Abbey 172). The horse left the ranch ten years ago and never returned back after he received a beating...
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...January 30, 2009 The End of Solitude By William Deresiewicz What does the contemporary(當代的) self-want? The camera has created a culture of celebrity; the computer is creating a culture of connectivity. As the two technologies converge — broadband(寬頻) tipping (使傾斜/輕拍) the Web from text to image, social-networking sites spreading the mesh(網絲)of interconnection(互相連)絡ever wider (前所未有的寬度發展)— the two cultures betray(露出…跡象)a common impulse(衝動). Celebrity and connectivity are both ways of becoming known. This is what the contemporary self wants. It wants to be recognized, wants to be connected: It wants to be visible. If not to the millions(數百萬), on Survivor(倖存者) or Oprah, then to the hundreds, on Twitter or Facebook. This is the quality that validates(使有效) us, this is how we become real to ourselves — by being seen by others. The great contemporary terror is anonymity匿名者. If Lionel Trilling美國文學評論家was right, if the property(财产/所有权) that grounded (打基础) the self, in Romanticism(浪漫主义 , was sincerity(真实), and in modernism it was authenticity(真实性), then in postmodernism it is visibility. * So we live exclusively(排外地) in relation to(about) others, and what disappears from(从…处消失) our lives is solitude. Technology is taking away our privacy and our concentration, but it is also taking away our ability to be alone. Though I shouldn't say taking away. We are doing this to ourselves; we are discarding(丢弃) these riches as fast as we can. I was told by one of her older relatives that a teenager...
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...of the story is that sometimes being lonely is better than communicating with some representatives of humanity. The protagonist of the story didn’t feel happy; she knew that something was wrong in her life, though she couldn’t find the reason for her misery. Unfortunately the answer to her questions took shape of two Italian boys who had come to rob her. This tragic case made her heart coarsen, but it doesn’t mean it was right. As for me, I can’t imagine my life absolutely without people to talk with. And I don’t believe the author of the story can. We often mix two arts of being alone: loneliness and solitude. When we say be like being alone at home when nobody disturbs us from our thoughts about the life around, it just means that we don’t know what the real loneliness is. When we are proud of our solitude we are insane. Once Lisa Simpson told a brilliant thing: “Solitude never hurts anyone. Emily Dickinson lived alone, and she wrote some of the most beautiful poetry the world has ever...
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...My Secret Place Guides1Questions1orSubmit my paper for analysis What is your attitude towards loneliness? Do you think it is a curse, when you are isolated from the rest of the world, left face-to-face with yourself? Or do you, on the contrary, seek it, appreciating each moment of silence you can snatch from the surrounding world? These small breaks can help you replenish your energy and reorganize your thoughts, so that you can start each day as a new one—not as an extension of a previous one. As for me, I am more of the second kind of person; solitude for me is a gift, which is valued less by people than it should be accorded. In my child and teen years, I had a perfect place to go to when I felt like being on my own. In a small town in the center of America, where I lived back then, we had a steep hill on the outskirts. On its top, an old warehouse stood. No one, even older people, seemed to know who had built that warehouse in such an inconvenient place, and what for. Some said that smugglers used it during World War II for their purposes; others told stories about local slaveholders, who lived in our town a long time ago—those people were thought to have kept slaves in the old warehouse. For us children, that old wooden shack was a haunted place with a grim, bloody story of love and treason. None of the townsmen had ever visited the old warehouse. Children were scared and adults just did not feel like climbing up the steep slope for no reason. For most of a year...
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...January 30, 2009 The End of Solitude By William Deresiewicz What does the contemporary self want? The camera has created a culture of celebrity; the computer is creating a culture of connectivity. As the two technologies converge — broadband tipping the Web from text to image, social-networking sites spreading the mesh of interconnection ever wider — the two cultures betray a common impulse. Celebrity and connectivity are both ways of becoming known. This is what the contemporary self wants. It wants to be recognized, wants to be connected: It wants to be visible. If not to the millions, on Survivor or Oprah, then to the hundreds, on Twitter or Facebook. This is the quality that validates us, this is how we become real to ourselves — by being seen by others. The great contemporary terror is anonymity. If Lionel Trilling was right, if the property that grounded the self, in Romanticism, was sincerity, and in modernism it was authenticity, then in postmodernism it is visibility. So we live exclusively in relation to others, and what disappears from our lives is solitude. Technology is taking away our privacy and our concentration, but it is also taking away our ability to be alone. Though I shouldn't say taking away. We are doing this to ourselves; we are discarding these riches as fast as we can. I was told by one of her older relatives that a teenager I know had sent 3,000 text messages one recent month. That's 100 a day, or about one every 10 waking minutes, morning...
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...inauguration. Frost was born in San Francisco, but spent most of his life in New England, as a teacher and farmer, in rural New Hampshire. Frost often uses natural elements in his poetry, especially New England landscapes. He uses seasons, flowers, fields, stars, and time of day to set a logical sequence of events to paint a psychological feeling inside the reader’s mind. Two of Robert Frost’s poems, “Desert Places” and “Stopping by Woods on a Snowy Evening”, take readers through a New England winter setting, reflecting the beautiful scenery through his descriptive imagery. However, even though these two poems are set in a wintry backdrop, they convey very different tones. One has a feeling of loneliness, and the other a welcoming feeling of solitude. In this paper, I intend to illustrate how two very similar natural settings are written to express two very different themes of loneliness. The poems “Desert Places” and “Stopping by Woods on a Snowy Evening” have quite a few similarities. For instance, they both share the same rhythmic scheme; A,A,B,A. They both are set in a snowy, evening where darkness is taking over quickly. In both poems there is a man traveling alone, where no other souls are around. There is a sense that both travelers are stepping away from life for a brief moment in time. The contrast of darkness and whiteness against the horizon is apparent in both poems, however in “Stopping by Woods”, the depth of the darkness is inviting. In “Desert Places”, the whiteness...
