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Symbolism of Vampires

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The Symbolism of Vampires Why are so many vampires popping up in movies, books, magazines, and in TV these days? And what do they really symbolize and represent? There are many perspectives of what vampires symbolize, but in modern society vampires are a symbol of a contemporary popular lifestyle. However, during the middle ages, vampires were seen as a real threat to humankind. Vampires can symbolize and represent many kinds of definitions, but according to Atara Stein’s article “Immortals and Vampires and Ghost, Oh My!: Byronic Heroes in Popular Culture” vampires are considered to lack social skills and the inability to connect with other people. A vampire is also considered to be a loner, an outcast, arrogant, bad-tempered, cold, ruthless, overbearing, and most importantly emotionless. On the other hand, in the article “Why Vampires?” by Sonia Levitin Edward, another vampire, is seen as handsome, strong, brave, determined, and passionate. While reading the articles “Immortals and Vampires and Ghost, Oh My!: Byronic Heroes in Popular Culture” and “Why Vampires?” many different definitions can be associated with aspects of the articles. Throughout the articles, one can see many definitions, actions, and emotions being displayed, which can relate to a variety of examples in the article. Although, vampires may be seen as arrogant and bad-tempered or strong and brave vampires go more in depth than just a simple myth. Overall, three definitions that symbolize and represent vampires are power, rebellion, and desire. Vampires symbolize and represent power because vampires have the ability to get what they want. Most of the vampires in all types of movies, books or TV series live in this huge castle and always have money. So why is this? The castle and the money symbolize the power that they have, therefore, having the capacity to control humankind. Vampires look down on mortals because they have more control and one does not have all the power that they have. In the article “Immortals and Vampires and Ghost, Oh My!: Byronic Heroes in Popular Culture” Stein states, “Given his superior capabilities, the Byronic hero, whether in his nineteenth-century or contemporary incarnation, provides his audience with a satisfying vicarious experience of power ( and empowerment, for that matter), autonomy, mastery, and defiance of oppressive authority.” In other words, what Stein is stating is that vampires look down on morals because they have the ability to have the control that we don’t, therefore, setting their mindset to that state of empowerment.
The fact that vampires always have money is another reason that they symbolize and represent power. The money represents power because they have the ability to accomplish anything they want. Most women in many movies, books, and TV series always go with the man with the money, assuming that they are powerful and from a high class society. The vampire’s empowerment can also lead to sex, which means that they can also have that control over one. This idea that vampires have money comes all back to the power they have over one. Vampires symbolize and represent power because they look down on morals and see one as less than them.
Vampires also symbolize and represent rebellion because they have the potential to defy authority and successfully get away with it without getting caught. Stein states, “audiences are a voyeuristic in the criminal and convictional of individual powerlessness in the face of wealth and institutional power.” To restate, this quote is saying that the viewers, listeners, or readers have made vampires popular because that is what most Americans want to see. Vampires go against the law to accomplish what they like and to do what they want to do. Many Americans like to see vampires rebel against authorities and still get away with it with no harm done, which shows rebellion.
Finally, vampires also symbolize and represent desire because most of the time they want to be humans. Vampires are living but they are dead, therefore, have no feelings and emotions. They want to live to find love and live their life but they cannot pursue that goal. Vampires want to find love and not watch everyone die while they live forever. They want to be like us as much as we want to be like them. In the article “Immortals and Vampires and Ghost, Oh My!: Byronic Heroes in Popular Culture” Stein states, “The vampires are appealing characters because they allow readers experience what they cannot have themselves and at the same time, they share the reader’s possible longings for purpose and meaning in a confusing world” In other words, Stein is saying that the reason that many Americans like to read these novels is because one likes to experience different things that are impossible for Americans to do in real life. Many Americans watch or read these vampire characters to get into their world for a while and “risk” ourselves without being in any real danger. They personify one’s deepest desires like staying young and beautiful forever and having eternal life. One may want to be like them but cannot, so we watch and read about them.
Vampires are not only characters that function within the narrative; they are also metaphorical in the sense that seems to represent something larger than themselves like power, rebellion, and desire. Vampires symbolize and represent power, rebellion, and desire because as shown in many parts of the articles vampires can be powerful because they have the ability to control one. They symbolize rebellion because they always get to do what they want with the capacity of getting away with it. And they also symbolize and represent desire because most of the times they want to be like us as much as we want to be like them. Power, rebellion, and desire are important definitions because they symbolize and represent vampires. Works Cited
Levitin, Sonia. “Why Vampires?” The Horn Book Magazine 87.5 (2011): 40-41
Stein, Atara. ““Immortals and Vampires and Ghost, Oh My!: Byronic Heroes in Popular Culture” Romantic Circles Praxis Series Romanticism & Contemporary Culture (2002).

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