...does not talk about management procedures or decisions, but rather, it talks about business presentations and the impact of visual and on-stage performances of senior managers and CEOs when they are giving presentations. What does the article discuss? It explains that life is becoming increasingly theatrical and visual in character. These days, more and more theatrical practices are being used by corporate leaders for creating strong and effective performances. The article explains that ‘stage-managed’ and real-life management presentations are treated as important devices for representing the organization and for managing the impressions of targeted audiences The publicity of such events: * Increases participants’ efforts to engage in theatrical behavior * Increases participants’ attention in big corporate events such as annual general meetings (AGMs) * Increases the effectiveness of the messages delivered in these events in a theatrical manner * Importance of theatrical-style presentations These presentations target important people for the organization: shareholders and public stakeholders, at employees, and at financial journalists and analysts; All these are important audiences in annual press conferences and analyst meetings. Many companies spend big amounts of money on such events. Importance of theatrical-style presentations: Leading financial analysts use such meetings as a source of important qualitative information this kind of info cannot...
Words: 990 - Pages: 4
...and habits of potential audience members? The reason why they should do this is because, if there is anything majorly wrong then the next time there is a theatrical performance those people who were offended or disliked the performance will not attend the next, and leave a bad review. So it is...
Words: 782 - Pages: 4
...Drowsy Chaperone Play Review #1 Joseph Daniele: Period 8 Crystal Lake South's performance of The Drowsy Chaperone was produced quite well. I had some prior knowledge of the play due to being in 8th hour Dramatic Literature, but I was still heavily unaware of what I was paying to go see on Saturday, March 3rd. The combination of the classic "Portillos" music, record skips, smooth transitions, and especially Lexis's (Janet Van De Graff) performance. It all demonstrated the true talent within the Crystal Lake High School students that I was completely oblivious to. One of the main aspects of the show is the Man in the Chair, Neal, he has to articulate his genuine feelings for musical theatre and theatre alike. Neal did this successfully by putting on the persona of a man whose current life is dedicated to his theatrical records. Neal also had some performances along with his acting that showed that he could truly play the role of the Man in the Chair. Another outstanding performer was Janet Van De Graff (Played by Lexis). Lexis stood out over everyone else in my opinion because her ability to sing, dance and act was on another level in comparison to the other actors. I have known who Lexis is for many years and never did it occur to me that she could be the person that would 'steal the show' so to speak. In contrast with the performances, the music of that particular time period both caught me off guard and caught my attention. Considering the many times I have dined at Portillos...
Words: 483 - Pages: 2
...of goods. The simultaneity of production and consumption of the service product is one key characteristic that differentiates services marketing, according to the above mentioned scholars and researchers. They noted that services exist only in the time in which they are rendered and they cannot be disassembled. Essentially, services are fashioned from the interaction between service providers and customers and, as such, service quality is comprised of both process and outcome dimensions. These various aspects of service delivery underscore the notion that services are complex, behavioural phenomena that can be quite difficult to understand or describe (Grenroos 1982; Parasuraman, Zeithaml and Berry 1985; Sasser, Olsen and Wyckoff 1978). A review of the services marketing literature compiled by Fisk, Tansuhaj and Crosby (1988) reveals that less than fifteen per cent of the total service literature to attempts to conceptualize the service experience. In short, conceptual...
Words: 3693 - Pages: 15
...PVR Limited Management Discussion and Analysis The following Management Discussion and Analysis Section should be read in conjunction with the financial statements and notes to accounts for the period ended 31st March, 2012.This discussion contains certain forward looking statements based on current expectations, which entail various risks and uncertainties that could cause the actual results to differ materially from those reflected in them. All references to “PVR”, “we”, “our”, “Company” in this report refers to PVR Limited and should be construed accordingly. to increase. (Source: FICCI- KPMG Indian Media and Entertainment Report 2012) 1. Largest Industry - The Indian film industry is one of the largest globally with a history of steady growth. With films being the most popular form of mass entertainment in India, the film industry has witnessed robust double-digit growth over the past decade. Industry Structure & Development 2. Demographic scenario supports long-term fundamentals: Due to favorable demographics (75% of the country’s population is below the age of 35) and economic conditions in India, coupled with consumers willing to spend more on a variety of leisure and entertainment services, the filmed entertainment business is set to grow in the years to come. 3. Under screened market: When compared to global benchmarks such as USA, UK, France, Spain, India is a significantly under screened. Mumbai and Bangalore have...
Words: 1393 - Pages: 6
...The theatre life of these times is called Elizabethan. In the sixteenth century the most powerful form of literature or drama was non-religious and more concerned with the inner workings of the human personality. Shakespeare's writings were tragedies that focused on human actions without thought to the consequences of these actions. There are two examples in this movie that come to mind illustrating this humanistic approach. First, Shakespeare falls in love with Viola, his muse, and follows his heart knowing that she has already been promised to marry someone else. Second, is the theatrical representation of Romeo and Julie and the tragic love story it entails. The dramatic style and preparation of theatre in this movie is of the baroque style. The Baroque style is a period following the Renaissance, from 1600 to 1750, and is characterized by a dramatic expression and performances or theatrical shows. There are several examples of dramatic expression during the movie. During the preparation of the play,...
