...Stagecraft Essay Since ancient times, people have been enjoying the delights of theatre and play enacted and carried out on stage. The history on lighting for the theatre is very interesting and innovative. As technology has developed over the years, theatergoers have been witness to extraordinary progress as innovations took over and added unique contributions to stage craft, architecture and theatrical lighting. The history of stage lighting and lighting cues in theatre dates back to Greek and Roman times. Light has always been an important component for theatrical storytelling, and various lighting techniques have evolved over the centuries, Before the 20th century, many experimented with electric lights but it was until the turn of the century where electric lights were used exclusively in most theatres. During the 20th century, stage lighting design became an art in its own right, emerging from the obscurity of props, set designs, and costumes. Great efforts were to bring the subtlety and drama of effective light on the stage. The American playwright and producer David Belasco and his assistant Louis Hartman had developed many light instruments. Jean Rosenthal, another pioneer of American stage lighting, invented a system for recording a particular lighting sequence so that it could be faithfully repeated. Going into the 1940s and 1950s, stage lighting kept on evolving and improving. Many technical advances included special lenses, reflectors, projectors,...
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...Speech to Entertain: An Overview The primary purpose of a speech to entertain is to have the audience relax, smile and enjoy the occasion. The speech should have a central theme or a focus. A series of jokes will NOT work well for this type of speech. Good speeches to entertain typically mix humor with more serious morals, lessons learned, or experiences. In other words, they have a real point to make… they are not just silly, slapstick humor. You can tell a lighthearted, personal story that reveals a life lesson you’ve learned or examine a familiar subject from a different and unexpected viewpoint or take a lighthearted look at a particular issue. Example: Summer jobs: “Summer jobs for high schoolers: The daily diary of the American Nightmare.” Additional suggestions for the composition and delivery of after dinner speeches are as follows: 1. Carefully select an interesting, timely, and appropriate topic. Having something familiar in the talk that the audience can relate to will enhance listener interest. 2. Build your speech around a central theme, moral, or idea. 3. Support your main point or central theme with colorful stories, narrative and examples. 4. Be imaginative and creative when delivering your talk. Few speeches demand more imagination and creativity than the speech to entertain. 5. Be positive and good-natured when delivering your talk—irony and sarcasm are acceptable but not bitterness. 6. Be optimistic and modest when speaking and create...
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...Mallatratt. The play is based on the book of the same name, which was written in 1983 by Susan Hill. The venue for the woman in black was the fortune theatre in London and we went there on the 1st of November 2011. The Theatre from outside appears small old and slightly neglected, inside there was no attempt to prepare one for or indeed set the atmosphere for the nature of the play. The Fortune is small and the intimacy between actor and audience was brought out well by the fact that the furthest seats can only have been 15m away. The theatre is of Victorian style with ornate decorations and red carpets and seating, this instantly transport me to the era in which the play is set in the 19th century. The stage is open for the audience to see before the play starts and is set out as the stage in a small theatre, a basket for props, two chairs, a rack of costumes and buckets catching water from a leaky roof. The most important part of the set though was the gauze at the back of the stage separating a separate scene behind and revealing it hen needed using lighting. This combination of props and structure conveys the location strongly to the audience without being so defined that it is not possible to change the scene. While we waited there was no background music which gave a slightly eerie edge to the wait. The play started in the theatre depicted on the stage and almost immediately the humour as Mr Kipps’s is reading his memoirs and you don’t think it is going to be horror at all...
