...Lack of Creativity and Isolation in “The Yellow Wallpaper” In “The Yellow Wallpaper,” Charlotte Perkins Gilman presents an unnamed woman who gradually spirals into a state of mental psychosis. Gilman sought to bring attention to the unfair treatment of women in the nineteenth century. She uses this story to reveal to the audience that the narrator’s insanity stems from her isolation from society, and her inability to be expressive and creative through writing. Throughout “The Yellow Wallpaper,” the narrator is locked away in an isolated room, which was supposed to cure her mental disorder but instead it makes her worse. With the windows barred and the doors locked she is secluded from society. She wishes to go visit her cousin Henry and Julia, but John forbids her by telling his wife that “[she] wasn’t able to go, nor able to stand it after [she] got there; and [she] did not make out a very good case for [herself], for [she] was crying before [she] had even finished” (Gilman 92). The constant isolation causes her to focus only on the room in which she is living in, and more specifically the yellow wallpaper. She becomes obsessed with analyzing and examining the wallpaper and it causes her to become further insane. She says, “On a pattern like this, by daylight, there is a lack of sequence, a defiance of law, that is a constant irritant to a normal mind” (Gilman 93). The narrator realizes that the wallpaper is an annoyance to someone with a normal mind. However, for her, she...
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...Birling Engaged to be married to Gerald. Daughter of Arthur Birling and Sybil Birling, and sister of Eric. Priestley describes her as "a pretty girl in her early twenties, very pleased with life and rather excited," which is precisely how she comes across in the first act of the play. In the second and third acts, however, following the realization of the part she has played in Eva Smith's life, she matures and comes to realize the importance of the Inspector's message. Sybil Birling Married to Arthur. Mother of Sheila and Eric. Priestley has her "about fifty, a rather cold woman," and--significantly--her husband's "social superior." Sybil is, like her husband, a woman of some public influecnce, sitting on charity organizations and having been married two years ago to the Lord Mayor. She is an icily impressive woman, arguably the only one of all the Birlings to almost completely resist the...
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...The film focuses on the lives of three women of different social classes who get publicly harassed. It starts with Fayza (Bushra), a low income government employee who gets harassed in a taxi and a bus (numbered 678) on the way to work. When she arrives home she resists her husband's attempts in sleeping with her and doesn't explain why she can't sleep with him. It then moves to Seba a middle class jewelry designer who gets harassed in a stadium by a group of men while her husband is unable to reach her to stop what is happening to her. Following that, her husband was unable to live with what happened and she was left with no one to take care of her emotionally. She separated from her husband and started a harassment class in al Sawi cultural wheel. Finally the movie focuses on Nelly, a standup comedian and call center employee who gets harassed verbally on a call with a customer as well as physically while walking home when a truck driver grabs her and pulls her through the street. When he finally leaves her she runs behind the truck and doesn't let it go until she and the crowds were able to pull the driver out and hand him over to the police. She tries to file a report for harassment but the police officer resists and send her to another precinct. She appears after that in a TV show as she was the first Egyptian to file a report for harassment. Cast[edit] question no.3 Egyptian flim...cairo 6,7,8 ২০১০ সালে মোহাম্মাদ দিয়াব ছবিতি বানায় মিশরীয় মহিলাদের যৌন হয়রানির উপর। ...
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...time taking and rest and to get in to conversations with her husband. Mrs. Baroda has never met this friend before but she pictures him as a tall, slim, skeptical man and she also didn’t really like that image of him, but when she meets the slim but not tall or cynical Governail, she later figures that she actually likes him but what she can’t figure out is that why she likes him. After much thinking, she still ends up to be puzzled about it. At the same time Mrs. Baroda is eager for this friend to leave as she asks her husband about when Governail is leaving. Finally one night Governail breaks his silence as he starts a conversation with Mrs. Baroda, who isn’t really paying attention to his words but his voice. She realizes that she desires him especially when she desires to touch his face and lips; however she controls those sentiments because she considers herself a respectable woman. The next morning she leaves the plantation to visit her mom and avoid Governail and her feelings for him. After some time, Gaston wishes to invite Governail once again, to which Mrs. Baroda refuses but later changes her mind saying that she has overcome everything. Now what has she overcome? The feelings that she had for Governail or the obligation to be the “Respectable Woman”? However, her words and actions leave us only to believe she was going to go against her values. Analysis In "A Respectable Woman," Kate Chopin delves into the...