Words: 563 - Pages: 3
...Modern Performance and Adaptation of Greek Tragedy Helene P. Foley Barnard College, Columbia University “Leave it to a playwright who has been dead for 2,400 years to jolt Broadway out of its dramatic doldrums” begins a recent New York Times review (December 4, 1998) of a British Electra by Sophocles starring Zoe Wanamaker and Claire Bloom. This fall the Times has repeatedly remarked on the “deluge” of Greek tragedy in the 1998-99 theater season: the National Theater of Greece’s Medea, Joanne Akalaitis’ The Iphigeneia Cycle (a double bill that combines Euripides’ two Iphigeneia plays), a revival of Andrei Serban’s famous Fragments of a Greek Trilogy, and a four-and-a-half-hour adaptation of the Oedipus Rex were announced at the start of the season. Off-off Broadway versions will inevitably follow. The Brooklyn Academy of Music even hosted a dance/theatre piece based on the Eleusinian Mysteries. 1 The Classic Stage Company, an off-Broadway theater group devoted to performance and adaptation of Western classics, currently receives more scripts that re-work Greek tragedy than any other category of drama. 2 From a global perspective, New York is simply reflecting a trend set by important modern playwrights and directors worldwide. Greek drama now occupies a regular place in the London theater season. In the past twenty years, acclaimed productions have been mounted not only in Europe but also in Japan, India, and Africa. Translations are even beginning to proliferate in China, occasionally...
Words: 4799 - Pages: 20
...The Tempest Review The Tempest had many interesting qualities and factors in the show that made the play particularly enjoyable. A few of the unique characteristics were the circus theme, the aerialist, and the costume design along with the actors’ makeup. I think that these elements made the play more interesting to the audience, and truly engrossed the audience in the unique showing of The Tempest. The setting of The Tempest in a circus was quite a distinct portrayal of the show. It fit the exotic performers of the play very well and added a unique twist to the play. I think that the addition of a circus to The Tempest made the show more interesting and drew the attention of the audience. It certainly made the play quite exciting to watch. The performers possessed what would be known as different traits, such as the Tattooed Strong Man Freak. As far as society is concerned, someone with odd features like that would fit into a circus or a freak show. I think the aspect of a circus was a great idea and made the work of Shakespeare more appealing to the audience. The aerialist was one of the most fascinating parts of the play. The elegance and grace needed to balance oneself and perform on silks is a captivating performance. The show put on by an aerialist is not typically found in a normal play and I think it makes this particular play stand out in my mind from other performances I have seen. The act of balancing precariously on silks is an enthralling show which put me...
Words: 474 - Pages: 2
...With Reference to Two or More Examples Discuss the Role of Dramatic Text in Performance The role of dramatic text in performance is not a question that has a simple, straightforward answer. A dramatic text is a text that has been written for it to be delivered by some form of media, for example theatre, film or television. A performance text on the other hand is a version of the dramatic text, which is what ultimately gets performed. Therefore, to put it simply, a performance text is a version of a dramatic text that has been annotated and altered for the actual performance. This complicates the role of dramatic text, as there can be various different performance texts just for one dramatic text. Therefore you have to question, after a certain period of time, if the performances turn further and further away from what the dramatic text is trying to convey? Considering William Shakespeare’s Hamlet, which is such an ‘iconic text of world theatre’ (Lavender, 5), you can compare the role of the dramatic text when it was first published and performed in around 1603 with performances leading up to the present day. This is something which doesn't only differ depending on what time period it is being performed or how renowned the text is but it differs from performance to performance mainly because of the various different concepts the directors have with this singular play. However, factors such as the set or audience can also have a considerable effect. Nevertheless...
Words: 2656 - Pages: 11
...Foundation General Education requirement. It is intended to introduce the student to all aspects of theatre by way of active participation including group projects and creative thinking. Theatre is an interactive art form, which requires active participation from the student. Class participation includes attending the University’s productions and discussing them: students will be encouraged to build their own opinions and share them with the rest of the class. This course will foster the students’ personal creativity while promoting an understanding of the theatrical process and the integral role of theatre in society. Goals: 1. To gain an appreciation for theatre as a fine art. 2. To become familiar with the components of theatre. 3. To become familiar with the various types of theatre artists who collaborate to create the art form. 4. To develop a critical and informed appreciation for theatre in performance. 5. To understand the importance of working collaboratively. Texts: Wainscott, Ronald and Kathy Fletcher. Theatre Collaborative Acts. 3rd ed. Boston: Pearson, 2009. Evaluation: Participation at my discretion Syllabus approval 5 points Play Attendance and Responses 45 points (15 points each) Play Reaction Papers 40 points (20 points each) Group Presentation 50...
