...“Sounds vs. Visuals: Dawn of the Technological Advancement in Horror Films” Thesis Statement: According to students, thrill factor of a horror film relies on the technology used in filmmaking, with the quality of the sound effects being the aspect that matters the most. Furthermore, advancement in technology will sometimes guarantee an improvement on both the sound and visual effects and the overall quality of a horror film as well. I. Technology and horror film’s history A. Brief background about horror films 1. First years of horror 2. Horror’s increasing popularity B. Introduction to the technologies used in making a film in general 1. Differences between CGI and practical effects & the use of 3D 2. Sound effects as a plot device 3. Introduction to study II. Students’ opinions regarding the technological aspects of a horror film. A. Opinions of students to the visual effects present in a horror film 1 How visuals improved the “horror factor” of a horror film according to the students 2. Comparison between male and female student’s responses 3. Researcher’s analysis and interpretation B. Opinions of students to the sound effects utilized in horror film 1. How sounds improved the “horror factor” of a horror film according to the students 2. Comparison between male and female student’s responses 3. Researcher’s analysis and interpretation ...
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...horror A Show at the Cinemaplex 1 A Horror Show at the Cinemaplex A Horror Show at the Cinemaplex Brenda Hawkins Strayer University Dr. Dwight Heaster Business Administration A horror Show at the Cinemaplex 2 Abstract As of 2007, the Cinemaplex had a total of $9.63 billion. That is a full 5 percent above the record set in 2006. That is an astonishing 1.4 billion tickets were sold in 2007. However beyond the headlines, the industrys a study in contradictions although the number of theatres is in a decline, the number of screens is at an all-time rise. The revenues are high, but the attendance is ultimately flat-1.4 billion tickets were sold had rarely improved from 1997. In 1997, 1.35 billion tickets were sold, that is a fraction of the 4 billion tickets that were sold in 1946. In 1946, the average person would attend twenty-eight films a year compared to today; the average person today would attend only six films a year. With the United States population continuing to grow, the market size in the core demographic group is slowly growing. Americans tend to spend more time on entertainment than ever before-spending an average 3,500 hours annually-however only twelve of those hours are spent at the Cinemaplex. Every three days, the average person watches more television. Movies still remain popular as they always have but the opportunities for viewing outside the theatre has indeed increased greatly. The motion picture studios had increased their revenues through product DVD sales...
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...counterpart, demonstrate the vast difference in horror films of today and those of the 1970's. While the original was a catalyst for a paradigm shift in the world of horror cinema, the 2004 remake is a bold reminder of how far the genre has come. While sharing a title and an overall basic plotline, the similarities stop there. Separated by more than two decades, these two films are a prime example of the speed at which technology and society are advancing. If horror films have said anything about society, it is that society’s fascination with violence and gore transcends generations. When George Romero released his sequel to his classic “Night of the Living Dead” in 1978, it was considered extremely graphic and horrifying to audiences, to the point of controversy (Triggs, 2006-2012). Today, the original film does not have the same effect on viewers and is thought of as campy and almost funny. The 2004 film shows that as time moves on, the same techniques used in the original will no longer captivate the imaginations of audiences. With the rapid advancement of technology and how readily available it is, movie-goers expect more from films. Movies as a whole have become extremely violent and graphic. This shows a change in what society considers acceptable entertainment. The horror genre as a whole has shifted towards visually frightening audiences instead of inducing fear on a psychological level. During the time frame of the original, technology severely limited what could be put on...
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...then revealed when Su-mi was confronted with her sister’s death, leaving her to fight against the stepmother alone. However, the later confrontation of the real Eun-ji, led to the final twist that Su-mi was in fact fighting her own guilt which was projected on the figure of Eun-ji. 2) Although Ring and A Tale of Two Sisters are of a completely different storyline and background, they both share some similarities in their plot. Firstly, they are both adaptations of their local traditional folklore and thus allowing their local audience to easily relate to the horror. The slight difference is that Ring displayed a richer cultural relation as the director constantly made references to the Japan’s cultural past such as the eruption of volcano and the distraught of wartimes in the viral video. Secondly, in both films, females are portrayed as the strong and powerful figures yet also the source of the films’ horror. In Ring, Reiko was a strong divorced career woman who had to juggle between work and her role as a single parent to her son. She later then became the cause of the widespread of the curse on the viral video (unleashing Sadako,...
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...Consider 2001: A Space Odyssey’s most poignant character - HAL 9000. The story of HAL 9000 is a cautionary one paralleling Frankenstein. HAL (short for Heuristically Programmed Algorithmic Computer) is a hyper-intelligent computer developed after years of research and experimentation. However, he may indeed be too human, and for this reason he must be deconstructed by humans. Nature is the only force allowed to create life in our cultural consciousness, so any human attempt must necessarily fail; here, HAL illustrates the role of the monster as the protector of social norms. What is ultimately disturbing about HAL’s demise is that when he dies, he speaks of his parents, creating (just as Frankenstein’s monster does) an uneasy sympathetic relationship...