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...A Psychoanalytic Approach to “The Yellow Wallpaper” The short story “The Yellow Wallpaper” first appeared in the January 1882 publication of The New England Magazine, a monthly literary magazine published in Boston. Authored by Charlotte Perkins Gilman this short story was not well received at printing and was not reprinted until twenty-eight years later in William Dean Howell’s collection,The Great American Short Stories in 1920. As part of the collection it gained some popularity for a time and then just died out again. Unfortunately this was the extent of the life of her work while she was still alive. However in 1973 the story was reissued by the Feminist Press with an exceptional commentary by Elaine Hedges and finally became popularly rediscovered. Elaine Hedges explained the work as a “pioneering masterpiece of feminist literature” (Pompele 61). Since the publication, theorists using a Feminist approach most overwhelmingly study the story.Gilman’s emphasis on the importance of language and text, and the fact that “The Yellow Wallpaper” is a tale of mental breakdown, make Lacanian psychoanalytic a natural way to consider the work in order to help readers understand the author’s use of language as a manifestation not of herself but the “other” as a means to safely express herself. As an autobiographical story there exist very undeniable connections between Gilman’s personal life and that of the narrator. A study of “The Yellow Wallpaper” is quite remiss if not...
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...men. Though in Shakespeare's play, Macbeth, Lady Macbeth is the highest influence in Macbeth’s life. Her role was so large; in fact, that she uses her position to gain power, stay strong enough to support her unstable Lord, and fails miserably while their relationship falls apart. Everything about Lady Macbeth is enough to create the perfect villain because of her ability to manipulate everyone around her. It appears that even she can’t resist the perfect crime. Lady Macbeth is a dominant character as soon as she is introduced into the play. A.C. Bradley wrote about her as “…the most commanding and perhaps the most awe-inspiring figure that Shakespeare drew” from his article titled Lecture X. She became a image known for her ambitious nature. Her thirst for power and disregard for life was shocking to the audience, as to her own husband. The moment she learns of the prophecies, she decides to stand behind Macbeth and see him to the throne. She is immediately set on her quest for more power. As it reads “Glamis thou art, and Cowador, and shalt be/ What thou art promised (1.5.13-14) This moment is crucial because it is the turning point where Lady Macbeth decides that she might have to kill to fulfill her quest for royalty. Macbeth is doubtful about their plan to kill King Duncan; however, she bombards him with comments that question his courage. She goes as far as telling him his love his worth nothing if he refuses, which proves her to be dominant and controlling using his own...
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...accepted and internalized a female role in society, by either following the rules of patriarchal society or breaking them. Edna, the protagonist of The Awakening, is a woman in search of her female identity. She is uncomfortable in her role as the “patriarchal woman” and has trouble obtaining either of the other two roles. This essay will focus on Edna’s inability to find her female role. Comparing her to the three other types of women in Chopin’s works, I will show why she cannot conform to any one of these roles, and how the resulting suicide is a conscious choice very much in character with Chopin’s portrayal of her. To understand Edna’s role in society and that of the women whom she is compared to one must first know what a patriarchal society is and what it means to internalize this system. Patriarchal society can be defined “as any culture that privileges men by promoting traditional gender roles” (Tyson 83). The word...
