...When Your Life’s in the Toilet A person is highly influenced by those around them. Everyone always seems to find a niche and stick with the people in that environment, whether it is a good one or not. Danny Boyle’s 1996 film Trainspotting is a story about a man who is trying to quit drugs, specifically heroin, but is stuck with the wrong crowd of people. His mind in constantly in an acid trip and the film shows us what he sees. The scene in the public bathroom in particular stands out and shows the struggles faced by Mark and his need to get clean through a great narrative style, great Mis-en-Scene, and finally sound; all of which carefully reflects what the character is feeling. The scene is set up directly after the opening of the film where the main character, Mark Renton gives a long dialogue and sets out to find one last hit, or drug use, before quitting heroin cold turkey. He is sorely disappointed when his dealer does not give him heroin, but instead sells him opiate suppositories. As he is walking back home, the opiate suppositories have a severe laxative effect and Mark has to run into a public toilet, known as “the worst toilet in Scotland,” to relieve himself. The words “the worst……in Scotland” are non-diegetic; they are not originally on the door. He goes to the bathroom and does his business but then realizes the drugs he put in his rectum had not dissolved and are now in the toilet. His severe need for drugs is shown when he does not hesitate to reach into...
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...knowledge that the drug of choice is more important than the mundane business at hand, such as friends, family, jobs, play and sex. Because no one can really understand that urgency as well as another addict, there is a shared humor, desperation and understanding among users. There is even a relief: Lies and evasions are unnecessary among friends who share the same needs. “Trainspotting” knows that truth in its very bones. The movie has been attacked as pro-drug and defended as anti-drug, but actually it is simply pragmatic. It knows that addiction leads to an unmanageable, exhausting, intensely uncomfortable daily routine, and it knows that only two things...
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...Irvine Welsh Trainspotting IRVINE WELSH works, rests and raves in Edinburgh. He has had a variety of occupations too numerous and too tedious to recount. Trainspotting was his first novel and he has also published a collection of short stories, a novella entitled The Acid House and a second novel, Marabou Stork Nightmares. IRVINE WELSH TRAINSPOTTING Minerva Thanks to the following: Lesley Bryce, David Crystal, Margaret Fulton–Cook, janice Galloway, Dave Harrold, Duncan McLean, Kenny McMillan, Sandy Macnair, David Millar, Robin Robertson, Julie Smith, Angela Sullivan, Dave Todd, Hamish Whyte, Kevin Williamson. Versions of the following stories have appeared in other publications: 'The First Day Of The Edinburgh Festival' in Scream If You Want To Go Faster: New Writing Scotland 9 (ASLS), 'Traditional Sunday Breakfast'in DOG (Dec, 1991), 'It Goes Without Saying' in West Coast Magazine No. 11, 'Trainspotting at Leith Central Station' in A Parcel of Rogues (Clocktower Press), 'Grieving and Mourning In Port Sunshine' in Rebel Inc No. 1 and 'Her Man, The Elusive Mr Hunt' and 'Winter In West Granton' in Past Tense (Clocktower Press). The second part of 'Memories of Matty' also appeared in the aforementioned Clocktower Press publication as 'After The Burning'. Contents KICKING – – * THE SKAG BOYS, JEAN–CLAUDE VAN DAMME AND MOTHER SUPERIOR; JUNK DILEMMAS NO. 63; THE FIRST DAY OF THE EDINBURGH FESTIVAL; IN OVERDRIVE; GROWING UP IN PUBLIC; VICTORY ON NEW YEAR'S DAY; IT GOES WITHOUT...
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...Irvine Welsh 'Trainspotting' Extract from ‘Trainspotting’: Traditional Sunday breakfast. A Scottish novel, released in 1993. An essay commenting on Welsh's use of language, style and tone. When digging a little beneath the surface of the extract from trainspotting: Traditional Sunday Breakfast, you may see a hint of the authors thoughts, given on the working classes ‘verbal rights’. Watching the film Trainspotting, underlines Welsh’s statement (from the Herald Scotland) quoting that “The classic assumption of such fiction holds true: working-class people speak funny so are in fiction only for the purposes of humor. They do not have an internal life, therefore you traditionally do not have a Renton or a Begbie or a Spud expressing themselves in the narrative of a book.” What he states here, is that working-class people are allowed to speak, but not think, in middle-class fiction. My knowledge gained of the characters from Traditional Sunday Breakfast, through watching the full film, has set the characters in a completely new light than if reading the extract alone, I choose not to abstract from this knowledge. Traditional Sunday Breakfast gives grotesque imagery within Davies narrative, while Welsh portrays the deconstructed lifestyle of a heroin addict. One can look at Welsh's attitude towards non-standard Scottish dialect and language use as a guide to how it should be used in a narration, to create characters that to multiple extents are unaware of how their ways...