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...Adapting Plays Into Movies “In theatre, you can change things ever so slightly; it’s an organic thing. Whereas in film, you only have that chance on the day, and you have no control over it at all,” These insightful words were once spoken by actress (Casino Royale, Quantum of Solace) and Oscar winner Judi Dench, and they very clearly illustrate one of the biggest differences between theatre and film. However, a small hint of bias seems to be depicted in this point of view. The quote (and many others) seem to suggest that one form of acting is more difficult than the other. It seems the opposite is true; that when taking one of these art forms (i.e. theatre) and transforming it into the other, one would come across a wide array of differences, as well as similarities. When researching a topic such as this, one must go beyond reading. One must not only dive into a script or a periodical or academic journal, one must immerse themselves into the films that have come about as a result of the transformation of turning a play into a cinematic experience. When going about researching this topic, I watched the movie Chicago (Dir. Rob Marshall, 2002) as well as looked over the original Broadway script (By Jon Kander, Fredd Ebb, and Bob Fosse 1975). The original Broadway production opened June 3, 1975, at the 46th Street Theatre and ran for 936 performances. Chicago's 1996 Broadway revival holds the record for the longest-running musical revival and the longest-running American musical...
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...ESSAY A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good. There are many elements to it that are enjoyable to the audience and to those who are in charge of making it. There are characters and drama and things like that that are really cool to watch. A film is good....
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...Theater Today Matthew King How to See a Play 6/4/07 Fusion I have to say that overall I really enjoyed Performance Fusion. The physical theater was small, but much larger than the last show that we saw at Impact. After our first tour of the small theater, I didn’t know what to expect of a play there. My first impression of the small theater was that it was very bare, dark and small, so it was interesting to see the stage with sets and actors illuminated by the lights. Since the theater was small, the actors were easy to see. I also want to comment on the sound. I thought the acoustics in this theater were just mediocre. Although the theater is small and about the same size as the Ashby Stage, the actors were a bit more difficult to hear, although the microphones did help quite a bit. I thought most of the performances were great; however I enjoyed some of them better than others. My favorites were The Boogeyman, Rhythms in the Veins, and Playwriting 101: The Rooftop Lesson. I really enjoyed the way Boogeyman began. First off, the play opened with the heavy sounds of hard rock/metal band Godsmack, and then followed by a scary story by from the older brother to his little brother Timmy. During his scary story, I really liked the effect that the flashlight gave along with the strobe flashes that simulated lightning. I also liked the sound effects that were used in the play. For example I thought the creaky door was a good effect. I thought the set...
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...12/01/2012 Comic Sprit Lemon Boots (extra credit paper) For this extra credit assignment I attended the play Lemon Boots. I don’t really go to plays too often so I had no idea what to expect. The play was at Long Beach State in the Studio Theatre. In this play there were three things that really stood out in my mind. Those were the stage setting, the story behind the play, and the end of the play. The first thing that really stood out in my mind was the stage when I walked in. I thought it was going to be like an auditorium, a stage with seats in front of it. To my surprise when I walked in the stage was in the middle with the seating going around it in a circle. There were two rows of chairs on top of one row that was like a cement bench people were sitting on. I really liked the lighting throughout the play. It went really good with the music. Another thing I liked was that the play involved the audience. It was only for a few minutes but it was pretty cool, really kept me into the play. The second thing that stood out, but in a bad way, was the whole meaning of the play. Most of the play there was no verbal language. If someone were to talk it was a scream or it was in Spanish, so I didn’t really understand what was going on. Too me it just looked like everyone running around doing some crazy dancing. The characters would turn into animals and then humans. Some of the symbolic meaning I would get, and then there was parts where I was like, what is going...
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...I have watched many speakers while in the military. There are many times that I come out of the room and I don’t remember the things that they had talked about because of the way they had put it out. It was 1 o’clock in the afternoon at the Sky Warrior Theatre where the audience was all military. It was a mandatory training that we have called Sexual Assault Prevention Response. The speaker was a spokesperson from The Naval Criminal Investigative Service. It was a big crowd and there was a microphone that was set up. I noticed that even though there was a microphone in place that he did not use it to his advantage. The theatre was packed and the speaker did not go on the stage. He stayed in one spot at the bottom left part of the theatre, where it was really hard for people in the back to see him. The speaker talked about avoiding dangerous situations, being aware of your surroundings and trusting your instincts. He needed to work on his opening because he just introduced himself and went straight to the points. He didn’t really add anything interesting on the introduction, so I knew it was going to be a long boring afternoon. He talked about how sexual assault is never accepted anywhere and that offenders are held accountable. He talked about one of the common factors dealing with sexual assault is alcohol. He used a PowerPoint to show the information, which was very detailed and didn’t have that much pictures. He was also just reading off the slides, but explains the details...