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...Shall Go, I Shall Go, Your God shall be my God" • In chapter two, we see Ruth working and serving. It's a picture of our role as believers in Christ, and God's providence to his believers though a savior. • In chapter three, we see Boaz marrying Ruth and saving her from her suffering, and it's a beautiful picture of how Christ rescues His people from sin. Boaz, from Bethlehem, is often referred to as "the kinsman redeemer". • In chapter four, we see Ruth enjoying a bountiful reward and inheritance that she didn't earn. It was given to her by grace. Today, we are looking at Chpater 2. This is a beautiful love story between a man and a woman. . … and between a God and His people. Ruth Chapter 2 Now Naomi had a relative on her husband’s side named Boaz. He was a prominent man of noble character from Elimelech’s family. 2 Ruth the Moabitess asked Naomi, “Will you let me go into the fields and gather fallen grain behind someone who allows me to?” Naomi answered her, “Go ahead, my daughter.” 3 So Ruth left and entered the field to gather grain behind the harvesters. She happened to be in the portion of land belonging to Boaz, who was from Elimelech’s family. 4 Later, when Boaz arrived from Bethlehem, he said to the harvesters, “The Lord be with you.” “The Lord bless you,” they replied. 5 Boaz asked his servant who was in charge of the harvesters, “Whose young woman is this?” 6 The servant answered, “She is the young Moabite woman who returned with Naomi from the land...
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...Callahan seems to think that we bring these problems on ourselves by the way we see ourselves within nature. In the very beginning of chapter two of his book The Troubled Dream of Life he states that “The ambition of modern medicine has been to do something about that seemingly unalterable fact. It has declared war on death, on the ravages of time, and most of all on the nature that brings them about. It has sought through research to combat the the causes of death and constantly to redefine the idea of a premature death” (Callahan 57). What Callahan means by this is that as we continue to further understand the body and to further stave off things that would traditionally bring on death we reach this point of not knowing when death should occur. We, as a species, are not longer sure when someone is supposed to die and when they are, essentially, let to die prematurely. One very good example he gives of this kind of thinking is how “Doctors routinely resist turning off respirators and other life-sustaining machines with irreversibly dying patients, because they experience their actions as tantamount to killing the patient. Those patients, they believe, will die from their action in stopping the machine, rather than from the underlying disease” (Callahan 63). He is saying we don’t see turning off the machine as letting someone die naturally, we see it as letting them die because we aren't’ taking care of them. Even if it is morally wrong to keep someone artificially alive, we don’t want...
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...The Proverbs 31 Woman One Virtue At A Time Courtney Joseph www.WomenLivingWell.org Edited by Katina Miller © 2011 | All rights reserved 2 Table of Contents Is the Proverbs 31 Woman For Real?..........................................................................................5 How to be Treasure to Your Husband.......................................................................................6 Does Your Husband Trust You?.................................................................................................7 A Woman of Action......................................................................................................................8 Working With Eager Hands........................................................................................................9 Shop to the Glory of God...........................................................................................................11 The Proverbs 31 Woman Rises Very Early..............................................................................12 Do You Have a Dream?..............................................................................................................14 Vigorously Clean Your Home & Get a Bonus Workout.......................................................16 Burning the Midnight Oil..........................................................................................................18 Mundane Tasks Are a Hidden Treasure............................
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...Critical Reading 1. Preview. Look “around” the text before you start reading. ... 2. Annotate. Annotating puts you actively and immediately in a "dialogue” with an author and the issues and ideas you encounter in a written text. ... 3. Outline, Summarize, and Analyze. ... 4. Look for repetitions and patterns. ... 5. Contextualize. ... 6. Compare and Contrast. When you write about literature . . . Some Tips for Academic Writers Sentence Style 1. Use simple sentences as rubrics (pointers). 2. Use compound sentences to suggest balance and to present pairs of ideas of equal value. 3. Use complex sentence to emphasize the most important ideas and to subordinate less important ideas. 4. Avoid "empty" sentence frames that say little or restate the obvious. 5. Use present tense when referencing details in a literary work except for passages written in the past tense. 6. Incorporate short, key quoted phrases into analytical sentences. 7. Avoid the use of such words and phrases as "you" and "the reader" that often lead to wordiness. 8. Avoid the phrase, "In conclusion," when opening the concluding paragraph. 9. Avoid gratuitous complements and superlatives. Paragraph Development 1. Use Pattern 1 paragraph frames for most paragraphs in the body of academic essays. 2. Begin body paragraphs with claims as topic sentences that repeat key concepts from the thesis sentence. 3. Always introduce the speaker, context, and/or significance of block quotations. 4. Always...