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...film Alien (1979) and whether the trailer conforms or challenges the stereotypical conventions of the genres of sci-fi and horror. Conventions are all the things that make a film a particular genre. A horror film would have things like blood and gore, death, killer, victim or psychopaths for example. A sci-fi film would include things like space exploration, aliens, space ships, and good vs. evil or futuristic things. But it can always be argued because this movie is a Hybrid as it contains horror and sci-fi. When the film was released in was age rated at 18 because of the violence and gore, but compared to today standards it would have been lowered to an age rating of 15. During the trailer there are a few scenes where you see a ginger cat in a close up shot; this scene does not fall into sci-fi or horror. There are rather a few scenes in the trailer which conforms into sci-fi and horror like space suits, space ships and...
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...thriller, whilst also touching on horror at points (the murders). The Avengers Assemble has a hybrid genre of sci-fi, action and fantasy. I will be looking at the parts of these movies that are typical of the genres that they are categorised in. The first text I will explore is Sightseers. In black comedies and crime, the iconography and location is often rural countryside; so Sightseers is challenging the conventions of the crime genre – often held in places associated more with ‘gangsters’, e.g. council estates, rougher areas (perhaps more populated) as opposed to the peaceful nature of the countryside. The choice of a caravan park adds a feeling of tranquillity and isn't an immediate location that springs to mind when it comes to thinking about the crime genre - so Ben Wheatley, the director, who has directed black comedies in the past, will have wanted to challenge the conventions of these movies. The comedy aspect is explored within quite a few scenes, the jokey comments that Tina is making to her mum at the beginning of the movie (where she repeats 'mum' several times, which is becomes quite humorous). The sort of humour used does challenge the conventions of a comedy as there are no out and out jokes, but some of the shots used such as Tina throwing food inside a bears mouth create a shock factor, that also makes you laugh - this is another way in which Ben Wheatley has challenged the conventions. Black comedy and the touches of horror are brought in through the various...
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...certainly be entertained. Ironically the fantasy of movies has a mystical way of making us feel genuine emotions. Whether it's a comedy, action, or horror movie, for a couple of hours people can forget about their real lives and exist in a world of make believe and fantasy. Over the course of my movie going career, the three categories that make for a movie worth paying to see are comedies, action, and horror films. In recent years, the most popular type of movie in theaters is comedies. A good can cheer up even the grumpiest of grumps. The most noticeable trait of a hit comedy is when you hear people repeating the one-liners for many months later. “Alrighty then” from Ace Ventura Pet Detective, was repeatedly uttered at middle schools across America in the mid nineties. Comedies are also great at cutting through that first date tension, you won't have to worry about making her laugh and you have something to talk about during the awkward silence moments. Other examples of great comedies that performed well in theaters include the American Pie trilogy, the Focker series, Wedding Crashers, and Old School. No matter whats going on in the world around us, there is always a good comedy to pick us up while we are down. Another good way to get the blood pumping is a good action flick. Action movies tend push the limits of technology. One of the main reason people go to a theater to see action movies is how good it will...
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...(Schwarzbaum). “Existing in a self-contained universe, Scream 4 is its own remake (Screamake), sequel (shriekquel), parody and critique” (Corliss). Gale Weathers’ book The Woodsboro Murders becomes a film franchise called Stab that is “modeled after Sidney Prescott’s fictional life within the film” (Legel). This franchise and even the original series of Scream films are seen by many reviewers as extremely Meta, or self-referential, within the Scream films. “Scream 4 should be subtitled That's So Meta, so pervasive is the movie's habit of commenting on itself” (Travers). In the Stab franchise in Scream 4 the “new Ghostface is mimicking the sequence of killings in the original series” (O’Hehir). Many reviewers felt these Stab films continued the horror in Woodsboro instead of letting the town, and victims, recover from it. Another aspect that almost all of the critics commented on was the progression of the repeating characters. Gale Weathers (Courtney Cox), Sidney Prescott (Neve Campbell), and Dewey (David Arquette) were all in the original 1996 film. It has been 11 years since Scream 3 and it is very clear on the aging of those repeating characters. “We have two generations in “Scream 4”-the scarred adults and the teenagers” (LaSalle). All...
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...World War I was one of the largest and most destructive wars in modern history, killing between 8 and 20 million people. This large number was due to the advancement of war technologies that enabled more effective, but cruel methods of killing opponents. These new technologies wiped out soldiers by the thousands within a matter of minutes, which many soldiers could not handle, ultimately leading to “shell shock” within the soldiers. All Quiet on the Western Front depicts these tragedies vividly, and by depicting the horrors of war, and how these horrors shape men around the war, it proves to be the greatest anti-war novel to ever be written. The greatest war novel of all time must have the most disturbing imagery of the horrors of war, and while walking through desolate woods, ravaged by mortars, Paul and his company stumble upon something truly horrific. In the branches of the trees, they gaze their eyes upon “dead men hanging” and a naked soldier sitting in the fork of a tree, with “only half of him sitting up there, the top half, the legs [were] missing” (Remarque 208). Despite this atrocious sight, Kat found humor in the situation, because he most likely died from a concussion. Here,...