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...Leslie Haggard CMLT- C 110 Final Draft October 3, 2014 Solitude is Bliss In the poem, Shannon, Campbell McGrath gives voice to George Shannon’s agonizing journey during the sixteen days he spends wandering lost and alone on the prairies of the Western frontier. Shannon comes to face a number of trials throughout the duration of his journey, as he wanders the land half-starved with lost hope of ever being found again. Oddly enough, his biggest battle is not his fight to survive but rather this war with himself, questioning what is supposed to become of his life and perhaps who he is supposed to be. Therefore, Shannon’s journey becomes something much larger than just his discoveries and observations of the land. Instead, his journey becomes more about self-discovery as he begins to uncover what he thought he had already found, his true identity. It would be no exaggeration to say that the Shannon that first sets out into the wilderness is not the same Shannon who comes out. In the beginning of his journey, he is full of wonder and excitement for “It is a fine & open country in every aspect hereabouts.” (McGrath 9) Also, he is fully confident in himself and his abilities at the start of the expedition. He states, “I am a better hunter than most back home & this is a newer land” (McGrath 10). However, it is not too far into the journey when he begins to recognize the “pure foolishness” of setting out alone. As the days progress, he starts to give up hope as he...
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...A Rose for Emily Can you imagine being so lonely that you would do something unbelievable to prevent you from being alone? That is just what Miss Emily did. Miss Emily came from a wealthy family with a father who made decisions for her. He did not think the men that tried to date her were good enough for her, so he ran them off. John McDermott states, “In “A Rose for Emily,” Emily Grierson’s overbearing father forces her to live without love.” After her father died, Miss Emily became a loner. In "A Rose for Emily," William Faulkner uses Miss Emily’s funeral at the very beginning to show the separation between Miss Emily and the townspeople when he states, "When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servant a combined gardener and cook--had seen in at least ten years.” From there, the house, her servant, and the bad smell are used to symbolize her secluded life. Miss Emily’s inherited her house, but nothing else according to the narrator, “When her father died, it got about that the house was all that was left to her; and in a way, people were glad.” She lived alone for many years, except for her servant. People moved out of the neighborhood over the years and finally Miss Emily’s run down house is the only one left on the street. This is noted early in the story, “But garages and...
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...Empty Spaces.... I used to remain extremely depressed when I was some 18 years old. Yes, you can say that I was a loner, I felt lonely in a crowded room filled with unknown people than I felt on my own. I would go to my apartment and just sit there. It used to be quiet, lonely and still. The sound of the moving fans in my room used to break the shackles of silence. I had a television in my room and I would deliberately leave it on all the time just to feel that somebody was there with me all the time. The years have rolled by and today, I am 21 years old but my situation happens to be quite similar to what it was three years ago. The biggest irony in the world is to be known by a million people and yet be so terribly lonely. I have absolutely no pleasure in the stimulants in which I sometimes so madly indulge. Well, it has not been in the pursuit of pleasure that I have periled my entire life, reputation and reason. It has been one of my desperate attempts to escape from torturing memories. The trouble with me is not that I am single and likely to stay single, but that I am lonely and likely to stay lonely. It seems as though there is a hole in this world and I find myself walking around that hole constantly during daytime, and suddenly, I find myself falling into it during the night. But, to be very honest, there is some sort of a pleasure in the pathless woods, there is rapture in the lonely shore, there is society where no one intrudes, by the deep sea, and the melodious...
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...disiplin rohani yang dapat dilakukan; tapi dari semua disiplin rohani tersebut, jenis disiplin rohani solitude dan silence-lah yang jarang dan sulit dipraktekkan dalam rangka mengembangkan spiritualitas Kristen meskipun sudah banyak literatur Kristen yang membahas dan menganjurkan jenis disiplin rohani ini. Sebenarnya, disiplin rohani seperti apakah solitude dan silence itu? Apakah benar-benar Alkitabiah? Mengapa sulit dan jarang dilakukan? Bagaimana membedakan disiplin rohani solitude dan silence dengan praktek-praktek non-Kristen yang hampir serupa? Bagaimana cara mempraktekkan disiplin rohani ini? Makalah ini dibuat untuk menjawab pertanyaan-pertanyaan di atas. Walaupun solitude dan silence dapat dibahas sebagai dua jenis disiplin rohani yang berbeda, tapi dalam makalah ini, keduanya akan dibahas sebagai sebuah kesatuan praktek disiplin rohani. Permasalahan yang dibahas hanya dibatasi pada disiplin rohani solitude dan silence itu sendiri walaupun dalam prakteknya berkaitan dengan disiplin rohani yang lain seperti doa, meditasi dan puasa. Makalah ini juga tidak akan menyajikan perbandingan yang mendetail antara solitude dan silence dengan praktek-praktek non-Kristen yang dikatakan hampir serupa. II. DEFINISI SOLITUDE DAN SILENCE Dallas Willard mengelompokkan solitude dan silence ke dalam kategori disiplin pemantangan/pertarakan (discipline of abstinence). Solitude adalah kegiatan menyendiri untuk sementara waktu secara fakultatif demi mencapai tujuan rohani;...
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