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... A Sprint on the Wild Side “Trainspotting” is a movie that shows a glimpse of the lives of four young men in their late teens to early twenties, who are in various stages of heroin addiction. Two contrasting characters are Bixby, an older, extremely violent alcoholic who despises heroin, and Diane who at 15 mostly indulges in pot. Trainspotting takes place in the Scottish Edinburg of the early nineties. The movie is narrated by the main character Marc Renton, through whose perspective viewers witness life and death on heroin. “Trainspotting” (shot in 1996) is so popular that it is now known as a cult movie. Unique to this movie about the heroin drug culture is its fast pace, pointed criticism of society, and humorous absurdity. In spite of covering two tragic deaths, “Trainspotting” remains rooted in the subject of the friendships between its main characters, and the rapid deterioration of these friendships. The movie does depict drug addiction and its consequences in quite an ugly way; however, it uses equally ugly means to depict mainstream society. The excitement and adventure of Trainspotting far outshine the depiction of tragedy as a consequence of drug addiction. To the age group most at risk for drug addiction, Trainspotting glorifies drug use. As late as August of 2014 arts correspondent Hannah Furness quoted retired health official Sir Kenneth Calman: “Trainspotting was more powerful in the fight against drugs than warnings from...
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...Irvine Welsh Irvine Welsh was born in Edinburgh in 1958. He lived in London after leaving school, but returned to his native city where he worked in the Council's housing department. He gained a degree in computer science and studied for an MBA at Heriot Watt University. His first novel, Trainspotting (1993), a blackly comic portrait of a group of young heroin users living in Edinburgh in the 1980s, was adapted as a film directed by Danny Boyle in 1996. The Acid House, a collection of short stories, was published in 1994 and was followed by Welsh's second novel, Marabou Stork Nightmares (1995), a harrowing stream-of-consciousness narrated by football hooligan Roy Strang. Ecstasy: Three Tales of Chemical Romance, a collection of three novellas, was published in 1996, and a third novel, Filth, a vivid account of the violent adventures of a bigoted, racist and corrupt Scottish policeman, was published in 1998. Glue (2001), is the story of four boys growing up in an Edinburgh housing estate. Porno, a sequel to Trainspotting, was published in 2002. Welsh is also the author of two plays, Headstate (1994) and You'll Have Had Your Hole (1998). 4 Play, an omnibus edition of four stage adaptations of Welsh's fiction by Harry Gibson and Keith Wyatt, was published in 2001. His screenplay of The Acid House was directed for Channel 4 Films by Paul McGuigan (1998). His journalism includes a column for Loaded magazine and occasional articles for The Guardian. He is also a DJ and has recorded...
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...The Creative Industries and Scottish Film. With its exquisite landscapes, monumental architecture, and breath-taking coastlines, it is no wonder Scotland has always been such a powerful draw to film makers and producers alike. The Scottish film industry has grown from strength to strength in recent years. Arguably putting itself on the map in the nineties with films such as Braveheart (1995) and Trainspotting (1996), Scotland now lends its locations to multimillion-pound productions such as Skyfall (2012), The Dark Knight Rises (2012), Sunshine on Leith (2013) and The Railway Man (2014) as well as TV productions including Game of Thrones (2011) and Outlander (2014). To what extent have Scottish films such as Braveheart and Trainspotting impacted on the tourism industry and given their contrasting portrayals of the Scots, does one hinder tourism more than the other? Can we say whether or not there is a distinct notion of ‘Scottish national identity’ and if such a concept exists to what level is it illustrated in Scottish film? Has the Scottish film industry had an impact on the political landscape in Scotland since it was devolved in 1998? Finally given the effects of Scottish film in Scotland, what has the government put in place in order to develop the industry further? Scotland has produced many world renowned films over the last two decades and has had a large impact on the creative industries in Scotland. It has long retained a certain romance which frequently appeals...