Words: 3043 - Pages: 13
...STEP The Performance and After LEARNING OBJECTIVES • • • • • Experience how the pressure of performance demands adjustments in the way you approach your work. Consider the place of emotion and the necessity of spontaneity in your performance. Examine the impact of your own fear of failure and desire for success. Experience how the presence of the audience ushers in a whole new phase of growth. Reflect on your own sense of purpose as an actor and your capacity for transformation. At last you are ready to put your work before an audience. This is an exciting and, for most of us, an anxious time. As public performance approaches, it helps reduce anxiety to remember that performance is merely one step in the process of creating a show, not an end unto itself. As thorough as your work may have been so far, it is incomplete until you have received and assimilated the contri bution of the audience. Go forward to the performance with a spirit of curiosity and eagerness; you don't really know what is in the play or the role until you have shared it with an audience, for it was written to live in the communal mo ment, and we can never fully anticipate or substitute in rehearsal for the audi ence's presence. In fact, you will very likely experience your work anew when it is performed, and you may be surprised at how different it may seem. Emotion in Performance Young actors sometimes think they must re-create the character's emotion in order...
Words: 4731 - Pages: 19
...College, where he played lead roles in theater dramas such as The Miser, The Bourgeois Gentleman, and Tartuffe for Deaf and hearing audiences, and for which he received many honors for his performances. During his years at Gallaudet, Bragg also pursued a verity artistic skills and went on to win the Teegarden...
Words: 945 - Pages: 4
...THEATRE HISTORY INSTRUCTOR: THAR 281 Fall 2013 Exam #1 Review What is Theatre/ The Origins of Theatre: 1. Define “theatron” the seeking place 2. List the specific areas of theatre: Performer, spectator, text, visual elements, spectators 3. What are the three types of playing spaces discussed in class? a. Proscenium b. Arena c. Thrust 4. What are the three areas of design discussed in class? What are the purposes of each? 5. What are the two most ESSENTIAL elements of theatre? Audience and performers 6. Performances developed in the moment of performance (without a formal written text) are known as 7. Define and cite examples of ritual. Ritual - the acting out of an established prescribed procedure. Example: aggie ring dunk, midnight yell, Thanksgiving 8. Define and cite examples of ceremony. -Ceremony- formal religious or social occasion, usually led by a designated authority figure -Examples: Wedding, funerals, church ( pastor has to keep the audience engaged), music 9. What is the primary distinction between ritual and ceremony? Ceremony is led by an authoritative figure 10. Define efficacious: done with expecting results 11. Define methexis: Group sharing 12. It is commonly accepted that theatre developed through: myth, ceremony, and ritual 13. Examples of theatrical performance can be seen in everyday life through People telling crazy stories about what happened to them and acting them out with hand signals etc. -Imitation, role...
Words: 2415 - Pages: 10
...El Presidente: The General Emilio Aguinaldo Story and the First Philippine Republic Review Posted by Robert V. Yesterday I managed to go to one of my favorite cinema houses and watch the Scenema Concept International and Viva Films' entry to the 38th Metro Manila Film Festival "El Presidente: The General Emilio Aguinaldo Story and the First Philippine Republic. | A Scene from The "El Presidente" | El Presidente tells the story of the Philippines' very first president Gen. Emilio Aguinaldo, the deliverance of the Philippines from the hands of its colonists and the establishment of our first republic. Jeorge "ER" Estregan plays the lead role with Cesar Montano as Andres Bonifacio. The entire movie did not disappoint me as it was able to deliver what I was expecting based on the theatrical trailer they released. I am no expert when it comes to the Philippine History but I have some knowledge about our past so this film's plot is not that new to me but this movie still gave me some new things about this particular matter of which I do not know if those were really part of our history or just an additional "spice" to the film to make it a little bit entertaining and that maybe because what director Meily described the movie as "fiction film based on a historical figure" according Abs-cbnnews.com. For example if my memory serves me correctly, I never read nor heard during my school days that the katipuneros used bow and arrows. In the movie especially during the ambush...
Words: 731 - Pages: 3
...ED503 Constructivist Lesson Plan Whether you are a teacher, administrator, or in a position that supports teaching and learning, all educators need to understand the teaching and learning process as it relates to lesson planning. The purpose of this assignment is to produce a model lesson plan that demonstrates your knowledge of the constructivist approach to lesson design. In this assignment, you will construct a model lesson plan that includes rubrics and appropriately integrates technology. You will respond to a series of questions related to your lesson, using information from your text. Follow these directions: * Select an academic concept – just one concept, not a related set of concepts – that you hope to teach to students. Specify the grade level. For example, you might select the mathematical concept of measuring perimeter, but not the whole set of concepts related to polygons in geometry. Or you might select the concept of identifying the main idea in a reading passage, but not the whole set of concepts related to reading comprehension. * Write a lesson plan for teaching the same selected concept to students at the grade level you have specified. Incorporate instructional strategies based on constructivist views of learning. Be sure to consider strategies that support diverse learners. * Incorporate instructional strategies that appropriately integrate instructional media in the teaching and learning process. * Include the elements listed below and...
Words: 1211 - Pages: 5