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...Running Head: DEVELOPMENT IN PERFORMING ARTS Dancing Name Professor Institution Course Date Development in Theatre Arts Introduction In the post-modern era, everybody focused on progressing in life in all possible ways and some of the most common ways in which people from Greece progressed were such as through joining the theatre group. According to some authors, modernity is described as the act of pursuing progress through incorporating the principles of hierarchy and rationality into the public and into the artistic life of many people in the society. Performing arts has come a long way and one of the aspects of arts that we are focusing on today is theatre arts. Theatre arts exists in manifold contexts thus there is a tension between studying it at depth and doing it within its wider and immediate contexts. The study of the background history of theatre in Greece goes back to the 21st century since through doing this is when researchers are able to trace the gradual changes that it has undergone. Theatre is done for acting and entertainment enjoyment especially when someone is excited and wants to express their particular state. Theatre can be done to express one’s sentimental feelings. Theatre can be used to express contentment and in most cases, this can be seen when an individual has undergone a particular situation that they want to express their feelings out. It is not very clear for one to state when dance became...
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...Case # 16: The Movie Exhibition Industry 7/14/2013 It doesn’t take intense or in depth analysis for one to conclude that the movie industry as a whole is heading on a negative path. This negative growth trend is heavily influenced by a number of contributing factors which individually impact the various components of the movie industry value chain but more specifically the exhibitors. Throughout this paper I will be focusing on improving the future strategic plans of the exhibitors while assessing their contribution to this decline and what they and their counterparts could do in order to maximize future revenues and profitability. There are several external factors contributing to the slowdown of this giant industry (technology being the biggest one), we will try to address the key factors throughout this paper. Let us start with the production studios, which in my opinion are the dominant party in this relationship and therefore will not be suffering the most impact in the next decade. The exhibitors on the other hand will be subjected to the most detrimental recession due to their shrinking targeted demographics and the lack of assistance from their suppliers (the studios). Starting with the root of this problem, the shrinking market, which can be solved by realigning this industry’s business model in order to target a wider frame of the population coupled with a more mutually beneficial alliance between the studios and the exhibitors since currently the boat is mainly...
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...Jaimelah Nash Social Psychology SOCG 2033 David L. Monk The never ending show! A summary of Appendix II Life has been said to be theater for many years dating back to medieval times. So far in this book we have discussed that drama has to have an audience because the act must be put on for someone. I think that Max Burkhardt has a very decent theory of dramaturgy, he states that man acts without knowing it whenever he his being observed. In psychology this is called an observational biased, people act differently when they know they are being watched. Nietzsche says that people are constantly playing roles even when they are not being watched. This is very believable because if life is theater then you are always acting or maybe rehearsing. When you are alone your actions may be a rehearsal but they are still actions. This idea alters the idea of dramaturgy because it suggests that there is no need for an audience but, dramaturgy implies that an audience is imperative. Nietzsche suggests that you are the director, play writer, and actor of your life people are always thinking about the past or the future. This could be true because only you know what you are going to say or do and when and most of that conclusion is because of some premeditated thoughts so you must be the play writer and the director. I believe that some people are not the directors or play writers for their life. There are many adults that do and say everything that someone else has embedded into them. Those...