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...Robel Haile Richard Armandi Mus 114 12/04/2017 'Sweet and Lowdown' essay response Sweet and Lowdown is an American comedy drama film written and directed by Woody Allen. This comedy drama was about jazz guitarist Emmet Ray, who falls in love with a mute woman. I don’t think so, Emmet Ray was a real person, but I felt like it’s based on a real, despite the fact that relatively unknown person. Ray was the second greatest guitarist in the world, and he admired Django Reinhardt as one of the greatest guitar players in the world. Whenever Ray saw his idol Django and listened his song, he fainted and cried. Ray was a fascinating character and drank heavily. His hobbies were shooting junkyard rats, Trainspotting, and playing eight-ball pool. His hobbies affected his work because whenever he drank, he was going late to work, and sometimes he didn’t show up....
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...syntax. She describes the infomercial to be “absurdly infantile and intellectually and esthetically insulting;” however, Selby emphasizes through repetition how “she stared at it,” then “continued to stare and shake her head” while being “absorbed by the absurdity.” The narrator’s use of personification to describe how “more and more of [Sara’s] mind was absorbed by the absurdity she was watching” offers insight into the severity of Goldfarb’s addiction. Her metaphor comparing television to garbage and her reference to viewers as “cretins,” meaning a stupid person, demonstrates her disgust with the informercial’s ability to manipulate. She is conscious of its lunacy, but unconscious of the powerful effect it has on her. In contrast, Trainspotting, offers an honest, straightforward commentary about how the character’s perceive their experiences of addiction. Goldfarb notices the absurdity of her addiction, but is in denial. In a quote by Mark Renton, he discusses the truth about why he and his friends use drugs: “People think it’s all about misery and desperation and death and all that shite, which is not to be ignored, but what they forget is the pleasure of it. Otherwise we wouldn’t do it. After all, we’re not fucking stupid. At least, we’re not that fucking stupid.” Renton gives a very unexpected reason for why people do drugs: the pleasure. By definition, denial is a refusal to admit the truth or reality and in psychology refers to a type of defense mechanism where people...
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...|Kaplan university | |Time Capsule 2012 | |The World according to me | | | |John C Johnston | |8/7/2012 | | I hope this time capsule finds you doing well and enjoying the Earth. That would mean that we figured some things out and managed to | |preserve this beautiful planet for your use. I would like to share what my day to day life is like in the year 2012. | I hope this time capsule finds you doing well and enjoying the Earth. That would mean that we figured some things out and managed to preserve this beautiful planet for your use Your Final Project for this course will be a virtual time capsule. A time capsule is a grouping of items for future discovery. For our purposes, we will...
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...Film i Engelsk Bilag 1a FILM ANALYSIS – an introduction (Source: http://www.filmeducation.org) – bearbejdet af Mi og LK, Favrskov Gymnasium Reading a film is just like reading a book, except that instead of looking at a written page we are looking at the cinema screen. Reading a film works in exactly the same way as a written text, or a picture, except that the tools that are used to create meaning are different. We call these tools film language. The opening sequence From the moment we first start watching a film, we begin to get involved. The first few minutes of a film (the opening sequence) are very important to us as they give us lots of clues about the film: 1) what will the film be about (conflicts/themes); 2) who are the most important characters (hero, villain, love interest); 3); what is the setting of the film (time and place); 4) the genre; and finally, 5) what sort of film language characterizes the film? We look at all these elements and begin to put them into context. Based on their environment, how they look, what they say and what we see them do, we make assumptions about the characters, their roles in the film and their relationship to each other. We also recognize so-called genre markers (things we associate with one particular genre) which tell us if we are watching a Western or a Sc-Fi film and, thus, form specific expectations about what is going to happen during the rest of the film. At the same time, we listen to the sounds and the music...
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...100 Movies to See Before You Die: The Modern Classics by The Yahoo! Movies Editorial Staff [pic] It's easy for classic movie lovers to be nostalgic for Hollywood's "Golden Age" of the 1930s and '40s. And many cineastes will tell you that film as an art reached its peak in the late '60s and early '70s. But the truth is there have been remarkable movies made in the 1990s and 2000s. From big budget blockbusters, to breakout independent films, to discoveries from around the world, we have seen exciting and groundbreaking cinematic work created in the last two decades. For our second installment of our "100 Movies to See Before You Die," we decided to highlight these "Modern Classics" made between 1990 and 2009. Like our first list, we chose movies based on their artistry, originality, and pure cinematic entertainment. And even we were surprised by the results. While big stars like George Clooney, Tom Hanks, and Morgan Freeman are well-represented on the list with three films each, it's acclaimed actress Catherine Keener who appears in the most movies. By working in both independent films like "Being John Malkovich" and studio productions like "The 40-Year-Old Virgin," she personifies the best of the era. Look through the list below to see our choices for the top movies made in the last twenty years. Click on a title to add your comments about that particular choice. And take a look at the original "100 Movies to See Before You Die" to see the seventeen films that appear on...