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...tsunami wave that not only became highest grossing horror film in the country, but also shuddered Taiwanese, Korean, Hong Kong film markets. Following years many publications included it to the numerous symbolic "top 10 most scary films" lists. And when Steven Spielberg bought the rights to make the Hollywood remake it was seen as official evidence that Japanese horror cinema became new trendsetter in this genre and gained cult status in the West. Nowadays with numerous follow-ups within the Ring franchise and triggered a trend of Western remakes "Ring" is viewed as exemplary illustrative Asian horror movie. I will argue that the wide success of the movie is caused not by its deep cultural ties with Japanese cinema and Japanese horror movies in particular, but because on the contrary "Ring" has little to do with its traditional background. Hideo Nakata deliberately cut off all the cultural traces in order to make cinematic language of the movie universal and cosmopolitan thus giving a way for its intercultural translation and to be easily replicated. In order to do it first I will analyze different Japanese merchandizing strategies and study the film as a media product. Second, I will briefly overlook history and main stylistic traits of Japanese horror movie genre. In my general overlook on Japanese horror cinema, I will focus on two main horror film sub-genres kaidan and ero guro and will give few examples of classical horror films. Then, I will analyze plot and themes of the...
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...miles off the coast of Florida. The technological boom: was in its infancy however it was a time where the military began to rely on computers including aspects of their nuclear arsenal which caused anxiety over the level of power given to technology. The Vietnam War: was at its peak at the time of publication for “I have no mouth” in 1967 with the largest U.S military offensive occurring in February. The war represented a time of ambiguity with American participation being sold on the basis of the “Domino theory” however by 1967 the public’s opinion on the war had split with protest being a regular occurrence. It was a time of public unrest and upheaval showing a cultural anxiety which is reflected within “I Have no Mouth, and I Must Scream”. What Subgenre does it adhere to? In relation to the historical patterns of science fiction “I Have no Mouth and I Must Scream” can be categorised within the “New Wave” phase of science fiction that occurred approximately within the 1960’s and 70’s. The text fits the idea of being a social science fiction where although the catalyst of the narrative is a technological change the main focus is on the social environment that caused that change, and the social implications of the advanced technology as a metaphor for existing human conditions. However the text is better described within the subgenre of a Dystopian Science Fiction where the characters experiences complete suffering and oppression based on a...
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...A famous scene from one of the first notable horror films, Nosferatu (1922) Horror is a film genre seeking to elicit a negative emotional reaction from viewers by playing on the audience's primal fears. Horror films often feature scenes that startle the viewer; the macabre and the supernatural are frequent themes. Thus they may overlap with the fantasy, supernatural, and thriller genres.[1] Horror films often deal with the viewer's nightmares, hidden fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage, commonly of supernatural origin, into the everyday world. Prevalent elements include ghosts, aliens, vampires, werewolves, curses, satanism, demons, gore, torture, vicious animals, monsters, zombies, cannibals, and serial killers. Conversely, movies about the supernatural are not necessarily always horrific.[2] Contents [hide] 1 History 1.1 1890s–1920s 1.2 1930s–1940s 1.3 1950s–1960s 1.4 1970s–1980s 1.5 1990s 1.6 2000s 2 Sub-genres 3 Influences 3.1 Influences on society 3.2 Influences internationally 4 See also 5 References 6 Further reading 7 External links [edit]History [edit]1890s–1920s See also: List of horror films of the 1890s, List of horror films of the 1900s, List of horror films of the 1910s, and List of horror films of the 1920s Lon Chaney, Sr. in The Phantom of the Opera The first depictions of supernatural events appear in several of the silent shorts...
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...Horror BOO! Did that scare you? I wouldn’t think so, but I do think that you have been scared by some horror movies before. Horror movies have used a wide range of techniques to stand out amongst all of the other types of movies. There are quite a few horror movies and their style has changed throughout the years. Many things have changed except for the techniques used within them, and trust me there are quite a few, and all of these techniques can show why horror is so much more different than other genres. Each era of horror has had a different way of expressing itself. There were many subgenres. Horror had started off as any normal movie genre should, literature. Things like Frankenstein and Dr. Jekyll and Mr. Hyde. By this time, the genre...
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...The Comics Code stated “every instance good triumphs over evil. “ No comic should use the word horror or terror in its title”. “ All scenes of horror, excessive bloodshed, gory, or gruesome crimes, depravity, lust, sadism, masochism shall not be permitted”. This caused all horror comics book companies to be shutdown. After the Golden Age of comics was over a new age of comics books began called the Silver Age. In this age there came the company of comics called Marvel Comics. Marvel made a plethora of new characters. While Marvel was getting started a company called DC bought out Action Comics, Detective Comics, Whiz Comics and many other smaller comic book companies. DC started to reinvent the older characters and make them new. While this was going on the Comic Code Authority was watching all the main publishing companies to keep their rules. Because of the Comic Code Authority people still wanted to read comics that were banned...
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