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...Reflection 2: Act V The American Life April 1, 2014 I have to start by saying that I have I never listened to a podcast before and I am not quite sure I will ever listen to one again. Not because I didn’t enjoy Act V of The American Life, but because I really found it difficult for me to stay focused and understand fully what was fully going on. I recently discovered that I read lips often to help me hear what people are saying to me, therefore finding the transcript of the scenes made me very happy. The American Life dedicated an entire show to reporters Jack Hitt research of Agnes Wilcox and her inmate performance of Act V of Hamlet at the Missouri Eastern Correctional Center in 2002. At first I didn’t really understand how any play could be put on in prison, or why they would put on a play of Hamlet in a high security correctional facility, considering the content matter. However, after listening to the whole podcast my opinion on the matter changed drastically. You could tell by listening to the inmates commentary that they actually were experiencing Shakespeare’s characters from a completely different point of view then most actors have even considered because of their past. When I think about people in prison I don’t necessarily think that the inmates would even be interested in acting, let alone be willing to get full cavity searches to be able to participate. This shows that theater can have a profound impact on anyone’s life. I also have to comment that the director...
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...Stage Two – Drama Studies By Sean Wintrell The Venue – Cardijn College-- -Lecture Theatre Ensemble – Yr 12 Drama Class The Director – Greg Hay The Play – The Lord of the Flies The lights come up on children oblivious to the world around them, as the play, read and enjoy the good things of life. They are only distracted momentarily by the sounds of planes and bombs before they go back to what they are doing, almost as if it would not affect them. Darkness returns and this time the sound is not of distant planes or bombs, it’s of a very real plane crash, within the darkness it would be easy for those of no imagination to feel detached from the happenings, but a few people would feel the horror and the dread. We then proceed to watch a small group of survivors, young boys, try to survive. The boys try to put into action the same rules that society uses, these quickly break down and the boys begin to go feral. We watch in horror as we realise even the most refined human can commit terrible atrocities. The Lord of the Flies, directed by Greg Hay, creates an atmosphere of horror as we watch the effects of war, even on those who do not take part. Hay’s interpretation of William Golding’s ‘Lord of The Flies’ presents to us the dark side of human beings, and the effects of it has if it gains control over that of reason and logic. In essence Hay’s ideas make it an extremely moving, and horrifying play. Throughout the play, the use of lighting and sound...
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...Aspects of Theatre When I first walked into the Jones Playhouse Theater, I expected the lobby space to be a lot more spacious but instead it radiated a feeling of claustrophobia due to the hundreds of people attending the show. The lobby area was comprised of woody material such as the columns holding up the roof and the benches available for the audience to wait on till the show started. The floor in the lobby space had a glossy, smooth finish to it and the wood on the side of the staircases and windows gave the place a very modern look. I felt that the lobby space did not quite correlate with the play because The Illusion was set in the 17th century and the lobby space seemed very rich and modern. There was no aspect of the lobby space that translated onto the main stage of the theater. The only thing that was production-specific in the lobby was the biography of the actors involved in The Illusion. It gave the audience a sense of who the actors were (background and education) and also how they looked like without the make-up their roles required. This allows the audience to put a face to all the actors while watching the play; it sort of personalizes it since we know a little bit about them. I wish the crew of The Illusion decorated the lobby space so they can create the ambience of the 17th century before we even set foot in the theater. This helps bring the audience to the right frame of mind by reminding them that they are watching a historical play. The theater space...
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...relationship between them. In some plays all of the actors may adopt the same attitude towards the audience (for example, the entire cast of a production of a Chekhovian drama will usually ignore the audience until the curtain call); in other plays the performers create a range of different relationships towards the audience (for example, most Shakespearean dramas have certain characters who frequently adopt a downstage ‘platea’ playing position that is in direct contact with the audience, while other characters behave as if unaware of the audience’s presence). Audience is an essential part of the theatrical event. With the actor it comprises one of the two indispensable elements of theatre. There seems to be no dispute over this fact. Yet the audience is the most elusive element of the theatre to deal with, source material is scarce and complex; it does not submit to simple analysis or definition. Primary sources tend to mention curiosities connected with the extravagant behavior of spectators, or to ignore the audience altogether. But in Hansel and Gretel, I know Jonathan Aitken and Sheldon Rosen, Ryerson professors, have developed a unique twist on live performance. Incorporating interaction between live actors and animated typographic actors, their play Hansel and Gretel explores multiple modes of communication: between actors and audience, actors and actors, actors and animated text and animated text and audiences. It...
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