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...The English novel is an important part of English literature. This article focuses on novels, written in English, by novelists who were born or have spent a significant part of their lives in England, or Scotland, or Wales, or Northern Ireland (or Ireland before 1922)]. However, given the nature of the subject, this guideline has been applied with common sense, and reference is made to novels in other languages or novelists who are not primarily British where appropriate. Portrait of Samuel Richardson by Joseph Highmore.National Portrait Gallery, Westminster, England. Contents [hide] 1 Early novels in English 2 Romantic period 3 Victorian novel 4 20th century 5 Survey 6 Famous novelists (alphabetical order) 7 See also 8 References Early novels in English[edit source | editbeta] See the article First novel in English. The English novel has generally been seen as beginning with Daniel Defoe's Robinson Crusoe (1719) and Moll Flanders (1722),[1] though John Bunyan's The Pilgrim's Progress (1678) and Aphra Behn's Oroonoko (1688) are also contenders, while earlier works such as Sir Thomas Malory's Morte d'Arthur, and even the "Prologue" to Geoffrey Chaucer's Canterbury Tales have been suggested.[2] Another important early novel is Gulliver's Travels (1726, amended 1735), by Irish writer and clergyman Jonathan Swift, which is both a satire of human nature, as well as a parody of travellers' tales like Robinson Crusoe.[3] The rise of the novel as an important...
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...CHAPTER 1 The importance of understanding consumer behaviour CHAPTER CONTENTS Introduction Defining Consumer Behaviour Consumer Behaviour in Context Consumer Behaviour and the Marketing Mix Consumers and Relationship Marketing Consumers and Marketing Planning Antecedents of Consumer Behaviour Neuroscience Psychology Sociology Summary Key points Review questions Case study revisited: Pizza Case study: Center Parcs Further reading References LEARNING OBJECTIVES After reading this chapter you should be able to: Explain how the study of consumer behaviour has evolved. Show how consumer behaviour relates to marketing decision-making. Explain why relationships are harder to establish in business-to-consumer situations than in business-to-business situations. Describe the scope and nature of psychology and sociology. Describe the scope and nature of anthropology. Describe the relationship of economics with the study of consumer behaviour. Explain the role of exchange in improving people’s welfare. Explain how the terms ‘luxury’ and ‘necessity’ relate to consumer behaviour. Introduction Customer Someone who makes the decision to buy a product 01-Blythe-Ch-01-Part-1.indd 3 Every day we buy things. We exchange our money for goods and services, for our own use and for the use of our families: we choose things we think will meet our needs on a day-to-day basis, and we occasionally make buying decisions which will affect our lives for ...
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...ANNOTATED SELECTED BIBLIOGRAPHY FOR HISTORICAL INTERPRETATIONS OF THE INDUSTRIAL REVOLUTION IN BRITAIN Gerard M Koot History Department University of Massachusetts Dartmouth Allen, Robert C., The British Industrial Revolution in a Global Perspective, New York: Cambridge University Press, 2009. Pp. viii, 331. Allen’s book is an excellent example of the persuasiveness of the new economic history. It is solidly rooted in statistical data and uses sophisticated methods of economic analysis but its analysis is presented in plain English. He argues that the first industrial revolution occurred in northwestern Europe because its high wages during the early modern period encouraged technological innovation. Although high wages were initially a consequence of the demographic disaster of the Black Death, they were reinforced during the early modern period by the economic success of the region around the North Sea, first, in European trade and manufacturing, especially in wresting the textile industry from the Italians, and then in world trade. According to Allen, the first industrial revolution took place in Britain instead of the Low Countries primarily because of Britain’s abundant and cheap coal resources, combined with the central government’s ability to use mercantilist policies and naval power to reap the greatest benefits from an expanding European and world trade. Once it had taken the lead from the Dutch, and defeated the French, Britain used its comparative advantage...
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