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...Anna Karenina and Madame Bovary are two novels written in two different languages, around the same time period (late 1800s). Though they belong to two separate countries and are separated in history by a margin of about twenty five years, their socio political setting, and situational complexities are quite similar. ‘Madam Bovary’ takes us on a journey through the life of the extremely complex character of Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Raised in a convent, a lover of sensuality, desirous of an expensive urban lifestyle yet not very smart about money, it is this dichotomy of traits that keeps Emma careening from one radically different situation to the next: first falling hard for her father's roving rural doctor Charles Bovary, thinking that their marriage will finally bring her the sophisticated Paris life full of passion and grandeur she's always dreamed of; but instead getting stuck in a provincial town where nothing ever happens and trying and failing at a domestic life. This leads to a hot-and-cold emotional affair with a young law student named Leon, followed by a much more serious affair with a major womanizer named Rodolphe. An unceremonial dumping by Rodolphe after she offers to leave her husband for him and bring her daughter along leads to a short period again in her life as a pious born-again Christian. A reacquaintance with Leon, the now successful young urban...
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...fallen beings. Regardless of their previous state, it stands without argument that they fell, and that they seek embodiment in man. The Word of God tells us this in Matthew 12: 17 When the unclean spirit is gone out of a man, he walketh through dry places, seeking rest, and findeth none. 18 Then he saith, I will return into my house from whence I came out; and when he is come, he findeth it empty, swept, and garnished. 19 Then goeth he, and taketh with himself seven other spirits more wicked than himself, and they enter in and dwell there. . . . We also learn about demons seeking embodiment in man in the story of the Gadarene demoniac in Mark 5. The madman of Gadara was possessed with the devil and had a legion of spirits in him. If demons can't embody man, they'll seek to go into animals as their second choice. When Jesus delivered the demoniac, the evil spirits didn't want Him to send them out of the country, so they asked to go into a herd of swine. Jesus gave them permission. It's obvious why evil spirits seek embodiment in man. They do it because they need a body in order to find their fullest expression in this...
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...Since the doctrine of undue influence is under the court of equity , it derives from different other doctrines that gives it's classification a wide variation from case to case. Thus , it shouldn't be limited a scope of criteria. The criteria shown is only to describe the possibilities of the decisions and distinguishing the doctrine from others , but shouldn't be a consistent set of rules that defines what it exactly it should be in every case and how it should be applied in every case. operates to release parties from contracts that they have entered into as a result of being 'influenced' by the other party. - 754 - Lord Nicholls of Birkenhead : ' If the intention was produced by an unacceptable means , the law will permit the transaction to stand. The means used is regarded as exercise of improper or 'undue' influence, and hence unacceptable whenever the consent thus procured ought not fairly to be treated as the expression of a person's free will. It is impossible to be more precise or definitive. The circumstances in which one person acquires influence over another , and the manner in which influence may be exercised , vary too widely to permit of any more specific criterion' - 770 ' Even this test is not comprehensive. The principle is not confined to cases of abuse of trust and confidence. It also includes, for instance, cases where a vulnerable person has been exploited. Indeed, there is no single touchstone for determining whether the principle is applicable...
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...1 The Great No-No If you picked up this book because of difficulties in your own relationship, then your simple act indicates two important things about you. First, it signifies that you’re feeling some pain. I’m not talking about the obviously physical, just-cut-your-finger kind of pain. I’m talking about the kind of pain that hurts somewhere in your spirit. But even though your pain is spiritual, it can still be described in physical terms. If your relationship is in acute crisis, then the pain may feel sharp and piercing. Or if your frustration is chronic, then the pain may feel like a dull ache or perhaps an empty, hungry kind of sensation. Another possibility is a stifling, suffocating kind of feeling. You may associate it with your chest, your heart, the pit of your stomach, the back of your neck or even your head. But wherever you feel it, whether it’s subtle or intense, you’re still feeling some form of pain. You may also have the disturbing sense that your life wasn’t supposed to turn out this way. You started this marriage with dreams that you hoped your relationship would fulfill. You wanted love, respect, and a soul-mate with whom you could share life’s experiences. You not only wanted to be nurtured, but you wanted to be appreciated for being the loving person you always knew you could be. You wanted the opportunity to let your love unfold, and now you fear that the opportunity is passing you by. The second thing indicated by your picking up this book is that you...
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